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  • I Love You, Honeybear I Love You, Honeybear Quick View

    $19.99
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    I Love You, Honeybear

    I Love You, Honeybear was recorded intermittently from 2013 to 2014 in Echo Park, Los Angeles and produced with Jonathan Wilson, whom I also recorded and produced 2012's Fairly Fun with. There's a case to be made that it sounds and acts a bit like solo-era John Lennon, Scott Walker, Randy Newman, Harry Nilsson, and Dory Previn, while taking more than a few cues from Woody Allen, Kurt Vonnegut, Alejandro Jodorowsky and Muhammad Ali. Blammo.


    It has a decidedly more soulful presence than Fear Fun, due in no small part to the fact that I am truly singing my ass off all over this motherfucker. The album is really characterized by the scope and ambition of the arrangements. Nearly every tune is augmented by something special, be it orchestral strings, a mariachi band, questionable electronic drum solos, ragtime jazz combos, soul singers, or what have you. I'm pretty sure there's a sitar in there somewhere. Blammo. My ambition, aside from making an indulgent, soulful, and epic sound worthy of the subject matter, was to address the sensuality of fear, the terrifying force of love,
    the unutterable pleasures of true intimacy, and the destruction of emotional and intellectual prisons in my own voice. Blammo.


    This material demanded a new way of being made, and it took a lot of time before the process revealed itself. The massive, deranged shmaltz I heard in my head, and knew had to be the sound of this record, originated a few years ago while Emma and I were hallucinating in Joshua Tree; the same week I wrote the title track. I chased that sound for the entire year and half we were recording. The means by which it was achieved bore a striking resemblance to the travails, abandon and transformation of loving someone. There: I said it. Blammo.

    -Josh Tillman, aka Father John Misty


    I Love You, Honeybear was produced by Josh Tillman and Jonathan Wilson, mixed
    by Phil Ek, and mastered by Greg Calbi.

    1. I Love You, Honeybear
    2. Chateau Lobby #4 (in C for Two Virgins)
    3. True Affection
    4. The Night Josh Tillman Came to Our Apt.
    5. When You're Smiling and Astride Me
    6. Nothing Good Ever Happens at the Goddamn Thirsty Crow
    7. Strange Encounter
    8. The Ideal Husband
    9. Bored in the USA
    10. Holy Shit
    11. I Went to the Store One Day
    Father John Misty
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Pure Comedy Pure Comedy Quick View

    $22.99
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    Pure Comedy

    Standard 2x Black Vinyl Housed In A Gatefold Jacket


    Comes With 1 Of 4 Different Cover Color Schemes With Custom Dust Sleeves - Shipped At Random


    Pure Comedy, Father John Misty's third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. Tillman has released two widely acclaimed albums - Fear Fun (2012) and I Love You, Honeybear (2015) - and the recent "Real Love Baby" single as Father John Misty, and recently contributed to songs by BeyoncÉ, Lady Gaga, and Kid Cudi.


    While we could say a lot about Pure Comedy - including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen - we think it's best to let its creator describe it himself. Take it away, Mr. Tillman: Pure Comedy is the story of a species born with a half-formed brain. The species' only hope for survival, nding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like "love," "culture," "family," etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species' loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence. Something like that.


    Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty's longtime sound-person Trevor Spencer and orchestral arrangements by renowned composer/double-bassist Gavin Bryars (known for extensive solo work, and work with Brian Eno, Tom Waits, Derek Bailey).

    LP 1
    1. Pure Comedy
    2. Total Entertainment Forever
    3. Things It Would Have Been Helpful to Know Before the Revolution
    4. Ballad of the Dying Man
    5. Birdie
    6. Leaving LA


    LP 2
    1. A Bigger Paper Bag
    2. When the God of Love Returns There'll Be Hell to Pay
    3. Smoochie
    4. Two Wildly Different Perspectives
    5. The Memo
    6. So I'm Growing Old on Magic Mountain
    7. In Twenty Years or So

    Father John Misty
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Pure Comedy (Deluxe) Pure Comedy (Deluxe) Quick View

    $39.99
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    Pure Comedy (Deluxe)

    Deluxe 2xLPs Are Housed In A Die-Cut Customizable Jacket With 4 Interactive "Background" Dust Sleeves (Four Different Sky Color Schemes To Choose From)


    Housed In An Outer Plastic Slipcase.


    Includes A Tri-Fold Poster & Holographic Tarot Card


    Pure Comedy, Father John Misty's third album, is a complex, often-sardonic, and, equally often, touching meditation on the confounding folly of modern humanity. Father John Misty is the brainchild of singer-songwriter Josh Tillman. Tillman has released two widely acclaimed albums - Fear Fun (2012) and I Love You, Honeybear (2015) - and the recent "Real Love Baby" single as Father John Misty, and recently contributed to songs by BeyoncÉ, Lady Gaga, and Kid Cudi.


    While we could say a lot about Pure Comedy - including that it is a bold, important album in the tradition of American songwriting greats like Harry Nilsson, Randy Newman, and Leonard Cohen - we think it's best to let its creator describe it himself. Take it away, Mr. Tillman: Pure Comedy is the story of a species born with a half-formed brain. The species' only hope for survival, nding itself on a cruel, unpredictable rock surrounded by other species who seem far more adept at this whole thing (and to whom they are delicious), is the reliance on other, slightly older, half-formed brains. This reliance takes on a few different names as their story unfolds, like "love," "culture," "family," etc. Over time, and as their brains prove to be remarkably good at inventing meaning where there is none, the species becomes the purveyor of increasingly bizarre and sophisticated ironies. These ironies are designed to help cope with the species' loathsome vulnerability and to try and reconcile how disproportionate their imagination is to the monotony of their existence. Something like that.


    Pure Comedy was recorded in 2016 at the legendary United Studios (Frank Sinatra, Ray Charles, Beck) in Hollywood, CA. It was produced by Father John Misty and Jonathan Wilson, with engineering by Misty's longtime sound-person Trevor Spencer and orchestral arrangements by renowned composer/double-bassist Gavin Bryars (known for extensive solo work, and work with Brian Eno, Tom Waits, Derek Bailey).

    LP 1
    1. Pure Comedy
    2. Total Entertainment Forever
    3. Things It Would Have Been Helpful to Know Before the Revolution
    4. Ballad of the Dying Man
    5. Birdie
    6. Leaving LA


    LP 2
    1. A Bigger Paper Bag
    2. When the God of Love Returns There'll Be Hell to Pay
    3. Smoochie
    4. Two Wildly Different Perspectives
    5. The Memo
    6. So I'm Growing Old on Magic Mountain
    7. In Twenty Years or So

    Father John Misty
    $39.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Child Is The Father To The Man Child Is The Father To The Man Quick View

    $28.99
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    Child Is The Father To The Man

    Ranked 264/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Although they would go on to become one of the most commercially successful acts of the 1970s, most observers agree that Blood, Sweat & Tears 1968 debut effort Child Is Father to the Man remains the ambitious ensembles finest and most enduring musical statement. The bands only album under the leadership of legendary singer / keyboardist Al Kooper, Child Is Father to the Man stands with such late-60s art-pop landmarks as the Zombies Odessey and Oracle and Loves Forever Changes in capturing the periods seemingly limitless creative possibilities.
    Child Is Father to the Man is a brilliant reflection of the desire of Koopera former member of the seminal Blues Project and a key collaborator in Bob Dylans early electric workto use an expanded instrumental lineup to explore a broader range of sounds, styles and compositional approaches. Towards that end, he launched Blood, Sweat & Tears, recruiting a stellar assortment of players from the worlds of rock and jazz, including ex-Blues Project guitarist Steve Katz, former Buffalo Springfield/Mothers of Invention bassist Jim Fielder, jazz drummer Bobby Colomby and noted jazz horn players Randy Brecker, Dick Halligan, Fred Lipsius and Jerry Weiss.


    The resulting album (produced by fabled studio genius John Simon) was a seamlessly eclectic psychedelic-rock-jazz-classical fusion, with such diverse tracks as Koopers gritty compositions I Cant Quit Her and I Love You More Than Youll Ever Know, as well as his playfully arty House in the Country and The Modern Adventures of Plato, Diogenes and Freud, along with stirring readings of Tim Buckleys Morning Glory, Harry Nilssons Without Her and Randy Newmans Just One Smile.


    Koopers expansive musical vision may have been a bit too far ahead of its time. Although it was a favorite of early FM album-rock DJs, Child Is Father to the Man barely scraped the Billboard Top 50 and failed to produce a hit single. However, in the years since, the album has been widely recognized for its expressiveness and originality, and embraced by successive generations of listeners. For instance, it received a prominent placement in Rolling Stones 2003 ranking of the 500 greatest albums of all time.


    Now, Child Is Father to the Man is back in its original vinyl format with Sundazeds definitive new LP edition. With meticulously reproduced original cover art, this vintage musical landmark has been remastered from the original analog master tapes and is pressed on high-quality, high-definition vinyl.

    1. Overture
    2. I Love You More Than You'll Ever Know
    3. Morning Glory
    4. My Days Are Numbered
    5. Without Her
    6. Just One Smile
    7. I Can't Quit Her
    8. Meagan's Gypsy Eyes
    9. Somethin' Goin' On
    10. House In The Country
    11. The Modern Adventures Of Plato, Diogenes And Freud
    12. So Much Love/Underture
    Blood, Sweat And Tears
    $28.99
    Vinyl LP - Sealed Buy Now
  • Father of the Delta Blues: The Complete 1965 Sessions (Pure Pleasure) Father of the Delta Blues: The Complete 1965 Sessions (Pure Pleasure) Quick View

    $49.99
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    Father of the Delta Blues: The Complete 1965 Sessions (Pure Pleasure)

    House's recording session ran over a few days and saw the studio set up like a small club with an invited audience. I remember John (Hammond) running around crazed, as was Son's manager, Dick Waterman (a man to whom Son owed everything). Al Wilson of Canned Heat was sat alongside Son, and once the recording started occasionally played harp and guitar. He appeared to have a decidedly calming influence on House, who throughout would turn to him to discuss various things. Once things had begun Son was quite nervous but ever so slowly, as time wore on, the emotional intensity of his performance transported one back to the Mississippi Delta c. 1930 when Son, as a young man, ruled the roost along with Delta legend Charlie Patton. And today, many years later, the images are frozen pieces of time, forever stored in my memory.



    Excerpt from a piece by Lawrence Cohn who was present at the session.



    Musicians:



    • Son House (vocal, steel-guitar)

    • Al Wilson (guitar, harmonica)




    Recording: April 1965 at Columbia's studios, New York City

    Production: John Hammond and Frank Driggs




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Death Letter Blues
    2. Pearline
    3. Louise McGhee
    4. John The Revelator
    5. Empire State Express
    6. Preachin' Blues
    7. Grinnin' In Your Face
    8. Sundown
    9. Levee Camp Moan
    10. Death Letter Blues (alternate take)
    11. Levee Camp Moan (alternate take )
    12. Grinnin' In Your Face (alternate take )
    13. JohnThe Revelator (alternate take )
    14. Preachin' Blues (alternate take )
    15. President Kennedy
    16. A Down The Staff
    17. Motherless Children
    18. Yonder Comes My Mother
    19. Shake It and Break It
    20. Pony Blues
    21. Downhearted Blues
    Son House
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Fear Fun Fear Fun Quick View

    $18.99
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    Fear Fun

    Father John Misty is the nom-de-plume of Josh Tillman, who has been releasing solo albums since 2003 and who recently left Seattle's Fleet Foxes after playing drums from 2008-2011. Fear Fun consists of such disparate elements as Waylon Jennings, Harry Nilsson, Arthur Russell, and Physical Graffiti, often within the same song. Tillman's voice has never been better, while the music maintains a dark, mysterious yet playful quality. Fear Fun is Father John Misty's Sub Pop debut and was produced by Phil Ek (Modest Mouse, Band of Horses, Fleet Foxes).
    1. Funtimes in Babylon
    2. Nancy From Now On
    3. Hollywood Forever Cemetary Sings
    4. I'm Writing a Novel
    5. O I Long to Feel Your Arms Around Me
    6. Misty's Nightmares 1 & 2
    7. Only Son of the Ladiesman
    8. This Is Sally Hatchet
    9. Well, You Can Do It Without Me
    10. Now I'm Learning to Love the War
    11. Tee Pees 1-12
    12. Everyman Needs a Companion
    Father John Misty
    $18.99
    Vinyl LP - Sealed Buy Now
  • Turning Into Water Turning Into Water Quick View

    $12.99
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    Turning Into Water

    Twangy psychedelia with a funhouse bounce, Maybird modernizes blissful space-rock with a playful sense of songwriting. Sounds like Father John Misty, Band of Horses, The Black Keys and Kings of Leon.
    1. Nocturne
    2. Turning Into Water
    3. Big Sun Explosion
    4. Looking Back
    5. Maybird
    Maybird
    $12.99
    Vinyl EP - Sealed Buy Now
  • Double Roses Double Roses Quick View

    $18.99
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    Double Roses

    Pressed 180-Gram White Vinyl With Smoky Black Swirl


    First new album in seven years from English singer/songwriter and model Karen Elson. This set includes collaborations with Patrick Carney (The Black Keys), Father John Misty, Pat Sansone (Wilco), Benmont Tench (Tom Petty & The Heartbreakers), Laura Marling, Nate Wolcott, Paul Cartwright, and Dhani Harrison. Follow up to the critically acclaimed The Ghost Who Walks.

    1. Wonder Blind
    2. Double Roses
    3. Call Your Name
    4. Hell and High Water
    5. The End
    6. Raven
    7. Why Am I Waiting
    8. A Million Stars
    9. Wolf
    10. Distant Shore
    Karen Elson
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Cape Verdean Blues The Cape Verdean Blues Quick View

    $19.99
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    The Cape Verdean Blues

    Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    The Cape Verdean Blues is an album by the Horace Silver Quintet, led by jazz pianist Horace Silver. The quintet is joined on half of these tracks by trombonist J.J. Johnson, with whom Silver had been eager to work for some time. The album was inspired by Silver's father, John Tavares Silva, who was born in Cape Verde.

    1. The Cape Verdean Blues
    2. The African Queen
    3. Pretty Eyes
    4. Nutville
    5. Bonita
    6. Mo' Joe
    Horace Silver
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Carry The Ghost Carry The Ghost Quick View

    $24.99
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    Carry The Ghost

    Though only a little more than a year has passed since the 2014 release of Ledges, Carry The Ghost finds an older, more sophisticated Gundersen attempting the difficult work of unraveling our purpose here, searching for answers about the nature of man and the meaning of our relationships. Produced by Gundersen and mixed by Phil Ek (Father John Misty, Band Of Horses), Carry The Ghost explores issues of self-discovery and existentialism with an erudite sophistication across 13 magnificent tracks.
    LP1
    1. Slow Dancer
    2. Halo (Disappear/Reappear)
    3. Selfish Art
    4. Show Me The Light
    5. The Difference
    6. Silver Bracelet
    7. I Need A Woman


    LP2
    1. Jealous Love
    2. Empty From The Start
    3. Blossom
    4. Topless Dancer
    5. Heartbreaker
    6. Planted Seeds

    Noah Gundersen
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Visions Of Us On The Land Visions Of Us On The Land Quick View

    $22.99
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    Visions Of Us On The Land

    "Damien Jurado is every character in every Damien Jurado song. He is the gun, the purple anteater, the
    paper wings, the avalanche, the air show disaster, Ohio, the ghost of his best friend's wife."

    - Father John Misty


    Providing the ideal entry point for neophytes and an intoxicating aural high for the faithful, Damien
    Jurado's new opus extends the hot streak ignited by 2012's Maraqopa and its 2014 follow-up Brothers and
    Sisters of the Eternal Son. Cut once again with label-mate and super producer Richard Swift at the latter's
    National Freedom recording facility in rural Oregon, Visions of Us On The Land completes the tale of an
    individual who has had to disappear from society in order to discover some universal truths.

    1. Amateur Night
    2. Omaha
    3. Abilene
    4. Texas To Ohio
    5. Window
    6. I Can't Get Over You
    7. Intoxicated Hands
    8. Tether
    9. Matinee
    10. Bad Dreams
    11. Abilene (demo)
    12. I Can't Get Over You (demo)
    13. The Killer (demo)
    14. Amateur Night (demo)
    15. Omaha (demo)
    16. Smith 1972 (Just In Time For Something EP)
    17. Motion Sickness (Just In Time For
    Something EP)
    18. Night Out For The Downer (Just In
    Time For Something EP)
    19. Prices (Just In Time For Something
    EP)
    20. Engine Fire (Just In Time For
    Something EP)
    Damien Jurado
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • El Prado El Prado Quick View

    $29.99
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    El Prado

    NO was formed in 2010 through the chance encounter of Bradley Hanan Carter and Sean Daniel Stentz at a local LA diner. Bonding over stories of disastrous relationships as well as their mutual admiration for storytelling artists like Leonard Cohen, Bill Callahan, Johnny Cash and Lou Reed, the two decided to unite and build something for themselves.


    Following the 2011 release of Don't Worry, You'll Be Here Forever EP, NO quickly gained recognition with the local Echo Park crowds, and both NME and the LA Times tipped them as an act to keep a close eye on. 2012 saw them wrack up over 100 live shows, including supports for Best Coast and Electric Guest, and a European tour with Father John Misty. In 2013 the band returned to LA for a sold-out headline show at The Troubadour and performed at international festivals including London's Hard Rock Calling and Germany's Southside and Hurricane, as well as supporting the likes of The Smashing Pumpkins, Public Image LTD and The Naked and Famous.


    The six-piece are now looking forward having just finished their self-produced debut album El Prado. Mixed by Billy Bush (Tegan & Sara, Foster The People, Jake Bugg) and mastered by Joe LaPorta (Beach House, Foo Fighters, Vampire Weekend), the album will be released by Arts & Crafts in North America in 2014.

    1. Leave The Door Wide Open

    2. Stay With Me
    3. What's Your Name

    4. Monday

    5. So Scared

    6. There's a Glow
    7. Interlude
    8. Another Life
    9. The Long Haul
    10. North Star
    11. Last Chance
    12. Hold On
    13. Go Outside
    No
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Death Song Death Song Quick View

    $24.99
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    Death Song

    The Black Angels - Austin's psych rock masters - have confirmed details for their upcoming album, 'Death Song.,' the five-piece's first full-length release in four years.


    Written and recorded in large part during the recent election cycle, the music on 'Death Song' serves as part protest, part emotional catharsis in a climate dominated by division, anxiety and unease. "Currency," a strong contender for the heaviest song the band has ever put to wax, meditates on the governing role the monetary system plays in our lives, while slow-building psychedelic earworm "Half Believing" questions the nature and confusing realities of devotion.


    Recorded between Seattle and Austin, 'Death Song' features production from Phil Ek (Father John Misty, Fleet Foxes, The Shins). The 11-track collection offers a sharply honed elaboration on their signature sound - menacing fuzz guitar and cutting wordplay, steeped in a murky hallucinatory dream.


    Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock, and the New York Times has said they "play psychedelic rock as if the 1960s never ended, and they are absolute masters of it".


    The band has toured with Queens of the Stone Age, Brian Jonestown Massacre, the Black Keys + more, and played festivals such as Glastonbury, Fuji Rock, Primavera, Harvest Fest, Coachella and Bonnaroo. Two of the band members co-founded Levitation Festival (formerly Austin Psych Fest) in 2008, which has since grown into one of the best-reviewed and expertly-curated festivals in the country.

    LP 1
    1. Currency
    2. I'd Kill For Her
    3. Half Believing
    4. Comanche Moon
    5. Hunt Me Down
    6. Grab As Much (As You Can)


    LP 2
    1. Estimate
    2. I Dreamt
    3. Medicine
    4. Life Song
    5. Death March

    Black Angels
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Sibelius Symphony No 4 Sibelius Symphony No 4 Quick View

    $34.99
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    Sibelius Symphony No 4

    Cut from the Original Analogue EMI Master Tapes at Abbey Road Studios!


    Born in London of an Italian father (a violinist at La Scala, Milan) and French mother, Sir John Barbirolli, CH (1899-1970), nÉ Giovanni Battista Barbirolli, was an English conductor and cellist. Although a conductor of international standing, succeeding Toscanini as music director of the New York Philharmonic from 1936-43, and having conducted many major orchestras like the Vienna Philarmonic and Berlin Philharmonic, he is remembered above all as conductor of the HallÉ Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Noted for his interpretations of Sibelius, Barbirolli and the HallÉ recorded all the Sibelius symphonies for EMI and these recordings were made just over a year before Barbirolli died.


    Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional 'advance' playback head, making the cut a totally analogue process.


    Recorded on 29-30 May and *5 August 1969 at the Kingsway Hall, London. Produced and engineered by the legendary two Christophers: Christopher Bishop and Christopher Parker respectively (*with additional engineer Martin Benge)


    In the original April 1970 review of the stereo release, Sibelius expert Robert Layton of the GRAMOPHONE was torn between the contemporaneous Maazel version on Decca and the Barbirolli: ...Sir John views the symphony as a whole as predominantly bleak with dark, shifting colourings whereas Maazel's conception is icy, unremitting and very powerful. Sir John's is the more complex and in some ways more interesting view and he has the advantage of quite superlative recorded sound. In fact this is one of the most vivid and full bodied recordings I have heard from this source and is richer in tone than its Decca rival... this new version can confidently be recommended alongside the Maazel and granted the odd reservation, my own preference is for this splendidly recorded newcomer.


    Features:

    Hi-Q Records Supercuts 180g Vinyl

    Cut from the Original Analogue EMI Master Tapes at Abbey Road Studios!

    Produced and engineered by the legendary two Christophers (Christopher Bishop and Christopher Parker)

    Superior Audiophile Pressing

    Features Original Album Artwork


    Musicians:

    The Halle Orchestra

    Sir John Barbirolli, conductor


    This title is not eligible for discount.

    Jean Sibelius (1865 - 1957)
    Symphony No. 4 in A minor, Op. 63
    Side One:
    1. I. Tempo molto moderato, quasi adagio
    2. II. Allegro molto vivace
    3. III. Il tempo largo
    Side Two:
    1. IV. Allegro
    2. 'Rakastava' for String Orchestra, Op. 14
    3. Romance in C Major for String Orchestra, Op. 42
    Sir John Barbirolli
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Fanfare Fanfare Quick View

    $24.99
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    Fanfare

    Jonathan Wilson returns in 2013 with Fanfare, an epic, grandiose and highly ambitious production that builds upon the success of his Bella Union debut.


    With 2011's critically-lauded Gentle Spirit, audiences worldwide were introduced to the prodigious talents of singer, songwriter, multi-instrumentalist, record producer and unrivalled guitar hero Jonathan Wilson. Gentle Spirit's authentic exploration and modern updating of the Laurel Canyon sound earned it high marks on many year-end lists, including those of MOJO (#4), Uncut (#16) and The Guardian (#28). The eagerly-awaited follow-up, Fanfare, is an even more ambitious production that instantly conjures thoughts of Dennis Wilson's Pacific Ocean Blue.


    'Fanfare as a word represents a fanciful showing, a bodacious movement of energy, a celebration of sound, Wilson explains. Something to signify an arrival, a special occasion. In this case, it's also the immense opening song that builds into a multilayered cinematic poem from the artist to channel the perfect love song through his piano. As a declaration of intent, it's a powerful statement.


    From the initial idea of the record, I knew I wanted a concert Steinway piano to be the centerpiece--the beating heart--of Fanfare. I was going for this sort of widescreen sound. I wanted strings, horns, vibes, voices, solos, improvisation and a full orchestra on some of the tunes. Having that 9-foot Steinway was central to achieving the sound that I wanted.


    Fanfare was made in Los Angeles over a 9-month period. Featuring vocal and instrumental contributions from heavy friends like Graham Nash, David Crosby, Jackson Browne, Josh Tillman (aka Father John Misty), Wilco's Patrick Sansone, Dawes' Taylor Goldsmith and Mike Campbell and Benmont Tench from Tom Petty and The Heartbreakers, the album is a celebration of friends and family. Additionally, Wilson and British folk legend Roy Harper co-wrote several songs on the record.


    Sometimes Wilson seems to need a pinch to believe his good fortune: There are an awful lot of wizards on this album. Wizards of all ages and life experiences. All these amazing voices and musicians. There is a high degree of musical prowess and pedigree here. Cross-generational musical sharing and passing down traditions is very important to me and something that must continue. This is the way you keep the Fanfare's blowing, this is how you keep the energies interacting.


    - Contact Music

    1. Fanfare
    2. Dear Friend
    3. Her Hair Is Growing Long
    4. Love To Love
    5. Future Vision
    6. Moses Pain
    7. Cecil Taylor
    8. Illumination
    9. Desert Trip
    10. Fazon
    11. New Mexico
    12. Lovestrong
    13. All the Way Down
    Jonathan Wilson
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • In Movement In Movement Quick View

    $35.99
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    In Movement

    Fifty years ago, as a guest with John Coltrane's group, Jack DeJohnette played with the fathers of Ravi Coltrane
    and Matthew Garrison. But for all the wealth of historical reference, this adventurous trio is a band in movement,
    taking the music forward. Ravi Coltrane and Matt Garrison, in their ECM debuts, both respond magnificently to
    DeJohnette's driving drumming, Ravi with superb solos, Garrison with lean bass lines and imaginative looping
    electronics.
    LP 1
    1. Alabama
    2. In Movement
    3. Two Jimmys
    4. Blue In Green


    LP 2
    1. Serpentine Fire
    2. Lydia
    3. Rashied
    4. Soulful Ballad

    Jack DeJohnette, Ravi Coltrane, Matt Garrison
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Brothers and Sisters of the Eternal Son Brothers and Sisters of the Eternal Son Quick View

    $16.99
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    Brothers and Sisters of the Eternal Son

    Damien is out of his goddamn mind.


    This isn't a recent development, but it's an important aspect of his work that often goes ignored. In place of
    this key element is the idea that his music is a sober and in-depth excavation of the American landscape and
    rural psyche. Well, folks,I'm sorry, but it's not.


    Damien Jurado is every character in every Damien Jurado song. He is the gun,the purple anteater,the paper
    wings, the avalanche, the airshow disaster, Ohio, the ghost of his best friend's wife. It is a universe unto its
    own,with it's own symbolism, creation myth, and liturgy. You might go as far as to call it a religion, and your
    religion is a character in his religion.


    Level with me. You're reading this because of Damien Jurado's new album,Brothers and Sisters of the Eternal
    Son (produced by Richard Swift). You are a progressive minded, left-leaning person who in parlor-style
    conversation regarding the globo-political ramifications of Sky Person relationships laughs knowingly so as
    not to be judgmental and very reasonably concedes "Well, I don't believe He's some old man with a beard
    sitting up in the clouds" at which point everyone agrees on [insert benign middle-ground] and moves on.


    Consider this:What if the only way to understand a religion is to create your own?


    Who is this Silver community? Where the hell are they in the Bible? Is this heresy? Agnostic reference? Isn't
    this sun business a little, I don't know, animistic? Pagan? Go ahead and answer that question for yourself. I'll
    give you a second.


    Do you understand the music any better?


    You know that adage we all use so we have something to say while we shrug our shoulders? "People change"?
    That one. Is that applicable to Jesus Christ? Maybe he's been on a personal journey of discovery since he
    ascended. He went through the 60's, 70's,he turned on,tuned out, got disillusioned. Why can't we talk about
    that Jesus? Does it have to be the old-timey one all the time? American folk Jesus,ugh. The one who's always
    winning Best Soundtrack Oscars for people. Rarely do stories of faith make us identify with Jesus. It's
    Abraham, Satan, Silver Timothy, Salome, Dr.J, Saul of Tarsus; divinely imperfect brothers and sisters who give
    Gawd something to do.


    Damien Jurado made up his own Jesus because a Damien Jurado album needs a beautiful Jesus. Some freaky
    space Jesus that I don't recognize. The name is the same, a lot of the imagery is the same, but he's reborn.
    Born again,I mean. Yeah, as if Jesus got born again. That's what this album sounds like.


    Jesus is out of his goddamn mind and I want to live in Damien's America.


    Sign me up.


    --- Father John Misty; 09-20-2013

    1. Magic Number
    2. Silver Timothy
    3. Return To Maraqopa
    4. Metallic Cloud
    5. Jericho Road
    6. Silver Donna
    7. Silver Malcolm
    8. Silver Katherine
    9. Silver Joy
    10. Suns In Our Mind
    Damien Jurado
    $16.99
    Vinyl LP - Sealed Buy Now
  • The Sirens Of The Ditch The Sirens Of The Ditch Quick View

    $18.99
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    The Sirens Of The Ditch

    For the past six years, Jason Isbell was one of three frontmen for the critically acclaimed Drive-By Truckers and although fans may have been shocked by his departure from the band in April of 2011, once you hear this, his solo debut Sirens Of The Ditch (which was co-produced by Isbell and Patterson Hood) it will only confirm that Isbell by no means is putting his feet up. Musicians joining Isbell on the album include Shonna Tucker (bass) and Brad Morgan (drums) with cameos from Patterson Hood, his father David Hood, Spooner Oldham, John Neff and more.


    Recorded over the past four years at FAME Studios in Muscle Shoals (Aretha Franklin, Duane Allman, Otis Redding), Sirens Of The Ditch is a diverse collection of songs that incorporates elements of rock, blues and soul music into a heartfelt mix of songs that favor piano and pedal steel over buzzing guitars, although theres a fair share of overdriven amps here as well. A lot of old soul musicians came through here in the late 60s and 70s and helped define the Muscle Shoals sound, the lifelong Alabamian explains, so that influence was always in my environment, but on this record I really tried to capture that.

    1. Brand New Kind Of Actress
    2. Down In A Hole
    3. Try
    4. Chicago Promenade
    5. Dress Blues
    6. Grown
    7. Hurricanes and Hand Grenades
    8. In A Razor Town
    9. Shotgun Wedding
    10. The Magician
    11. The Devil Is My Running Mate
    Jason Isbell
    $18.99
    Vinyl LP - Sealed Buy Now
  • Beulah Beulah Quick View

    $18.99
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    Beulah

    Beulah. It's a small, complicated word with a tangle of meanings.


    It's the title of John Paul White's new album, his first in nearly a decade, a remarkably and assuredly diverse collection spanning plaintive folk balladry, swampy southern rock, lonesome campfire songs, and dark acoustic pop. Gothic and ambitious, with a rustic, lived-in sound, it's a meditation on love curdling into its opposite, on recrimination defining relationships, on hope finally filtering through doubt.


    Beulah is also a White family nickname. "It's a term of endearment around our house," White explains, "like you would call someone 'Honey.' My dad used to call my little sister Beulah, and I call my daughter Beulah. It's something I've always been around."


    Beulah is also something much loftier. For the poet and painter William Blake, Beulah was a place deep in the collective spiritual unconscious. "I won't pretend to be the smartest guy in the world," says White, "but I dig a lot of what he's written. Beulah was a place you could go in your dreams. You could go there in meditation, to relax and heal and center B photo credit: Allister Ann 119 west 57th street, penthouse north, new york, ny 10019 t 212.741.1000 www.sacksco.com SACKS A CO. N D yourself. It wasn't a place you could stay, but you came back to the world in a better state."


    And perhaps the music on this album originated in that "pleasant lovely Shadow where no dispute can come." According to White, the songs came to him unbidden-and not entirely welcome. "When these songs started popping into my head, I had been home for a while and I was perfectly happy. I wasn't looking for songs. I didn't know whether any would pop back in my head again, and I was honestly okay with that. I'm a very happy father and husband, and I love where I live. I love working with artists for a label that I think is doing good work."


    Far from the grind and glamour of Nashville-where he worked for years as a working songwriter before stepping into the spotlight himself-White settled in his hometown of Muscle Shoals, Alabama, a wellspring of gritty Southern rock and soul since the 1960s. Together with Alabama Shakes keyboard player Ben Tanner and Shoals native Will Trapp, he founded and runs Single Lock Records, a local indie label that has released records by some of the Yellowhammer State's finest, including Dylan LeBlanc, St. Paul & the Broken Bones, and legendary songwriter and keyboard player Donnie Fritts. The label is based in a small ranch house a stone's throw from White's own home, which would come in handy when those songs started invading his head.


    "Honestly, I tried to avoid them, but then I realized the only way I was going to get rid of them was if I wrote them down. I got my phone out and I'd sing these little bits of melody, then put it away and move on. But eventually I got to a place where it was a roar in my head, and that pissed me off." Due to his experiences as a gun-for-hire in Nashville, White was reluctant to romanticize the creative process, to turn it into a spiritual pursuit. "Then one day I told my wife I think I'm going to go write a song. She was as surprised as I was. I went and wrote probably eight songs in three days. It was like turning on a faucet."


    Most artists would kill for such a downpour, but White was wary of the consequences. He knew that writing songs would lead to recording them, which would result in releasing them, and that means touring and leaving home for weeks at a time. "As soon as I write a song, I start thinking what other people might think of it. I've talked to friends about this: What is it about us that makes us do that? Why can't I just sit on my back porch and sing these songs out into the ether? I don't have an answer for it yet, but I think it's just part of who I am. I need that reaction. I need to feel like I'm moving someone in a good way or in a bad way. I need to feel like there's a connection."


    White threw himself into the project, no longer the reluctant songwriter but a craftsman determined to make the best album possible-to do these songs justice. He cut several songs at the renowned FAME Studios in his hometown, where Aretha Franklin, Wilson Pickett, the Allmans, the Osmonds, Bobbie Gentry, Arthur Conley, and Clarence Carter recorded some of their most popular hits.


    One product of those sessions is "What's So," which introduces itself by way of a fire-andbrimstone riff, as heavy as a guilty conscience-the kind of riff you wouldn't be surprised to hear on a Sabbath album. But White's vocals are gritty and soulful, a product of the Shoals, almost preacherly as he sings about earthly and eternal damnation: "Sell your damn soul or get 119 west 57th street, penthouse north, new york, ny 10019 t 212.741.1000 www.sacksco.com SACKS A CO. N D right with the man, keep treading water as long as you can," he exhorts the listener. "But before you do, you must understand that you don't get above your raisin'." It's the heaviest moment on the record, perhaps the darkest in White's career.


    At the other end of the spectrum is "The Martyr," one of the catchiest tunes White has ever penned. The spryness of the melody imagines Elliott Smith wandering the banks of the Tennessee River, yet the song is shot through with a pervasive melancholy as White wrestles with his own demons. "Keep falling on your sword, sink down a little more," he sings over a dexterous acoustic guitar theme. This is not, however, a song about some unnamed person, but rather a pained self-diagnosis: "These are the wounds that I will not let heal, the ones that I deserve and seem so real." White knows he's playing the martyr, but he leaves the song hauntingly open-ended, as though he isn't sure what to do with this epiphany beyond putting it in a song.


    The rest of Beulah was recorded in the Single Lock offices/studio near White's home. "I can be more relaxed about the process. We can all just sit there and talk about records or baseball without feeling like someone's standing over our shoulders. That's a big deal to me, not to feel pressured. And I'm only about twenty yards away from home, so I can walk over and throw a baseball with my kids or make dinner with my wife."


    Some of the quieter-but no less intense-songs on Beulah were created in that environment, including the ominously erotic opener "Black Leaf" and the Southern gothic love song "Make You Cry." As he worked, a distinctive and intriguing aesthetic began to grow clearer and clearer, one based in austere arrangements and plaintive moods. These are songs with empty spaces in them, dark corners that could hold ghosts or worse. "There were certain moments when Ben and I would finish up a song, listen back to it, and think how in the world did we get here. But that's just what the songs ask for. These are the sounds in my head. This is the sound of me thinking and living and breathing and doing."


    Once White had everything assembled and sequenced, it was time to give the album a title, to wrap everything up for the listener. Beulah stuck-not only because of family history or Blake, but because White realized that making music was his own trip to Beulah. "If you had to sum up what music is for most people in this world, it's that. It's that escape. It's that refuge. You go there and you come back and you use that to help you with your life. You always have that as a place to go."

    1. Black Leaf
    2. What's So
    3. The Once And Future Queen
    4. Make You Cry
    5. Fight For You
    6. Hope I Die
    7. I've Been Over This Before (Feat. The Secret Sisters)
    8. The Martyr
    9. Hate The Way You Love Me
    10. I'll Get Even
    John Paul White
    $18.99
    Vinyl LP - Sealed Buy Now
  • A Special Life (Awaiting Repress) A Special Life (Awaiting Repress) Quick View

    $17.99
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    A Special Life (Awaiting Repress)

    As 2013 came to a close and with his 80th birthday mere weeks away, the godfather of British blues quietly entered a North Hollywood Studio with his band, special guest C.J. Chenier and
    co-producer/engineer Eric Corne. He walked out with one of the finest and most personal records of his career, A Special Life.


    This new album serves as further testament to John's boundless talent, vitality and ever-dynamic
    personality. Along with his accomplished band, he goes back to his roots with an eclectic album
    centered in the blues but with diversions into rock and Americana. There are three new songs penned by John and one from band members Greg Rzab and Rocky Athas, as well as blues favorites from some of the greats, including Albert King and Jimmy Rogers. C.J. Chenier came to join the party on a couple of tracks (including one written by his father), adding an exciting extra dimension with his vocals and accordion.


    This is John's first studio album in five years, a span during which the band's chemistry has grown tremendously. It is an instant classic and a must have for any blues/roots music enthusiast!

    1. Why Did You Go Last Night
    2. Speak Of The Devil
    3. That's All Right
    4. World Gone Crazy
    5. Floodin' In California
    6. Big Town Playboy
    7. A Special Life
    8. I Just Got To Know
    9. Heartache
    10. Like A Fool
    11. Just A Memory
    John Mayall
    $17.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • King's Record Shop King's Record Shop Quick View

    $19.99
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    King's Record Shop

    The 30th Anniversary of King's Record Shop is on 12 180-gram vinyl.

    Originally released through Columbia Records on June 26, 1987, King's Record Shop proved a pivotal album in the career of Rosanne Cash and in the emergence of Americana as an heir to traditional country music. After working on a series of albums which contained singles introducing a new wave/pop sound to America's country charts, producer Rodney Crowell shifted gears on King's Record Shop to bring a more roots-oriented, contemporary folk approach to the genre.

    One of the most critically-acclaimed albums of Cash's discography, King's Record Shop generated four #1 hits on the Billboard Country charts: her covers of Johnny Cash's (her father's) Tennessee Flat Top Box, John Hiatt's The Way We Make a Broken Heart, and John Stewart's Runaway Train as well as If You Change Your Mind, a song she'd co-written with steel guitar player Hank DeVito (who shot the photos used on the iconic front cover of King's Record Shop).

    1. Rosie Strike Back
    2. The Way We Make A Broken Heart

    3. If You Change Your Mind
    4. The Real Me

    5. Somewhere Sometime

    6. Runaway Train

    7. Tennessee Flat-Top Box

    8. I Don't Have To Crawl

    9. Green, Yellow And Red

    10. Why Don't You Quit Leaving Me Alone
    Rosanne Cash
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Do Not Want What I Haven't Got I Do Not Want What I Haven't Got Quick View

    $21.99
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    I Do Not Want What I Haven't Got

    I Do Not Want What I Haven't Got became SinÉad O'Connor's popular breakthrough on the strength of the stunning Prince cover Nothing Compares 2 U, which topped the pop charts for a month. But even its remarkable intimacy wasn't adequate preparation for the harrowing confessionals that composed the majority of the album. Informed by her stormy relationship with drummer John Reynolds, who fathered O'Connor's first child before the couple broke up, I Do Not Want What I Haven't Got lays the singer's psyche startlingly and sometimes uncomfortably bare. The songs mostly address relationships with parents, children, and (especially) lovers, through which O'Connor weaves a stubborn refusal to be defined by anyone but herself. In fact, the album is almost too personal and cathartic to draw the listener in close, since O'Connor projects such turmoil and offers such specific detail. Her confrontational openness makes it easy to overlook O'Connor's musical versatility. Granted, not all of the music is as brilliantly audacious as I Am Stretched on Your Grave, which marries a Frank O'Connor poem to eerie Celtic melodies and a James Brown Funky Drummer sample. But the album plays like a tour de force in its demonstration of everything O'Connor can do: dramatic orchestral ballads, intimate confessionals, catchy pop/rock, driving guitar rock, and protest folk, not to mention the nearly six-minute a cappella title track. What's consistent throughout is the frighteningly strong emotion O'Connor brings to bear on the material, while remaining sensitive to each piece's individual demands. Aside from being a brilliant album in its own right, I Do Not Want What I Haven't Got foreshadowed the rise of deeply introspective female singer/songwriters like Tori Amos and Sarah McLachlan, who were more traditionally feminine and connected with a wider audience. Which takes nothing away from anyone; if anything, it's evidence that, when on top of her game, O'Connor was a singular talent.

    - Steve Huey (All Music Guide)
    1. Feel So Different (2009 Remastered Version)
    2. I Am Stretched On Your Grave (2009 Remastered Version)
    3. Three Babies (2009 Remastered Version)
    4. The Emperor's New Clothes (2009 Remastered Version)
    5. Black Boys On Mopeds (2009 Remastered Version)
    6. Nothing Compares 2 U (2009 Remastered Version)
    7. Jump In The River (2009 Remastered Version)
    8. You Cause As Much Sorrow (2009 Remastered Version)
    9. The Last Day Of Our Acquaintance (2009 Remastered Version)
    10. I Do Not Want What I Haven't Got (2009 Remastered Version)
    Sinead O'Connor
    $21.99
    Vinyl LP - Sealed Buy Now
  • Woodstock (On Sale) Woodstock (On Sale) On Sale Quick View

    $19.99 $14.99 Save $5.00 (25%)

    Buy Now
    x

    Woodstock (On Sale)

    Well, we're two full months into 2017 and the world continues to burn like an avalanche of flaming biohazard material sliding down a mountain of used needles into a canyon full of rat feces. But hey, it's not all bad: Portugal. The Man has a new album coming out called Woodstock.

    PTM's last album came out over three years ago-a long gap for a band who've dropped roughly an album a year since 2006. And in true, prolific band fashion, they've spent almost every minute since 2013 working on an album called Gloomin + Doomin. They created a shit-ton of individual songs, but as a whole, none of them hung together in a way that felt right. Then John Gourley, PTM's lead singer, made a trip home to Wasilla, Alaska, (Home of Portugal. The Man's biggest fan, Sarah Palin) and two things happened that completely changed the album's trajectory.

    First, John got some parental tough love from his old man, who called John on the proverbial carpet or dogsled or whatever you put people on when you want to yell at them in Alaska. What's taking so long to finish the album? John's dad said. Isn't that what bands do? Write songs and then put them out? Like fathers and unlicensed therapists tend to do, John's dad cut him deep. The whole thing started John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and, more importantly, about how to get off of it.

    Second, fate stuck its wiener in John's ear again when he found his dad's ticket stub from the original 1969 Woodstock music festival. It seems like a small thing, but talking to his dad about Woodstock '69 knocked something loose in John's head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them. With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and they threw it out.

    It wasn't easy and there was the constant threat that the band's record label might have them killed, but the totally insane decision paid off. With new, full-on, musical boners, the band went back to the studio-working with John Hill (In The Mountain In The Cloud), Danger Mouse (Evil Friends), Mike D (Everything Cool), and longtime collaborator Casey Bates (The one consistent producer since the first record). In this new-found creative territory, the album that became Woodstock rolled out naturally from there

    Remember that mountain of burning needles we were talking about? Good. Because Woodstock is an album (Including the new single Feel It Still) that-with optimism and heart-points at the giant pile and says, Hey, this pile is fucked up! And if you think that pile is fucked up too, you owe it to yourself-hell, to all of us-to get out there and do something about it.

    1. Number One
    2. Easy Tiger
    3. Live In The Moment
    4. Feel It Still
    5. Rich Friends
    6. Keep On
    7. So Young (feat. Fat Lip)
    8. Mr. Lonely
    9. Tidal Wave
    10. Noise Pollution (feat. Mary Elizabeth Winstead & Zoe Mannville)
    Portugal The Man
    $19.99 $14.99 Save $5.00 (25%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Woodstock (Pink Vinyl) (Pre-Order) Woodstock (Pink Vinyl) (Pre-Order) Quick View

    $19.99
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    Woodstock (Pink Vinyl) (Pre-Order)

    Pressed On Pink Colored Vinyl


    Well, we're two full months into 2017 and the world continues to burn like an avalanche of flaming biohazard material sliding down a mountain of used needles into a canyon full of rat feces. But hey, it's not all bad: Portugal. The Man has a new album coming out called Woodstock.

    PTM's last album came out over three years ago-a long gap for a band who've dropped roughly an album a year since 2006. And in true, prolific band fashion, they've spent almost every minute since 2013 working on an album called Gloomin + Doomin. They created a shit-ton of individual songs, but as a whole, none of them hung together in a way that felt right. Then John Gourley, PTM's lead singer, made a trip home to Wasilla, Alaska, (Home of Portugal. The Man's biggest fan, Sarah Palin) and two things happened that completely changed the album's trajectory.

    First, John got some parental tough love from his old man, who called John on the proverbial carpet or dogsled or whatever you put people on when you want to yell at them in Alaska. What's taking so long to finish the album? John's dad said. Isn't that what bands do? Write songs and then put them out? Like fathers and unlicensed therapists tend to do, John's dad cut him deep. The whole thing started John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and, more importantly, about how to get off of it.

    Second, fate stuck its wiener in John's ear again when he found his dad's ticket stub from the original 1969 Woodstock music festival. It seems like a small thing, but talking to his dad about Woodstock '69 knocked something loose in John's head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them. With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and they threw it out.

    It wasn't easy and there was the constant threat that the band's record label might have them killed, but the totally insane decision paid off. With new, full-on, musical boners, the band went back to the studio-working with John Hill (In The Mountain In The Cloud), Danger Mouse (Evil Friends), Mike D (Everything Cool), and longtime collaborator Casey Bates (The one consistent producer since the first record). In this new-found creative territory, the album that became Woodstock rolled out naturally from there

    Remember that mountain of burning needles we were talking about? Good. Because Woodstock is an album (Including the new single Feel It Still) that-with optimism and heart-points at the giant pile and says, Hey, this pile is fucked up! And if you think that pile is fucked up too, you owe it to yourself-hell, to all of us-to get out there and do something about it.

    1. Number One
    2. Easy Tiger
    3. Live In The Moment
    4. Feel It Still
    5. Rich Friends
    6. Keep On
    7. So Young (feat. Fat Lip)
    8. Mr. Lonely
    9. Tidal Wave
    10. Noise Pollution (feat. Mary Elizabeth Winstead & Zoe Mannville)
    Portugal The Man
    $19.99
    Colored Vinyl LP - Sealed PRE-ORDER Buy Now
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