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The Best Of The Animals
180 Gram Clear Vinyl
To me, the Animals were a revelation. They were the first records with full-blown class consciousness that I'd ever heard - Bruce Springsteen
The Animals' greatest hits collection covering the 1964-1965 period, is now available for the first time on 180 gram clear vinyl as part of ABKCO's Clearly
Classic Vinyl Series, showcasing The Animals' tough-edged rock hits combined with their more devoted blues and R&B workouts.
Produced by legendary producer, Mickie Most with the original line up of Eric Burdon, Hilton Valentine, Chas Chandler, Alan Price and John Steel.
Includes two songs with Dave Rowberry on keyboards.
1994 Rock & Roll Hall of Fame Inductees.
Features the hits "House Of The Rising Sun" and "We Gotta Get Out Of This Place" which are both listed in Rolling Stone magazine's 500 Greatest Songs
of All Time list and The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.1. House Of The Rising Sun
2. I'm Crying
3. Baby Let Me Take You Home
4. Around and Around
5. Talkin' Bout You
6. Don't Let Me Be Misunderstood
7. Boom Boom
9. We Gotta Get Out Of This Place (UK Version)
10. I'm In Love Again
11. Bury My Body
12. Gonna Send You Back To Walker
13. Story Of Bo Diddley
14. It's My Life
15. Bring It On Home To Me$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Complete AnimalsFirst Ever 3 LP Version Of This Animals Best-Of
This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: House of the Rising Sun, Don't Let Me Be Misunderstood, Bring It on Home To Me, We Gotta Get Out Of This Place, I'm Crying, It's My Life and Boom Boom.
Many of these songs are covers of vintage R&B/rock tunes by Chuck Berry, Fats Domino, and the like. The Animals produced some great album tracks, such as I'm Mad Again (originally by John Lee Hooker), Worried Life Blues, and Bury My Body.
After leaving Most, the group would maintain their peak for another year or so despite the departure of one of Rock's all-time finest organists, Alan Price. This compilation has everything that Price recorded with the group, including four previously unreleased cuts and the non-LP Eric Burdon original on the B-side of It's My Life, I'm Gonna Change the World.LP1
1. Boom Boom
2. Talkin' 'bout You
3. Blue Feeling
5. Baby Let Me Take You Home
6. Gonna Send You Back To Walker
7. Baby What's Wrong
8. The House Of The Rising Sun
10. I'm Mad Again
11. The Right Time
12. Around And Around
1. I'm In Love Again
2. Bury My Body
3. She Said Yeah
4. I'm Crying
5. Take It Easy
6. The Story Of Bo Diddley
7. The Girl Can't Help It
8. I've Been Around
9. Memphis Tennessee
10. Don't Let Me Be Misunderstood
13. Hallelujah I Love Her So
14. Don't Want Much
1. I Believe To My Soul
2. Let The Good Times Roll
3. Mess Around
4. How You've Changed
5. I Ain't Got You
7. Bright Lights Big City
8. Worried Life Blues
9. Bring It On Home To Me
10. For Miss Caulker
11. I Can't Believe It
12. We've Gotta Get Out Of This Place
13. It's My Life
14. I'm Gonna Change The World
15. New Year Radio Spot$44.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
REDD-SUN-8818xEric Burdon & The Animals
The Twain Shall MeetMastered From The Original MGM Records Reels
Burdon and the group returned in April 1968 with The Twain Shall Meet, continuing their psychedelic journey. "Monterey" chronicled the previous summer's seminal festival while "Sky Pilot" reflected the growing anti-war sentiment as the Vietnam Conflict escalated. Steeped in a dense, layered sound full of electric guitars, sitars, strings, brass and washes of phased vocals, the album served notice that Burdon and company were totally in-step with America's youth movement. From blues revivalists to cultural torchbearers in four short years? Believe it!
Meticulously mastered from the original MGM Records reels - cue up these platters and let them take you back to a time when minds were being blown open at an astonishing rate!1. In The Beginning
3. Just The Thought
4. Closer To The Truth
5. No Self Pity
6. Orange And Red Beams
7. Sky Pilot
8. We Love You Lil
9. We Are All One$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
REDD-SUN-8719xEric Burdon & The Animals
Winds Of ChangeReeling from poor management decisions and inter-band strife, The Animals fell apart toward the end of 1966. Seeking a rebirth, lead vocalist Eric Burdon relocated from London to California. There, Burdon assembled a new Animals lineup, retaining only drummer Barry Jenkins from the previous incarnation. Now known as Eric Burdon and The Animals, the group immersed themselves in the psychedelic culture of San Francisco and their sound followed suit. Informed by his inaugural acid trip, Burdon led his bandmates through a fresh, decidedly lysergic interpretation of American blues. While the original group had largely performed songs written by others, The New Animals began composing as a group.
The prophetically titled Winds of Change, released in September 1967, offered ten stellar examples of this new songwriting approach, along with a heavy cover of The Rolling Stones' "Paint It Black." Lead single "San Franciscan Nights" encapsulated the Summer of Love in what became a top ten hit for the new band (and helped get them on the bill for the seminal Monterey Pop Festival).1. Winds Of Change
2. Poem By The Sea
3. Paint It Black
4. The Black Plague
5. Yes I Am Experienced
6. San Franciscan Nights
8. Hotel Hell
9. Good Times
11. It's All Meat$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
'Til Your River Runs DryEric Burdon has completed his most personal album to date, titled 'Til Your River Runs Dry. A member of the Rock and Roll Hall of Fame and hailed by Rolling Stone as one of the "100 Greatest Voices of All Time," Burdon has long forged new ground while maintaining a commanding presence in the music marketplace as front man of The Animals, with War at its inception and simply as Eric Burdon. In 2012, Eric's influence is enjoying resurgence with both new artists and superstars.
The album was produced by Burdon and Tony Braunagel and recorded in New Orleans in 2010 and 2011 in California at Playback Studios in Santa Barbara and at Ultratone Recording in Studio City where Eric recorded his last two albums, My Secret Life and Soul of a Man. The new album was mixed by Ed Cherney and mastered by Doug Sax and Eric Boulanger at The Mastering Lab in Ojai, California.
Eric discusses the album: When I started out with the Animals I never dreamed that I would grow old, much less be singing on stage at the age of 70," said Eric. "There I was, in my twenties, singing "When I was Young," as if I was already an old man. Now, I can look back at a life with many ups and downs, and thankfully, I can reflect on where I am and where I've been. I'm privileged to be able to look back at the many paths and highways that I've traveled. At this point in my life, I'm very comfortable in this place where I am."1. Water
2. Memorial Day
3. Devil And Jesus
5. Old Habits Die Hard
6. Bo Diddley Special
7. In The Ground
8. 27 Forever
9. River is Rising
10. Medicine Man
11. Invitation to the White House
12. Before You Accuse Me$17.99Vinyl LP - Sealed Buy Now
The Blackest BeautifulLP Contains CD Of Full Album.
From the streets of Inglewood CA come letlive. Their self-produced and released debut Fake History was picked up by Epitaph in 2011,and quickly established the band as a force to be reckoned with, inheritors of that uncategorizable blend that made bands like the Deftones, Mars Volta and Rage Against the Machine so crucial.
Such was the rapt reception for the album that by end of year frontman Jason Aalon Butler was being named the #1 rock star in the world by Kerrang (yes, #1,that's not a typo). Mixing hardcore punk, metalcore, and even jazz and R&B influences in their sound (Jason's dad was a well-known LA bandleader who pioneered rock/soul crossover with Eric Burdon), letlive.'s melting pot of influences reflects the melting-pot Los Angeles neighborhood in which the band came together.
Now with their proper debut on the label, The Blackest Beautiful, the band comes fully prepared with a mammoth sonic attack, produced by longtime co-conspirator Kit Walters and mixed by pop guru
Stephen George (Britney Spears, Michael Jackson).
Opening salvo "Banshee (Ghost Frame)" announces a band that has remained loyal to their hardcore origins, while tracks like "Younger" and "Pheromone
Cvlt" display a new melodic sophistication.1. Banshee (Ghost Fame)
2. Empty Elvis
3. White America's Beautiful Black Market
4. Dreamers Disease
5. That Fear Fever
6. Virgin Dirt
8. The Dope Beat
9. The Priest And Used Cars
10. Pheromone Cvlt
11. 27 Club$19.99Vinyl LP + CD - Sealed Buy Now
REDD-SUN-5817xThe Pleasure Seekers
What A Way To DieThe archetype for the '60s-era girl group was etched indelibly into stone, like a commandment: three pretty girls with matching outfits and bouffant hairdos would sing, with musical backing supplied by a bunch of guys standing in the shadows. The Quatro sisters shattered that archetype forever with the Pleasure Seekers, an all-girl teenage rock & roll group who played all the instruments themselves and were fully capable of wiping the stage with any male band that crossed their path.
The Quatro girls had been brought up in a musically-minded family, nurtured with classical piano and vocal lessons. As Patti recalls, "By 1964, I had been taking guitar lessons, hanging with musicians in the local music scene. We had seen a Beatles concert, and I was quite dazed and focused at the event, watching the audience cry and scream out of control. It was my epiphany moment, and I was determined to start an all-girl band."
Shortly thereafter, the first lineup of the Pleasure Seekers fell into place with Patti Quatro (lead guitar), Marylou Ball (rhythm guitar), Suzi Quatro (bass), Diane Baker (keyboards), Nan Ball (drums) and vocal duties shared by all. Around the fall of 1965 the girls dared local teen club manager Dave Leone to give them a slot at his popular Hideout Club, claiming they were better than most of the other live bands there. "You're on," responded Leone, "in two weeks. Three songs!"
The Pleasure Seekers were soon a popular feature at the club, honing their skills alongside the likes of the Rationals, the Amboy Dukes and Bob Seger & the Last Heard. "In the beginning, there was a lot of skepticism," remembers Patti, "especially the first night. The boys crowded the stage, the girlfriends pulled them away with laughter, as if 'Girls playing?! Yeah, right!' It was always satisfying to see them be silenced quickly when we began playing. We grew used to seeing slack jaws open in surprise." Next they were asked by Leone to record and release a single on his Hideout label.
That March 1966 release is now regarded as the greatest "girl garage" single of the era: "Never Thought You'd Leave Me" b/w "What a Way to Die." "Dave brought lyrics, and we put the songs together quickly," remembers Patti. "We felt very legit in making this record at a small local studio. Nan was the sexy voice on 'Never Thought You'd Leave Me,' and there was lots of laughter as Marylou added the screams on 'What a Way to Die.'" Suzi Quatro remembers the recording as "very important and memorable."
The Pleasure Seekers were soon in demand in the region, playing teen clubs, parties, colleges and local TV shows. After a series of lineup changes, the band brought in older Quatro sister Arlene (keyboards) and Darline Arnone (drums), the first female drummer sponsored by Slingerland Drums. A short time later, Pami Benford joined-up on guitar and bass (that lineup lasting through most of 1968). "It was a very versatile group," remembers Patti, "with Pami and Suzi sharing bass, and Pami and I sharing lead and rhythm guitars."
"The gender bias was my hot button," recalls Arlene, "along with confidence in our musical abilities. With women musicians dismissed as a novelty, I delighted in watching the audience go from skepticism/ridicule, to shock/cheers." For Suzi, though, this period was where she learned her craft: "I considered myself a musician, and didn't really think about gender too much." Two tracks recorded in 1967, but unissued at the time, "Elevator Express" and "Gotta Get Away," highlight the band's growing musical maturity since their Hideout debut. "Detroit was the best learning ground in the world for musicians," recalls Suzi, "with an amazing energy and creativity that is in every successful artist that has come out of the city." "We were actually one of the earliest Detroit bands traveling the country," adds Patti. "Everyone wanted this unusual all girl band who rocked an entire Motown revue (changing instruments and singers throughout) and an entire Sgt. Pepper/Magical Mystery Tour revue, as well as covering English bands, acid rock and everything in between."
Signing up with Associated Booking Corporation, the group began making the transition from local to national act. Producer Dick Corby caught the Pleasure Seekers at Trude Heller's in New York's Greenwich Village and signed them to a Mercury Records deal in early 1968. To keep rein on their finances in NYC, Patti recalls, "We booked Arthur's nightclub for a month, staying at the infamous rock Gorham Hotel, recording by day-playing by night." Also in residence were the Who, the Blues Magoos and an assortment of other bands. "Hitting NYC as young teens, it was exciting, scary, fun-all emotions churning," she continues. "We felt we had hit the big time, going from the tiny local Hideout session to the huge Mercury professional studio facility, complete with session people adding strings and other elements."
A single pairing "Good Kind of Hurt" and "Light of Love" was released in April 1968, while a third song, "Locked in Your Love," remained in the can. The group then headed out to the Northwest for a lengthy tour. "The Northwest tour was awesome," remembers Patti. "We were billed with Canned Heat, Boyce & Hart and Merilee Rush, and were held over six weeks to tour with Eric Burdon and the Animals. The Mercury single was out, momentum was surging." Both sides of the single were getting airplay, but ultimately it failed to gain any traction. "Really neither song reflected our own sound," admits Patti. "We rearranged 'Light of Love' for live performance, feeling disconnected to the record, yet realizing we had to play ball with the executives to keep us rolling."
Ultimately Mercury's vision for the Pleasure Seekers clashed rather sharply with the band's vision. "The suits wanted tits and ass," recalls Darline, "wowing Vegas crowds, playing tinkly tunes in lavish costumes." "In that male-dominated music era, we were strictly a novelty, and a high-risk endeavor," adds Patti. "The record executives felt women musicians would fall in love or get pregnant so were not worth investing the time and money. We had to kick down many doors. We were serious musicians, and in it for the right reasons. In the end, we were not happy with a forced direction that Mercury Records had in mind, and ended up leaving the label to rock our music in our own fashion."
After a memorable 1968 Far East tour, playing for wounded returning American soldiers from Vietnam, the Pleasure Seekers (with new drummer Nancy Rogers) returned to a Detroit that was now, in Patti's words, "exploding with heavier sounds. That sparked us to change direction with new ideas we had been exploring. Arlene left the band and we brought in our youngest sister Nancy (vocals). With Suzi's Joplinesque vocals combined with Nancy's wailing 'female Robert Plant' style, we enjoyed a harder edged, 'double-punch' effect."
The last four songs on the album, "White Pig Blues," "Brain Confusion," "Where Have You Gone?" and the atmospheric psychedelic mover "Mr. Power," all date from this 1968-69 period when the Pleasure Seekers were playing the Grande Ballroom alongside the MC5, Alice Cooper, the Stooges, the Amboy Dukes and SRC. With this change in musical direction and the departure of Arlene and Pami, the band forged on as Cradle. Suzi Quatro departed for England in 1971, launching a successful solo career. Patti and Nancy continued with Cradle until 1973 when Patti joined another pioneering female rock group, Fanny.
The Pleasure Seekers reunited recently in April 2012 (minus Suzi) for a well-received show in their hometown, where they were inducted into Detroit's Hall of Fame. "I think all of us Quatro girls are extremely proud of our pioneering days" reflects Patti. "In a renaissance-era of music, we kicked down doors for women to rock heavy. There were key times in our lives of making decisions that may have turned us towards larger fame, but less happiness-depending on your philosophy of such things. The Pleasure Seekers could have been a Las Vegas show act bringing in buckets of money or on Motown, turned very formulaic girlie-soul. But we stayed true to our goals, and I don't think any of us have any regrets of staying our course and playing the music that moved us. It's all been a thrilling ride with great memories."
- Mike & Anja Stax (Ugly Things magazine)1. Intro By DJ The Lord
2. Gotta Get Away
3. Never Thought You'd Leave Me
4. Light Of Love
5. Good Kind Of Hurt
6. What A Way To Die
7. Elevator Express
8. Locked In Your Love
9. White Pig Blues
10. Brain Confusion
11. Where Have You Gone
12. Mr. Power$24.99Vinyl LP - Sealed Buy Now
American Folk Blues Festival 1964 (Pure Pleasure)
German jazz publicist Joachim-Ernst Berendt first had the idea of bringing original African-American blues performers to Europe. Jazz had become very popular, and rock and roll was just gaining a foothold, and both genres drew influences directly back to the blues. Berendt thought that European audiences would flock to concert halls to see them in person.
Promoters Horst Lippmann and Fritz Rau brought this idea to reality. By contacting Willie Dixon, an influential blues composer and bassist from Chicago, they were given access to the blues culture of the southern United States. The first festival was held in 1962, and they continued almost annually until 1972, after an eight-year hiatus reviving the festival in 1980 until its final performance in 1985.
The concerts featured some of the leading blues artists of the 1960s, such as Muddy Waters, Howlin' Wolf, Willie Dixon, John Lee Hooker and Sonny Boy Williamson along with blues legends from an earlier period such as Sleepy John Estes, John Henry Barbee & Lightnin' Hopkins.
Attendees at Manchester in 1962, the first ever venue for the festival in Britain, included Mick Jagger, Keith Richards, Brian Jones and Jimmy Page. Subsequent attendees at the first London festivals are believed to have also included such influential musicians as Eric Burdon, Eric Clapton, and Steve Winwood. Collectively these were the primary movers in the blues explosion that would lead to the British Invasion.
- Sonny Boy Williamson (vocal, harpsichord)
- Hubert Sumlin (guitar)
- Willie Dixon (bass)
- Clifton James (drums)
- Sunnyland Slim (vocal, piano)
- Sam Lightnin' Hopkins, Howlin' Wolf (guitar, vocal)
- Hammie Nixon (harpsichord, jug)
Recording: October 1964 live at Musikhalle Hamburg, Germany, by Peter Kramper
Production: Siegfried E. Loch
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. I'm Trying To Make London My Home
3. Everytime I Get To Drinkin'
4. Ain't It A Pity
5. Baby Please Don't Go
6. I'm A Tearing Little Daddy
7. Cotton Pickin' Blues
8. No Title Boogie
9. Slip In Mules
10. Dust My Broom$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Ten New SongsImport
During the 9 years prior to the release of ´Ten New Songs´ (2001) the legendary songwriter Leonard Cohen spent most of his time in a Zen monastery, obsessively rewriting and polishing the lyrics for this austere collection. ´Ten New Songs´ is arguably Sharon Robinson's record as much as Cohen's as she co-wrote all the songs, plays most of the instruments and accompanies Cohen's gloomy croak with her own crooning.
This is the most subdued album Cohen's ever made. It's as if he no longer has time for anything in music or performance that could alter the meaning and force of his words. Various artists have covered Cohen's songs off this album; Eric Burdon and Katie Melua both covered 'My Secret Life' for their own albums, Jonathan Richman covered 'Here it is'.
'Ten New Songs' was the first Cohen album to be recorded and produced digitally, now enjoyable again on 180 grams vinyl.1. In My Secret Life
2. A Thousand Kisses Deep
3. That Dont Make It Junk
4. Here It Is
5. Love Itself
6. By The Rivers Dark
7. Alexandra Leaving
8. You Have Loved Enough
9. Boogie Street
10. The Land of Plenty$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Givin' It BackGivin' It Back is the ninth album released by The Isley Brothers on their T-Neck imprint in 1971. After years of having white Rock acts covering their most famed material, particularly, Shout and Twist And Shout, the Isleys decided to do the same to music made famous by white artists such as Stephen Stills, Eric Burdon and Neil Young.
Among the songs they covered were Spill The Wine, Love The One You're With, the social commentary medley of Ohio and Machine Gun (from Jimi Hendrix), Fire And Rain by James Taylor and Bob Dylan's Lay Lady Lay. The Isleys' perseverance paid off when their covers of Love The One You're With, Lay Lady Lay and Spill The Wine became charted hits. Bill Withers plays guitar on the Isleys' version of his Cold Bologna.1. Ohio / Machine Gun
2. Fire And Rain
3. Lay Lady Lay
4. Spill The Wine
5. Nothing To Do But Today
6. Cold Bologna
7. Love The One You're With$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Go Bo Diddley
The Bo Diddley/Friday Music 180 Gram Audiophile Series Begins!
Bo Diddley's Masterwork Album!
First Time Official Audiophile Vinyl - Stunning First Time Gatefold Cover
Mastered From The Authorized Chess Records Mono Tapes By Joe Reagoso
Bo Diddley (Elias McDaniel) was truly an American original. There will never be another Bo Diddley nor anyone in the music
industry who could influence generations upon generations of aspiring rock 'n rollers like Bo Diddley has and continues to this
day, even years after his short time on earth.
Celebrating six decades in the music business, this Mississippian native initially captivated millions of kids in the fifties
with his first recordings like Bo Diddley and Say Man. He drove the rockers mad with his famous guitar riffs and boogie beat,
filled with poetic lyrics and a thrilling presence on the stage.
Bringing his original "Bo Diddley Beat" to Chess Records in early 1955, the Chicago based label and the pioneer rocker hit
a goldmine immediately with his arsenal of tunes that he presented to Phil and Leonard Chess. A lot of these great songs became
top charting singles which culminated in his masterwork album Go! Bo Diddley.
Kicking things off with one of his finest smash hits Cracking Up, Bo roars through a treasure trove of 11 more champions
which made this one of the most important and emulated albums of all time. The album features classic gems like his classics
Dearest Darling, Say Man, Don't Let It Go and The Clock Struck Twelve. Noted for his stellar guitar work, pretty much introducing his Bo Diddley Beat riff to a whole new generation of guitar players, Go! Bo Diddley was truly a primer for a ton of rock and
blues artists for years like Eric Burdon and The Animals, George Thorogood, Buddy Holly, The Rolling Stones, The Beatles and
Bo Diddley opened the doors for millions of music fans around the world to enjoy rock and blues, making him along with
Chuck Berry, Elvis Presley and Little Richard as one of the first pioneers of the popular recording business that we all enjoy to
Friday Music is no stranger to the music of the legendary Chess Records arsenal of fine recordings. That is why we are so
very proud to announce our first installment in The Bo Diddley/Friday Music 180 Gram Audiophile Vinyl Series with his legendary
masterpiece Go! Bo Diddley.
Mastered impeccably by Joe Reagoso (Muddy Waters, John Lee Hooker, Chuck Berry) for the first time on audiophile vinyl
from the Chess monophonic tapes, Bo Diddley's Go! Bo Diddley will truly become one of the most important and historical 180
Gram Audiophile Vinyl titles in quite some time.
To further celebrate this first time audiophile vinyl LP, we enhance this limited edition masterwork with a stunning gatefold
cover featuring the original artwork elements as well as two classic rare inside gatefold photos of the man who helped start
rock and roll.
Bo Diddley Go! Bo Diddley Impeccable mono from the AUTHORIZED Chess Records tapes! Go Bo Diddley!1. Crackin' Up
2. I'm Sorry
3. Bo's Guitar
4. Willie and Lillie
5. You Don't Love Me (You Don't Care)
6. Say Man
7. The Great Grandfather
8. Oh Yea
9. Don't Let It Go
10. Little Girl
11. Dearest Darling
12. The Clock Strikes Twelve$26.99180 Gram Audiophile Virgin Vinyl LP Mono Buy Now
The Greatest Hits Of Eric Burdon And The Animals (Out Of Stock)1. River Deep, Mountain High
2. San Franciscan Night
3. Year Of The Guru
6. White Houses
7. Winds Of Change
8. To Love Somebody
9. Sky Pilot$14.99Vinyl LP Reissue - Sealed Temporarily out of stock