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  • His Hand In Mine (Speakers Corner) His Hand In Mine (Speakers Corner) Quick View

    $34.99
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    His Hand In Mine (Speakers Corner)

    Almost everyone loves gospel songs. After all - it is inspirational music about good news and hope and warms the heart without demanding religious belief. But what in God's name makes these songs so enjoyable? Why are they music to one's ears? Is it because of the simple yet unique melodies, the soft or rocking grooves, or the prayer wheel-like verses that are sung alternately by a soloist and chorus? Elvis fans might well be able to answer this question just by taking a quick look at the cover, while other more undiscerning lovers of black folk spirituality would say that this is a well-produced, professional album that cannot be equalled.



    Elvis lets his young, flexible voice swing sonorously here, lightly and airily there, all the while supported by a top-notch vocal backing group. The rich vocal harmonies are sung with true passion, and it is certainly no coincidence that one is reminded of the sound of the Golden Gate Quartet. In one moment the voices soar to celestial heights, in another they plunge down to a deep rumbling bass, not to forget the soft and springy rhythm section. For John Bush (allmusic.com), »this LP isn't just one of Elvis' best LPs, it's one of the best (and best-recorded) gospel sessions of all time.«



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. His Hand In Mine
    2. I'm Gonna Walk Dem Golden Stairs
    3. In My Father's House
    4. Milky White Way
    5. Known Only to Him
    6. I Believe in the Man in the Sky
    7. Joshua Fit the Battle Traditional
    8. He Knows Just What I Need
    9. Swing Down Sweet Chariot
    10. Mansion Over the Hilltop
    11. If We Never Meet Again
    12. Working on the Building
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Gospel Time Gospel Time Quick View

    $22.99
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    Gospel Time

    Limited edition vinyl import of Elvis Presley performance with the gospel quartet The Jordanaires. The group famously backed 'The King' from 1956 to 1972.
    1. His Hand In Mine

    2. (I'm) Gonna Walk Dem Golden Stairs
    3. In My Father's House
    4. Milky White Way
    5. Known Only To Him
    6. I Believe In The Man In The Sky
    7. Joshua Fit The Battle
    8. He Knows Just What I Need
    9. Swing Down Sweet Chariot
    10. Mansion Over The Hilltop
    11. If We Never Meet Again
    12. Working On The Building
    13. I Believe
    14. Take My Hand, Precious Lord
    15. It Is No Secret (What God Can Do)
    16. (There'll Be) Peace In The Valley (For Me)
    17. The Jordanaires: Dig A Little Deeper
    18. Search Me Lord
    19. Dip Your Fingers In Some Water
    Elvis Presley
    $22.99
    Vinyl LP - Sealed Buy Now
  • Elvis' Christmas Album (White Vinyl) Elvis' Christmas Album (White Vinyl) Quick View

    $32.99
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    Elvis' Christmas Album (White Vinyl)

    Another Excellent Installment In Our Exciting Elvis Presley 180 Gram Audiophile Vinyl Series


    Limited Edition 180 Gram Audiophile White Vinyl Anniversary Release


    Mastered Impeccably By Joe Reagoso And Manufactured At R.T.I.


    Original Gatefold Artwork


    Includes Super Rare LP Booklet With The Classic 1957 Images From His Historic Jailhouse Rock Film


    Elvis Aaron Presley was born during the Great Depression into a poor family in Mississippi. They moved to Memphis during the early fifties, and as a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick start the beginnings of a soon to be worldwide superstar unlike the world has ever known.


    The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract and signed the legend to a long-term deal, and his first RCA single Heartbreak Hotel forever etched "The King Of Rock And Roll" trademark to his name.


    From the remainder of the 1950's, Elvis would release several more hit albums and number one singles, star in a couple of box office smash films, and prior to spending time in the Army, he recorded his fourth album and what would become one of the most memorable and best loved Christmas LP's of all time, Elvis' Christmas Album.


    The 1957 album was a blockbuster as it topped the pop charts for a month, making this one of the biggest albums of his career ultimately selling over 13 Million Units and his first Diamond Award Winning RIAA certified recording. Elvis' Christmas Album truly proved once again that his career was unlike any other in music history.


    This holiday classic takes off with the rockin' Santa Claus Is Back In Town and followed by the soulful groove of White Christmas. More Elvis favorites follow with his brilliant interpretation of the melancholy ballad I'll Be Home For Christmas and the blues rocker number one single smash Blue Christmas.


    The album also features a nice helping of gospel standards which Elvis made his own with favorites like (There'll Be) Peace In The Valley and It Is No Secret (What God Can Do) , the timeless Silent Night , and of course the heartfelt O Little Town Of Bethlehem . In total, the album showcases twelve important Elvis Presley recordings which have truly gone on to become definitive classics by any measure of popular music.


    In honor of the Man, the Music, the Legend, the King Of Rock And Roll, Friday Music is very proud and honored to announce the limited edition 180 Gram Audiophile White Vinyl Anniversary release of the RCA Victor holiday classic Elvis' Christmas Album by Elvis Presley. As another excellent installment in our exciting Elvis Presley 180 Gram Audiophile Vinyl Series, we are pleased to present this masterwork in all its high fidelity glory.


    Mastered impeccably by Joe Reagoso and manufactured at R.T.I., Elvis' Christmas Album will be a much anticipated audiophile dream release for Elvis fans everywhere! For this limited edition exclusive presentation, we are also including for the first time in decades, the original gatefold artwork which includes the groundbreaking original gatefold LP cover elements as well a super rare LP booklet with the classic 1957 images from his historic Jailhouse Rock film.


    We are also enclosing a poly bag to protect your album cover and poly lined inner sleeve to help keep your Elvis vinyl in mint shape. Elvis Presley's Elvis' Christmas Album A history making holiday album from a historic legend, an original monophonic audiophile dream release. artwork not seen in years is now an audiophile vinyl dream come true From your friends at Friday Music

    1. Santa Claus Is Back In Town
    2. White Christmas
    3. Here Come Santa Claus
    4. I'll Be Home For Christmas
    5. Blue Christmas
    6. Santa Bring My Baby Back
    7. O Little Town Of Bethlehem
    8. Silent Night
    9. (There Will Be) Peace In The Valley
    10. I Believe
    11. Take My Hand, Precious Lord
    12. It Is No Secret (What God Can Do)
    Elvis Presley
    $32.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Elvis Presley Elvis Presley Quick View

    $19.99
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    Elvis Presley

    Ranked 55/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Following the unexpected massive success of Heartbreak Hotel, this was as startling a debut record as any ever made and besides gospel it represented every side of Elvis' musical influences from rockabilly to blues and R&B to country and pop. Elvis' self-titled debut became the first rock & roll album to reach the number one spot on the national charts and RCA's first million dollar-earning pop album.


    Legacy Recordings has gone to great lengths to present this classic album exactly the way it was originally intended, with all the warmth and nuance that only vinyl can offer!

    1. Blue Suede Shoes
    2. I'm Counting on You
    3. I Got A Woman
    4. One-Sided Love Affair
    5. I Love You Because
    6. Just Because
    7. Tutti Frutti
    8. Trying to Get to You
    9. I'm Gonna Sit Right Down and Cry (Over You)
    10. I'll Never Let You Go (Lil' Darlin')
    11. Blue Moon
    12. Money Honey
    Elvis Presley
    $19.99
    Vinyl LP - Sealed Buy Now
  • Viva Elvis Viva Elvis Quick View

    $24.99
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    Viva Elvis

    Viva Elvis, the album, is a 21st century celebration of Elvis Presley and his music, featuring the voice of the king in a whole new context. The undisputed King of Rock 'n' Roll, Elvis Presley, remains one of the most iconic and powerful forces in popular culture.



    Before Elvis, said John Lennon, There was nothing. After Elvis, the world looked and sounded different. With a swivel of his hips and the power of his voice, Elvis broke down barriers and shattered the status quo, revolutionizing the world of music, film and fashion, while signaling a seismic shift in gender, class, race and generational relationships.



    This revolution continues with Viva Elvis, the album. This postmodern studio masterwork invokes the spirit and essence of Elvis from a contemporary perspective, while furthering the revolutionary impulses of Elvis' sound. Viva Elvis re-imagines the King's own vocal performances in a broad variety of new musical settings.



    This new sound echoes Elvis' own versatility and ability to master all music genres, from Delta blues to rockabilly, from raw soul to gospel, from Southern folk to Vegas pop, while incorporating elements of garage rock, punk, urban and hip-hop. Viva Elvis is the result of a partnership with Cirque du Soleil, who also produced the Beatles Love.

    1. Opening
    2. Blue Suede Shoes
    3. That's All Right
    4. Heartbreak Hotel
    5. Love Me Tender
    6. King Creole
    7. Bossa Nova Baby
    8. Burning Love
    9. Memories
    10. Can't Help Falling In Love
    11. You'll Never Walk Alone - Piano Interlude
    12. Suspicious Minds
    Elvis Presley
    $24.99
    Vinyl LP - Sealed Buy Now
  • From Elvis In Memphis From Elvis In Memphis Quick View

    $34.99
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    From Elvis In Memphis

    Ranked 190/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    From Elvis in Memphis is the thirty-fifth album by Elvis Presley originally released in 1969.
    The recording of the album marked the definite return of Presley to non-soundtrack albums, after finishing his movie contract with Paramount pictures.


    Motivated by his early influences in country, rhythm and blues, and the latest music trend in Memphis being gospel and soul, Presley chose to record these songs at the Memphis-based American Sound Studio.


    Music on Vinyl now rereleases this classic on 180 gram audiophile vinyl.

    1. Wearin' that Loved Look
    2. Only the Strong Survive
    3. I'll Hold You in My Heart
    4. Long Black Limousine
    5. It Keeps Right On A-Hurtin'
    6. I'm Movin On
    7. Power of My Love
    8. Gentle on My Mind
    9. After Loving You
    10. True Love Travels on a Gravel Road
    11. Any Day Now
    12. In the Ghetto
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Elvis Is Back! (Speakers Corner) Elvis Is Back! (Speakers Corner) Quick View

    $34.99
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    Elvis Is Back! (Speakers Corner)

    During the King's artistically unproductive period of military service, no costs or efforts were spared (e.g. A Date With Elvis, RCA LPM-2011), and no consolatory promises of things to come were left unsaid by the management in order to keep Elvis alive and well in the minds of his vast circle of fans. At last the great coup was landed: Elvis Is Back was what everyone was waiting to hear and American radio and television broadcasting stations made a gigantic medial feast of it.



    With the ink scarcely dry on his demobilization papers, Elvis entered the studio in March 1960 and recorded a whole series of numbers which later became worldwide hits, such as Are You Lonesome Tonight and It's Now Or Never. Released as singles, these tender ballads created a sensation, while the LP with numbers such as Dirty, Dirty Feeling, Like A Baby and The Thrill Of Your Love underlined Elvis's enhanced qualities as a rock, blues and gospel singer. That his voice - despite everyone's fears - had lost nothing of its erotic thrill is more than amply demonstrated in his rendering of Fever alone, which is accompanied merely by bass and percussion.



    With its amazing array of varying styles, this must surely be one of Elvis's most genial albums and was unrivaled right up until his great comeback in 1968 (From Elvis In Memphis, RCA LSP-4155).





    Musicians:



    • Elvis Presley (guitar, vocal)

    • Floyd Cramer(piano)

    • Scotty Moore (guitar)

    • Boots Randolph (saxophone)

    • Hank Garland (bass, guitar)

    • Charlie Hodge (harmony)

    • Bob Moore (bass)

    • D.J. Fontana (drums)

    • Hoyt Hawkins, Neal Matthews, Gordon Stoker, Ray C. Walker (vocal)




    March 1960 at RCA Studios, Hollywood, CA. and April 1960 in Nashville, TS., USA,
    by Bill Porter

    Production: Chet Atkins





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Make Me Know
    2. Fever
    3. The Girl of My Best Friend
    4. I Will Be Home Again
    5. Dirty, Dirty Feeling
    6. The Thrill of Your Love
    7. Soldier Boy
    8. Such a Night
    9. It Feels So Right
    10. The Girl Next Door
    11. Like a Baby

    12. Reconsider Baby
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Elvis' Christmas Album (Speakers Corner) Elvis' Christmas Album (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Elvis' Christmas Album (Speakers Corner)

    Wild rock'n'roll and Christian spirituality at Christmastide are impossible to bring together musically, one might think. But Elvis, who in the Fifties was climbing as steadily up the ladder of success as Father Christmas coursed the sky in his sleigh, certainly pulled off this feat in his Christmas Album with its mixture of popular Christmas songs and seasonal evergreens. The 'King' delivers a rocking version of Santa Claus Is Back In Town just as successfully as Peace In The Valley, an inspirational gospel song praising nature. Of course it goes without saying that White Christmas - the most-recorded Christmas hit, which in the Bing Crosby version alone achieved sales of 35 million - is included on the album. And Elvis's sentimental interpretation of Silent Night may well have made its contribution to the immortality of the former truck driver from Tennessee. Back on this earth the original LP exchanges hands for around US$ 500 when the gift tag is still attached. And because it's Christmas, the coveted sticker can be found on the re-release.



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Santa Claus Is Back In Town
    2. White Christmas
    3. Here Comes Santa Claus (Right Down Santa Claus Lane)
    4. I'll Be Home For Christmas
    5. Blue Christmas
    6. Santa Bring My Baby Back (To Me)
    7. O Little Town Of Bethlehem
    8. Silent Night
    9. (There'll Be) Peace in the Valley (For Me)
    10. I Believe
    11. Take My Hand, Precious Lord
    12. It Is No Secret (What God Can Do)
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl - Sealed Buy Now
  • Stereo '57: Essential Elvis Vol. 2 Stereo '57: Essential Elvis Vol. 2 Quick View

    $54.99
    Buy Now
    x

    Stereo '57: Essential Elvis Vol. 2

    Double LP set cut at 45 RPM and pressed on 200-gram vinyl at Quality Record Pressings!


    Mastered at Sterling Sound


    Gatefold jacket


    The discovery of these 2-track masters comprising Stereo '57 - The Essential Elvis Volume 2, is nothing short of a miracle, and this 200-gram pressing cut at 45 RPM from Quality Record Pressings sounds so astonishing, your jaw will hit the floor!


    From the moment Elvis began working with a new song, sound engineer Thorne Norgar had the 15 ips mono tape machine rolling simultaneously with a 2-track protection copy. The machines weren't switched to pause until Elvis was satisfied with the take.


    A couple of years before the advent of the stereo LP in mid-1958, major record companies were experimenting with stereophonic recordings, often refered to then as binaural. Studios were using the new Ampex 2-track tape recorders for other purposes, such as for recording session back-ups. But few Elvis fans know how close history came to permanently losing these precious audio glimpses of a young Elvis engrossed in the creative process.


    Founded in 1933, Radio Recorders of Los Angeles was the preeminent recording studio of its day, and its director of recording, long-time engineer Thorne Nogar, engineered all of the Elvis sessions from 1955 to 1961. Some of popular music's greatest hits: Jailhouse Rock, All Shook Up, Loving You, and Teddy Bear, are just a few of the blockbusters that Nogar oversaw Elvis record at the studios, located at 7000 Santa Monica Blvd.


    Elvis would be right in the center of everything, at every recording session, Nogar would later recall. Like with the Jordanaires when he sang, we would set it up with a unidirectional mike, so he would be standing right in front of them, facing them, and they would have their own directional microphone and they would be singing to one another.


    The 2-tracks from which this record was pressed could not have sounded better, and there was no one more careful, more experienced and technically skilled to record these historic sessions than Nogar, says Acoustic Sounds' founder and CEO Chad Kassem.


    Yet one day years later when Thorne was cleaning out his tapes closet, remarkably, he set these 2-track backup tapes aside, intending to dispose of them. Noted producer Bones Howe had worked for Nogar as a tape operator at Radio Recorders, and thanks to him the tapes were saved from a final resting place in the trash can. Bones took the tapes home with him. He'd put them safely away in a bank vault.


    These 2-tracks have erase clearly written on the master log sheets. They're from a January 1957 session at which Presley produced material for two EPs and the film Loving You soundtrack. They're the only known ones surviving from the pre-stereo era.


    RCA's Essential Elvis series was a vehicle for the release of Presley's alternate takes. On this double LP set, listeners hear Presley at work, refining band arrangements and working through the nuances of his vocal performance. The LP reveals the Jordanaires voices' sparkling with a natural lifelike sound that's both sonically rich and detailed.


    The Jordanaires, a vocal quartet originally formed as a gospel group in 1948, gained fame largely for being Elvis' background singers, both in live appearances and recordings, from 1956 to 1972. If discovering these rare, almost lost recorded treasures weren't enough, the sound reproduction puts this release over the top! When the Jordanaires sing Peace in the Valley, you'll swear you're hearing a melody sent from heaven. An audiophile's prayer come true!


    There are a number of first and second takes, during which Presley and his backing musicians make tentative passes at the material. As the record progresses, arrangements take shape and Presley, growing more confident that a keeper take is imminent, sings with more enthusiasm. Throughout, Presley is heard directing the proceedings and demonstrating a lot of aw shucks charm in the process, goofing with band members and laughing through his and others', flubs.



    Like other reissues pressed by QRP, this magnificent 200-gram LP is notable for its absolutely silent background. The vocal harmonies are tingle-inducing, life-sized and utterly natural.


    For serious Elvis fans and anyone else interested in the creative process, Volume 2 meets the first definition of essential as well as the second: it's indispensable stuff.


    This title is not eligible for discount.

    1. I Beg Of You (Take 1)
    2. Is It So Strange (Take 1)
    3. Have I Told You Lately That I Love (Take 2)
    4. It Is No Secret (What God Can Do) (Takes 1,2,3)
    5. Blueberry Hill (Take 2)
    6. Mean Woman Blues (Take 14)
    7. There'll Be Peace In The Valley (Takes 2,3)
    8. Have I Told You Lately I Love You (Take 6)
    9. Blueberry Hill (Take 7)
    10. That's When Your Heartaches Begin (Takes 4,5,6)
    11. Is It So Strange (Takes 7,11)
    12. I Beg Of You (Takes 6,8)
    13. There'll Be Peace In The Valley (Take 7)
    14. Have I Told You Lately That I Love You (Takes 12,13)
    15. I Beg Of You (Take 12)
    Elvis Presley
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • The Wonder Of You: Elvis Presley With The Royal Philharmonic Orchestra The Wonder Of You: Elvis Presley With The Royal Philharmonic Orchestra Quick View

    $25.99
    Buy Now
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    The Wonder Of You: Elvis Presley With The Royal Philharmonic Orchestra

    Recorded at Abbey Road Studios in London with producers Don Reedman and Nick Patrick, The Wonder Of You focuses on Elvis' unmistakable voice with lush new orchestral accompaniment. Featuring Elvis' most dramatic original performances augmented with lush new arrangements by The Royal Philharmonic Orchestral, the record spans a variety of musical styles that Elvis embraced, from rock and gospel to country and ballads. The Wonder Of You highlights beloved Presley classics along with several surprises. The LP version is two 150 gram discs in a gatefold sleeve.
    LP 1
    1. A Big Hunk o' Love
    2. I've Got a Thing About You Baby
    3. Suspicious Minds
    4. Don't
    5. I Just Can't Help Believin'
    6. Just Pretend
    7. Love Letters


    LP 2
    1. Amazing Grace
    2. Starting Today
    3. Kentucky Rain
    4. Memories
    5. Let It Be Me
    6. Always on My Mind
    7. The Wonder of You
    8. Just Pretend

    Elvis Presley
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • He Touched Me He Touched Me Quick View

    $32.99
    Buy Now
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    He Touched Me

    40 Years Later..... The King Of Rock And Roll Lives On!

    Friday Music Proudly Announces The First Time 180 Gram Audiophile Translucent Red Vinyl Of His 1972 Grammy Award Winner He Touched Me

    Presented In First Time Gatefold Cover Art

    Mastered Impeccably By Joe Reagoso & Manufactured At R.T.I.

    Features The Stellar Gospel Hits: He Touched Me, Amazing Grace, This Thing Called Love, He Is My Everything, Reach Out To Jesus, There Is No God But God

    He Touched Me is a 1972 contemporary gospel music album by American singer and musician Elvis Presley. It earned him his second of three Grammy Awards. The album his third and final studio gospel album, and the most contemporary of the three. He Touched Me was certified Gold on March 27, 1992, and Platinum on July 15, 1999, by the RIAA.

    1. He Touched Me
    2. I've Got Confidence
    3. Amazing Grace
    4. Seeing Is Believing
    5. He Is My Everything
    6. Bosom Of Abraham
    7. An Evening Prayer
    8. Lead Me, Guide Me
    9. There Is No God But God

    10. A Thing Called Love
    11. I, John
    12. Reach Out To Jesus
    Elvis Presley
    $32.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • 23 Country Hits 23 Country Hits Quick View

    $25.99
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    23 Country Hits

    Before anyone did anything, Elvis Presley did everything! The King's musical accomplishments are nothing short of historic. His American sales have earned him gold, platinum or multi-platinum awards for 132 different albums and singles, far more than any other artist. He is the only person to become a member of all three music halls of fame, including Rock & Roll, Country and Gospel. And, globally, Elvis has sold over one billion records, more than any other artist. Nearly 40 years after his death, he remains one of the most influential figures in American music and culture. Vinyl Passion's 23 Country Hits chronicles the music of his Memphis, TN roots and includes the Country Billboard No. 1 singles "Heartbreak Hotel," "I Forgot To Remember To Forget," "I Want You, I Need You, I Love You," "Don't Be Cruel," "(Let Me Be Your) Teddy Bear," and "Jailhouse Rock" among many more!
    1. Baby Let's Play House
    2. I Forgot To Remember To Forget

    3. Mystery Train

    4. Heartbreak Hotel

    5. I Was The One34

    6. I Want You, I Need You, I Love You

    7. My Baby Left Me

    8. Hound Dog

    9. Don't Be Cruel

    10. Love Me Tender

    11. Love Me
    12. Too Much

    13. Playing For Keeps

    14. All Shook Up

    15. (Let Me Be Your) Teddy Bear

    16. Mean Woman Blues

    17. Loving You

    18. Jailhouse Rock

    19. Treat Me Nice

    20. Don't

    21. I Beg Of You

    22. Wear My Ring Around Your Neck

    23. Hard Headed Woman
    Elvis Presley
    $25.99
    Vinyl LP - Sealed Buy Now
  • Moody Blue Moody Blue Quick View

    $29.99
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    Moody Blue

    180 Gram Audiophile Translucent BLUE Vinyl


    Limited Edition


    Gatefold Cover


    Mastered Impeccably by Joe Reagoso and Kevin Gray from the Original RCA Records tapes

    Manufactured at R.T.I


    Elvis Aaron Presley was born during the Great Depression into a poor family in Mississippi. They moved to Memphis during the early
    fifties, and as a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs,
    of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide
    superstar unlike the world has ever known.
    The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract
    and signed the legend to a long-term deal, and his first RCA single Heartbreak Hotel forever etched "The King of Rock and Roll" trademark
    to his name.


    Over the next three decades, Elvis Presley would release dozens of hit albums and tons of smash singles, spend time in the Army, star
    in over 35 top charting films, as well as sell out concert tours around the states and Canada making him the most successful solo artist of all
    time. In 1977, his career ignited even further thanks to his highly successful tour and his much anticipated newly released LP Moody Blue.
    Already gaining popularity in advance thanks to two chart single smashes Moody Blue and Way Down, this masterwork album
    included a treasure trove of studio and concert performances that captured a very great time in the musical history of this iconic legend.
    In addition to the wonderful hit singles aforementioned, The King reaches back to his early Memphis days with a tribute to Johnny Ace
    with Pledging My Love and more fifties classics like The Diamonds' Little Darlin' and Jim Reeves' country smash He'll Have To Go.
    Even more hits abound with sensational interpretations of Al Hibbler's classic Unchained Melody which also hit the top ten of the
    country music charts, a gospel rockin' version of Let Me Be There and a brilliant reading of the Andrew Lloyd Webber/Tim Rice's classic It's
    Easy For You.


    Sadly, this was Elvis Presley's final album as he passed away suddenly on August 16, 1977. The world was never the same after the
    tragic news was told that day, as hoards of fans journeyed to his beloved Graceland to pay their heartfelt tribute to The King of Rock and Roll.
    Elvis Presley's Moody Blue album, of course already a huge seller prior to his death, would go on to become one of his biggest albums
    ever, as fans rushed to the stores to buy his final masterwork. Initially pressed on BLUE vinyl, this amazing album has been out of print on
    vinyl for several decades that is until now!
    In honor of the Man, the Music, the Legend, the King of Rock and Roll, Friday Music is very proud and honored to announce the limited
    edition album 180 Gram Audiophile BLUE vinyl release of the RCA Records classic Moody Blue by Elvis Presley.


    As we further continue our exciting Elvis Presley 180 Gram Audiophile Vinyl Series, we are pleased to present this masterwork in all
    its high fidelity glory. Mastered impeccably from the original stereophonic RCA Records tapes by Joe Reagoso at Friday Music Studios with
    Kevin Gray and manufactured at R.T.I., Moody Blue will be a much anticipated audiophile dream release for Elvis fans everywhere!
    For this exclusive presentation, we are including a first time beautifully pressed 180 Gram Translucent BLUE vinyl LP and limited
    gatefold album artwork which includes the original stunning LP cover elements. We are also enclosing a poly lined inner sleeve to help keep
    your limited edition Elvis Moody Blue vinyl album in mint shape.
    Elvis Presley's Moody Blue A history making album from a historic legend, an audiophile dream release first time 180 Gram
    Audiophile BLUE vinyl is now an audiophile vinyl dream come true From your friends at Friday Music Stay tuned for more Elvis Presley
    original RCA Records audiophile recordings from Friday Music.

    Side One
    1. Unchained Melody
    2. If You Love Me
    (Let Me Know)
    3. Little Darlin'
    4. He'll Have to Go
    5. Let Me Be There


    Side Two
    1. Way Down
    2. Pledging My Love
    3. Moody Blue
    4. She Thinks I Still Care
    5. It's Easy for You

    Elvis Presley
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Then Came The Morning (Awaiting Repress) Then Came The Morning (Awaiting Repress) Quick View

    $18.99
    Buy Now
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    Then Came The Morning (Awaiting Repress)

    Brooklyn's The Lone Bellow seemed to arrive fully formed: Its self-titled 2013 debut came stuffed with intricately assembled bundles of crowd-pleasing folk-pop, each more dramatic and infectious than the last. Charismatic, photogenic, endlessly hooky - The Lone Bellow has been the complete package since day one.


    A follow-up album, Then Came The Morning - produced by The National's Aaron Dessner - has lost none of its sleekly soaring charm.


    That said, when writing about Then Came The Morning, singer Zach Williams points to a different influence altogether:


    I was listening to a lot of Vegas-era Elvis when I started writing it. It has tinges of our gospel-music upbringing: The piano melody especially highlights the way my grandmother can bang on her old upright when she sings Uncloudy Day every Thanksgiving. We recorded all the vocals together in the old church sanctuary at Dreamland Studios, and Aaron Dessner wrote all the wind, brass and strings with Vegas Elvis in mind.
    -Stephen Thompson (NPR Music)

    1. Then Came the Morning
    2. Fake Roses
    3. Marietta
    4. Take My Love
    5. Call To War
    6. Watch Over Us
    7. Diners
    8. Heaven Don't Call Me Home
    9. If You Don't Love Me
    10. Telluride
    11. To the Woods
    12. Cold As It Is
    13. I Let You Go
    The Lone Bellow
    $18.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Sabougla Voices Sabougla Voices Quick View

    $15.99
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    Sabougla Voices

    In today's frenetically paced world, uncovering a lost treasure is often met with great enthusiasm, excitement, and anticipation. Lost footage of Gene Kelly dancing. A Vincent van Gogh no one knew existed. An Arthur Crudup album lost in a vault for 40 years. Jimi Hendrix material coming to light after 40 years. Well, now we can also celebrate the "discovery" of a blues master stepping into the sunlight, and delivering the best gospel album since Elvis gave us "How Great Thou Art" in February, 1967. The paradox is that Leo Welch has been there all along, living in Sabougla, Mississippi, first playing blues, and then moving to gospel. Born in 1932, Welch grew up playing blues. As his style of blues became less popular, he began to play gospel because churches offered more opportunities to play. Consequently, he was overlooked because blues aficionados frequented juke joints. Most blues lovers would never think to find blues, or blues related music in a church.


    After an off-the-cuff call by Welch to Big Legal Mess Records, things continued to fall into place, and he was able to record his debut album, Sabougla Voices. It is really difficult to accurately describe this stunning album, and faithfully convey the vibe, the atmosphere, and way it moves a listener. Welch has poured a lifetime of learning, living, loving, playing, and praying into this work, and it shows!


    This album is stripped down, bare bones joyful gospel being played and sung from the heart. This is not your daddy's gospel though. Sabougla Voices is a shot of love to your heart, a cool cleansing breeze blowing through your soul, and an orgasm for your ears. The album opens with "Praise His Name," which is beautifully sparse, raw, and has a great bouncing beat. "You Can't Hurry God" is almost a gospel honky-tonk that has a juke joint vibe. "Take Care Of Me Lord" has a very early Magic Slim and The Teardrops sound to it. "Mother Loves Her Children" is really basic, slow, artfully delicate blues. "Somebody Touched Me" has a mid 1960s Rolling Stones blues flavor, and nice backing vocals. "A Long Journey" is delightfully slow, and begs to be pulled over you like a comforting blanket of blues. "His Holy Name" is gospel as a shuffle, and definitely has the church rocking! The album closes with "The Lord Will Make A Way," an acoustic performance that is slow and stark, but very moving.


    If this is Welch's debut alum, we can't wait for the follow-up! This album is definitely a must-have.


    - Barry Kerzner (American Blues Scene Magazine)

    1. Praise His Name
    2. You Can't Hurry God
    3. Me and My Lord
    4. Take Care of Me Lord
    5. Mother Loves Her Children
    6. Praying Time
    7. Somebody Touched Me
    8. A Long Journey
    9. His Holy Name
    10. The Lord Will Make A Way
    Leo Welch
    $15.99
    Vinyl LP - Sealed Buy Now
  • Amos Lee Amos Lee Quick View

    $37.99
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    Amos Lee

    Amos Lee is the self-titled debut album by American singer-songwriter Amos Lee, released by Blue Note Records in 2005. The album is produced by Lee Alexander, the bassist in Norah Jones' band. Norah Jones herself plays the piano on 2 tracks; Keep It Loose, Keep It Tight and Colors.


    The songs on the album incorporate themes of folk, soul, gospel and jazz. His style is a mix of Bill Withers, Arthur Lee, and James Taylor. Amos has recently toured with Bob Dylan, Paul Simon, Elvis Costello, Van Morrison, Adele, Dave Matthews and many others.

    1. Keep It Loose, Keep It Tight
    2. Seen It All Before
    3. Arms Of A Woman
    4. Give It Up
    5. Dreamin'
    6. Soul Suckers
    7. Colors
    8. Bottom Of The Barrel
    9. Black River
    10. Lies Of A Lonely Friend
    11. All My Friends
    Amos Lee
    $37.99
    180 Gram Audiophie Virgin Vinyl LP - Sealed Buy Now
  • You Know I'm No Good/Shakin' All Over You Know I'm No Good/Shakin' All Over Quick View

    $6.99
    Buy Now
    x

    You Know I'm No Good/Shakin' All Over

    New music from the ''Queen of Rockabilly'', Ms. Wanda Jackson. In an era when rock and roll and rockabilly was dominated by men, Jackson was a groundbreaker who more than held her own with a ripping voice like no other and hard-headed songs about no-nonsense female protagonists. Her career has spanned rockabilly, rock and roll, country and gospel and she's shared stages with all the greats from Elvis Presley to Jerry Lee Lewis.


    The first two songs from the Wanda Jackson / Jack White recording sessions will be released on vinyl on January 26. The Third Man Records-released tracks will feature Jackson's cover of Amy Winehouse's ''You Know I'm No Good'' and 1960s British rock band Johnny Kidd and the Pirates' ''Shakin' All Over.''


    The Queen of Rockabilly went to Nashville in November to record with White, who has produced albums for the Von Bondies, Whirlwind Heat, the Greenhornes and Dexter Romweber Duo. He also produced country legend Loretta Lynn's Grammy Award-winning album, Van Lear Rose, in 2004.

    Side One

    1. You Know I'm No Good

     

    Side Two

    1. Shakin' All Over
    Wanda Jackson
    $6.99
    Vinyl LP 7'' Single - Sealed Buy Now
  • The Glory Road The Glory Road Quick View

    $26.99
    Buy Now
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    The Glory Road

    Her voice was all Saturday night, delivered on a Sunday
    morning. Patsy on Jesus. Elvis without the pelvis. Fern
    Jones' only album, released by Dot Records in 1959,
    captured 36-year-old Sister Fern as she anointed
    church music with the same untamed energy that
    younger white Southerners were bringing to their rock
    'n' roll. Produced by Mac Wiseman and showcasing crack
    Nashville session players Hank "Sugarfoot" Garland,
    Floyd Cramer, Joe Zinkan, and Buddy Harman fresh
    off their June 1958 session with The Pelvis, Singing A
    Happy Song should've taken Jones from dusty canvas
    big tops to the Opry's storied stage. But with no 45 to
    flog, Jones instead sold nary a record and never did hear
    herself on the radio. Her fiery rockabilly gospel was a
    few shades too radical for the conservative, traditional,
    near puritanical public she played to anyway. Fern
    Jones: The Glory Road collects her Singing A Happy
    Song LP and cuts including "Didn't It Rain," from her
    The Joneses Sing album, into one rousing package,
    rich with the details and imagery of a brief career
    spent tethered to the hard ground and gazing skyward.
    The Glory Road'ssound gnaws at the bit and stands in
    reverence, a runaway rockabilly tent show without a
    single drop of rain on the horizon.
    1. You Ain't Got Nothin'
    2. I Do Believe
    3. I Was There When It Happened
    4. Be Thankful You're You
    5. Strange Things Happening Every Day
    6. I Ain't Got Time
    7. Just A Little Talk With Jesus
    8. Keeps Me Busy
    9. Take My Hand, Precious Lord
    10. I Am A Pilgrim And A Stranger
    11. Let Tomorrow Be
    12. Didn't It Rain
    13. When I Meet You
    14. By And By
    15. I Don't Care What The World May Do
    16. This World Is Not My Home
    Fern Jones
    $26.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Surprises Surprises Quick View

    $34.99
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    Surprises

    Surprises is a beautiful Soul Jazz album by flutist Herbie Mann, featuring singer Cissy Houston. Released on Atlantic Records in 1976, the album peaked at #32 on the Billboard Jazz Album chart, #56 on the Billboard R&B Album chart, and #178 on the Billboard 200.


    Emily Cissy Houston (born September 30, 1933) is an American Soul and Gospel singer. After a successful career singing backup for (albums of) such artists as Wilson Pickett, Elvis Presley, Jimi Hendrix, Van Morrison, Donnie Hathaway, Paul Simon and Aretha Franklin, she embarked on a solo career, winning two Grammy Awards for her work. She is the mother of the late Whitney Houston, aunt of Dionne and Dee Dee Warwick, and a cousin of opera singer Leontyne Price.


    On September 29, 2014, at 81 years old, Cissy sang backup to a standing-ovation performance with Aretha Franklin of Adele's Rolling in the Deep' and Ain't No Mountain High Enough on the Late Show with David Letterman.


    As the '76 liner notes say: Cissy Houston. Only now is she beginning to emerge from her cocoon after so many years with the Drinkards and the Sweet Inspirations. Cissy...is showcased here like a star-in-waiting.

    1. Draw Your Breaks
    2. Cajun Moon
    3. Creepin'
    4. Easter Rising
    5. Asa Branca
    6. The Sound Of Windwood
    7. Cricket Dance
    8. The Butterfly In A Stone Garden
    9. Anata (I Wish You Were Here With Me)
    Herbie Mann
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Man Who Invented Rock 'n' Roll The Man Who Invented Rock 'n' Roll Quick View

    $34.99
    Buy Now
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    The Man Who Invented Rock 'n' Roll

    Sam Phillips: The Man Who Invented Rock 'n' Roll was curated by Peter Guralnick (Last Train to Memphis: The Rise of Elvis Presley) and accompanies his landmark Sam Phillips biography of the same title. These tracks are a hand-picked selection of Sam Phillips productions that illustrate Phillips' unique (sounds and sense) approach to recording and his cosmic genius. A celebration of the period (1950 - 1961) in which Sam played a revolutionary role in the music business, this collection includes big hits, near misses and never-was tracks that encompass blues, country, gospel, r&b, and the birth
    LP1
    1. Jerry Lee Lewis - Hello Hello Baby
    2. Howlin' Wolf - Moanin' At Midnight
    3. The Prisonaires - Just Walkin' In The Rain

    4. Howlin' Wolf - How Many More Years
    5. Jackie Brenston And His Delta Cats (Ike Turner) - Rocket 88
    6. The Jones Brothers - Every Night
    7. Howard Seratt - Troublesome Waters
    8. Jimmy And Walter - Easy
    9. Willie Nix - Lonesome Bedroom

    10. Johnny Cash - Big River
    11. Dr. Ross - The Boogie Disease
    12. Elvis Presley - Baby Let's Play House
    13. Roy Orbison - Ooby Dooby
    14. Little Junior's Blue Flames - Love My Baby
    15. Carl Perkins - Matchbox


    LP2
    1. Billy Riley - Flyin' Saucers Rock N' Roll
    2. Jerry Lee Lewis - Whole Lot of Shakin' Going On'

    3. B.B. King - She's Dynamite
    4. Howlin' Wolf - Mr. Highway Man
    5. Joe Hill Lewis - Dorothy Mae
    6. Charlie Rich - Who Will The Next Fool Be
    7. Elvis Presley - Mystery Train
    8. John Prine - How Lucky
    9. Little Junior's Blue Flames - Feelin' Good
    10. Jerry Lee Lewis - You're The Only Star In My Blue Heaven

    11. Carl Perkins - Turn Around
    12. Jimmy DeBerry - Time Has Made A Change
    13. Willie Nix - Seems Like A Million Years
    14. Rufus Thomas - Tiger Man
    15. Billy 'The Kid Emerson - When It Rains It Pours


    LP3
    1. Elvis Presley - That's All Right
    2. Jerry Lee Lewis - You Win Again

    3. Sleepy John Estes - Rats In My Kitchen
    4. D.A. Hunt - Lonesome Ol' Jail
    5. Charlie Rich - Sittin' and Thinkin'
    6. Carl Perkins - Movie Magg
    7. Roscoe Gordon - Booted
    8. Joe Hill Lewis - Gotta Let You Go
    9. Little Junior's Blue Flames - Mystery Train
    10. Carl Perkins - Blue Suede Shoes
    11. James Cotton - Cotton Crop Blues
    12. Sonny Burgess - Red Headed Woman
    13. Jerry Lee Lewis - Settin' the Woods on Fire
    14. Million Dollar Quartet - I Shall Not Be Moved
    15. Elvis Presley - Trying To Get To You

    Sam Phillips
    $34.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Patches (Pure Pleasure) Patches (Pure Pleasure) Quick View

    $34.99
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    Patches (Pure Pleasure)

    Clarence Carter's first major-hit album remains a must-own record, holding up extraordinarily well across four decades. Carter's singing possesses an immediacy and emotional impact that is as striking today as it was in 1970, and displays a vast range as well. The title track is the best-known song here, though It's All in Your Mind was also a hit later in the year, and I Can't Leave Your Love Alone and Your Love Lifted Me could easily have joined it and topped the pop charts as well. Carter even provides a bracing authentic gospel approach to the then-new Beatles song Let It Be, taking the song back to the roots whence Paul McCartney drew his inspiration. He also assumes a more pop-oriented persona on Till I Can't Take It Anymore, on which Carter starts to sound a bit like Elvis Presley, while on It's All in Your Mind he seems to invoke the ghost of Sam Cooke. On his own C.C. Blues, Carter's bluesiest persona emerges, his crunchy guitar playing off beautifully against a soaring horn section and Clayton Ivey's piano, and he returns to a soul sound for the finale, the soaring Getting the Bills (But No Merchandise).



    Musicians:



    • Clarence Carter (vocals, guitar)

    • Ronnie Eades (bassoon)

    • Aaron Varnell, Harvey Thompson (tenor saxophone)

    • Jack Peck (trumpet)

    • Albert Lowe Jr. (guitar)
    • Clayton Ivey (keyboard)

    • Bob Wray (bass)

    • Cornell McFadden (drums)

    • Charles Chalmers, Donna Rhodes (vocal)



    Recording: Sonny Limbo & Rick Hall

    Production: Rick Hall



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Willie And Laura Mae Jones
    2. Say Man
    3. I'm Just A Prisoner (Of Your Good Lovin')
    4. Let It Be
    5. I Can't Leave You Love Alone
    6. Your Love Lifted Me
    7. Till I Can't Take Anymore
    8. Patches
    9. It's All In Your Mind
    10. Changes
    11. C. C. Blues
    12. Getting The Bills (But No Merchandise)
    Clarence Carter
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ray Charles (Awaiting Repress) Ray Charles (Awaiting Repress) Quick View

    $29.99
    Buy Now
    x

    Ray Charles (Awaiting Repress)


    First Time On 180 Gram Audiophile Vinyl!


    Ray Charles' Stunning Atlantic Records Debut!


    The One That Started The Genius Of Soul Phenomenon!


    Mastered For The First Time From The Original Monophonic Atlantic Records Tapes By Joe Reagoso


    Ray Charles was the premiere architect singer/songwriter/musician whose "genius" of combining jazz, blues
    with gospel most certainly began the American soul music movement. This modern form of R&B which would become
    an American way of life forever etched itself in total with the release of his classic #1 hit single I Got a Woman from
    his stunning debut 1957 album Ray Charles.


    Fused with heavy blues, gospel and rock and roll, I Got a Woman was one of Ray's very first top charting hits
    soon to be followed by other #1 smash hit singles like Mess Around and A Fool for You. More hit singles graced his first
    album as well with Hallelujah I Love Her So, Ain't That Love and This Little Girl of Mine. The Ray Charles album itself
    on its own merit is truly a Greatest Hits LP, whereby most of these early Ray Charles' hit tracks have been covered
    hundreds of times by some of the most important voices in popular music, like The Beatles, Elvis Presley, The Steve
    Miller Band, Van Morrison, Peggy Lee, Johnny Winter, Jerry Lee Lewis, Stevie Wonder and many others.


    Also included on this debut masterpiece are some of Ray Charles' more definitive blues rockers like the powerful
    Come Back Baby, the rockin' Greenbacks, the #1 blues rocker Mary Ann, and the brilliant soul sounds of Don't You
    Know, Drown in My Own Tears and Losing Hand.


    The Ray Charles album forever etched the name superstar and genius with Ray Charles as the LP reached the
    upper rungs of the popular, jazz and R&B charts and has become an American institution which will forever stand the
    test of time. Being one of his rarest LP's of his career, the magnificent album has not been officially released on vinyl
    in over five decades and fetches hundreds of dollars for a mint used copy if you can even find one.


    Friday Music is very honored to announce the first time ever 180 Gram Audiophile Vinyl LP of the Ray Charles'
    classic Ray Charles. As another installment in our treasured Ray Charles/Friday Music 180 Gram Audiophile Series, his
    amazing debut LP is mastered from the original monophonic Atlantic Records' tapes by Joe Reagoso at Friday Music
    Studios and at Capitol Mastering with Ron McMaster. This masterwork truly sounds exceptional and will become one
    of the more important roots albums to be reissued in quite some time for the audiophile vinyl domain.


    This limited edition release also comes with the original album cover graphics of Marvin Israel, featuring the
    stunning liner notes by Guy Remark.


    The album will be packaged in a poly bag to preserve the rich details of the legendary cover art as well as a poly
    lined inner sleeve to protect your vinyl purchase for years to come. I Got a Woman!!!

    1. Ain't That Love
    2. Drown in My Own Tears
    3. Come Back Baby
    4. Sinner's Prayer
    5. Funny (But I Still Love You)
    6. Losing Hand
    7. A Fool for You
    8. Hallelujah I Love Her So
    9. Mess Around
    10. This Little Girl of Mine
    11. Mary Ann
    12. Greenbacks
    13. Don't You Know
    14. I Got a Woman
    Ray Charles
    $29.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
  • Live From Austin, TX (Jerry Lee Lewis) Live From Austin, TX (Jerry Lee Lewis) Quick View

    $30.99
    Buy Now
    x

    Live From Austin, TX (Jerry Lee Lewis)

    "Rock and Roll's the thing and Jerry Lee's the King " or so said an English fan once upon a time somewhere. Elvis fans might dispute that title, but nobody else in the history of popular music would dare call himself "The Killer." Of all the legends who came out of Sun Records in the 1950s - Elvis, Johnny Cash, Carl Perkins, Roy Orbison - no one would have bet the last one standing would be the pill-popping, whiskey-guzzling, gun-waving hellion from Ferriday, LA except The Killer, of course. Jerry Lee Lewis took black rhythm & blues, white gospel, and other funky Mississippi sounds and turned them into rock and roll. But Jerry Lee's life also is, and has always been, his piano; he has kicked and banged and set on fire (literally) many of them over the course of six-plus decades. He almost never made it to Austin City Limits. He canceled one appearance and, only weeks before this recording on October 17, 1983, his wife died in a freak swimming pool accident at their home. But he did make it, and what we have here is one of the most amazing performances ever to go down on the ACL stage. Throughout the day he was a perfect gentleman, showing up on time and acting very graciously to one and all, but once he hit the stage, all hell broke loose. The songs speak for themselves; they're ALL here. For many years later, Jerry Lee would carry a tape of this show to play for friends (and himself, many times). When I tried to book him again for a return performance, the response was, "Jerry Lee doesn't think he could possibly do a better show."


    - Terry Lickona (producer Austin City Limits)

    1. Keep My Motor Runnin'
    2. You Win Again
    3. Sweet Little 16
    4. 39 And Holding
    5. Think About It Darlin'
    6. Rock & Roll Over (Teenage Queen)
    7. Boogie Woogie Country Man
    8. C C Rider
    9. Chantilly Lace
    10. I'll Find It Where I Can
    11. In The Garden
    12. No Headstone On My Grave
    13. What'd I Say
    14. Great Balls Of Fire
    15. Whole Lotta Shakin' Goin' On
    Jerry Lee Lewis
    $30.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Babes In The Wood (Pure Pleasure) Babes In The Wood (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Babes In The Wood (Pure Pleasure)

    Babes In The Wood is Mary Black's finest, most consistently pleasing album. There is no filler here, and her song selection, culled from new songwriters such as Noel Brazil and classic folkies such as Richard Thompson, is impeccable. The acoustic arrangements (including guitar, piano, mandolin, dobro, and accordion) are carried out by her longtime backing musicians, although the music has a decidedly more pop than Celtic flavor on this album. As with most of her releases, there are many romantic ballads sung with a subtly that adds emotional weight to every song. The main difference on this album is an omnipresent religious tone, whether it's overt in the gospel opener Still Believing or just below the surface in songs such as The Golden Mile. Even a few of the love songs refer to having faith that love will come around again after heartbreak (Just Around the Corner). However, the album is peppered with playful, upbeat tunes that propel the album forward to the final song, a wonderful cover of Joni Mitchells's Urge For Going. A great introduction to the music of Mary Black, and a must-own for fans.



    Musicians:



    • Mary Black (vocal)

    • Pat Crowley (piano, accordion, vocal)

    • Maire Breatnach (synthesizer, fiddle)

    • Declan Sinnott (dobro, guitar, mandolin, vocal)

    • Carl Geraghty (saxophone)

    • Garvan Gallagher (bass)

    • Noel Bridgeman (percussion)



    Recording: March - June 1991 at Ringsend Road Studios, Dublin (Ireland), by Andrew Boland

    Production: Declan Sinnott




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Still Believing
    2. Bright Blue Rose
    3. Golden Mile
    4. Babes in the Wood
    5. The Thorn upon the Rose
    6. Just Around the Corner

    7. Brand New Star
    8. Prayer for Love
    9. Adam at the Window
    10. The Dimming of the Day
    11. Might as Well Be a Slave

    12. The Urge for Going
    Mary Black
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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