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  • The Dreamer Is The Dream The Dreamer Is The Dream Quick View

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    The Dreamer Is The Dream

    For his third ECM album as a leader, Chris Potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. The group includes superlative musicians well known to followers of ECM's many recordings from New York over the past decade: keyboardist David Virelles, bassist Joe Martin and drummer Marcus Gilmore, who each shine in addition to the leader on multiple horns. The Dreamer Is the Dream features Potter on tenor saxophone - the instrument that has made him one of the most admired players of his generation - in the striking opener Heart in Hand and such album highlights as Yasodhara, as well as on soprano sax (Memory and Desire) and bass clarinet (the title track).


    Potter is an artist who employs his considerable technique in service of music rather than spectacle, says The New Yorker, and his composing develops in texture and atmosphere with every album. Along with his previous ECM releases, Imaginary Cities and The Sirens, he has appeared on some of the label's most acclaimed discs, including Paul Motian's classic Lost in a Dream and Dave Holland's Grammy Award-winning What Goes Around.


    Musicians:

    Chris Potter (tenor & soprano saxophones, bass clarinet, clarinet, ilimba, flute, samples)

    David Virelles (piano, celeste)

    Joe Martin (double bass)

    Marcus Gilmore (drums, percussion)

    1. Heart in Hand
    2. Ilimba
    3. The Dreamer Is the Dream
    4. Memory and Desire
    5. Yasodhara
    6. Sonic Anomaly
    Chris Potter / David Virelles / Joe Martin / Marcus Gilmore
    $25.99
    180 Gram Virgin Vinyl LP - Sealed Buy Now
  • Prism Prism Quick View

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    Prism

    In the 40 years since Dave Holland's recording debut as a leader with his landmark recording "Conference of the Birds" he has produced a remarkable series of recordings documenting his musical journey. For "Prism", his latest recording, he's assembled a quartet of outstanding players and composers who are also leaders in their own right, Kevin Eubanks on guitar, Craig Taborn on piano and Fender Rhodes and Eric Harland on drums. The recording is representative of the wide range of musical references that these musicions incorporate into their music and it features compositions written by each of them for the group.
    1. Watcher

    2. Empty Chair
    3. Spirals

    4. Choir
    5. Color Of Iris

    6. New Day

    7. True Meaning Of Determination

    8. Evolution
    9. Breathe
    10.Winding Way (bonus track)
    Dave Holland
    $20.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Conference Of The Birds Conference Of The Birds Quick View

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    Conference Of The Birds

    This was Dave Holland's first album as a full-fledged leader. An album of driving, progressive jazz it is also of historical significance as the only occasion when Rivers and Braxton, two of the music's most strikingly original saxophonists, recorded together. This summit meeting received raves from the press. "If you've found the new music lacking in swing, cohesion and variety, get to this album," insisted DownBeat in a five star review, "Don't miss this one." Recorded 1972.
    1. Four Winds
    2. Q & A
    3. Conference Of The Birds
    4. Interception
    5. Now Here (Nowhere)
    6. See-Saw
    David Holland Quartet
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • In A Silent Way (Awaiting Repress) (On Sale) In A Silent Way (Awaiting Repress) (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    In A Silent Way (Awaiting Repress) (On Sale)

    Float Into the Ether: Gorgeous 1969 Experimental Treasure Among the Most Atmospheric Jazz Albums Ever Recorded


    Delicate, Immersing, Dynamic: Mobile Fidelity Reissue Magnifies the Bold Textures, Soothing Ambience, and Transcendent Moods


    Davis First Fusion Album Features John McLaughlin, Chick Corea, Herbie Hancock, Joe Zawinul, Wayne Shorter, Dave Holland, and Tony Williams


    Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and Four & More Also Available from Mobile Fidelity


    Shhh. The command to be quiet is no just part of the title of one of the two sprawling compositions on this pioneering album. Its also an apt metaphor for the relaxed hypnotism and spaced-out atmosphere that define In a Silent Way, a record that pushes the boundaries of studio possibilities, artist-producer relationships, and rock-jazz chasms. Recognized as Miles Davis first full-on fusion effort and part of his electric era, the 1969 landmark claims a Whos Who lineup that sends the music into an ethereal stratosphere.


    Part of Mobile Fidelitys Miles Davis catalog restoration series, In a Silent Way now immerses the listener in linoleate landscapes starlit by the intuition, suspension, and paradoxes wrought by a once-in-a-lifetime collective. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed 180g LP edition lifts the veil on the cutting-edge assembly process that created the pair of lengthy suites. Helmed by three electric instruments, the beveled compositions melt away all preconceived notions of jazz, rock, and ambience, following a loose theory Davis dubbed New Directions.


    Few albums are so delicately textured. And on Mobile Fidelitys meticulous analog reissue, such sulcate elements pour over ink-black backgrounds on a canyon-wide soundstage. In particular, Tony Williams inventive percussive touch he causes the cymbals to shimmer as a pieces of silver tend to do when exposed to sunlight is broadcast with lifelike three-dimensional qualities, the panoramic view extending to Davis nocturnal trumpet, Wayne Shorter's ribbon-unfurling saxophone, Dave Hollands extrapolative bass, and the mosaic of keys.


    If the records only accomplishment is its introduction of guitarist John McLaughlin to the world, it alone would be enough. Yet In a Silent Way continues to bedazzle, puzzle, and inspire for myriad reasons not the least of which is the seemingly telepathic communicative methods employed by the groups members. The lineup is great on paper, but, if its even possible, the octet sounds even better in practice, with the instruments and tonalities conjoining in avant-garde communion like hyper-sensitive tentacles exploring the stippled landscapes of an undiscovered planet.


    Diverting from expectation, tubular grooves twist, turn, and spin, sometimes piling atop of each other, always shying away from structure and melody. Ellipsoidal solos provide hesitant guidance, ranging from Chick Corea's Fender Rhodes phrases to Davis decorative spirals. And as color is the primary unit of currency on Davis Sketches of Spain, laidback episodes, geometric spaces, and quiet sensuality reign here, with the sets maverick reputation attained via musings on solitude rather than explosions of noise.


    Controversial for the period, the heavily edited production of In a Silent Way blew open the once-locked doors on what producers could attempt and how artists could assist them. Knitted together as one would construct a cross-hatched quilt, songs contain grafts of repeat passages that provide unifying structure and experimental continuity. What a statement.


    This title is not eligible for further discount.

    1. Shhh/Peaceful
    2. In a Silent Way/Its About That Time
    Miles Davis
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • We Can Do Anything We Can Do Anything Quick View

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    We Can Do Anything

    We Can Do Anything follows 2000's Freak Magnet and marks the group's ninth LP. It was recorded in Brooklyn, Nashville, Los Angeles, Milwaukee and Denver during their summer tour. Jeff Hamilton - a multi-instrumentalist in the Femmes' ever-changing backing band, Horns of Dilemma - served as producer, while John Agnello (Sonic Youth, Dinosaur Jr.) mixed.


    The We Can Do Anything cover art was drawn by Kevin Hearn of the Barenaked Ladies, whom Violent Femmes toured with over the summer. He also contributed accordion, guitars, keys and backing vocals to several songs on the album.


    Violent Femmes frontman Gordon Gano culled a handful of songs for We Can Do Anything from his trove of old cassette demos and journals, including Big Car and I Could Be Anything. He also shared writing duties on various songs with Sam Hollander, Dave Katz and Better Than Ezra's Kevin Griffin; We Can Do Anything also boasts one cover, What You Really Mean, which was written by Gano's sister, folk musician and artist, Cynthia Gayneau.


    -Rolling Stone

    1. Memory
    2. I Could Be Anything
    3. Issues
    4. Holy Ghost
    5. What You Really Mean

    6. Foothills
    7. Traveling Solves Everything

    8. Big Car
    9. Untrue Love

    10. I'm Not Done
    Violent Femmes
    $17.99
    Vinyl LP - Sealed Buy Now
  • Imaginary Cities Imaginary Cities Quick View

    $25.99
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    Imaginary Cities


    Chris Potter: tenor and soprano saxophones, bass clarinet

    Adam Rogers: guitars

    Craig Taborn: piano

    Steve Nelson: vibraphone, marimba

    Fima Ephron: bass guitar

    Scott Colley: double bass

    Nate Smith: drums

    Mark Feldman: violin

    Joyce Hammann: violin

    Lois Martin: viola

    Dave Eggar: cello


    Imaginary Cities is the recording premiere of saxophonist Chris Potter s new Underground Orchestra. At the core of this larger ensemble is the personnel of his long-established Underground quartet with Adam Rogers, Craig Taborn and Nate Smith now joined by two bassists, a string quartet, and Potter s old comrade from Dave Holland Quintet days, vibes and marimba man Steve Nelson. The title composition is a suite, panoramic in its reach, with movements subtitled Compassion , Dualities , Disintegration and Rebuilding . The scope of the work, and its contrasting moods and thematic development, inspire some of Potter s finest playing. His saxes fly high above his idealized cityscapes or launch into dialogues or group improvising with its gifted inhabitants. Four further pieces Lament , Firefly , Sky and Shadow Self extend the feeling of the suite, successfully combining both tightly written material and very open areas involving all members of the orchestra. References are multi-idiomatic and multicultural, and Potter, who counts Charlie Parker with Strings amongst his formative enthusiasms, had Arabic and Indian string sections in mind, as well as contemporary composition, when shaping this material. Imaginary Cities was recorded in December 2013 in New York s Avatar Studio and produced by Manfred Eicher. Release of the album is followed by US performances with the Underground Orchestra in New York and San Francisco.

    1. Lament
    2. Imaginary Cities (Pt. 1, Compassion)
    3. Imaginary Cities (Pt. 2, Dualities)
    4. Imaginary Cities (Pt. 3, (Disintegration)
    5. Imaginary Cities (Pt. 4, Rebuilding)
    6. Firefly
    7. Shadow Self
    8. Sky
    Chris Potter, Underground Orchestra
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Contrasts Contrasts Quick View

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    Contrasts

    Dave Holland always described Sam Rivers' groups as his finishing school. It was Sam who instructed him to play "all the music" - inside, outside, atonal, swing, blues, and all the hues of the jazz and chamber music traditions. By the time of Contrasts, Rivers and Holland had been working together consistently for seven years (with Dave's Conference of the Birds at the start of the story), a powerhouse combination of multi-reeds and double bass. Of the drummers who passed through the line-up, Thurman Barker was one of the most creative, rippling across drum kit and marimba. Young trombone innovator George Lewis had already worked with Holland and Barker in Anthony Braxton groups. For Contrasts everyone was fired up and ready to play.


    Musicians:

    Sam Rivers (soprano and tenor saxophones, flute)

    George Lewis (trombone)

    Dave Holland (bass)

    Thurman Barker (drums, marimba)


    Recorded December 1979

    1. Circles
    2. Zip
    3. Solance
    4. Verve
    5. Dazzle
    6. Images
    7. Lines
    Sam Rivers
    $25.99
    Vinyl LP - Sealed Buy Now
  • River: The Joni Letters (Pre-Order) River: The Joni Letters (Pre-Order) Quick View

    $34.99
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    River: The Joni Letters (Pre-Order)

    The legendary pianist and innovator explores the words and music of another musical pioneer Joni Mitchell on his first new studio recording for Verve since 1998's GRAMMY® Award winner Gershwin's World. Inspired in equal parts by Mitchell's poetic lyrics and unique melodies/harmonies, the musicians play with a restraint and elegance that achieves a perfect balance between the adventurous aesthetics of jazz improvisation and the emotional directness of one of the finest singer/songwriters of the last five decades. On the album: Herbie Hancock, Wayne Shorter, Lionel Loueke, Dave Holland & Vinnie Colaiuta with special guests Norah Jones, Tina Turner, Corinne Bailey Rae, Luciana Souza, Leonard Cohen & Joni Mitchell.
    1. Court And Spark (feat. Norah Jones)
    2. Edith And The Kingpin (feat. Tina Turner)
    3. Both Sides Now
    4. River (feat. Corinne Bailey Rae)
    5. Sweet Bird
    6. The Tea Leaf Prophecy (Lay Down Your Arms) [feat. Joni Mitchell]
    7. Solitude
    8. Amelia (feat. Luciana Souza)
    9. Nefertiti (feat. Wayne Shorter)
    10. The Jungle Line (feat. Leonard Cohen)
    11. A Case Of You (Short Version)
    12. All I Want
    Herbie Hancock
    $34.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Live Evil Live Evil Quick View

    $39.99
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    Live Evil

    Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands.


    One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.


    The other setting was recorded with Ron Carter, Dave Holland, Chick Corea, and Herbie Hancock among others. This record is complex, but somehow still groovy. Tracs like "Sivad", "Funky Tonk", and "What I say" shows enthusiasm and wonderfully live material.

    LP 1
    1. Sivad
    2. Little Church
    3. Medley: Gemini / Double Image
    4. What I Say
    5. Nem Um Talvez


    LP 2
    1. Selim
    2. Funky Tonk
    3. Inamorata And Narration By Conrad Roberts

    Miles Davis
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Bitches Brew: 40th Anniversary Collector's Edition Bitches Brew: 40th Anniversary Collector's Edition Quick View

    $124.99
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    Bitches Brew: 40th Anniversary Collector's Edition

    This 40th Anniversary Collector's Edition of Miles Davis Bitches Brew is housed in a 12 x 12 slipcase box, contains an audiophile 180g vinyl double-LP gatefold replication of the original album; two CDs with the original 94-plus minutes of music plus six bonus tracks and a third CD of a previously unissued performance at Tanglewood in August of 1970, with Keith Jarrett, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira and Gary Barts; and a DVD of a previously unissued performance in Copenhagen in November of 1969, with Wayne Shorter, Corea, Holland and DeJohnette.


    Also included is a 52 page full-color 12x12 book with a 500 word essay by journalist/author/producer/musician Greg Tate; producer's notes by Michael Cuscuna and Richard Seidel (the box's co-producers); and a Lenny White interview by author Ashley Kahn. The book features Mati Klarwein's painting Zonked (a psychedelic portrait of Miles Davis' wife, Betty, which also encodes a profile of Miles) on its cover, plus dozens of rare, unpublished photographs and record label memos.


    In addition, a memorabilia envelope is also included containing a reproduction of the Miles Davis Rolling Stone cover story from December of 1969, a previously unseen correspondence from Teo Macero's archives, reproductions of three Fillmore West concert tickets from April of 1970, high quality photograph prints, and a foldout poster.

    LP 1:


    1. Pharaoh's Dance
    2. Bitches Brew

    LP 2:


    1. Spanish Key
    2. John McLaughlin
    3. Miles Runs the Voodoo Down
    4. Sanctuary


    CD 1:


    1. Pharaoh's Dance
    2. Bitches Brew
    3. Spanish Key
    4. John McLaughlin


    CD 2:


    1. Miles Runs the Voodoo Down
    2. Sanctuary
    3. Spanish Key (alternate take)
    4. John McLaughlin (alternate take)
    5. Miles Runs the Voodoo Down (single edit)
    6. Spanish Key (single edit)
    7. Great Expectations (single edit)
    8. Little Blue Frog (single edit)


    CD 3 - Tanglewood Live 1970:


    1. Bill Graham Intro
    2. Directions
    3. Bitches Brew
    4. The Mask
    5. It's About That Time
    6. Sanctuary
    7. Spanish Key/The Theme
    8. Miles Runs the Voodoo Down
    9. Bill Graham Outro


    DVD - Copenhagen Live 1969:


    1. Directions
    2. Miles Runs the Voodoo Down
    3. Bitches Brew
    4. Agitation
    5. I Fall In Love Too Easily
    6. Sanctuary
    7. It's About That Time/The Theme

    Miles Davis
    $124.99
    180 Gram Audiophile Virgin Vinyl LP + 3 CD + DVD - 2 LPs Sealed Buy Now
  • The New Standard (Awaiting Repress) The New Standard (Awaiting Repress) Quick View

    $59.99
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    The New Standard (Awaiting Repress)


    • Play 33 1/3 Series


    • 180 Gram Heavyweight Vinyl Pressed By MMP


    • Gatefold Jacket With Black Poly-Lined Inner Sleeves



    • Includes 6-Page Booklet


    • Project Designed & Sleeve Made By Khiov


    The 'Play 33 1/3 LP Series' is a Vinyl LP project including masterpiece albums which have never been released on LP. The albums are released by Universal Music Korea on LP for the first time and the heavyweight vinyl LP is pressed in Germany. Khiov designs the project, reforms the original artworks for the LP size and precisely made the sleeves.


    Herbie Hancock's 40th album was originally released in 1996 on CD only. Hancock reinvents tunes like Don Henley's New York Minute, Peter Gabriel's Mercy Street, Simon & Garfunkel's Scarbrorough Fair and more.


    On first glance this record would not seem to have much promise from a jazz standpoint. Herbie Hancock performs a set of tunes which include numbers from the likes of Peter Gabriel, Stevie Wonder, Sade, Paul Simon, Prince, the Beatles (Norwegian Wood) and Kurt Cobain. However by adding vamps, re-harmonizing the chord structures, sometimes quickly discarding the melodies and utilizing an all-star band, Hancock was able to transform the potentially unrewarding music into creative jazz. Hancock, who sticks to acoustic piano, shows that he is still in prime form, taking quite a few fiery solos. With Michael Brecker on tenor and surprisingly effective soprano, guitarist John Scofield, bassist Dave Holland, drummer Jack DeJohnette and percussionist Don Alias (along with an occasional horn or string section that was dubbed in later), the results are often quite hard-swinging and certainly never predictable...


    - Scott Yanow (All Music Guide)


    Musicians

    Herbie Hancock: piano

    Michael Brecker: tenor & soprano saxophone

    John Scofield: acoustic & electric guitars

    Dave Holland: electric bass

    Jack DeJohnette: drums, electric percussion

    Don Alias: percussion

    LP 1
    1. New York Minute
    2. Mercy Street
    3. Norwegian Wood (This Bird Has Flown)
    4. When Can I See You
    5. You've Got It Bag Girl


    LP 2
    1. Love Is Stronger Than Pride
    2. Scarborough Fair
    3. Thieves In the Temple
    4. All Apologies
    5. Manhattan (Island of Lights and Love)
    6. Your Gold Teeth II

    Herbie Hancock
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Bitches Brew: Live Bitches Brew: Live Quick View

    $44.99
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    Bitches Brew: Live

    It has been said that jazz stopped evolving when Davis wasn't there to push it forward.


    Even if that isn't true, Miles Davis certainly was one of the greatest music innovators of the 20th century, pioneering Cool Jazz (with the 1949 recording of Birth Of The Cool), Modal Jazz (with 1959's Kind Of Blue) and Fusion with 1970's Bitches Brew.


    Bitches Brew Live contains recordings from two performances: the first three songs were recorded at his Newport Jazz performance in July 1969 - a couple of weeks before the Bitches Brew Sessions in August of that year - and have remained unissued till this day.


    Miles performs with Chick Corea on electric piano, Dave Holland on acoustic bass and Jack DeJohnette on drums; musicians who all went on to become leaders of the Fusion movement. (Wayne Shorter unfortunately missed this date because he was stuck in traffic.) The A1 track 'Miles Runs The Voodoo Down' is the first professionally live recorded version of this song.


    The other six songs were recorded at the Isle Of Wight festival in 1970,and contain 'Directions' and 'It's About That Time' from the In A Silent Way sessions.


    Included in this exclusive release is a 12 page booklet with a liner note essay by renowned music journalist Michael Azzerad, and a special etch on the D side.

    Side 1

    1. Miles Runs The Voodoo Down

    2. Sanctuary

    3. It's About That Time/The Theme


    Side 2

    1. Directions

    2. Bitches Brew


    Side 3
    1. It's About That Time

    2. Sanctuary

    3. Spanish Key

    4. The Theme


    D-Side is etched

    Miles Davis
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Big Fun Big Fun Quick View

    $39.99
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    Big Fun

    180 Gram Audiophile Vinyl


    Gatefold Sleeve


    Featuring Herbie Hancock, John Mclaughlin, Lonnie Listen Smith, Chick Corea, Wayyne Shorter, Joe Zawinul And Many Others


    Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies electric period.


    Sides one and four (Great Expectations and Lonely Fire) were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks, making it sound much like the sitar. This contributed to creating a very clear and lean sound, highlighting both the high and low registers, as opposed to the busier sound of Bitches Brew which placed more emphasis on the middle and low registers.


    Ife was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks from that record. It has a drum and electric bass groove and a plethora of musicians improvising individually and in combinations over variations on the hypnotic bassline.


    Recorded in March 1970, Go Ahead John is an outtake from Davis's Jack Johnson sessions. The recording is a riff and groove-based, with a relatively sparser line-up of Steve Grossman on soprano saxophone, Dave Holland on bass, Jack DeJohnette on drums, and John McLaughlin on guitar with wah-wah pedal.

    LP 1
    1. Great Expectations
    2. Ife


    LP 2
    1. Go Ahead John

    2. Lonely Fire

    Miles Davis
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Black Beauty Black Beauty Quick View

    $39.99
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    Black Beauty

    180 Gram Audiophile Vinyl


    Gatefold Sleeve


    Includes 4-Page Booklet


    Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only.


    Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira) through one continuously performed set list.


    The songs in the band's setlist were as followed: Directions, Miles Runs the Voodoo Down, Willie Nelson, I Fall In Love Too Easily, Sanctuary, It's About That Time, Bitches Brew, Masqualero, Spanish Key, and The Theme. They were performed as one continuous and uninterrupted piece of music, a practice Davis had begun in 1967. He later explained in his autobiography that performing these kinds of long musical suites without breaks allowed more space for improvisations in concert.


    The original Japanese booklet is included in this vinyl package.

    LP 1
    1. Black Beauty Part I

    2. Black Beauty Part II


    LP 2
    1. Black Beauty Part III
    2. Black Beauty Part IV

    Miles Davis
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Tales From The Hudson (Awaiting Repress) Tales From The Hudson (Awaiting Repress) Quick View

    $59.99
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    Tales From The Hudson (Awaiting Repress)


    • Play 33 1/3 Series


    • 180 Gram Heavyweight Vinyl Pressed By MMP


    • Gatefold Jacket With Black Poly-Lined Inner Sleeves



    • Includes 6-Page Booklet


    • Project Designed & Sleeve Made By Khiov


    The 'Play 33 1/3 LP Series' is a Vinyl LP project including masterpiece albums which have never been released on LP. The albums are released by Universal Music Korea on LP for the first time and the heavyweight vinyl LP is pressed in Germany. Khiov designs the project, reforms the original artworks for the LP size and precisely made the sleeves.


    Brecker's fourth album as a leader was recorded at the Power Station in New York City and was originally released in 1996 on CD only.


    Michael Brecker, a major influence on today's young saxophonists, shows off his own influences a bit throughout this fine modern straight-ahead set. Brecker sounds surprisingly like Stanley Turrentine on parts of Midnight Voyage, and otherwise displays his roots in Ernie Watts and John Coltrane. With the exception of Don Grolnick's Willie T., the music on the CD is comprised of group originals (five by the leader) and falls into the 1990s mainstream of jazz. While the tenor saxophonist has plenty of blowing space (really letting loose on the exciting closer, Cabin Fever), Pat Metheny is mostly pretty restrained (in a Jim Hall bag) except for his wild solo on guitar synth during Song for Bilbao. Pianist Joey Calderazzo starts out sounding a bit like McCoy Tyner on Slings and Arrows before his own musical personality is revealed. When Tyner himself plays on Song for Bilbao (one of two guest appearances), one can certainly tell the difference between master and pupil. All of Michael Brecker's recordings as a leader (as opposed to his cameos as a sideman on pop records) are easily recommended and show why he is considered a giant by many listeners.

    - Scott Yanow (All Music Guide)


    Musicians

    Michael Brecker: tenor saxophone

    Pat Metheny: guitars, synth guitar

    Jack DeJohnette: drums

    Dave Holland: bass

    Joey Calderazzo: piano

    McCoy Tyner: piano

    Don Alias: percussion

    LP 1
    1. Slings and Arrows
    2. Midnight Voyage
    3. Song For Bilbao
    4. Beau Rivage


    LP 2
    1. African Skies
    2. Introduction to Naked Soul
    3. Naked Soul
    4. Willie T.
    5. Cabin Fever

    Michael Brecker
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Maria Muldaur Maria Muldaur Quick View

    $29.99
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    Maria Muldaur


    One of the half-dozen best albums of 1973. - Rolling Stone Magazine


    Maria Muldaur's strong debut features savvy studio vets, talented guests, strong tunes and Muldaur's best-known single, ''Midnight at the Oasis.'' A flirty invitation to forbidden pleasure, set in an Arabian Nights desert that falls somewhere between jazz and pop. A well-known music critic declared that '''Midnight At The Oasis' was probably responsible for the conception of more children than any other song of the 1970's.''

    The recording appeared in 1973, during a moment of great openness in popular music. Her album became an FM staple, she found just the right balance between her commitment to the traditional material she favors and her ability to interpret it in her own quirky and original recognizable singing style.

    There's not a weak song, a weak arrangement, or a weak performance anywhere on it. Muldaur has an amazing voice, a kind of ''link'' between the worlds of folk, blues and jazz. This album has elements of rock, pop, blues, folk, country, bluegrass even vaudeville and somehow, all the disparate elements blend well to make for a cohesive, remarkably unified album impossible to classify as a whole.



    Among the musicians and vocalists appearing on the recording are, Dr. John, Ry Cooder, Andrew Gold, David Grisman, Chris Ethridge, Ray Brown, Richard Greene, Dave Holland, David Lindley and Bettye LaVette. The multi-talented Freebo, Bill Keith of Bill Monroe's Bluegrass Boys, solo-Beatles drummer Jim Keltner and solo-Beatles bassist Klaus Voorman, and Jazz-Guitarist Amos Garrett.

    But the album's greatest moments belong to Maria alone - Her vocal gifts defy expression. After a decade of work this debut recording revealed her art as mature, sophisticated, sensual and wise. The songs and performances are sweet, poignant, salacious, intelligent and attractive. The high point may well be Wendy Waldman's ''Mad Mad Me,'' which closes the album with the most hauntingly gorgeous two minutes and fifty-three seconds ever recorded.

    What Muldaur did back then and she is still doing, is recording excellent and eclectic albums, covering different music genres and displaying formidable musical knowledge - There's a huge love for music in this supremely talented artist.

    1. Any Old Time
    2. Midnight at the Oasis
    3. My Tennessee Mountain Home
    4. I Never Did Sing You a Love Song
    5. The Work Song
    6. Don't You Make Me High (Don't You Feel My Leg)
    7. Walkin' One and Only
    8. Long Hard Climb
    9. Three Dollar Bill
    10. Vaudeville Man
    11. Mad Mad Me
    Maria Muldaur
    $29.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Filles De Kilimanjaro (On Sale) Filles De Kilimanjaro (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    Filles De Kilimanjaro (On Sale)

    Numbered, Limited Edition


    Davis' Self-Proclaimed "Directions in Music" March Begins Here


    Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center


    Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous


    Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.


    Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.


    Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.


    The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun." Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.


    Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.


    More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline "Directions in Music." With the jazz world still trying to wrap its collective mind around its genius, it still does.


    This title is not eligible for further discount.

    1. Frelon Brun
    2. Tout de Suite
    3. Petits Machins
    4. Filles de Kilimanjaro
    5. Mademoiselle Mary
    Miles Davis
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Silent Reign Of Heroes Silent Reign Of Heroes Quick View

    $22.99
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    Silent Reign Of Heroes

    This Lynyrd Skynyrd-style, blues rock outfit emerged from the US deep south. The name derived from a tale of a woman in seventeenth-century Salem who beheaded her lovers with an axe after sleeping with them. The initial line-up comprised Dave Hlubek (guitar), Steve Holland (guitar), Duane Roland (guitar), Banner Thomas (bass), Danny Joe Brown (vocals) and Bruce Crump (drums). Their 1978 debut album, produced by Tom Werman (of Cheap Trick and Ted Nugent fame), was an instant success, with its three-pronged guitar onslaught and gut-wrenching vocals. The band then achieved a US Top 20 placing with their second album, Flirtin` With Disaster. Brown was replaced by Jimmy Farrar in 1980, before the recording of the band`s third album, Beatin` The Odds. Farrar`s vocals were less distinctive than Brown`s, and an element of their identity was lost during the time that Farrar fronted the band. Nevertheless, commercial success continued, with both Beatin` The Odds and Take No Prisoners peaking on the Billboard album chart at numbers 25 and 36, respectively. In 1982, Danny Joe Brown rejoined the band in place of the departed Farrar, while Thomas and Crump were replaced by Riff West and B.B. Borden respectively. No Guts ... No Glory emerged and marked a return to the band`s roots: explosive guitar duels, heart-stopping vocals and steadfast rock `n` roll. Surprisingly, the album flopped and Hlubek insisted on a radical change in direction. Steve Holland quit and drummer Crump returned, while keyboard player John Galvin (from the Danny Joe Brown Band) was recruited for the recording of The Deed Is Done. This was a lightweight pop rock album, largely devoid of Molly Hatchet`s former trademarks. Following its release, the band retired temporarily to lick their wounds and reassess their future. In 1985, Double Trouble Live was unveiled, with a return to former styles. It included versions of their best-known songs, plus a Lynyrd Skynyrd tribute in the form of `Freebird`. Founder member Dave Hlubek subsequently departed, to be replaced by Bobby Ingram. The band signed a new recording contract with Capitol Records and returned with 1989`s Lightning Strikes Twice. This leaned away from their southern roots towards highly polished AOR. Featuring cover versions of Paul Stanley`s `Hide Your Heart` and `There Goes The Neighborhood`, the album was poorly received by fans and critics alike. A number of line-up changes ensued in the early 90s, leaving Brown as the only remaining original member. During this period he was continually plagued by illness as a result of diabetes. and eventually left Molly Hatchet in 1996 as they embarked on another recording comeback. The line-up that recorded Devil`s Canyon comprised Bobby Ingram, John Galvin, Phil McCormack (vocals), Bryan Bassett (guitar), Andy McKinney (bass) and Mac Crawford (drums). The revived band, with additional keyboard player Tim Donovan, then completed 1998`s Silent Reign Of Heroes. Further line-up changes saw mainstays Ingram, Galvin and McCormack joined by a regularly rotating cast list of musicians, as the band continued to tour and record with great success. Original guitarist Hlubek rejoined the line-up in early 2005 shortly before his former colleague Danny Joe Brown succumbed to diabetes.

    1. Mississippi Moon Dog

    2. World of Trouble

    3. Silent Reign of Heroes

    4. Miss Saturday Night

    5. Blue Thunder

    6. Just Remember (You're the Only One)

    7. Junk Yard Dawg

    8. Dead and Gone (Redneck Song)

    9. Saddle Tramp

    10. Fall of the Peacemakers

    11. Whiskey Man

    12. One Man's Pleasure

    Molly Hatchet
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Kingdom Of XII Kingdom Of XII Quick View

    $22.99
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    Kingdom Of XII

    This Lynyrd Skynyrd-style, blues rock outfit emerged from the US deep south. The name derived from a tale of a woman in seventeenth-century Salem who beheaded her lovers with an axe after sleeping with them. The initial line-up comprised Dave Hlubek (guitar), Steve Holland (guitar), Duane Roland (guitar), Banner Thomas (bass), Danny Joe Brown (vocals) and Bruce Crump (drums). Their 1978 debut album, produced by Tom Werman (of Cheap Trick and Ted Nugent fame), was an instant success, with its three-pronged guitar onslaught and gut-wrenching vocals. The band then achieved a US Top 20 placing with their second album, Flirtin` With Disaster. Brown was replaced by Jimmy Farrar in 1980, before the recording of the band`s third album, Beatin` The Odds. Farrar`s vocals were less distinctive than Brown`s, and an element of their identity was lost during the time that Farrar fronted the band. Nevertheless, commercial success continued, with both Beatin` The Odds and Take No Prisoners peaking on the Billboard album chart at numbers 25 and 36, respectively. In 1982, Danny Joe Brown rejoined the band in place of the departed Farrar, while Thomas and Crump were replaced by Riff West and B.B. Borden respectively. No Guts ... No Glory emerged and marked a return to the band`s roots: explosive guitar duels, heart-stopping vocals and steadfast rock `n` roll. Surprisingly, the album flopped and Hlubek insisted on a radical change in direction. Steve Holland quit and drummer Crump returned, while keyboard player John Galvin (from the Danny Joe Brown Band) was recruited for the recording of The Deed Is Done. This was a lightweight pop rock album, largely devoid of Molly Hatchet`s former trademarks. Following its release, the band retired temporarily to lick their wounds and reassess their future. In 1985, Double Trouble Live was unveiled, with a return to former styles. It included versions of their best-known songs, plus a Lynyrd Skynyrd tribute in the form of `Freebird`. Founder member Dave Hlubek subsequently departed, to be replaced by Bobby Ingram. The band signed a new recording contract with Capitol Records and returned with 1989`s Lightning Strikes Twice. This leaned away from their southern roots towards highly polished AOR. Featuring cover versions of Paul Stanley`s `Hide Your Heart` and `There Goes The Neighborhood`, the album was poorly received by fans and critics alike. A number of line-up changes ensued in the early 90s, leaving Brown as the only remaining original member. During this period he was continually plagued by illness as a result of diabetes. and eventually left Molly Hatchet in 1996 as they embarked on another recording comeback. The line-up that recorded Devil`s Canyon comprised Bobby Ingram, John Galvin, Phil McCormack (vocals), Bryan Bassett (guitar), Andy McKinney (bass) and Mac Crawford (drums). The revived band, with additional keyboard player Tim Donovan, then completed 1998`s Silent Reign Of Heroes. Further line-up changes saw mainstays Ingram, Galvin and McCormack joined by a regularly rotating cast list of musicians, as the band continued to tour and record with great success. Original guitarist Hlubek rejoined the line-up in early 2005 shortly before his former colleague Danny Joe Brown succumbed to diabetes.

    1. Heart of the U.S.A.

    2. Cornbread Mafia

    3. One Last Ride

    4. Why Won't You Take Me Home

    5. Turn My Back on Yesterday

    6. Gypsy Trail

    7. White Lightning

    8. Tumbling Dice

    9. Angel in Dixie

    10. Kickstart to Freedom

    11. Dreams of Life

    12. Edge of Sundown

    13. Bounty Hunter

    Molly Hatchet
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Arms & Hands Arms & Hands Quick View

    $16.99
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    Arms & Hands

    Cornetist and composer Kirk Knuffke is one of modern jazz's most skilled navigators of the divide between inside and outside, freedom and swing. On his latest album, Arms & Hands, he assembles the ideal trio to bridge that divide. Joined by bassist Mark Helias and drummer Bill Goodwin, along with special guests Brian Drye (trombone), Daniel Carter (alto saxophone), and Jeff Lederer (soprano/tenor saxophone), Knuffke creates a set of music that is both engaging and inventive.


    Helias is best known for his work with jazz experimentalists like Anthony Braxton, Cecil Taylor, Marilyn Crispell, and Gerry Hemingway, his band BassDrumBone with Hemingway and Ray Anderson, and his trio Open Loose with Tony Malaby and Tom Rainey. Goodwin, on the other hand, is recognized as a premiere straight-ahead drummer, through his decades-long relationship with saxophonist Phil Woods and credits that include such giants as Bill Evans, Tony Bennett, Dexter Gordon, Jim Hall, Gary Burton, and Art Pepper.
    The chemistry between the trio is irrefutable on Arms & Hands, which is a showcase for the immense creativity of all three musicians. Knuffke intentionally wrote compositions that took advantage of Goodwin's gift for groove and swing while remaining open enough to allow the improvisations to wander however far afield the moment might call for.


    Kirk Knuffke is a prolific composer and improviser who has worked with a host of incredible musicians including Roswell Rudd, William Parker, Uri Caine, Myra Melford, Allison Miller, Steve Swell, John Zorn, Dave Douglas, Billy Hart, Steven Bernstein, and Mary Halvorson. Internationally, he has played with ensembles at jazz festivals in Saalfeldan Austria, Willisau Switzerland, The North Sea Jazz festival in Holland, The Moers festival as well as festival dates in Canada, Mexico, Italy and France. He is currently a member of the Matt Wilson Quartet. Knuffke is also a member of the Mark Helias Quartet, the Andrew D'angelo Big Band, Josh Roseman's Extended Constellations, Kenny Wollesen's Wollesonic and Allison Miller's Boom tic Boom. Knuffke's leader debut, Big Wig, was released by Clean Feed in 2008, followed by the trio recordings Chew Your Food and Amnesia Brown and the quartet album Chorale. He has also recorded several duo CDs with pianist Jesse Stacken and one with percussionist Mike Pride, and co-led the collaborative trio Sifter with Mary Halvorson and Matt Wilson and a quartet with saxophonist Ted Brown.

    1. Safety Shoes
    2. Bright Light
    3. Pepper
    4. Chirp
    5. Umbrella
    6. Next
    7. Arms & Hands
    8. Bonderizer
    9. Atessa
    10. Thanks A Lot
    Kirk Knuffke
    $16.99
    Vinyl LP - Sealed Buy Now
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