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  • Dark Matter Dark Matter Quick View

    $22.99
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    Dark Matter

    Dark Matter, Randy Newman's first album of new material in nine years, is the follow-up to 2008's acclaimed Harps and Angels, which the Guardian called the work of a true master of popular song. Produced by long-time Newman collaborators Mitchell Froom, Lenny Waronker, and David Boucher, the album includes songs about Vladimir Putin, the Kennedy brothers, Sonny Boy Williamson, science vs. religion, love and loss, and more.
    1. The Great Debate
    2. Brothers
    3. Putin
    4. Lost Without You
    5. Sonny Boy
    6. It's a Jungle out There (V2)
    7. She Chose Me
    8. On the Beach
    9. Wandering Boy
    Randy Newman
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Blinding Dark The Blinding Dark Quick View

    $23.99
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    The Blinding Dark

    Long running and beloved Swedish Electronic act Covenant returns with its most diverse album to date.


    We all have a blind spot. A place inside ourselves that we cannot see. We know it like we know about dark matter & black holes: the world makes no sense without it. It's here that we find Covenant on The Blinding Dark. In the electronic rhythms, so like heart beats. In synthetic sound, full of life, in those moments where the blinding dark slowly shifts into blinding light and back again.

    1. Dies Irae
    2. Sound Mirrors
    3. Interlude
    4. I Close My eyes
    5. Rider On A White Horse
    6. Morning Star
    7. If I Give My Soul
    8. Interlude
    9. Cold Reading
    10. Fulwell
    11. Summon Your Spirit
    Covenant
    $23.99
    Vinyl LP - Sealed Buy Now
  • By The Time It Gets Dark (Pure Pleasure) By The Time It Gets Dark (Pure Pleasure) Quick View

    $34.99
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    By The Time It Gets Dark (Pure Pleasure)

    Hi Folks,

    Hard to believe it's been 30 years since the release of "By The Time It Gets Dark" in 1987. There's been a lot of water under the bridge since then and how time flies when you're busy and having a good time! As it's always been one of my favorite albums I felt that it deserved to be revisited to celebrate its 30th anniversary. With that in mind, we sent the old 24 track tapes to be baked (a process to preserve them) allowing us to do a complete remix and remaster the album. We enlisted the services of my great friend and sound engineer Billy Robinson to do the job and I'm delighted with the outcome - it sounds great, even if I say so myself! We added a few bits where needed and I'm happy to see it being released on vinyl again.

    It's been a nice journey revisiting that time and remembering the sights and sounds of life back then.

    As we listened closely to some of the tracks, the beautiful voice of Mandy Murphy came through and I felt so sad that she passed away, so young, last year. I wish to dedicate this release to her memory.

    Mary Black - January 2017

    Musicians:

    • Mary Black (vocal)
    • Pat Crowley (synthesizer, piano, accordian, vocal)
    • Declan Sinnott (synthesizer, guitar, vocal)
    • Carl Geraghty (soprano saxophone)
    • Garvan Gallagher (bass)
    • Noel Bridgeman (congo, percussion)

    About Pure Pleasure

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. By The Time It Gets Dark

    2. Schooldays Over

    3. Once In A Very Blue Moon

    4. Farewell Farewell

    5. Sparks Might Fly

    6. Katie

    7. Leaving The Land

    8. There Is A Time

    9. Jamie
    10. Leaboys Lassie

    11. Trying To Get The Balance Right
    12. Moon River
    Mary Black
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • EOD: A Tale Of Dark Legacy (Awaiting Repress) EOD: A Tale Of Dark Legacy (Awaiting Repress) Quick View

    $21.99
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    EOD: A Tale Of Dark Legacy (Awaiting Repress)

    French black metal phenoms THE GREAT OLD ONES return with their new album 'EOD : A Tale Of Dark Legacy'. Steeped in nightmarish Lovecraftian lore, the band once again draw inspiration from the iconic writer to produce cold, gruesome pitch-black metal. Colossal tracks such as "The Shadow over Innsmouth", "Mare Infinitum", and "When the Stars Align" and more emanate tense, horrific atmospheres in a flurry of utterly extreme metal. Reinforced by macabre themes and morose subject matter, THE GREAT OLD ONES have made 'EOD " a truly grim journey and, in doing so, one of the year's most compelling black metal releases.
    1. Searching for R Olmstead (Introduction)
    2. The Shadow Over Innsmouth
    3. When the Stars Align
    4. The Ritual
    5. Wanderings
    6. In Screams and Flames
    7. Mare Infinitum
    The Great Old Ones
    $21.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Rays of Darkness Rays of Darkness Quick View

    $19.99
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    Rays of Darkness


    "One of the most distinctive bands of
    the 21st Century." - Pitchfork


    "MONO have now well and truly
    sealed their place in the pantheon of
    rock history." - Rock Sound


    When MONO began in 1999, they set out with a simple mission:
    From bliss to bludgeon, no matter how long or winding the path
    may be. Their debut album, Under The Pipal Tree, outlined that
    mission in twisted, psychedelic fury. Subsequent albums would see
    the band honing their craft, mastering their mission, and ultimately
    abandoning that path in favor of more grandiose pursuits. Flanked
    by increasingly larger orchestras, MONO performed live at some of
    the most prestigious venues in New York City, London, Tokyo, and
    Australia. MONO had become an orchestral rock band, a spectacle
    of extreme melancholy and melodrama. By 2012's For My Parents,
    the band had finally reached the logical conclusion of that era; it
    was time to remember where they started, and to rethink where
    they were heading. Less strings? No strings? Louder? Quieter?
    Lighter? Darker? Yes.


    The Last Dawn and Rays of Darkness are a pair of new albums by
    MONO. Recorded simultaneously yet conceptually and creatively
    disparate, the two act as both opposing and complementary sides
    to a story. No strangers to narratives, the twin albums explore
    familiar themes for the band: Hope and hopelessness, love and
    loss, immense joy and unspeakable pain. Those elemental parts of
    life and the complicated relationships they create have never been
    more resonant through MONO's music than they are here.


    Rays of Darkness is the first MONO album in 15 years to feature
    no orchestral instruments whatsoever. That fact alone is
    remarkable given the band's reputation for sweeping, dramatic
    instrumentals that recall Oscar-worthy film scores. Instead, Rays of
    Darkness more closely resembles a jet engine taking off inside a
    small, crowded auditorium. It is MONO's blackest album ever, a
    collection of scorched riffs, doom rhythms, and an unexpected
    contribution from post-hardcore pioneer Tetsu Fukagawa of Envy.
    The album ends with the smoldering wreckage of distorted guitars
    and ominous drones playing out a eulogy to the days when MONO
    shot blinding rays of light through seemingly endless darkness.

    1. Recoil, Ignite
    2. Surrender
    3. The Hand That Holds The Truth
    4. The Last Rays
    Mono
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Meal You Can Shake Hands With In The Dark (Pure Pleasure) A Meal You Can Shake Hands With In The Dark (Pure Pleasure) Quick View

    $49.99
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    A Meal You Can Shake Hands With In The Dark (Pure Pleasure)

    Pete Brown was a Londoner and a veteran of the underground scene. Born in 1940, he first came to prominence as a poet. He was just 14 when his first poem appeared in Evergreen Revue in the US. Then in the early sixties he worked alongside another British poet Mike Horowitz. His direct involvement with rock music came when he was asked to form a songwriting partnership with Jack Bruce to write lyrics for Cream and the partnership proceeded to produce the lyrics for many of their finest songs: Wrapping Paper, I Feel Free, Sunshine Of Your Love and White Room. After the demise of Cream, Brown continued to write with Bruce but also began his own recording career with The Battered Ornaments who included Chris Spedding. After an initial 45, which with its wailing saxes and effective vocals was underrated, the band recorded this album which was a mixture of jazz-rock and blues. Dark Lady, The Old Man and Station Song were among the fine tracks and the latter later got a further airing on the Before Singing Lessons compilation. Station Song and Dark Lady had earlier featured along with Travelling Blues on the ultra-rare promo-only Harvest Sampler in 1969.



    Brown then suffered the humiliation of being thrown out of the band the night before they had a Hyde Park gig with The Rolling Stones. Brown's response was to form a new band, Piblokto!



    This release breaks the long sides down to four sides of vinyl which enhances the sound quality considerably. Also of interest is that it has been mastered in the same studio at Abbey Road as was the initial release and from the same original analogue tape masters.




    Musicians:



    • Pete Brown (vocal, trumpet)

    • Nisar A. Khan (tenor saxophone)

    • Dick Heckstall-Smith (tenor saxophone)

    • Chris Spedding (guitar)

    • Charlie Hart (organ)

    • Butch Porter (bass)

    • Rob Tait (drums)

    • Pete Bailey (conga)




    Production: Andrew King and Dick Heckstall-Smith



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    LP1
    1. Dark Lady
    2. The Old Man
    3. Station Song
    4. The Politician


    LP2
    1. Rainy Taxi Girl
    2. Morning Call
    3. Sandcastle
    4. Travelling Blues (Or The New Used Jew's Dues Blues)

    Pete Brown
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Jersey Shores Jersey Shores Quick View

    $15.99
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    Jersey Shores

    Akimbo originally released the sinister and anthemic Jersey Shores on Neurot Recordings in 2008. Inspired by accounts of brutal and savage shark attacks that haunted the New Jersey coast for twelve bloody days in 1916, the band allowed the dark subject matter to fester into the grain of their instruments and recreated their sound anew. Steering away from the beer-fueled rock for rock's sake approach, the album explores a more mysterious and brooding territory than other releases and represents a new chapter of the Akimbo saga.

    With six hammering, primal, evocative, haunting tracks that transport the listener through 45 minutes of timeless fear, Jersey Shores is a new weapon for Akimbo after ten years of aggressive battle through the hallowed pits of the rock 'n' roll underground. This 180-gram vinyl gatefold reissue also marks the continued collaboration between the Seattle band and Alternative Tentacles.

    Matawan

    Bruder Vansant

    Lester Stillwell
    Rogue
    Great White Bull
    Jersey Shores
    Akimbo
    $15.99
    Vinyl LP - Sealed Buy Now
  • All Hell (Awaiting Repress) All Hell (Awaiting Repress) Quick View

    $17.99
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    All Hell (Awaiting Repress)

    One thing that has come out of sharing our lives through songs and touring is the comforting knowledge that we all live, breathe, suffer, and survive together, says singer Davey Muise.


    No matter how dark the past or deep the problems, each of us have the power to let everything out through music and begin to not only heal but rebuild. All Hell is everything we've been through, all the problems, all the pain, all the lessons we've learned or were forced to face. But make no mistake. These songs aren't confessions - they're us being proud and owning the people we are now. This record is you on the other side of the hell you've gone through: better, stronger, and ready for more. No matter what you fought through, bled about and survived, we feel it, we're with you and this records is our anthem. This is the sound when All Hell comes crashing down.


    -Alternative Press

    1. Paranoia Euphoria
    2. Pretty Grim
    3. Circle The Flame
    4. Flower
    5. Leather Feather
    6. Wounded Young
    7. Reaping A Whirlwind
    8. Candle Limbs
    9. Mutter
    10. Lead Balloon
    Vanna
    $17.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • The Execution Of All Things The Execution Of All Things Quick View

    $19.99
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    The Execution Of All Things

    The Execution of All Things is the second full length album released by Los Angeles-based indie pop band Rilo Kiley. Expanding on their previous musical sound that mostly incorporated guitars, vocals, percussion and pianos, Execution contains heavy electronica sampling mixed into the songs in a rather unusual and displaced-sounding way. Also, unlike their previous tracks which were written in very traditional manners, the lyrics to the songs on Execution are very wordy and read like prose. Musically, the record has a very sunny disposition, with bouncing bass lines and simple melodies complemented by Lewis' vocal style, but the upbeat music is generally counterpointed by the often dark and morose subject matter that the lyrics reference. The album was recorded at Saddle Creek Records in Omaha, Nebraska, and the aforementioned features show the influence of that studio's associated Omaha Sound.
    1. Good That Won't Come Out, The
    2. Paint's Peeling
    3. Execution of All Things, The
    4. So Long
    5. Capturing Moods
    6. A Better Son / Daughter
    7. Hail to Whatever You Found in the Sunlight That Surrounds You
    8. My Slumbering Heart
    9. Three Hopeful Thoughts
    10. With Arms Outstretched
    11. Spectacular Views
    12. (Untitled) - (hidden track)
    Rilo Kiley
    $19.99
    Vinyl LP - Sealed Buy Now
  • Coast To Coast Coast To Coast Quick View

    $16.99
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    Coast To Coast

    The River City Tanlines (named in honor of the farmer tan) is a three-piece rock band from Memphis, TN. Principle songwriter and hardest working woman in the music business, Alicja Trout, is a veteran of countless noteworthy punk/indie bands over the years, including The Clears, The Lost Sounds and her current projects Alicja-pop, MouseRocket and Black Sunday. Likewise the powerful rhythm section of Terrence Bishop and John Bonds are no strangers to the scene either, having played together behind such names as Jack Oblivion, R.L. Burnside, Jim Dandy & Black Oak Arkansas, and Monsieur Jeffrey Evans.


    In 2009 the River City Tanlines appeared in Craig Brewer's (Hustle and Flow, Black Snake Moan) web-series Five Dollar Cover for MTV, and performed I'm Your Negative in a rollerderby fight scene. They also have a song (Black Knight, a crowd favorite at live shows) featured in the EA Sports video game Skate. Together since late 2004, the band has toured extensively in North America and Europe playing clubs and festivals, and has ten releases on various record labels around the world. Their last album I'm Your Negative was released in 2006 by Dirtnap Records out of Portland, OR.


    This, their newest offering, Coast To Coast, was produced by Bruce Watson (Hasil Adkins, T-Model Ford, John Paul Keith) at his Dial Back Sound Studios and will be released on Big Legal Mess Records/Fat Possum. The 10-song set runs the gamut from the galloping opener I Don't Get It to the poppy Stop My Heart to the Ramones-esque Pretty Please and the psyche rock of Dark Matter, all adding up to what is sure to become another Memphis classic!

    1. I Don't Get It
    2. Stop My Heart
    3. Pretty Please
    4. Lights
    5. When I Became You
    6. Dark Matter
    7. You Shot Me
    8. Can't Stand You Anymore
    9. Can You Handle This Heart
    10. Waiting For Nothing
    River City Tanlines
    $16.99
    Vinyl LP - Sealed Buy Now
  • Orthodox Orthodox Quick View

    $18.99
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    Orthodox

    Los Angeles-based indie rock band Beware of Darkness are set to release their debut album, Orthodox, on May 7 via Bright Antenna Records.


    Recorded at the Sound Factory and Valley Recorder in Hollywood, CA, executive produced and mixed by Dave Sardy (Oasis, LCD Soundsystem, Nine Inch Nails), and produced by Greg Gordon and frontman Kyle Nicolaides, Orthodox proves itself to be a sensuous experience - aimed somewhere between the gut and dirty dive bar - but death, and its implications for the living, is wrestled with on nearly each of the album's twelve blistering tracks. Anticipation for the album has been building since the band released their beloved Howl EP last year that earned instant acclaim and launched the single Howl, a song that has already hit Top 40 Rock Radio with over 26 stations playing it in regular rotation and whose video premiered on FUSE. Additionally, the band will be featured as Artist of The Month on all Clear Channel radio station homepages in March.


    The working title was Bleak but it eventually became Orthodox, reveals Nicolaides of his band's long-awaited album. I kept writing that word down in my journals. The first half means right and true, the second half means belief. I think the record is a lot about that too - about coming into awareness. Lyrically, Nicolaides cites literary influences, Sylvia Plath, Emily Dickinson, and David Foster Wallace. He delivers scathing lyrical content in a snarling howl tackling subject matters of depression, chaste women, pedophile priests, and post-modern paranoia. Incredibly potent and precise, these are lyrics are meant to evoke reactions.

    1. Howl
    2. Sweet Girl
    3. Ghost Town
    4. Amen Amen
    5. All Who Remain
    6. Heart Attack
    7. Morning Tea
    8. End of the World
    9. Life on Earth?
    10. My Planet is Dead
    11. Salvation is Here
    12. Hummingbird
    Beware Of Darkness
    $18.99
    Vinyl LP - Sealed Buy Now
  • At Folsom Prison At Folsom Prison Quick View

    $28.99
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    At Folsom Prison

    Ranked 88/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Johnny Cash at Folsom Prison fully captures Cashs gritty intensity and hard-headed humanity, capturing a high-energy set performed for an equally spirited audience. With a set list tailored for the occasion, Cash focuses on songs dealing with crime and imprisonment, balancing dark subject matter with wry, playful humor. The album opens, appropriately enough, with the venerable Folsom Prison Blues, and continues with such outlaw anthems as Cocaine Blues, 25 Minutes to Go, The Wall and I Got Stripes, alongside such Cash classics as I Still Miss Someone, Orange Blossom Special and Jackson, with the latter track featuring Cashs wife and frequent duet partner June Carter. The album closes on an inspirational note with Greystone Chapel, a song written by convict Glen Shirley, which Cash and his band learned especially for this show.


    Johnny Cashs five-decade musical career was loaded with bigger-than-life landmark moments. None were more memorable than the Man in Blacks historic concerts at Folsom Prison and San Quentin State Prison, and the beloved albums that documented those shows. Cashs passion for prison reform and rehabilitation inspired him to perform a series of concerts for inmate audiences, and two of these unique events were documented on Johnny Cash at Folsom Prison and Johnny Cash at San Quentin. These albums, originally released in 1968 and 1969 respectively, remain among Cashs best-selling and best-loved recordings. At the time of their original release, they revitalized his career, and played a crucial role in his crossover from the country music world to the mainstream pop charts.

    1. Folsom Prison Blues
    2. Dark as the Dungeon
    3. I Still Miss Someone
    4. Cocaine Blues
    5. 25 Minutes to Go
    6. Orange Blossom Special
    7. The Long Black Veil
    8. Send a Picture of Mother
    9. The Wall
    10. Dirty Old Egg-Sucking Dog
    11. Flushed From the Bathroom of Your Heart
    12. Jackson (With June Carter)
    13. Give My Love to Rose (With June Carter)
    14. I Got Stripes
    15. Green, Green Grass of Home
    16. Greystone Chapel
    Johnny Cash
    $28.99
    Vinyl LP - Sealed Buy Now
  • Holographic Violence Holographic Violence Quick View

    $14.99
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    Holographic Violence

    In the five years since Grave Babies' debut album Deathface was released, founder Danny Wahlfeldt has been handling all songwriting and recording duties for the Seattle-based band, with invaluable help from friends in performing their material live. For their newest album entitled Holographic Violence, Wahlfeldt chose a different path, causing a significant change in the band's overall sound.


    Holographic Violence is Grave Babies' second Hardly Art full-length after Crusher (2013), and further explores the themes of nihilism, the pending doom of mankind, and shaming humanity, which the band has been building their gloomy reputation on since the beginning. This time however, instead of recording everything in his basement, Wahlfeldt enlisted the help of Bryce Brown (Crypts) on bass and Mark Gajadhar (Blood Brothers, Past Lives) on drums in the early stages of recording. The songs on Holographic Violence fell into place in Mark's studio on Orcas Island, Washington. Mixing was handled by Matt Bayles (Alice in Chains, Mastodon), with final mastering by Chris Common (Chelsea Wolfe, Mars Volta). As a final touch, Claire Haranda was added to the lineup on keyboards and synth to round out the band's live sets. By leaving the edgy, lo-fi haze of earlier output in the past, these songs have clarified what the music of Grave Babies has to offer the future.


    That is, if humanity has a future?


    "I wanted it to be a last cry for sanity going into our dystopian future," Wahlfeldt says about Holographic Violence. Grave Babies has long held a crush on morbidity, death, and corruption, building a romantic relationship around the juxtaposition of the dark contextual matter with hook-heavy songs rife with pretty melodies and harmonies. The 11 new songs on Holographic Violence present this powerful combination from a science fiction perspective, begging the question: has our imagination outpaced the confines of our reality as we keep going down the same path, believing there's hope? Playing anthemic pop songs with a strange male choir-esque sound to the vocals adds a distinctly cultish feel to the abrasive exercise of figuring out if it is possible to circumvent destructive human predispositions.


    Thus, Holographic Violence is a lesson in authenticity as we must look deeper into the subject matter for the finer details, instead of skimming the surface and believing we have things right at a mere glance. Maybe we just have to come to terms with the fact that the things that we're constantly running away from are inherent in ourselves and inescapable? Grave Babies mission is not to find the answers to these questions, but to challenge the listener and on Holographic Violence, their uncompromising aesthetic makes the suffering a little prettier.

    1. Eternal (On & On)
    2. Beautiful Lie
    3. Try 2 Try
    4. Something Awful
    5. Punishment (Only A Victim)
    6. Metal Me
    7. Pain Iz Pleasure
    8. Positive Aggression
    9. N2 Ether
    10. Concrete Cell
    11. War
    Grave Babies
    $14.99
    Vinyl LP - Sealed Buy Now
  • Hidden City Hidden City Quick View

    $30.99
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    Hidden City

    When Rolling Stone hailed THE CULT as "the Messianic moment of Coachella" in 2014, few knew that their next release would be unveiled in the form of HIDDEN CITY, their tenth studio album (and second for Cooking Vinyl).


    The final instalment in a trilogy of recordings, completing 2007's Born Into This (The Fall) and 2012's Choice of Weapon (Dark Night of the Soul), Hidden City is a tightly-woven series of experience and visions with underlying themes of redemption and rebirth threaded through The Cult's visceral music. Astbury's signature baritone and blood-soaked lyrics paired with Duffy's smouldering, textured guitar tones, create a musical environment that is fearless and peerless.


    From the sonic assault of the opening track Dark Energy, Hidden City launches quickly into the dark underbelly of its subject matter. Stemming from the Spanish phrase "La Ciudad Oculta" or "hidden city," the album reflects an awakening of consciousness through its tone and complexity. "Hidden City is a metaphor for our spiritual lives our intimate interior lives," explains Astbury. "I find today's gurus are trying to peddle some cure, product or insight as if it's a new phenomenon. My place is to respond, not react, to observe, participate and share through words and music. There is no higher authority than the heart."


    Produced by Bob Rock and written by Ian Astbury and Billy Duffy the team has collaborated on what has turned out to be the brutal and beautiful masterpiece Hidden City.


    The Cult have revealed in a storied career. From the iconic Love album bursting with idealism to the dystopia of 2001's Beyond Good & Evil to the current seductive Hidden City, the band lives their art. A new chapter dawns for The Cult as the future unfolds The Cult will respond. It's what they do.


    The Cult are Ian Astbury (vocals), Billy Duffy (guitars), John Tempesta (drums), Grant Fitzpatrick (bass), Damon Fox (keyboards + rhythm guitar).

    1. Dark Energy
    2. No Love Lost
    3. Dance The Night
    4. In Blood
    5. Birds Of Paradise
    6. Hinterland
    7. G O A T
    8. Deeply Ordered Chaos
    9. Avalanche Of Light
    10. Lilies
    11. Heathens
    12. Sound and Fury
    The Cult
    $30.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Kids In Love Kids In Love Quick View

    $19.99
    Buy Now
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    Kids In Love

    Love is all you need. It's been said many times and many ways of course, but it's truer now than ever.


    When The Mowgli's first landed on the scene, their message of positivity and love resonated with audiences everywhere. The group's 2013 major label debut, Waiting for the Dawn [Photo Finish], debuted at #4 on the Billboard Heatseekers Chart and yielded the hit "San Francisco". Following its release, the seven-piece-Colin Louis Dieden [vocals, guitar], Katie Jayne Earl [vocals, percussion], Dave Appelbaum [keyboards], Josh Hogan [guitar, vocals], Matthew Di Panni [bass], Spencer Trent [guitar, vocals], and Andy Warren [drums]-performed on Jimmy Kimmel LIVE!, The Tonight Show with Jay Leno, CONAN, Watch What Happens Live, and more. Between headline tours and runs supporting everybody from Walk The Moon to Manchester Orchestra, they even cut a song for the Relativity Media hit film Earth To Echo. Along the way, their interpretation of love became even clearer, and it defines their sophomore outing, Kids In Love.


    "Our first album essentially said, 'What's up everyone? We're The Mowgli's, and we believe love can change the world," explains Katie. "Over the past couple of years, we really came to terms with who we are as a band. With Kids In Love we're exploring the intricacies of love. It's such a broad concept. This time around, we get into intimate love, personal love, as well as universal love. We've found art is the best vehicle to ponder what this really means."


    "Before, the concept was painted in very broad strokes," Colin goes on. "Our intention was to start a movement and a culture around what we do. We put all of that under a microscope on this album and talked about personal experiences and stories, the lack of love, and finding it again."


    "We've learned so much about the business, ourselves, and this message," adds Josh. "We've become more direct. It's a little wiser."


    In order to properly convey that sentiment, the group teamed up with producer Tony Hoffer [The Kooks, Silversun Pickups, Fitz & The Tantrums] in his Los Angeles studio during the summer of 2014. With Hoffer at the helm, they fine-tuned their sound into an elegant amalgam of influences. Additionally, they recorded with prior collaborators Captain Cuts [Smallpools, Tove Lo] - a production team that includes Ryan Rabin of Grouplove, and worked with Matt Radosevich [Walk The Moon, One Direction] on two additional tracks. "We wanted to create songs that we knew we would enjoy playing live, songs we hoped that speak to people's personal experiences with love and life and loss and everything that comes with being a kid - or really anyone - in love," Katie explains.


    "We've been on tour incessantly, and this album was really written all over the country," Colin recalls. "It was composed in green rooms, hotels, parking lots, and everywhere in between. I went to Nashville for a week on a whim and tried to learn how to write country music. I was so lucky to work with some of the best in the business. I wanted to bring some of those storytelling elements into the music too. We really grew up, and the songs reflect that journey."


    The first released track "Through The Dark" builds from a shimmering acoustic guitar into an unshakable harmony between Josh and Colin. It shines its own kind of musical light.


    "Everybody goes through dark times," Josh asserts. "We're trying to put a positive spin on that though, and show you can get through that darkness no matter what."


    Colin continues, "In a weird way, it feels like the answer to Waiting for the Dawn. It's a hopeful and encouraging song."


    Then, there's the first single "I'm Good." It begins with a sun-soaked clean guitar and resounding percussion before snapping into a delightful refrain that's undeniably unforgettable. You'll feel good after one listen


    Elsewhere on the album, "Whatever Forever" is augmented by driving handclaps and a group chorus that proves infectious. Lyrically, it stemmed from some shared ink within the band. "Colin and I both got a tattoo of that phrase a few years ago in a hotel bar during Hurricane Sandy," smiles Josh. "We'd seen it on the wall of a bar, and it felt like the perfect new life motto. We're not worried about anything; we're just going for it."


    "That's a personal favorite," concurs Colin. "After one show, I had a girl walk up to me and say, 'I've been dealing with so much and hurting so badly. I adopted 'Whatever Forever' as my mantra. I needed that.' Sometimes, you need to distance yourself from what hurts."


    Ultimately, The Mowgli's open up their hearts once more, and the results are nothing short of inspiring. "We just want people to feel good," Katie concludes. "It's a domino effect. If someone leaves a show feeling great, maybe they pay it forward. If we can contribute a little bit of joy, companionship, and happiness, we're doing our part to make the world a little brighter."


    "I want them to feel inspired to do something positive," Josh agrees. "It's all about sharing that." Colin leaves off, "I want this to be a positive transformative experience. It's almost like falling in love. When you're in a good mood, you tend to react positively. I hope it adds more positivity and love to the world."

    1. You're Not Alone
    2. I'm Good
    3. Bad Dream
    4. What's Going On
    5. Through the Dark
    6. Whatever Forever
    7. Make It Right
    8. Love Me Anyway
    9. Shake Me Up
    10. Home To You
    11. Kids In Love
    12. Sunlight
    The Mowgli's
    $19.99
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  • The Underside Of Power The Underside Of Power Quick View

    $22.99
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    The Underside Of Power

    Includes 12-Page Booklet Insert


    "This is revolutionary music in the truest sense of
    the word. It demands action. It requires penance. It
    destroys expectations." - Stereogum


    "The Death Grips of gospel torching the South's
    dark underbelly." - Rolling Stone


    This is the musical response that dark times demand, one
    that not only shakes its fist but deploys it. Locally-informed
    global citizens, Algiers refuse to sit idly by while most
    contemporary artists appear perfectly content to sit out the
    revolution. Not only do Algiers harbor a purposeful sense of
    obligation in what they do on their latest resistance record
    The Underside Of Power, but they recognize the roots and
    thorns of precedent in said resistance.


    Beyond the technical necessities living their respective lives
    both in and outside of music, Algiers' continued deviation
    from a more traditional band approach created a more
    versatile sound, one that better incorporates a collective
    and respective panoply of influences and styles.


    Some of this is informed by their choice of collaborators in
    this process, a crew that includes Adrian Utley [Portishead],
    Ben Greenberg [Uniform, The Men], Randall Dunn [Sunn
    0)))], among others. Pick any track off The Underside of
    Power and the reference points expand exponentially, a
    dizzying and thrilling Recommended-If-You-Like list that
    would consume a series of afternoons.


    Poke at the seasoned members' bruised flesh, and out
    come wafting touchpoints as disparate and intriguing as
    Big Black, Wendy Carlos, John Carpenter, Cybotron, The
    Four Tops, Portishead, Public Image Limited, Steve Reich,
    and Nina Simone, to name but a few. Deep echoes of Black
    Lives Matter and its 20th-century forebears gather, surge,
    and subside in their often soulful work, a form of principled,
    acute dissent more interested in learning from the past
    than in evoking nostalgia.

    1. Walk Like A Panther
    2. Cry Of The Martyrs
    3. The Underside Of Power
    4. Death March
    5. A Murmur. A Sign.
    6. Mme Rieux
    7. Cleveland
    8. Animals
    9. Plague Years
    10. A Hymn For An Average Man
    11. Bury Me Standing
    12. The Cycle/The Spiral: Time To Go Down Slowly
    Algiers
    $22.99
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  • This Is Another Life This Is Another Life Quick View

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    This Is Another Life

    Case Studies is the musical project of Jesse Lortz, a prolific Seattle based
    musician. His lyrics wax and wane with truth and bare tales from his life.
    Melodies surface as lines hummed in the in-between times. These easy
    melodies coat the heavy subject matter of suicide, heartbreak, grief and
    regret. As with his previous project, The Dutchess and the Duke, listening to Case Studies feels like taking part in an exploration of sentimental
    landscapes. They appear and fade like dark light lingering on the horizon.
    The meandering verse journeys to seek comfort in loneliness and vulnerability. Through the twisted subconscious, dawn breaks, breathing its
    light on both the joyous and dismal occasions that mark life's milestones,
    each song a continuation of his story, each song a probing examination of
    motivation and consequences.


    This Is Another Life is Lortz's second full-length solo release on Sacred
    Bones. It is the follow-up album to 2011's highly acclaimed The World is
    Just a Shape to Fill the Night. This is Another Life features guest vocals by
    Marissa Nadler on "Villain" and has the same producer and engineer,
    Greg Ashley of the band Gris Gris, as the last album. Ashley also plays
    percussion, organ and adds additional vocals & guitar. Lortz is also helped
    out by Jon Parker (guitar / piano), Oscar Michel (bass), Joe Haener (percussion), Carey Lamprecht (violin) and Shawn Alpay (cello).

    For fans of Leonard Cohen, Bob Dylan,
    Townes Van Zand

    1. In a Suit Made of Ash
    2. Passage / Me in the Dark
    3. Everything
    4. Villain
    5. Driving East, and Through Her
    6. House of Silk, House of Stone
    7. You Say to Me, You Never Have to Ask
    8. From Richard Brautigan
    9. A Beast I Have Yet to Find
    10. This is Another Life
    Case Studies
    $18.99
    Vinyl LP - Sealed Buy Now
  • We All Want The Same Things We All Want The Same Things Quick View

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    We All Want The Same Things

    We All Want The Same Things sees Craig Finn exploring themes of love and partnership in the modern world, as ever expressed via finely etched character studies, black humor, and smartly arranged rock 'n' roll. Largely recorded last spring at The Clubhouse in Rhinebeck, NY with frequent collaborator Josh Kaufman producing and Dan Goodwin engineering and mixing, the album features musical contributions from drummer Joe Russo, keyboardist Sam Kassirer, Rainer Maria vocalist Caithlin De Marrais, singer/songwriter Annie Nero, horn master Stuart Bogie, Jon Shaw, Jordan McLean, Matt Barrick and Finn's longtime partner in The Hold Steady, guitarist Tad Kubler.


    "We named this collection We All Want The Same Things after a line in the song 'God in Chicago,'" Finn says. "It seems like a bit of dark humor in these turbulent political times, but it also rings true: no matter our differences we all have some very basic wants and needs that line up with each other. The characters in these songs are normal people trying to help themselves, trying to move forward, and in some cases trying just to survive. All the while they are negotiating what space the others in their lives can occupy."


    We All Want The Same Things follows Finn's two previous solo efforts, 2012's Clear Heart Full Eyes and 2015's Faith In The Future, the latter work awarded four stars by Rolling Stone, as well as being well-received by many other outlets.

    1. Jester & June
    2. Preludes
    3. Ninety Bucks
    4. Birds Trapped in the Airport
    5. God in Chicago
    6. Rescue Blues
    7. Tangletown
    8. It Hits When It Hits
    9. Tracking Shots
    10. Be Honest
    Craig Finn
    $18.99
    Vinyl LP - Sealed Buy Now
  • Trouble Trouble Quick View

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    Trouble

    The first thing you might notice about Hospitality's sophomore album
    Trouble is what you don't hear. The process of completing Trouble
    was, for the band, one of learning to accept silence, to let that empty
    space exist no matter what it might awaken or evoke. You could catch
    glimpses of these dark and unexplored places in the margins of
    Hospitality's 2012 self-titled debut, but they are at the very heart of
    Trouble. If you listen closely, you can hear a band pushing against their
    own boundaries and limitations until they find the very air around
    them subtly but perceptibly changed.


    In its lyrics and its musical construction, Trouble is an album that
    wonders about the mysteries that lurk just beyond our field of vision.
    Slyly and sympathetically, Papini ponders a Saturday afternoon fishing
    trip as a wrenching interplay of life and death, the perfect blue sky at
    an air show as a setting for a soured romance. Papini elaborates: "Most
    of the songs are about everyday environments that arouse anxiety or
    unease. The ocean isn't meant for people; we aren't supposed to be
    there, and some of the animals that live there are much bigger and
    faster than we are in the water. I think a lot of the songs deal with this
    'out of place' kind of theme, feelings of unease and the questions of
    what is under you or what surrounds you."


    The album unfolds like a walk on the beach or a journey to a place
    you didn't know you were going. Perhaps a darker sound overall, but
    Trouble begins with the trademark Hospitality pop then unfurls to
    reward the listener with the more expansive stripped-down
    instrumentation of side B. And here, again, is that distinctively present
    silence, creating a space where an undulating synthesizer feels as alive
    and mysterious as a single voice in a room.

    1. Nightingale
    2. Going Out
    3. I Miss Your Bones
    4. Inauguration
    5. Rockets and Jets
    6. Sullivan
    7. It's Not Serious
    8. Last Words
    9. Sunship
    10. Call Me After
    Hospitality
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Dotted Line A Dotted Line Quick View

    $22.99
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    A Dotted Line

    The Grammy Award-winning, multi-platinum selling trio Nickel Creek-Chris Thile (mandolin/vocals), Sara Watkins (fiddle/vocals), and Sean Watkins (guitar/vocals)-officially reunites for the first time since its 2007 self-described indefinite hiatus with a new album, A Dotted Line, in 2014. The band then tours the US in support of the Eric Valentine-produced album this spring and summer, with shows in New York, Boston, Washington, Chicago, Nashville, and Los Angeles, as well as at the Telluride Bluegrass Festival and Newport Folk Festival.


    As Nickel Creek's 25th anniversary approached, the band members decided they ought to mark it in some way, so they got together to write music in Chris Thile's apartment last year. They ended up with six new co-written songs, which they eventually took to a Los Angeles studio, along with one tune by Thile, one by Sean Watkins, and two covers: Sam Phillips' Where Is Love Now and Mother Mother's Hayloft. There they worked with Valentine (Queens of the Stone Age, Smash Mouth), who had produced Nickel Creek's previous album, Why Should the Fire Die?.


    We were excited every day to be there, Sara Watkins says. Having grown up singing together, there is something natural about our voices and it's really fun to harmonize. Our voices have come to match each other's really well. Sean and I are siblings, and Chris is about as close to a sibling as you could get. Sean Watkins continues: It feels more natural and easy than it ever did, by far. Getting to spend time alone with our own musical personalities has helped us mature. There's a joyful aspect to Nickel Creek no matter what we're doing. Things just steer themselves into that sort of place, concurs Thile. We will go poke around in the dark corners but always with a heavy dose of optimism.

    1. Rest of My Life
    2. Destination
    3. Elsie
    4. Christmas Eve
    5. Hayloft
    6. 21st of May
    7. Love of Mine
    8. Elephant in the Corn
    9. You Don't Know What's Going On
    10. Where is Love Now
    Nickel Creek
    $22.99
    Vinyl LP + CD - Sealed Buy Now
  • If The Roses Don't Kill Us If The Roses Don't Kill Us Quick View

    $16.99
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    If The Roses Don't Kill Us

    If The Roses Don't Kill Us was made with Grammy-winning producer Dave Sanger (Asleep at the Wheel) and his partners PJ Herrington and Jay Reynolds. They created a relaxed atmosphere in the studio that gaveDenny's vocals a sharp, visceral presence. The album opener, "Happy Sad" sets the stage for all that follows. When Denny strums a minor chord and sings the word "sad," you're pulled into his world of intense melancholy.


    The descending melody line and bluesy guitar lines of "God's Height" gives the tune a sense of anguished longing, mitigated by Denny's playful vocal. "I was laughing about the thoughts you get at the end of a relationship when you think you're not good enough, but you know you're going to survive." The churchy B3 organ on "Our Kind of Love" suggests Memphis in the early 60s, a feeling echoed in Denny's crooning. "No matter how bad it seems, we only have this moment. When I wrote, 'It's our love, darlin', and we beat ourselves black and blue,' I was realizing how much I love my dark feelings."


    Denny's jubilant vocal dominates "Watch Me Shine" with chiming acoustic guitar and sustained bell-like synthesizer notes adding to the track's righteous mood. "If the Roses Don't Kill Us" is pure country funk with a New Orleans brass band supporting Denny's lively vocal. "Sometimes you have to go crazy to figure out what's important to you," Denny explains. "This is about leaving a relationship when you know the situation isn't really resolved." That ambivalence is the thread that holds the songs on If The Roses Don't Kill Us together. Denny's barely restrained vocals have the ability to describe contradictory feelings with an intensity that gives every word he sings the ring of painful truth. His shimmering, one-of-a-kind voice reaches you on a deep emotional level, touching your heart and soul to deliver his hard won insights with an honesty that makes his singing and songwriting something unique and rare.

    1 Happy Sad

    2 God's Height

    3 Our Kind Of Love

    4 Wings

    5 Million Little Thoughts

    6 Watch Me Shine

    7 If The Roses Don't Kill Us

    8 Love Is A Code Word

    9 Man A Fool

    10 Ride On

    11 Radio

    12 Some Things

    Christopher Denny
    $16.99
    Vinyl LP - Sealed Buy Now
  • Carnation Carnation Quick View

    $17.99
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    Carnation

    Daughn Gibson of Carlisle, PA is a singer, songwriter and
    musician possessed of a singular and strange vision. Carnation,
    his third album, is the latest exhilarating and dark embodiment
    of that vision. It's an album that's more elegant and sophisticated
    than anything he's done to date, and which sees the
    elements of country music, more prominent on 2012's All Hell
    on the White Denim label and 2013's Me Moan on Sub Pop,
    undone to extraordinary effect by ambient textures and sounds.


    Shot through with a deep sensuality, Carnation is a high-wire
    balancing act, at times sexual, emotionally intense and
    comforting. The album features Daughn's strongest songwriting
    yet, with lyrical subject matter that shares a kinship with writers
    Raymond Carver and Donald Ray Pollack. The music here
    combines with those lyrics to widescreen effect, and Carnation
    feels filmic in its execution: It evokes, and in many ways pays
    homage to, the works of Tim Burton, Pier Paulo Pasolini, and
    John Waters. Carnation's most pervasive theme might best be
    described as the chaos of circumstance. The album's 11 tracks
    tell related stories of near-death experiences, mental-health
    struggles, psychosexual turmoil, and everyday dread.


    Carnation was co-produced and recorded by Daughn Gibson and
    Randall Dunn (Earth, Sunn O), Jesse Sykes, Tim Hecker).
    Dunn's knack for textured mixes and sense of pagan weight
    collide with Gibson's underlying pop sensibilities. The two also
    enlisted the talents of composer/violinist to Eyvind Kang on
    string arrangements, renowned studio drummer Matt Chamberlain,
    as well as Daughn's long-standing musical conspirator, Jim
    Elkington. Additional contributions include: Steve Moore (Piano,
    Trombone, Keyboards and Synths); Milky Burgess, Paul
    Wegman, and Jer Rouse (Guitars); Skerik (Saxophone); and Jay
    Kardong (Pedal Steel). Carnation was recorded at Avast Studios
    in Seattle, Washington and mastered by Jason Ward at Chicago
    Mastering.

    1. Bled to Death
    2. Heaven You Better Come In
    3. Shatter You Through
    4. For Every Bite
    5. Daddy I Cut My Hair
    6. A Rope Ain't Enough
    7. I Let Him Deal
    8. Shine of the Night
    9. Runaway and the Pyro
    10. It Wants Everything
    11. Back With the Family
    Daughn Gibson
    $17.99
    Vinyl LP - Sealed Buy Now
  • Death After Life Death After Life Quick View

    $18.99
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    Death After Life

    Death After Life, Thug Entrancer's debut for Software Recording Co. is
    a deliberately realized collection of dance experimentation and hybridized
    electronic music with narrow stylistic precedents. It's also a gripping, somber
    tide formed from the gravitational pull of an artist's amble through unknown
    turfs. 


    Ryan McRyhew's footing as a creative lynchpin in the Denver DIY
    electronic music scene shued to the other world and beat of the South side
    of Chicago in 2011. McRyhew's new home allowed him secluded time and
    space to create in-depth and unconditional music as Thug Entrancer. The
    move also provided McRyhew direct access to Chicago's dance music history
    and the groundbreaking works being crafted in bedrooms and blasted on
    speakers throughout his neighborhood.


     A summation of varied approaches to electronic music, Thug Entrancer's
    multiverse is not dissimilar to other Software artists (Slava and Huerco S.,
    for example). McRyhew draws inuence from pioneering electronic and
    experimental composers who placed an emphasis on extended development
    and technique, alongside early analog dance producers who went all-out and
    all-in with little more than a TR-808 in their arsenal.


     Death After Life is comprised of eight chapters drawn from the album title,
    each numbered I through VIII. These portions underscore a pitch-dark
    motif thread throughout the album's fty minutes. Death After Life I is
    whittled and icy - long echoed claps and panned sawtooth shapes swelter
    around the skittering percussive elements over the four-and-half-minutes of
    unsettled, environmental shifting.


    Death After Life III delivers rapid-re, straight up acid with a snare heavy rhythm registering in an upper BPM range before fraying into the
    sonic beyond.  Death After Life V frenetically lashes out with hi-hat
    triplets, lower mix perimeter synths and pounding claps / snare at a
    breakneck footwork pace.


    The album's nal cut is the most up-front Juke number. Altogether shorn of
    the more abstract spaces heard earlier, "Death After Life VIII" attacks with
    the feel of a live, improvised performance. In fact, the majority of the tracks
    on Death A!er Life were composed on the y with very few overdubs and
    zero reliance on sampled sources.


    While Death After Life reframes elements of Chicago Juke and house in
    long-form design, the end result one in which a subtler horizon is discovered,
    trumping more palatable musical codes and dissuading us from treating
    electronic music, or any genre-stamped style matter, with rote attention. 

    1. Death After Life - I
    2. Death After Life - II
    3. Death After Life - III
    4. Death After Life - IV
    5. Death After Life - V
    6. Death After Life - VI
    7. Death After Life - VII
    8. Death After Life - VIII
    Thug Entrancer
    $18.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Big Heart Big Heart Quick View

    $14.99
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    Big Heart

    Formed in 2011 by Andrew Marr, Brooklyn band Ski Lodge returns with another installment of jangle pop perfection on Dovecote Records. Following up their self titled 12 EP release, the multi-instrumentalist, singer and songwriter behind Ski Lodge, has created a deeply personal record that overflows with lush melodies and insatiably catchy choruses. His songs occasionally deal with dark matters--infidelity, painful break-ups, loneliness, disjointed father-son dynamics--but Marr bathes them in a blissful light ripe for sing-alongs. BIG HEART was recorded over several weeks with producer Lewis Pesacov (Best Coast, Fool's Gold) in Los Angeles.
    1. Anything To Hurt You
    2. Boy
    3. Looking For A Change
    4. Big heart
    5. You Can't Just Stop Being Cruel
    6. Dragging Me To Hell
    7. I Always Thought
    8. Does It Bring You Down
    9. Just To Be Like You
    10. Down On This Southern Tip
    11. I Can't Tell
    Ski Lodge
    $14.99
    Vinyl LP - Sealed Buy Now
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