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Clifford Jordan

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  • Soul Fountain Soul Fountain Quick View

    $16.99
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    Soul Fountain

    1. T.N.T. (2:36)
    2. IVE GOT A FEELING FOR YOU (2:57)
    3. H. N. I. C. (3:28)
    4. I GOT YOU (I Feel Good) (2:35)
    5. CARIBBEAN CRUISE (2:05)
    6. SENOR BLUES (5:39)
    7. EEH BAH LICKEY DOO (4:02)
    8. RETRIBUTION (4:32)
    Clifford Jordan
    $16.99
    Vinyl LP Reissue - Sealed Buy Now
  • Blowing In From Chicago Blowing In From Chicago Quick View

    $15.99
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    Blowing In From Chicago

    Musicians


    Cliff Jordan, TENOR SAXOPHONE

    John Gilmore, TENOR SAXOPHONE

    Horace Silver, PIANO;

    Curly Russel, BASS

    Art Blakey, DRUMS



    Clifford Jordan's first date as a leader actually found him sharing a heated jam session with fellow tenor John Gilmore. Backed by pianist Horace Silver, bassist Curly Russell, and drummer Art Blakey, the two saxophonists square off mostly on obscurities (other than Gigi Gryce's Blue Lights and Billie's Bounce). This was one of Gilmore's few sessions outside of Sun Ra's orbit and, if anything, he slightly overshadows the cooler-toned Jordan. Recommended.
    1. Status Quo

    2. Bo-Till

    3. Blue Lights

    4. Billie's Bounce

    5. Evil Eye

    6. Everywhere

    Cliff Jordan
    $15.99
    Vinyl LP Reissue - Sealed Buy Now
  • Soul Fountain Soul Fountain Quick View

    $17.99
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    Soul Fountain

    1. T.N.T. (2:36)
    2. IVE GOT A FEELING FOR YOU (2:57)
    3. H. N. I. C. (3:28)
    4. I GOT YOU (I Feel Good) (2:35)
    5. CARIBBEAN CRUISE (2:05)
    6. SENOR BLUES (5:39)
    7. EEH BAH LICKEY DOO (4:02)
    8. RETRIBUTION (4:32)
    Clifford Jordan
    $17.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Expoobident (Awaiting Repress) Expoobident (Awaiting Repress) Quick View

    $13.99
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    Expoobident (Awaiting Repress)

    Expoobident is an album by jazz trumpeter Lee Morgan originally released on the Vee-Jay label. It was recorded on October 14, 1960 and features performances by Morgan with Clifford Jordan, Eddie Higgins, Art Davis and Art Blakey.


    Musicians:

    Lee Morgan - trumpet

    Clifford Jordan - tenor saxophone

    Eddie Higgins - piano

    Art Davis - bass

    Art Blakey - drums

    Side One:
    1. Expoobident
    2. Easy Living
    3. Triple Track


    Side Two:
    1. Fire
    2. Just In Time
    3. The Hearing
    4. Lost And Found

    Lee Morgan
    $13.99
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
  • Jazz Tempo, Latin Accents! Jazz Tempo, Latin Accents! Quick View

    $13.99
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    Jazz Tempo, Latin Accents!

    Sonny Simmons, Clifford Jordan, Prince Lasha, & The Bossa Tres
    Bottles
    Blue Monk
    Love For Sale
    Cutie
    Moanin'
    Well You Needn't
    Dahoud
    Epistle To Train
    Days of Wine and Roses
    Whisper Not
    Yesterdays
    Minortory
    Sonny Simmons, Prince Lasha, Clifford Jordan, & The Bossa Tres
    $13.99
    Vinyl LP Reissue - Sealed Buy Now
  • Plays Cedar Walton Plays Cedar Walton Quick View

    $21.99
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    Plays Cedar Walton

    With Kenny Dorham, Leroy Vinnegar, Billy Higgins, Junior Cook, Blue Mitchell, Clifford Jordan, Richard Davis, Jack DeJohnette, Bob Cranshaw, Mickey Roker.
    1. Short Stuff
    2. Head and Shoulders
    3. Twilight Waltz
    4. Higgins Holler
    5. Jake's Milkshakes
    6. Spectrum
    7. Sabbatical
    8. Ugetsu
    Cedar Walton
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Blowing in From Chicago Blowing in From Chicago Quick View

    $49.99
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    Blowing in From Chicago

    Jordan and Gilmore were big guns in Chicago and unknown elsewhere when they made this album with the dream team of Horace Silver, Curly Russell and Art Blakey. Jordan would become a kingpin of the New York hard bop scene and Gilmore would immerse himself in the world of Sun Ra, but these tenor masters were completely in sync for this great Blue Note session.


    Clifford Jordan, tenor saxophone
    John Gilmore, tenor saxophone
    Horace Silver, piano
    Curly Russell, bass
    Art Blakey, drums

    1. Staus Quo
    2. Bo-Till
    3. Blue Lights
    4. Billie's Bounce
    5. Evil Eye
    6. Everywhere
    Clifford Jordan
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • J.J. Inc. (Speakers Corner) J.J. Inc. (Speakers Corner) Quick View

    $34.99
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    J.J. Inc. (Speakers Corner)

    He was a shining example for many European modern-jazz trombonists: J. J. Johnson, the man from Indianapolis, and the swinging half of the pair Jay and Kai. (Kai Winding was the white guy with the "cool" sound.) On this Columbia LP, recorded in August 1960, we can experience J. J. in three ways - as a soloist, composer, and arranger. To this is added a superbly well-rehearsed combo consisting of Freddie Hubbard, Clifford Jordan and one of the very best rhythm groups of late hard bop: Cedar Walton, Arthur Harper, and Albert Heath on the drums.



    Thanks to having performed the works over the previous eight months in concerts before the recording, all the works sound wonderfully homogeneous, and the improvisations never once become stereotyped. The theme tune of In Walked Horace well illustrates Jay Jay's musical background, which lies somewhere between Thelonious Monk, Bud Powell and Horace Silver.
    On the reverse side of the LP cover, J. J. Johnson describes his feelings during the recording session: »Wow! What a pleasure!« And the listener will certainly go along with that for the whole length of the LP!



    Musicians:



    • J.J. Johnson (trombone)

    • Clifford Jordan (tenor saxophone)

    • Freddy Hubbard (trumpet)

    • Cedar Walton (piano)

    • Arthur Harper (bass)

    • Albert Heath (drums)




    Recording: August 1960 in New York

    Production: Teo Macero




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Mohawk
    2. Minor Mist
    3. In Walked Horace
    4. Fatback
    5. Aquarius
    6. Shutter-Bug
    The J.J. Johnson Sextet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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