- Lowest Price
- Highest Price
Images pour Orchestre (Speakers Corner)
"And the blind shall see" - promising words indeed! And very apt to describe the impressionist tonal paintings of Claude Debussy, who exchanged the paintbrush for a pen and the canvas for manuscript paper. Debussy's musical tools were not so much the etching-needle or sharp pencil but rather more a rich variety of glorious paints on his palette and thick brushes and sponges to form flowing figures and shapes on his musical canvas. With the Images pour Orchestre, the art lover possesses three of the mature composer's most important musical paintings to hang in his gallery.
Thanks to its rhythmic and melodic structure, IbÉria is very probably the most striking of these three studies. The impressionistic, frazzled theme is lent substance through the familiar sounds and rhythms of Spanish folk music; Debussy conjures up the moods and impressions of a landscape which he himself hardly knew. And should the listener not be in a position to wander the streets and pathways, to breathe the perfume of the night, nor to enjoy a fiesta morning, then this record will certainly enable him to "see" all this for himself.
Recording: May 1957 at Victoria Hall, Geneva by Roy Wallace / Production: James Walker
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.Debussy: Images pour Orchestre "Gigues", "IbÉria" and "Rondes de Printemps" - Orchestre de la Suisse Romande conducted by Ataúlfo Argenta$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Debussy: Children's Corner, Estampes, Suite Bergamasque, Pour Le PianoRemastered from the original master tapes by Studio Art & Son, Paris, 2010
Released a few months before the 100th anniversary of Claude Debussy's (1862-1918) passing, this LP contains a recital full of poetry by the French pianist Samson François, a master in this repertoire in which he conveys to us a unique vision with his unrivaled touch.Children's Corner
1. Doctor Gradus Ad Parnassum
2. Jimbo's Lullaby
3. Serenade For The Doll
4. The Snow Is Dancing
5. The Little Shepherd
6. Golliwogg's Cake-walk
8. La SoirÉe Dans Grenade
9. Jardins Sous La Pluie
12. Clair De Lune
Pour Le Piano
16. Toccata$23.99Vinyl LP - Sealed Buy Now
Duo (Schumann, Debussy, Shostakovich, Brahms)Two of today's most passionate and inspirational artists join forces in the recital programme that brought audiences to their feet at the Menuhin Festival in
Gstaad in Summer 2011. The chemistry between HÉlène Grimaud and Sol Gabetta left critics and audiences nothing short of euphoric and this first duo
recording captures the revelatory magic of their collaboration.
This is the first time, that either artist has embarked on a dedicated duo recording project and it goes far beyond a traditional musical collaboration. Based
on a rare understanding on many levels - musical, emotional and personal, this fresh and strong encounter does not even raise the question of who
accompanies whom. Finding new musical insights in familiar work, HÉlène and Sol present masterpieces in new light.
The album reprises the same programme the duo performed in Gstaad: Robert Schumann's FantasiestÜcke, Claude Debussy's Sonata for Cello and Piano in D minor, Johannes Brahms Sonata for Cello and Piano No.1 in E minor and Dmitri Shostakovich's Sonata for Cello and Piano.
"Grimaud doesn't sound like most pianists: she is a reinventor of phrasings, a taker of chances Her albums aren't merely proficient tours through the
repertoire; they are highly personal explorations that can stand out among dozens of rival performances. Her strongly interpretive playing has made her
a favorite among many conductors and reviewers." (The New Yorker). HÉlène's recordings have been best-sellers on the Yellow Label with more than 800.000 units sold altogether to date.
Like Grimaud, in addition to performing traditional repertoire with the world's great orchestras, Sol Gabetta is a champion of new works and a passionate
musical collaborator. Argentine-French of Russian origin, Sol is a best-selling, chart-storming artist, who is regarded as one of the great cellists of our day,
impressing with her intriguing, full-bodied approach and a charismatic, conquering personality.LP 1
1. Zart und mit Ausdruck
2. Lebhaft, leicht
3. Rasch und mit Feuer
4. Prologue (lent)
5. SÉrÉnade (ModÉrÉment animÉ)
6. Finale (AnimÉ)
1. Allegro non troppo
2. Allegretto quasi minuetto
3. Allegro - Più presto
4. Allegro non troppo
7. Allegro$25.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Money Monster Soundtrack
First Pressing Of 500 Copies On 180 Green Vinyl, Black Vinyl Thereafter
Includes A 4 Page Booklet
PVC Protective Sleeve
In the taut and tense thriller Money Monster, Lee Gates (George Clooney) is a bombastic TV personality whose popular financial network show has made him the money wiz of Wall Street. But after he hawks a high tech stock that mysteriously crashes, an irate investor (Jack O'Connell) takes Gates, his crew, and his ace producer Patty Fenn (Julia Roberts) hostage live on air. Unfolding in real time, Gates and Fenn must find a way to keep themselves alive while simultaneously uncovering the truth behind a tangle of big money lies.
Dominic Lewis, a British-born film composer, has been working with some of Hollywood's most acknowledged and revered composers, including, but not limited to Hans Zimmer, Ramin Djawadi, Henry Jackman and John Powell. He is now a resident composer at Zimmer's renowned Santa Monica musical think-tank, Remote Control Productions.
His additional music credits to date include the films Rio, Kung Fu Panda 2, X-Men: 1st Class, Sherlock Holmes: A Game of Shadows, Captain America: The Winter Soldier, The Amazing Spider-Man 2, The Interview, as well as multiple commercials.
Henry Jackman has done production work with artists including Mike Oldfield (Voyager), Sally Oldfield (Flaming Star), Trevor Horn/Art of Noise (The Seduction of Claude Debussy), Elton John and Gary Barlow. He made scores for X-Men: 1st Class, The 5th Wave, Kick Ass 2, This Is The End and many more.1. Opening Bell
2. Bear Market
3. Initial Claims
4. Triple Buy
6. Human Error
7. Hostile Takeover
8. Outside World
9. Rallying Market
10. High Frequency Fraud
11. Market Crash
12. Closing Bell
13. Global Players$36.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
$22.99 $18.16 Save $4.83 (21%)
The Way We Are (Discontinued) (On Sale)Following their abstract masterpiece, The World I See, The Present returns with an album that delves ever deeper into the human psyche. Like an audio equivalent of Apocalypse Now, The Way We Are is by turns terrifying, enchanting, hallucinatory, and sharply focused. A psychedelic power-trio from a mythical dimension, The Present creates a strangely familiar music, as if they had already seen your dreams and your nightmares.
In order to define the music, it might help to list some of the things it is not: it is not a pop album, neither is it a classical or jazz album. It's not an ambient album or a rock album either, but there are elements of all of these within its dense musical structure. Touchstones include the music of La Monte Young, Dmitri Shostakovich, Wolfgang Voigt, Cluster, Black Dice, Claude Debussy, Aphex Twin, Can, Arthur Russell, Boredoms, and Brian Eno-- and yet it sounds like none of these.
What it is: a kaleidoscopic trip influenced by New York City, the ocean, mountains, the sun and the trees, Andy Warhol, Yukio Mishima, David Lynch, Friedrich Nietzsche, Buddhist mantra, mass transit, cats, birds and life. Life in all its myriad complexity and confusions, in all its transcendent beauty and its horrendous brutality.
Their live show has been described as more of a sensory experience than a mere matter of listening and it's the title track-- a 35-minute epic the likes of which has not been heard since the glory days of Popul Vuh-- that best captures the band's extraordinary intensity.
Once again this work is a collaboration with the artist Andrew Kuo, whose unique vision formed the cover of The World I See and whose work provides the visual counterpoint to The Present's sonic creation. Together, they make a totality that reflects so intensely and so clearly The Way We Are.Medman
The Way We Are$22.99 $18.16 Save $4.83 (21%)Vinyl LP - 2 LPs Sealed Buy Now
GamelOOIOO has always created a musical language all its own. Under the leadership of Yoshimi P-We, also a founding member of Boredoms, the group has recorded six albums that have subverted expectations and warped perceptions of what constitutes pop and experimental music. Four years of work went into to making Gamel, their bold new album inspired by the Javanese style of gamelan and the first new music from Yoshimi in over five years. Gamelan is an ancient form that has inspired a great many composers and musicians over the past century, from Erik Satie and Claude Debussy to Mouse on Mars and Sun City Girls. The introduction of this traditional form transformed the group into a super tribe, side-stepping the road between the past and the future. Their focus is not to replicate these ancient styles, but to incorporate them into their consistently inventive, constantly shifting musical frameworks. They take their love of indigenous music into an entirely new dimension by freely weaving organic and electric tones into a vivid tapestry, employing their keen sense of color and texture.
While previous OOIOO albums have been largely studio creations, Gamel is the most accurate portrayal of the band's overwhelming, forceful live presence they have released yet. Yoshimi leads her minimalistic rhythm ensemble by making quick, impulsive shifts in tone and attack, the group acting as one mind under her expert instruction. While the gamelan elements will be brand new to many listeners, the band offsets the bizarre with familiar, at times even nostalgic and childlike, melodies. Gamel is euphoric, bursting at the seams with an exhilarating frenzy that is universal yet uniquely their own. OOIOO's music is reflected in the ear of the beholder, with each listener taking away something different.
Yoshimi began her music career in 1986 playing drums in UFO or Die with vocalist Eye, and later joined him in the revolutionary noise-pop group Boredoms. Her explosive drum performances captivated audiences and even inspired Wayne Coyne to name a now-famous Flaming Lips album in her honor. While the band's tours of the United States are infrequent, they are as the New York Times has stated, transcendent.1. Don Ah
2. Shizuku Gunung Agung
4. Gamel Ninna Yama
5. Gamel Uma Umo
6. Gamel Kamasu
8. Jesse Testa
9. Gamel Udahah
10. Kecupat Aneh
11. Gamel Ulda$24.99Vinyl LP - 2 LPs Sealed Buy Now