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  • 6 & 12 String Guitar 6 & 12 String Guitar Quick View

    $21.99
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    6 & 12 String Guitar

    The release of this truly iconic album virtually launched Leo Kottke out beyond the St. Paul-Minneapolis confines where he had been ensconced as a local phenom. By jumping on board John Fahey's burgeoning Takoma label, Kottke's guitar wizardry (especially finger-picking a 12-string, usually reserved as rhythm accompaniment) gave other guitarists far and wide, second thoughts. Throw in some sassy slide work on both 6 & 12 String Guitar and you'll know why this particular record is commonly referred to as an Intro to Guitar 101. With twelve original compositions plus a few by J.S. Bach, Kottke's blues, folk, country and classical channelings dictate both his playful and reflective approach on each. Highlights include blazing picking techniques on Busted Bicycle and Vaseline Machine Gun with some muscular bottleneck slide work on The Sailor's Grave On The Prairie.

    1. The Driving Of The Year Nail
    2. The Last Of The Arkansas Greyhounds
    3. Ojo
    4. Crow River Waltz
    5. The Sailor's Grave On The Prairie
    6. Vaseline Machine Gun
    7. Jack Fig
    8. Watermelon
    9. Jesu, Joy Of Man's Desiring
    10. The Fisherman
    11. The Tennessee Toad
    12. Busted Bicycle
    13. The Brain Of The Purple Mountain
    14. Coolidge Rising
    Leo Kottke
    $21.99
    140 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Folk Songs & Instrumentals With Guitar Folk Songs & Instrumentals With Guitar Quick View

    $21.99
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    Folk Songs & Instrumentals With Guitar

    Folk Songs And Instrumentals With Guitar is the very first album from the late, legendary folk-blues guitarist and singer Elizabeth Cotton. Featuring her oft-covered classic tune, the titular "Freight Train" and her idiosyncratic, self-taught upside-down left-handed guitar playing style, this is an absolutely essential collection from an American folk legend lovingly reissued here on vinyl in an exact replica of the original paste-on Folkways jacket with booklet.
    1. Wilson Rag
    2. Freight Train
    3. Going Down the Road Feeling Bad
    4. I Don't Love Nobody
    5. Ain't Got No Honey Baby Now
    6. Graduation March
    7. Honey Babe Your Papa Cares For You
    8. Vastopol
    9. Here Old Rattler Here/Sent For My Fiddle Sent For My Bow/George Buck
    10. Run...Run/Mama Your Son Done Gone
    11. Sweet Bye and Bye/What A Friend We Have In Jesus
    12. Oh Babe It Ain't No Lie
    13. Spanish Flang Dang
    14. When I Get Home
    Elizabeth Cotten
    $21.99
    Vinyl LP - Sealed Buy Now
  • Rodrigo - Concierto Andaluz / Marriner - Academy of St. Martin in the Fields (Speakers Corner) (Awaiting Repress) Rodrigo - Concierto Andaluz / Marriner - Academy of St. Martin in the Fields (Speakers Corner) (Awaiting Repress) Quick View

    $34.99
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    Rodrigo - Concierto Andaluz / Marriner - Academy of St. Martin in the Fields (Speakers Corner) (Awaiting Repress)

    The frenetic applause with which both the public and the experts greeted the Concierto de Aranjuez for guitar and orchestra, composed in 1940, is certainly astounding - one would have thought that 20th-century music was dominated chiefly by composers of twelve-tone music and the avantguardists. Rodrigo, however, remained faithful to the Classical three-movement form, employed a late-Romantic orchestral colouring, and followed in the tradition of Spanish composers who, perhaps more than any others, won their inspiration from the folkmusic of their native country.



    The whole work is full of the exotic magic of Spanish folkmusic, whereby the rhythmic drive of the first movement - reminiscent of clicking castanets - is particularly fascinating. Fortunately not only the composer but also the conductor and orchestra have taken care that the gentle tones produced by the world famous guitarist Pepe Romero are clearly to be heard.



    In addition, the listener is treated to a performance of the rarely recorded Concierto Andaluz for four guitars, composed in 1967. Once again the Romeros demonstrate that they are not only amazingly virtuosic musicians but are also worthy dedicatees of this unique work.



    Last but not least, PHILIPS balance engineers have produced a superb recording: Rodrigo himself was absolutely delighted with it - and this opinion one can well endorse.




    Recording: July / August 1978 by Wilhelm Hellweg

    Production: Wilhelm Hellweg




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Rodrigo: Concierto de Aranjuez, Concierto Andaluz - Pepe Romero and the Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner
    Neville Marriner with Rodrigo
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Paganini For Two Paganini For Two Quick View

    $39.99
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    Paganini For Two

    Audiophile 180 Gram Virgin Vinyl Cut at Emil Berliner Studio


    Pressed at Pallas in Germany


    Mastered from the Original Masters of Universal Music


    Violinist Gil Shaham and guitarist Goran Sollscher team up for this performance of compositional works by Paganini.


    Features:

    Audiophile 180g Virgin Vinyl

    Cut at Emil Berliner Studio

    Pressed at Pallas GmbH Germany

    From the Original Masters of Universal Music

    Audiophile Lacquer Discs Cut by the Expert Maarten de Boer


    Musicians:

    Gil Shaham, violin

    Goran Sollscher, guitar


    This title is not eligible for discount.

    Nicolo Paganini (1782-1840)
    Sonata concertata M.S. 2 in A Major
    Side A:
    1. Allegro spiritoso
    2. Adagio, assai espressivo
    3. Rondeau. Allegretto con brio, scherzando


    Sei sonata M.S. 27, Op. 3, No. 1 in A Major
    4. Larghetto
    5. Presto variato - Variazione
    Sei sonata M.S. 27, Op. 3, No. 4, in A minor
    6. Andante largo
    7. Allegretto
    Sei sonata M.S. 27, Op. 3, No. 6, in E minor
    8. Andante
    9. Allegro vivo e spiritoso - Minore


    Grand Sonata M.S. 3 in A Major
    10. Romance. Piu tosto Largo, Amorosamente


    Centone di sonate - Lettera A, No. 2 in D Major
    Side B:
    11. Adagio cantabile
    12. Rondoncino. Andantino, Tempo di Polacca - Minore
    Centone di sonate - Lettera A, No. 4 in A Major
    13. Adagio cantabile
    14. Rondo. Andantino, Allegretto - Minore - Maggiore


    15. Cantabile M.S. 109 in D Major


    Introduction and Variations on Dal tuo stellato soglio from Rossini's Mose M.S. 23
    16. Introduction. Adagio
    17. Theme. Tempo alla Marcia
    18. Variation I
    19. Variation II. Vigoroso
    20. Variation III
    21. Finale


    Moto perpetuo M.S. Op. 11, in C Major
    22. Allegro vivace a movimento perpetuo

    Niccolo Paganini
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Plays Double Bass Plays Double Bass Quick View

    $39.99
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    Plays Double Bass

    Gary Karr became an audiophile favorite largely as a result of the King Super Analogue recording of Albinoni's Adagio in G minor played by Gary Karr on solo bass with organ accompaniment. In 1959, Gary Karr made his first record entitled "Gary Karr Plays Double Bass" a collection of pieces from Eccles, Ravel, Bloch and others for Golden Crest Records. A few years later a second recording of Alec Wilder compositions for Bass and Piano and Bass and Guitar was also released on Golden Crest. On this outstanding second effort Gary Karr is accompanied by Bernie Leighton on piano and Fredrick Hand on guitar. After auditioning the master tapes we decided that these two wonderful recordings by a stellar bass musician needed to be reissued which is what we have done here by combining the recordings into a two disc set as part of the "Classic Records Presents " Series. Both titles were mastered and transferred by Bernie Grundman in Hollywood California from the original analog master tapes and cut on Classic Records' "All Tube" cutting system. If you are a Gary Karr fan then this is a must have release, If you are unfamiliar with "Mr. Bass" then these recording are a great place to start.
    Gary Karr
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Solitude On Guitar (Speakers Corner) (Awaiting Repress) Solitude On Guitar (Speakers Corner) (Awaiting Repress) Quick View

    $34.99
    Buy Now
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    Solitude On Guitar (Speakers Corner) (Awaiting Repress)

    The acoustic guitar shares the same destiny as so many music companies: almost all of them dabble with the six strings at some point, many attempt to play entertaining harmonic roulette with it, but only a few really make the grade. Baden Powell belongs to the small circle of guitarists whose early virtuosity is perfectly combined with a keen sense of harmony. Powell demonstrates this special talent in his slow numbers in particular, in which broken chords are developed like a bud opening out to a blossom. He guides the listener cautiously through his melodies in that he makes a tiny pause before a harmonic change. Full timbre and lightness are not a question of what is written down on the manuscript but result from a powerful performance, as is shown by the totally un-Brazilian, gentle major-minor key version of the children's song Kommt Ein Vogel Geflogen.



    Naturally, the wonderfully crafted, animated and bouncy bossas flow along easily. As befits the album's title, the guitar is in the limelight here, driven on, held back, and then propelled forward by the rhythm group. The ballad Se Todos Fossem Iguais A Voce is strongly recommended to whet your appetite for the bossa Na Gafieira Do Vidigal.



    Musicians:



    • Baden Powell (arranger, guitar, vocal)

    • Joaquim Paes Henriques (drums)

    • Eberhard Weber (bass)




    Recording: December 1971 by Torsten Wintermeir at Studio Walldorf, Germany

    Production: Joachim Ernst Berendt





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Baden Powell
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Classics Classics Quick View

    $22.99
    Buy Now
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    Classics

    Classics remains resolutely instrumental, but the band has introduced a wealth of new sounds, from acoustic and slide guitar to sleigh bells and cello. Their vastly improved production and writing makes this record a refinement of their art. Ratatat lay squealing metal harmonies over choppy Neptunes-style dance thumps, then break into pastoral waves of keyboard tone, riding dub tempos and hip-hop struts. They're crotch-pumping arena pimps and introverted minimalists... - Blender. Stroud and Mast have come up with some catchy melodies over light, snappy bass lines in what sounds like something tailored for the headphones - Urb. The band has toured with Interpol, The Killers, Franz Ferdinand, The Stills, and Mouse On Mars.
    1. Montanita
    2. Lex
    3. Gettysburg
    4. Wildcat
    5. Tropicana
    6. Loud Pipes
    7. Kennedy
    8. Swisha
    9. Nostrand
    10. Tacobel Canon
    11. Truman
    Ratatat
    $22.99
    Vinyl LP - Sealed Buy Now
  • Jethro Tull - The String Quartets Jethro Tull - The String Quartets Quick View

    $19.99
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    Jethro Tull - The String Quartets

    Features An Art Print On Side 4 (No Music)


    A massive treat for Jethro Tull fans and classical aficionados alike: Jethro Tull The String Quartets is an album of classic Jethro Tull repertoire, imaginatively arranged by John O'Hara for Classical string quartet with the flute, guitar and vocals of songwriter and producer IAN ANDERSON.

    LP 1
    1. In the Past (Living in the Past)
    2. Sossity Waiting (Sossity: You're a Woman / Reasons for Waiting)
    3. Bungle (Bungle in the Jungle)
    4. Ring Out These Bells (Ring Out, Solstice Bells)
    5. Farm, the Fourway (Farm on the Freeway)
    6. We Used to Bach (We Used to Know / Bach Prelude C Major)
    7. Velvet Gold (Velvet Green)
    8. Pass the Bottle (A Christmas Song)


    LP 2
    1. Loco (Locomotive Breath)
    2. Only the Giving (Wond'ring Aloud)
    3. Songs and Horses (Songs from the Wood / Heavy Horses)
    4. Aquafugue (Aqualung)

    Jethro Tull
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • No Direction Home (200 Gram) (On Sale) No Direction Home (200 Gram) (On Sale) On Sale Quick View

    $149.99 $118.49 Save $31.50 (21%)

    Buy Now
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    No Direction Home (200 Gram) (On Sale)

    The seventh volume of Bob Dylan's Bootleg Series doubles as the soundtrack to No Direction Home, Martin Scorseses's feature-length documentary covering Dylan's career from its beginnings to 1966 (it was aired in two parts on PBS in September 2005 and released in expanded form on DVD that same month). Unlike the previous three installments of The Bootleg Series, which focused exclusively on live concerts, No Direction Home is assembled from a variety of sources, including home recordings, publishing demos, alternate studio takes, and live recordings, with the first disc devoted to early acoustic recordings and the second to electric music. In fact, No Direction Home proceeds chronologically, filling in gaps between the proper albums or, more often, providing a parallel history of the most productive era of Dylan's career. All of this material -- with the exception of Song to Woody, taken from his debut, and a cataclysmic version of Like a Rolling Stone taken from the Royal Albert Hall show that was released as Bob Dylan Live '66 -- is previously unreleased, and much of it has not been widely bootlegged (and the cuts that have been bootlegged, such as Dink's Song, have never been heard in such crystal-clear fidelity). Where the inaugural edition of The Bootleg Series had many previously unreleased Dylan originals, there is only one here, the tentative opener, When I Got Troubles, a sweet, simple 1959 song that finds Dylanin his formative stage. In place of unheard songs are a slew of alternate versions of familiar tunes. On the first two LP's, these are largely live versions of such warhorses as Blowin' in the Wind, Masters of War, and A Hard Rain's a-Gonna Fall, recorded when the songs were still fresh. These live performances have an immediacy and intimacy that not only illustrate what a powerful folksinger Dylan was, but also suggest how the songs might have sounded when they were new tunes. Toward the end of the second LP, alternate versions that are significantly different from the final versions begin to surface with an early take on Mr. Tambourine Man recorded at the Another Side of Bob Dylan sessions with Ramblin' Jack Elliott on second guitar and backing vocals. The third and fourth LP's contain several alternates that are similarly notably different, highlighted by a lively, careening It Takes a Lot to Laugh, It Takes a Train to Cry with a different final verse, a Desolation Row with electric guitar, Highway 61 Revisited without the siren whistle, a slower, heavier, blusier take on Leopard-Skin Pill Box Hat, a relaxed version of Stuck Inside of Mobile with the Memphis Blues Again that lacks the carnivalesque swirl of sound from the Blonde on Blonde version, and a lean, insistent Visions of Johanna.

    Everything here is uniformly excellent and worth hearing well more than once. That alone, of course, would make this yet another worthwhile addition to any serious Dylan collection, but what makes No Direction Home noteworthy as an album is that it is the first Dylan record to offer an aural biography of Dylan. This does a superb job of tracing the development of Dylan as a musician, taking him from a young folkie singing standards, through the rush of his early standards, and to the visionary music he made once he went electric. Put in this context, the electric music on the third and fourth LP's sounds as bracing and brilliant and surprising as it did in the '60s, while the acoustic folk on LP's one and two sounds vibrant, pure, and alive. After all these years, that's a hard accomplishment to pull off, and to the credit of everybody involved in this terrific release, they've been able to make even the most familiar Dylan tunes feel new again.


    As usual, this deluxe edition comes from the original mix down masters and was transferred by Bernie Grundman to lacquer on on Classic's all tube analog cutting system. This deluxe 4-LP set includes two alternate cover art gatefold jackets (Blonde on Blonde and Bringing it all Back Home), a 60+ page 12 x12 booklet all housed in an a special outer box.


    This title is not eligible for further discount.

    LP 1
    1. When I Got Troubles (1959)
    2. Rambler, Gambler (Home Recording)
    3. This Land is Your Land (Live)
    4. Song to Woody
    5. Dink's Song (Home recording)
    6. I Was Young When I Left Home (Home recording)
    7. Sally Gal (Alternate Take)
    8. Dont' Think Twice, It's Alright (Demo)
    9. Man of Constant Sorrow
    LP 2
    1. Blowin' In The Wind (Live)
    2. Masters of War (Live)
    3. Hard Rains A-Gonna Fall (Live)
    4. When the Ship Comes In (Live)
    5. Mr. Tambourine Man (Alternate Take)
    6. Chimes of Freedom (Live)
    7. It's All Over Now, Baby Blue (Alternate Take)
    LP 3
    1. She Belongs To Me (Alternate Take)
    2. Maggie's Farm (Live)
    3. It Takes A Lot To Laugh, It Takes A Train To Cry (Alternate Take)
    4. Tombstone Blues (Alternate Take)
    5. Just Like Tom Thumb's Blues (Alternate Take)
    6. Desolation Row (Alternate Take)
    7. Highway 61 Revisited (Alternate Take)
    LP 4
    1. Leopard-Skin Pill-Box Hat (Alternate Take)
    2. Stuck Inside of Mobile with the Memphis Blues Again (Alternate Take)
    3. Visions of Johanna (Alternate Take)
    4. Ballad of a Thin Man (Live)
    5. Like A Rolling Stone (Live)
    Bob Dylan
    $149.99 $118.49 Save $31.50 (21%)
    200 Gram Audiophile Virgin Vinyl LP - 4 LPs Box Set Sealed Buy Now
  • Lost Legends of Surf Guitar Lost Legends of Surf Guitar Quick View

    $36.99
    Buy Now
    x

    Lost Legends of Surf Guitar

    It's hard to think of a musical style that's more quintessentially American than surf music. Springing up along the California coast in the early 1960s, the surf sound-characterized by wet-sounding guitar reverb that echoed the sound of the sea and pummeling rhythms that emulated the ocean's currents-was originally inspired and nurtured by the culture that surrounded the sport. Despite its provincial origins, the surf genre captured the imagination of teenagers around the world, and spawned a remarkably large body of highly original music, with an emphasis on innovative guitar instrumentals that would influence rock axemen for decades to come.


    Much of that vintage surf music was originally released on small regional labels, and many of the acts that created some of the greatest surf music never released more than a handful of singles. Those factors resulted in many original surf classics remaining difficult to obtain in recent years. Sundazed Music, a longstanding champion of vintage surf music, went a long way towards remedying that situation with the release of its CD series Lost Legends of Surf Guitar. The series has been widely recognized for rescuing numerous rare, obscure and/or lesser-known gems from surf music's golden age. Now, the landmark series moves into second gear, progressing into the vinyl format with a pair of double-LP collections, each of which features 28 below-the-radar vintage surf killers.


    Lost Legends of Surf Guitar gathers a rousing, roaring assortment of underground surf classics and underappreciated gems by such notable surf combos as the Challengers, the Pyramids, the Tornadoes, Jerry Cole & His Spacemen, the Catalinas, the Centurions, the Essex, the Jesters, the Rhythm Rockers, the Royal Coachmen, the Tandems and Dave Myers and His Surftones, as well as numbers by both the Surfaris and the Original Surfaris! There's also a rarely-heard track by legendary Minnesota surf-garage kings the Trashmen, the out-there Devil Surfer by Scott Engel (who would soon go on to pop stardom and cult acclaim as Scott Walker) and scarce versions of such surf anthems as Jack the Ripper, Point Panic and Moondawg.


    This essential collection, meticulously mastered from rare vintage tapes and pressed on high-quality vinyl, is the perfect collection for gremmie and ho-dad alike, so grab this wave and jump head-first into the surf!!!

    1. LOOPHOLE: The Royal Coachmen
    2. BIG NOISE FROM WAIMEA: The Ebb Tides
    3. GEAR!: Dave Myers and His Surftones
    4. THE BREEZE AND I: Steve and the Emperors
    5. FAILSAFE: The Original Surfaris
    6. DEVIL SURFER: Scott Engel
    7. SHOCKWAVE: Zorba and the Greeks
    8. THE RISING SURF: The Tandems
    9. CONTACT: The Pyramids
    10. SURFS UP: The Original Surfaris
    11. CEMETERY STOMP: The Essex
    12. THE JESTER: The Jesters
    13. REPEATING: The Royal Coachmen
    14. PRESSURE: The Pyramids
    15. IAN FLEMING THEME: The Menn
    16. PRAY FOR SURF: The Essex
    17. POINT SURF: The Surf Teens
    18. ISHAMATSU: The Centurions
    19. EXOTIC: The Original Surfaris
    20. BEYOND THE SURF: The Tandems
    21. FUGITIVE: Jan Davis
    22. JACK THE RIPPER: The Surfaris
    23. BANZAI WASHOUT: The Catalinas
    24. POINT PANIC: Jerry Cole & His Spacemen
    25. BURNING RUBBER: Gene "The Draggin' King" Moles
    26. WALK, DON'T RUN: The Trashmen
    27. SHOOTIN' BEAVERS: The Tornadoes
    28. MOONDAWG: The Rhythm Rockers
    Various Artists
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Classic Classic Quick View

    $29.99
    Buy Now
    x

    Classic

    Dr. Feelgood are a British pub rock band formed in 1971. Hailing from Canvey Island, Essex, the group's original distinctively British R&B sound was centered on Wilko Johnson's choppy guitar style.
    1. Hunting Shooting Fishing
    2. Break These Chains
    3. Heartbreak
    4. (I Wanna) Make Love to You
    5. Highway 61 Revisited
    6. Lights of Downtown
    7. Quit While You're Behind
    8. Nothing Like It
    9. Spy Vs. Spy
    10. Hurricane
    11. Crack Me Up
    12. See You Later, Alligator
    Dr. Feelgood
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Mister Guitar (Speakers Corner) Mister Guitar (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Mister Guitar (Speakers Corner)

    At a time when rock 'n' roll-crazy teenagers in the USA and elsewhere were dancing their feet off to the beat of Elvis Presley and Bill Haley, probably no one was interested as to where this music actually originated. The focal point of the folk movement was Tennessee: it was here that everyone came who had used their grandfathers' songs and fiddle tunes to create the pop-oriented Nashville Sound, a sound which became American music's trademark and export hit.



    Chet Atkins is one of the people who helped to create this special sound and who kept an Argus-eyed watch on its originality and development. In addition to the recordings he made in his own studio, he was also a producer and studio guitarist for RCA.



    This album features Chet Atkins as "Mister Guitar", who - as a soloist - only allowed a small and highly discreet rhythm group to accompany him. The result is a refreshingly pure and unadulterated steel-string sound without frills and padding and so has little in common with the commercial country music of the masses. With his relaxed, technically perfect and highly variable playing technique, Atkins shows us what the New World has to offer in the way of folk music: highly melodic numbers which delight the ear with the simplest of means.





    Musicians:



    • Chet Atkins (guitar) and band




    Recording: 1959 in Nashville, Tennessee, by Bob Farris and Bill Porter

    Production: Chet Atkins




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. I Know That You Know
    2. Rainbow
    3. Hello Bluebird
    4. Siesta
    5. Country Style
    6. Show Me The Way Go Home
    7. Im Forever Blowing Bubbles
    8. Backwoods
    9. Country Gentleman
    10. Slinkey
    11. Jessie
    12. Concerto In C Minor
    Chet Atkins
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Songs For A Blue Guitar Songs For A Blue Guitar Quick View

    $24.99
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    Songs For A Blue Guitar

    Red House Painter's 1996 alternative classic Songs for a Blue Guitar is back on vinyl in a 2LP, gatefold package. A
    fan and critic favorite, it features some of Mark Kozelek's finest songs as well as inspired covers from Paul
    McCartney, The Cars and Yes.
    LP1
    1. Have You Forgotten
    2. Song For A Blue Guitar
    3. Make Like Paper
    4. Priest Alley Song


    LP2
    1. Trailways
    2. Feel The Rain Fall
    3. Long Distance Runaround
    4. All Mixed Up
    5. Revelation Big Sur
    6. Silly Love Songs
    7. Another Song For A Blue Guitar

    Red House Painters
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Pete Townshend's Classic Quadrophenia Pete Townshend's Classic Quadrophenia Quick View

    $25.99
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    Pete Townshend's Classic Quadrophenia

    As a leading icon of the British music revolution of the 1960s, Pete Townshend made his name by creating the power chord, smashing guitars onstage, and penning anthems of teenage rebellion like My Generation.


    Now, at almost 70 years old and half a century after he penned the archetypal rock lyric Hope I die before I get old , Townshend has created a classical version of one of The Who s landmark albums Quadrophenia for a symphony orchestra, opera singer and choir.


    The new symphonised version of Quadrophenia, an album originally released by The Who in 1973, was orchestrated by Rachel Fuller, a professional composer, orchestrator and singer-songwriter in her own right and also the partner of Pete Townshend.


    It will be released by the Deutsche Grammophon label, internationally renowned for its repertoire of classical and opera music, and launched next summer with a world premiere concert at the Royal Albert Hall, performed by the Royal Philharmonic Orchestra and London Oriana Choir.


    The project is the latest chapter in Townshend s lifelong mission to break the three-minute mould of the traditional pop song and take rock music to a higher artistic level. In the 1960s he defined the concept of the rock opera with Tommy, taking it a stage further with Quadrophenia.
    Conceived and written by Townshend in 1973, Quadrophenia went on to become a feature film and a theatre production, and was performed in its entirety on The Who s most recent live tour. For the last three years Townshend has worked closely with Rachel Fuller on brand-new arrangements for orchestra, soloists and choir.


    Recorded with the Royal Philharmonic Orchestra in October 2014 at London s legendary Air Studios, the new incarnation of this classic rock opera is conducted by Robert Ziegler and features popular British tenor Alfie Boe on vocals, with Townshend himself on electric guitar and performing cameo vocal roles. Townshend will reprise his roles at the live world premiere at the Royal Albert Hall in London on 5 July 2015, alongside the RPO, Ziegler, Boe and other star guests.


    The rock superstar began work on the project as part of his plan to leave a legacy of all his work arranged for orchestra as sheet music, for future generations to enjoy. Townshend hopes the new work will go on to become a regular part of the orchestral repertoire and boost attendance at classical concerts.


    A lot of major symphony orchestras are in trouble because their audience is getting old and the younger audiences prefer softer stuff, such as film soundtrack music, he explains. I think that Quadrophenia would reinvigorate their audiences and bring in people who might not otherwise go to see a symphony orchestra perform without lights and fireworks and a movie screen.


    Rachel Fuller, who was born in the year Quadrophenia was first released, admits she had never heard The Who s album until several years after she first met Townshend in a London recording studio, while he was rehearsing for The Who s 1996 tour of that album and she was working with Ute Lemper.


    I loved it as soon as I heard it about ten years ago, she says. For me it's been an act of love to orchestrate it for Pete. It's also been a joy to work on because it is very orchestral by nature, even as a rock album, so it was very easy to arrange for an orchestra. And I've remained really faithful to the original tracks because he's the composer and I want to honour his work.

    1. I Am The Sea
    2. The Real Me
    3. Quadrophenia
    4. Cut My Hair
    5. The Punk And The Godfather
    6. I'm One
    7. The Dirty Jobs
    8. Helpless Dancer
    9. Is It In My Head?
    10. I've Had Enough
    11. 5:15
    12. Sea And Sand
    13. Drowned
    14. Bell Boy
    15. Doctor Jimmy
    16. The Rock
    17. Love Reign O'er Me
    Pete Townshend
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Afro Classic (Speakers Corner) Afro Classic (Speakers Corner) Quick View

    $34.99
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    Afro Classic (Speakers Corner)

    In the Seventies, fusion was a popular pigeonhole for music somewhere between jazz and pop. At the same time it was also an often used, belittling term employed by critics and representatives of 'pure' jazz, who never wanted to listen to it, let alone include any of the numerous LPs in their collection.



    Forty years later, the dust has settled. Flautist Hubert Laws' recordings not only for the Atlantic but also the CTI labels are treasured - especially the present LP, which was produced by the 'Master of Sound' Creed Taylor. Now these crossover numbers from the worlds of classic, jazz, pop and easy listening are available once more. Discover, for example, Al Kooper's composition Fire And Rain (more familiar are the versions from Blood, Sweat & Tears and James Taylor), the famous theme music from the film Love Story, and three classical compositions by J. S. Bach and Mozart. All have been given a facelift and with such super sidemen ranging from Ron Carter to Bob James and a superb Freddie Waits on the drums, they are a real treat.
    So cast aside any preconceptions and enjoy this meticulous production and the clear reproduction on vinyl.



    Musicians:



    • Hubert Laws (flute)

    • Don Sebesky (arranger)

    • Fred Alston, Jr. (bassoon)

    • Bob James (electric piano)

    • Gene Bertoncini (guitar)

    • David Friedman (vibraphone)

    • Ron Carter (bass)

    • Airto, Richie 'Pablo' Landrum (percussion)

    • Fred Waits (drums)




    Recording: December 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, USA

    Production: Creed Taylor





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Fire and Rain
    2. Allegro from Concerto No. 3 in D
    3. Theme from Love Story
    4. Passacaglia in C Minor
    5. Flute Sonata in F
    Hubert Laws
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Fastest Guitar In The Country The Fastest Guitar In The Country Quick View

    $24.99
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    The Fastest Guitar In The Country

    Here at last is the album that christened Jimmy Bryant with the distinct moniker of Fastest Guitar in the Country." After a run of success with steel guitarist Speedy West on Capitol Records, Jimmy Bryant signed a solo contract with Imperial Records in the mid '60s. While Bryant's recordings with West established him as a fretboard genius, it was the 1967 release of The Fastest Guitar in the Country that left the disc jockey world wondering if his lighting speed was legitimate. Naysayers were left in awe as they witnessed Bryant's dizzying technique at a DJ convention in Nashville.


    Bryant's frenzied fretboard flair is in full effect on his rendition of the classic "Sugar Foot Rag" and "Little Rock Getaway" bearing evidence as to why this is one of the most electrifying instrumental recordings of all time. Never before reissued, this collection of jazz-fueled country pickin' is the ultimate testament of Jimmy Bryant's gift to the guitar world. Sourced from the original Imperial stereo masters, Sundazed is proud to release this ultra-rare album on 180g vinyl.

    1. Twelfth Street Rag
    2. Little Rock Getaway
    3. Caravan
    4. Down Yonder
    5. Georgia Boogie
    6. Orange Blossom Special
    7. Tico-Tico
    8. Indiana (Back Home Again In Indiana)
    9. Ten Wheels
    10. Stumbling
    11. Voxwagon
    12. Sugarfoot Rag
    Jimmy Bryant
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • More Lost Legends of Surf Guitar More Lost Legends of Surf Guitar Quick View

    $36.99
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    More Lost Legends of Surf Guitar

    It's hard to think of a musical style that's more quintessentially American than surf music. Springing up along the California coast in the early 1960s, the surf sound-characterized by wet-sounding guitar reverb that echoed the sound of the sea and pummeling rhythms that emulated the ocean's currents-was originally inspired and nurtured by the culture that surrounded the sport. Despite its provincial origins, the surf genre captured the imagination of teenagers around the world, and spawned a remarkably large body of highly original music, with an emphasis on innovative guitar instrumentals that would influence rock axemen for decades to come.


    Much of that vintage surf music was originally released on small regional labels, and many of the acts that created some of the greatest surf music never released more than a handful of singles. Those factors resulted in many original surf classics remaining difficult to obtain in recent years. Sundazed Music, a longstanding champion of vintage surf music, went a long way towards remedying that situation with the release of its CD series Lost Legends of Surf Guitar. The series has been widely recognized for rescuing numerous rare, obscure and/or lesser-known gems from surf music's golden age. Now, the landmark series moves into second gear, progressing into the vinyl format with a pair of double-LP collections, each of which features 28 below-the-radar vintage surf killers.


    More Lost Legends of Surf Guitar ups the ante with 28 more vintage surf winners, with additional performances by the Challengers, Jerry Cole & His Spacemen, the Surfaris, the Tornadoes and the Trashmen, plus terrific tunes by surf innovators the Belairs, session guitar great Al Casey and regional legend Thom Starr & the Galaxies.


    This essential collection, meticulously mastered from rare vintage tapes and pressed on high-quality vinyl, is the perfect collection for gremmie and ho-dad alike, so grab this wave and jump head-first into the surf!!!

    1. TIME BOMB: The Avengers VI
    2. SURFBUSTER: Jan Davis
    3. MIDNIGHT SURFER: Jerry Cole & His Spacemen
    4. THE GREMMIE PT. 1: The Tornadoes
    5. STICK SHIFT: The Trashmen
    6. YEP: The Surfaris
    7. VOLCANIC ACTION: The Belairs
    8. WALK, DON'T RUN '64: The Teemates
    9. THE HEARSE: Al Casey
    10. SATAN'S THEME: The Challengers
    11. HOT CINDERS: The Progressives
    12. SCORPION: The Vibrants
    13. HEARTBEAT: The Avengers VI
    14. (THEY CALL THE WIND) MARIA: P.J. & Artie
    15. SURFBEAT: The Surfriders
    16. FALL OUT: The Stage-Men
    17. ISTAMBUL: The Gladiators
    18. FINK: P.J. & Artie
    19. RUM RUNNER: The Surfriders
    20. MOON RACE: The Citations
    21. WILDFIRE: The Vibrants
    22. STRANGE FEVER: Thom Starr & the Galaxies
    23. SCALPING PARTY: The Tornados
    24. SPIN OUT: The Teensmen
    25. MOON SHOT: Kenny & the Fiends
    26. SPANISH MOON: The Travelers
    27. THE TRUANT: The Truants
    28. RAW-HIDE: The Pastels
    Various Artists
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Brazilian Guitar Fuzz Bananas Tropicalia Psychedelic Masterpieces 1967-1976 Brazilian Guitar Fuzz Bananas Tropicalia Psychedelic Masterpieces 1967-1976 Quick View

    $19.99
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    Brazilian Guitar Fuzz Bananas Tropicalia Psychedelic Masterpieces 1967-1976

    Gatefold 2LP with 24 pg booklet


    Rare and previously unreleased tracks restored
    and remastered, many from the original master tapes

    Detailed liner notes with rare photos, ephemera and full
    annotation and band histories in both English and Portuguese


    Following the success of the recently released Psych
    Funk 101, Brasilian Guitar, Fuzz Bananas should serve
    as a master class for those entranced by the funky,
    heavy psychedelic wonders of the Tropicalia
    movement and all that it spawned. But as compiler Joel
    Stones writes in his liner notes: You wont find Os
    Mutantes or their maestro Rogerio Duprat on this
    compilation. There is a reason that the records
    contained here have never been reissued. Even though
    you will recognize some of the labels contained here
    believe me when I write this: some of the rarest, and
    best, examples of fuzzy, funky Brazilian psychedelia
    came out as promo-only 7 records on these labels.


    Each song contained on this album has never been
    reissued, and has been restored from the best source
    possible and remastered for near-perfect sound quality.
    The giant 24 page full color booklet contains a wealth of
    imagery and detailed annotation and liner notes in
    both English and Portuguese.

    Side 1

    1. Celio Balona - Tema De Batman
    2. Loyce E Os Gnomes - Era Uma Nota De
    3. The Youngsters - I Want To Be Your Man
    4. Serguei - Ourico


    Side 2
    1. Fabio - Lindo Sonho Delirante
    2. Tony E Som Colorido - O Carona
    3. 14 Bis - God Save The Queen
    4. Banda De 7 Legues - Dia De Chuva


    Side 3
    1. Ton E Sergio - Vou Sair De Cateveiro
    2. Ely - As Turbinas Estao Ligadas
    3. Com Os Falcoes Reais - Ele Seculo XX
    4. Marisa Rossi - Cinturao De Fogo


    Side 4
    1. The Pops - Som Imaginario De Jimmi Hendrix
    2. Loyce E Os Gnomes - Que E Isso?
    3. Piry - Heroi Moderno
    4. Mac Rybell - The Lantern

    Various Artists
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The New Possibility: John Fahey's Guitar Soli Christmas Album The New Possibility: John Fahey's Guitar Soli Christmas Album Quick View

    $21.99
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    The New Possibility: John Fahey's Guitar Soli Christmas Album

    John Fahey was a legendary individual and a crucial figure in expanding the boundaries of the acoustic guitar. Fahey was considered a cult artist by
    many, and one with a definite cult following, which holds true to today, yet this fact has also ensured his work continues to always sound 'fresh,' unique
    and artistically powerful.


    A new Collection of 14 Holiday Classics by one of Acoustic music's true innovators and eccentrics. Features signature arrangements of Santa Claus Is
    Coming To Town," "Joy To The World, & Oh Holy Night.

    1. Joy To The World
    2. Medley: Hark The Herald Angels Sing / O Come All Ye Faithful
    3. We Three Kings Of Orient Are
    4. God Rest Ye Merry Gentlemen Fantasy
    5. Auld Lang Syne
    6. Oh Holy Night
    7. Christmas Medley: Oh, Tannenbaum / Angeles We Have Heard On High / Jingle Bells
    8. Carol Of The Bells (Duet with Richard Ruskin
    9. The First Noel
    10. It Came Upon A Midnight Clear
    11. Silent Night, Holy Night
    12. Santa Claus Is Coming To Town
    13. Medley: Deck The Halls with Boughs of Holly / We Wish You A Merry Christmas
    14. The Christmas Song
    John Fahey
    $21.99
    Vinyl LP - Sealed Buy Now
  • Dig The Classics Dig The Classics Quick View

    $16.99
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    Dig The Classics


    Deep Purple Colored Vinyl


    JEFF The Brotherhood will release a brand-new self-produced EP of covers, entitled Dig The Classics, on Warner Bros. Records. Brothers Jake (guitars, vocals) and Jamin Orrall (drums) have chosen six of their favorite songs to include on Dig The Classics, including Pixies' "Gouge Away," My Bloody Valentine's "Come In Alone," Teenage Fanclub's "Mad Dog 20/20," and Beck's "Totally Confused."


    Dig The Classics will be released right before JEFF The Brotherhood launch a full-scale fall tour of both the East and West coasts. Supporting on the upcoming tour will be provided by Infinity Cat Records friends Music Band for the Sep dates and Diarrhea Planet on the Oct dates. The band has been putting the finishing touches on their next studio album, the follow to the critically acclaimed Hypnotic Nights, and is expected to be released early next year. Their previous albums and high energy, super-rock live shows has earned the Orrall brothers glowing accolades for their hard rockin', minimalist-maximalist approach from such outlets as Rolling Stone, Spin, The New York Times, USA Today, Pitchfork and many others.

    1. Gouge Away
    2. Mystery
    3. Come In Alone
    4. Cujo
    5. Mad Dog 20/20
    6. Totally Confused
    Jeff The Brotherhood
    $16.99
    Colored Vinyl LP - Sealed Buy Now
  • Hallmark Guitars Present The Kustom Kings Hallmark Guitars Present The Kustom Kings Quick View

    $24.99
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    Hallmark Guitars Present The Kustom Kings

    The Kustom Kings is an exciting and new collection of songs on the Sundazed/Swept-Wing label by legendary artists. This album kicks off with rockabilly all-time greats the Collins Kids with a revved up new rendition of their penned 50's classic "Hot Rod." Larry Collins, the fire blazing lead guitarist shows he still has his guitar chops with "Fireball 500" and "Wing Walker." Guitar whiz Deke Dickerson, has been referred to as "Mr. Entertainment" and that is evident here with Deke penning a new classic with the song "King of the Kustomizers" followed by three more fun-filled tunes.


    Another classic guitar group featured is horror's own the Ghastly Ones with reverb bone-chilling sounds. The Neanderthals rock it up with "Flintmobile" complete with Flint-Effects that will have you craving a bronto burger! SoCal's own Dynotones gas it up with more of their special hot rod tunes. To charm you even more is Germany's surf kings the Kilaueas with "Cosma Ray."


    This album is dedicated as a tribute to George Barris, the legendary car kustomizer. You may not know George by name but you know his cars. He has created countless kustom TV and movie cars such as the 1966 Batmobile car, the Munsters Koach and Dragula cars and he has built cars for stars like Elvis Presley, Ringo Starr and so many more. This release is a limited edition and features the art of master low brow artist "Dirty Donny."

    1. The Collins Kids - Hot Rod
    2. Deke Dickerson - King of the Kustomizers
    3. Larry Collins - Fireball 500
    4. The Dynotones - ZZR
    5. The Neanderthals - Flintmobile
    6. Deke Dickerson - Jethro's Jalopy
    7. Larry Collins - Wing Walker
    8. The Ghastly Ones - Kargoyle
    9. The Kilaueas - Cosma Ray
    10. The Untamed Youth - General Lee
    11. The Ghastly Ones - Raider's Coach
    12. The Dynotones - Ala Kart
    Kustom Kings
    $24.99
    Colored Vinyl LP - Sealed Buy Now
  • So Much Guitar! So Much Guitar! Quick View

    $27.99
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    So Much Guitar!

    Limited 180gm audiophile vinyl repressing of this Jazz classic. So Much Guitar marked Wes' first recording with pianist Hank Jones. So Much Guitar was the only session on which both musicians could really interact. It was also Wes' first recording session with Ron Carter, with whom he would collaborate on three more albums. Wax Time.
    Twisted Blues
    Cotton Tail
    I Wish I Knew
    I'm Just a Lucky So and So
    Repetition
    Somethin' Like Bags
    While We're Young
    One for My Baby (And One More for the Road)
    'Round Midnight*


    *Bonus Track

    Wes Montgomery
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Solstice Solstice Quick View

    $25.99
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    Solstice

    DownBeat: "Solstice inspires through its expressive openness revealing depth of texture, nuance and meaning." Solstice belongs to the great early production projects of ECM, with a new US-Norwegian-German band formed in the studio - a quartet with a character all its own. Ralph's synthesis of classical guitar technique and jazz improvisational skills inspires all participants on now-famous tunes including "Nimbus" and "Oceanus". Recorded 1974.
    1. Oceanus
    2. Visitation

    3. Drifting Petals
    4. Nimbus

    5. Winter Solstice

    6. Piscean Dreams

    7. Red And Black
    8. Sand
    Ralph Towner
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Deaner Album The Deaner Album Quick View

    $23.99
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    The Deaner Album

    The Deaner Album is the debut album from The Dean Ween Group. On The Deaner Album, Dean brings his love of classic guitar rock to 14 original compositions (including four instrumentals) that echo everything from classic rock to cracked country to the quirky mix of soul, funk, metal and punk that defined Ween.
    1. Dickie Betts

    2. Exercise Man
    3. Bundle of Joy

    4. Charlie Brown
    5. Shwartze Pete

    6. I'll Take It (And Break It)

    7. Garry

    8. You Were There

    9. Bums

    10. Gum

    11. Nightcrawler

    12. Mercedes Benz

    13. Tammy

    14. Doo Doo Chasers
    Dean Ween Group
    $23.99
    Vinyl LP - 2 LPs Sealed Buy Now
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