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  • Mingus Ah Um (180 Gram) Mingus Ah Um (180 Gram) Quick View

    $19.99
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    Mingus Ah Um (180 Gram)

    180 Gram Vinyl


    One of the great bassist's most innovative albums, Mingus Ah Um presented this important arranger-composer on a major label for the first time. This album portrays some of his most startling and thought-provoking music.


    Musicians:

    Charles Mingus, bass, piano

    John Handy, alto & tenor sax, clarinet

    Booker Ervin, tenor sax

    Shafi Hadi, tenor & alto sax

    Willie Dennis, trombone

    Jimmy Knepper, trombone

    Horace Parlan, piano

    Dannie Richmond, drums


    1. Better Git It in Your Soul
    2. Goodbye Pork Pie Hat
    3. Boogie Stop Shuffle
    4. Self-Portrait in Three Colors
    5. Open Letter to Duke
    6. Bird Calls
    7. Fables of Faubus
    8. Pussy Cat Dues
    9. Jelly Roll
    Charles Mingus
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Outward Bound Outward Bound Quick View

    $21.99
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    Outward Bound

    Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound, he was not overturning his idol, Charlie Parker; he was building on Bird's legacy. So deep was Dolphy's musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles Mingus. Partnering in this collection with the brilliant trumpeter Freddie Hubbard and a stunning rhythm section, Dolphy is at a peak of energy and creativity on alto saxophone, bass clarinet, and flute. He and Hubbard work with empathy reminiscent of the young Parker and Dizzy Gillespie. Pianist Jaki Byard, bassist George Tucker, and drummer Roy Haynes were ideal accompanists and co-conspirators in this widely influential work.
    G.W.
    Green Dolphin Street
    Les
    245
    Glad To Be Unhappy
    Miss Toni
    Eric Dolphy
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • The Clown (Speakers Corner) The Clown (Speakers Corner) Quick View

    $34.99
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    The Clown (Speakers Corner)

    Who hasn't got an ancient, worn-out copy of The Clown on his shelf, with a tatty cover and torn inner sleeve? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. The Clown was, and still is, an absolute must-have for every jazz collector. The small ensemble, only five musicians, came into the New York Atlantic Records studio in March 1957 to record music exclusively composed by the double bassist. Over the next 15 years, three of them were to be heard in numerous concerts with other ensembles. But the original recordings on this LP were the most deeply concentrated, the most versatile, and quite simply the best of all. The more so because the label attached great importance to optimal studio conditions and allowed the instrumentalists plenty of time to make the recordings.


    In the present new release, The Clown can be enjoyed to the full from the very first note of Haitian Fight Song up until the words William Morris Sends Regrets in the title work.

    Musicians:



    • Charles Mingus (bass)
    • Curtis Porter (alto saxophone, tenor saxophone)
    • Jimmy Knepper (trombone)
    • Wade Legge (piano)
    • Dannie Richmond (Drums)
    • Jean Shepherd (Vocals)



    Recording: February and March 1957 in New York City by Tom Dowd and Larry Hiller in mono

    Production: Nesuhi ErtegÜn




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Haitian Flight Song
    2. Blue Cee
    3. Reincarnation of a Lovebird
    4. The Clown
    Charles Mingus
    $34.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Mingus Ah Um (12 Minutes Of Additional Material) Mingus Ah Um (12 Minutes Of Additional Material) Quick View

    $39.99
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    Mingus Ah Um (12 Minutes Of Additional Material)

    Import

    Remastered


    When driving a band with the upright, or double bass, Charles Mingus looked--and was--gigantic, in
    more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own
    combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus
    between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz
    classic.
    When Columbia first issued this album, 6 of the 9 tracks were shortened drastically to fit them on the LP.
    Later reissues (on CD) have included the tracks in their original full length, but this edition of the album
    had not been released on vinyl yet. We are excited to release the album 50 years after its original conception, as it was intended by the Angry Man of Jazz himself.


    Containing the full-length versions of all 9 songs ( over 12 minutes of additional material)

    Side A


    Better Git It In Your Soul 7:22
    Goodbye Pork Pie Hat 5:42
    Boogie Stop Shuffle 4:59
    Self-Portrait In Three Colors 3:06
    Open Letter To Duke 5:49


    Side B


    Bird Calls 6:18
    Fables Of Faubus 8:13
    Pussy Cat Dues 9:13
    Jelly Roll 6:15

    Charles Mingus
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Little Johnny C (Pre-Order) Little Johnny C (Pre-Order) Quick View

    $39.99
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    Little Johnny C (Pre-Order)

    Cut At 33 1/3 RPM By Kevin Gray At Cohearent Audio From The Original Rudy Van Gelder Blue Note Master Tapes


    Pressed On 180 Gram Virgin Vinyl LP By RTI


    Top Quality Gatefold Packaging With Laminated Covers & High Quality Session Photos


    Trumpeter Johnny Coles, a distinctive and passionate player best known for his associations with Gil Evans, the remarkable Charles Mingus Quintet of 1964, and Herbie Hancock's late 60's Sextet, led relatively few albums of his own, and only two before 1982. Recorded in 1963, Little Johnny C is universally recognized as Johnny Coles' finest recording. Coles' soulful trumpet is heard in superb form as he pushes the hard bop mainstream forward. Duke Pearson, who was both a very skilled pianist, as well as one of the top arrangers of the 1960s, contributes five very fresh originals to the set. Notably, Little Johnny C is also one of tenor saxophonist Joe Henderson's finest early recordings, and his round sound and innovative phrasing clearly evident at this early point in his career. With the superb title cut, the ballad So Sweet My Little Girl, and Jano being high-points, in addition to beautiful flute and alto solos contributed by Leo Wright, Little Johnny C is a masterful album by an artist at his creative peak. This is a set to be savored again and again.


    Features:

    Limited Edition of Only 3500 Copies

    Remastered from the Original Rudy Van Gelder Blue Note Master Tapes

    Remastered by Kevin Gray at Cohearent Audio

    Pressed on 180 gram Virgin Vinyl LP by RTI

    Ultra-Durable, Extra Thick Album Jackets

    Gatefold Album with Session Photos in stunning High Resolution

    Stereo


    This title is not eligible for discount.

    Johnny Coles
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Let My Children Hear The Music (Pure Pleasure) Let My Children Hear The Music (Pure Pleasure) Quick View

    $34.99
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    Let My Children Hear The Music (Pure Pleasure)

    On the original LP issued by Columbia, Mingus thanked producer Teo Macero for his »untiring efforts in producing the best album I have ever made.« From his deathbed in Mexico in 1979 he sent a message to Sy Johnson (who was responsible for many of the arrangements on the album), saying that Let My Children Hear Music was the record he liked most from his career. Although Mingus' small-group recordings are the ones most often cited as his premier works, this album does, in fact, rank at the top of his oeuvre and compares favorably with the finest large-ensemble jazz recordings by anyone, including Ellington. The pieces had been brewing over the years, one from as far back as 1939, and had been given more or less threadbare performances on occasion, but this was his first chance to record them with a sizable, well-rehearsed orchestra.





    Musicians:



    • Snooky Young (trumpet)

    • Jimmy Knepper (trombone)

    • Julius Watkins (fruegel horn)

    • Charles McPherson (alto saxophone)

    • Jaki Byard (piano)

    • Charles McCracken (cello)

    • Ron Carter (bass)

    • Charles Mingus (bass, composer, arranger)

    • Dannie Richmond (drums)



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Shoes of the Fisherman's Wife Are Some Jive Ass Slippers
    2. Adagio ma Non Troppo
    3. Don't Be Afraid, the Clown's Afraid Too
    4. Hobo Ho
    5. Chill of Death
    6. The I of Hurricane Sue
    Charles Mingus
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Charles Mingus Presents Charles Mingus (Pure Pleasure) Charles Mingus Presents Charles Mingus (Pure Pleasure) Quick View

    $34.99
    Buy Now
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    Charles Mingus Presents Charles Mingus (Pure Pleasure)

    Charles Mingus has a fascinating way of offering music that is grounded in tradition while remaining startlingly original. The freshness of a piece like Charles Mingus Presents Charles Mingus, has the effect of rendering much of what passes for jazz as tedious. The band is small for Mingus, and includes Eric Dolphy on alto saxophone and bass clarinet, Ted Curson on trumpet, and Dannie Richmond on drums. It would be one of Dolphy and Curson's last recording dates with the artist, and they seem determined to go all out for it. The leader's bass line kicks off Folk Forms No. 1, followed by Dolphy outlining the melody, and then joined by Curson. A simple riff develops into a lively New Orleans funeral march that's developed for 12 minutes. Original Faubus Fables is serious in intent - a political attack on segregation governor Faubus - but Mingus and Richmond's singing is difficult to listen to with a straight face. Still, this doesn't distract from the wonderful music. Again and again, the elasticity of the sound is fascinating, at once spacious with the bass and drums balanced against the brass and then noisy, with the horns wailing and crying. The last two pieces, What Love? and the outrageously titled All the Things You Could Be by Now if Sigmund Freud's Wife Was Your Mother, are much looser, bordering on free jazz. The album accomplishes what the best of Mingus accomplishes: the perfect tension between jazz played as an ensemble and jazz played as totally free.




    Musicians:



    • Eric Dolphy (alto saxophone, bass clarinet)

    • Ted Curson (trumpet)

    • Charles Mingus (bass)

    • Dannie Richmond (drums)




    Recording: October 1960 at Nola Penthouse Studios, New York City, by Bob d'Orleans

    Production: Nat Hentoff




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Folk Forms, No. 1

    2. Original Faubus Fables

    3. What Love

    4. All The Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother

    Charles Mingus
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mingus Dynasty Mingus Dynasty Quick View

    $29.99
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    Mingus Dynasty

    Mastered From Original Analog Tapes By Grammy Award Winner Bernie Grundman


    Pressed On 180 Gram Audiophile-Grade Vinyl At Pallas Group In Germany


    Limited Edition Of 2,000 Copies


    Features Liner Notes From Charles Mingus Himself


    Mingus Dynasty was recorded in 1959, alongside its
    companion album, Mingus Ah Um. With two different
    ensembles at his disposal, Mingus musically challenged
    the musicians as they'd never been challenged before.
    The results speak for themselves. This vinyl reissue
    was mastered from original analog tapes by Bernie
    Grundman, pressed on 180gram vinyl at Pallas in
    Germany, and is limited to 2,000 units worldwide. The
    jacket includes liner notes from Mingus himself.

    1. Slop
    2. Diane
    3. Song With Orange
    4. Gunslinging Bird
    5. Things Ain't What They Used To Be
    6. Far Wells, Mill Valley
    7. New Now, Know How
    8. Mood Indigo
    9. Put Me In That Dungeon
    Charles Mingus
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mingus Moods (Awaiting Repress) Mingus Moods (Awaiting Repress) Quick View

    $13.99
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    Mingus Moods (Awaiting Repress)

    Side One:
    1. Yesterdays
    2. Back Home Blues
    3. I Can't Get Started


    Side Two:
    1. Summertime
    2. Dizzy Moods
    3. Laura

    Charles Mingus
    $13.99
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
  • Blues & Roots Blues & Roots Quick View

    $27.99
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    Blues & Roots

    The 1998 reissue of BLUES & ROOTS contains all the original tracks and liner notes, plus additional tracks and rare photos. Personnel: Charles Mingus (bass); Jackie McLean, John Handy (alto saxophone); Booker Ervin (tenor saxophone); Pepper Adams (baritone saxophone); Jimmy Knepper, Willie Dennis (trombone); Horace Parlan, Mal Waldron (piano); Dannie Richmond (drums). Recorded at Atlantic Studios, New York, New York on February 4, 1959. Originally released on Atlantic (1305). Includes liner notes by Charles Mingus. All tracks have been digitally remastered.Mingus goes to church. A thrilling album of blues and spirituals Mingus style. This 1959 Atlantic recording certainly ranks among his very best. Memorable performances of some of the bassist's most soulful tunes such as Wednesday Night Prayer Meeting and E's Flat Ah's Flat Too. Mingus is joined by an exuberant ensemble including a stellar saxophone section of Jackie McLean, John Handy, Booker Ervin, and Pepper Adams.
    1. Wednesday Night Prayer Meeting
    2. Cryin' Blues
    3. Moanin'
    4. Tensions
    5. My Jelly Roll Soul
    6. E's Flat Ah's Flat Too
    7. We Got Blue*


    * Bonus Track

    Charles Mingus
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mingus At The Bohemia Mingus At The Bohemia Quick View

    $21.99
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    Mingus At The Bohemia

    1. Jump Monk
    2. Serenade In Blue
    3. Percussion Discussion

    4. Work Song
    5.Septemberly
    6. All The Things You C Sharp minor
    Charles Mingus
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Ah Um Ah Um Quick View

    $19.99
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    Ah Um

    Charles Mingus presents Ah Um. Features exclusive cover by photographer Jean-Pierre Leloir.
    1. Better Get It in Your Soul
    2. Goodbye Pork Pie Hat
    3. Boogie Stop Shuffle
    4. Self-Portrait in Three Colors
    5. Open Letter to Duke
    6. Bird Calls
    7. Fables of Faubus
    8. Pussy Cat Dues
    9. Jelly Roll
    Charles Mingus
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • East Coasting (Pure Pleasure) East Coasting (Pure Pleasure) Quick View

    $34.99
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    East Coasting (Pure Pleasure)

    Charles Mingus is usually known for his wild, soulful and avant-garde compositions. East Coasting is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as 'soulful' in the traditional sense, but his introverted and sensitive style works well with Mingus's music. His playing on West Coast Ghost (the album's stand-out track) and Celia are two examples of Evans' ability to understand an artist's musical vision and play accordingly in his own beautifully original style.East Coasting sounds like the prototypical 1950s jazz recording. It's something one would hear in an attic converted to a bedroom where an artist or lonely soul might live. It's what a lot of people might believe Jazz would or should sound like. Highly recommended to Jazz lovers and perhaps more importantly to young people who have just been blown away by Kerouac's novel On The Road and have become interested in exploring Jazz. East Coasting will allow them to get a taste of lost creative America.



    Musicians:



    • Charles Mingus (bass)

    • Clarence Shaw (trumpet)

    • Jimmy Knepper (trombone)

    • Shafi Hadi (tenor saxophone, alto saxophone)

    • Bill Evans (piano)

    • Dannie Richmond (drums)




    Recording: August 1957 in New York City




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Memories Of You
    2. East Coasting
    3. West Coast Ghost
    4. Celia
    5. Conversation
    6. Fifty-First Street Blues
    Charles Mingus
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Newport Rebels (Pure Pleasure) Newport Rebels (Pure Pleasure) Quick View

    $34.99
    Buy Now
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    Newport Rebels (Pure Pleasure)

    The jazz experience just doesn't get any better than this! Newport Rebels was nominated for Sterophile's Records To Die For because of Roy Eldridge's ballsy, all-out trumpet playing on Mysterious Blues and Me and You. Eldridge approached the horn as if neither he nor it had limits - his electrifying, perfectly paced solos prove him right. Neither do the other musicians disappoint. The result is jazz tastefully stretched beyond traditional roots. And the late-1960s, direct-to-two-track recording guarantees a natural sound with few production artifacts.




    Musicians:



    • Abbey Lincoln (vocal)

    • Booker Little, Benny Bailey, Roy Eldridge (trumpet)

    • Jimmy Knepper, Julian Priester (trombone)

    • Eric Dolphy (alto saxophone)

    • Walter Benton (tenor saxophone)

    • Kenny Dorham, Tommy Flanagan (piano)

    • Charles Mingus, Peck Morrison (bass)

    • Max Roach, Jo Jones (drums)




    Recording: November 1960 at the Newport Jazz Festival, Rhode Island, and Nola Penthouse Studios, New York City

    Production: Nat Hentoff




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Mysterious Blues
    2. Cliff Walk
    3. Wrap Your Troubles In Dreams (And Dream Your Troubles Away)
    4. Taint Nobodys Bizness If I Do
    5. Me and You
    Jazz Artists Guild
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mythologies (Awaiting Repress) (On Sale) Mythologies (Awaiting Repress) (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

    Buy Now
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    Mythologies (Awaiting Repress) (On Sale)

    A singular jazz work, Patricia Barber's groundbreaking Mythologies is the result of the pianist becoming the only singer-songwriter to ever win a Guggenheim Fellowship. Allowed the time to craft a sophisticated album, the ambitious 2006 set is without peer in any musical genre. A cycle based on Greek mythology and Ovid's Metamorphoses, Mythologies brings each of the eleven characters from Ovid's play to life in song.


    Accompanied by guitarist Michael Alger, bassist Michael Arnapol, and drummer Eric Montzka, and assisted by a few special guest background vocalists--including a children's choir--Barber has turned in one of the first legitimate masterworks of the new century.


    When Patricia Barber's Mythologies (Blue Note Records) appears in stores on Tuesday, listeners will hear a piece of music with no apparent model in jazz of the 20th Century (or the 21st). For though classically tinged jazz suites date back to at least Duke Ellington's Black, Brown and Beige (1943) and extend to epic works such as Charles Mingus' posthumously premiered Epitaph (1989) and Wynton Marsalis' Pulitzer Prize-winning Blood on the Fields (1997), Mythologies stands apart from such behemoths.
    Howard Reich, Chicago Tribune, August 2006


    Lyrically addressing lovestruck emotions, insomnia, desires, risks, and more, Barber habitually turns conventions on their head. She matches her sonnets, double entendres, and fascinating narratives with music that's at once seductive, sad, beautiful, and powerful. Intended to be listened to from start to finish, Mythologies comes off as a sonic cycle that traces life and death in an engrossingly imaginative fashion that's on par with the classic Greek influences.


    Half-speed mastered from the original master tapes, Mobile Fidelity's numbered limited-edition 180-gram 2-LP set of Mythologies boasts astounding sonics. Every vocal delicacy and breathy aspect of Barber's singing is fully audible, balanced, and gorgeously textured. Instrumental decay and acoustic details are suspended against a pitch-black background. Vocal jazz records don't get better than this! Don't settle for the standard CD version, which is robbed of much of the presence, richness, and atmosphere.


    This title is not eligible for further discount.

    1 The Moon
    2 Morpheus
    3 Pygmalion
    4 Hunger
    5 Icarus (for Nina Simone)
    6 Orpheus/ Sonnet
    7 Persephone
    8 Narcissus
    9 Whiteworld/ Oedipus
    10 Phaethon
    11 The Hours
    Patricia Barber
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Pithecanthropus Erectus Pithecanthropus Erectus Quick View

    $27.99
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    Pithecanthropus Erectus

    Limited 180gm vinyl LP pressing of this classic 1956 Jazz album. Pithecanthropus Erectus was Mingus' breakthrough as a leader, the album where he established himself as a composer of boundless imagination and a fresh new voice that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition. With this album he began seeking new ways to increase the evocative power of the art form and challenge his musicians (this release includes Jackie McLean on alto sax and Mal Waldron on piano) to break preexisting conventions. Wax Time.
    1. Pithecanthropus Erectus
    2. A Foggy Day
    3. Profile Of Jackie
    4. Love Chant
    5. A Foggy Day (Live version) *


    *Bonus Track

    Charles Mingus
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • East Coasting East Coasting Quick View

    $27.99
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    East Coasting

    Limited Edition

    East Coasting is an album by Charles Mingus, recorded and released in 1957.

    1. Memories Of You
    2. East Coasting
    3. West Coast Ghost
    4. Memories Of You(Alternate Take)
    5. Celia
    6. Conversation
    7. Fifty-First Blues
    8. East Coasting(Alternate Take)
    Charles Mingus
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Tijuana Moods (Speakers Corner) Tijuana Moods (Speakers Corner) Quick View

    $34.99
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    Tijuana Moods (Speakers Corner)

    Tijuana Moods is an album by Charles Mingus originally recorded in 1957 but not released until 1962. It is notable that the name Charlie Mingus appears on the cover of the original album. Mingus hated all nicknames derived from Charles (Don't call me Charlie; that's not a man's name, that's a name for a horse). All songs were composed by Mingus except Flamingo.



    Musicians:



    • Charlie Mingus (bass)

    • Curtis Porter (alto saxophone)

    • Jimmy Knepper (trombone)

    • Clarence Shaw (trumpet)

    • Bill Triglia (piano)

    • Dannie Richmond, Frankie Dunlop (percussion)

    • Danny Richmond (drums)

    • Lonnie Elder (voices)




    Recording: July and August 1957 in RCA Victor's Studio A, New York City, by Bob Simpson

    Production: Bob Rolontz





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Dizzy Moods
    2. Ysabel's Table Dance
    3. Tijuana Gift Shop
    4. Los Mariachis (The Street Musicians)
    5. Flamingo
    Charles Mingus
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blues & Roots Blues & Roots Quick View

    $21.99
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    Blues & Roots

    Blues & Roots is an album by Charles Mingus, recorded in 1959 and released in 1960. Mingus explained the birth of this record in the album's liner notes: This record is unusual-it presents only one part of my musical world, the blues. A year ago, Nesuhi ErtegÜn suggested that I record an entire blues album in the style of Haitian Fight Song (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed. (via Wikipedia)
    1. Wednesday Night Prayer Meeting
    2. Cryin' Blues
    3. Moanin'
    4. Tensions
    5. My Jelly Roll Soul
    6. E's Flat Ah's Flat Too
    Charles Mingus
    $21.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Mingus Ah Um (Awaiting Repress) Mingus Ah Um (Awaiting Repress) Quick View

    $54.99
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    Mingus Ah Um (Awaiting Repress)

    Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI! Mastered by Bernie Grundman from the Original Analog Master Tapes & Pressed at RTI!

    Numbered Deluxe Laminated Gatefold Jackets! Only 2500 Numbered Limited Edition Copies Worldwide!


    Arguably Mingus' greatest recording! Features performances by John Handy, Booker Ervin, Jimmy Knepper, Horace Parlan, Dannie Richmond and many others!



    One of the great bassist's most innovative albums, Mingus Ah Um presented this important arranger-composer on a major label for the first time. This album portrays some of his most startling and thought-provoking music.


    Features:

    Numbered Deluxe Laminated Double Gatefold Jackets

    Only 2500 Numbered Limited Edition Copies Worldwide!

    Audiophile 180 gram, 45rpm Vinyl

    Double LP

    Pressed at RTI


    Musicians:

    Charles Mingus, bass, piano

    John Handy, alto & tenor sax, clarinet

    Booker Ervin, tenor sax

    Shafi Hadi, tenor & alto sax

    Willie Dennis, trombone

    Jimmy Knepper, trombone

    Horace Parlan, piano

    Dannie Richmond, drums


    This title is not eligible for discount.

    1. Better Git It in Your Soul
    2. Goodbye Pork Pie Hat
    3. Boogie Stop Shuffle
    4. Self-Portrait in Three Colors
    5. Open Letter to Duke
    6. Bird Calls
    7. Fables of Faubus
    8. Pussy Cat Dues
    9. Jelly Roll
    Charles Mingus
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Blue Haze Blue Haze Quick View

    $21.99
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    Blue Haze

    Blue Haze was recorded by Miles Davis in 1953 and 1954 for Prestige Records. The first track, I'll Remember April, is taken from the 1954 session on April 3rd, which made up half of the album Walkin'. The remaining tracks were taken from May 19, 1953, which was with quintet John Lewis, Charles Mingus, Percy Heath and Max Roach and the March 15, 1954 session with quartet including Horace Silver, Heath and Art Blakey.
    1. I'll Remember April

    2. Four
    3. Old Devil Moon
    4. Smooch
    5. Blue Haze
    6. When Lights Are Low
    7. Tune Up
    8. Miles Ahead
    Miles Davis
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Jazz Composers Workshop Jazz Composers Workshop Quick View

    $32.99
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    Jazz Composers Workshop

    The Jazz Composers' Workshop album, originally released on Savoy in 1956, is made up of two sessions-recorded on 31 October 1954 (side A and tracks 5 & 6 on side B), and 30 January 1955 (tracks 1-4 on side B)-that were part of Mingus' influential "Jazz Composers' Workshop", a forum intended to give young jazz composers the opportunity to play and record their own compositions. The 1954 session-a sextet line-up featuring Charles Mingus (bass), John La Porta (clarinet & alto sax), Teo Macero (tenor & baritone sax), George Barrow (tenor & baritone sax), Mal Waldron (piano) and Rudy Nichols (drums)-was made up entirely of Mingus originals, with the exception of the 1925 standard "Tea For Two". Mingus' "Body & Soul", found here, did not appear on the original LP. The 1955 date-a quartet session led by pianist Wally Cirillo, and featuring Mingus on bass, tenor-saxophonist Teo Macero, and drummer Kenny Clarke-was actually intended as a showcase for four compositions by Cirillo, and featured one of the first, if not THE first, jazz composition to be based on a 12-tone row, "Transeason".
    1. Purple Heart
    2. Gregarian Chant
    3. Eulogy For Rudy Williams
    4. Tea For Two
    5. Smog L.A.
    6. Level Seven
    7. Transeason
    8. Rose Geranium
    9. Getting Together
    10. Body & Soul
    Charles Mingus
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Quintet (Jazz At Massey Hall) The Quintet (Jazz At Massey Hall) Quick View

    $21.99
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    The Quintet (Jazz At Massey Hall)

    1. Perdido (Live)
    2. Salt Peanuts
    3. All The Things You Are 52 And Street
    4. Wee (Live)
    5. Hot House (Live)
    6. A Night In Tunisia (Live)
    Charles Mingus
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Jazz Portraits Jazz Portraits Quick View

    $15.99
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    Jazz Portraits

    John Handy, AltoSax

    Booker Ervin, Tenor Sax

    Richard Wyands, Piano

    Dannie Richmond, Drums

    Charles Mingus, Bass
    1. NOSTALGIA IN TIMES SQUARE 12:00
    2. I CAN'T GET STARTED 10:20
    3. NO PRIVATE INCOME BLUES 12:40
    4. ALICE'S WONDERLAND 9:00
    Charles Mingus
    $15.99
    Vinyl LP Reissue - Sealed Buy Now
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