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Tea For The Tillerman (200g)Ranked 206/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
When word got out that we were beginning a pressing plant, customers began to call with questions. And the most common and full-of-anticipation question was inevitably: What will be the first title that you press? Well, we couldn't possibly imagine hitting a bigger home run than to open Quality Record Pressings (QRP) with one of the all-time most classic audiophile records, Cat Stevens' Tea for the Tillerman from 1970.
There are so many things perfect about this release. First and foremost, it's a masterpiece of a record. It's that rare record that couples breathtaking sound with hit after hit after hit. In fact, to list the hits would be to list the entire song list. We couldn't pick a better vehicle for which to show off what we're so confident will be the highest quality records ever pressed.
But here's something else that's cool: We scored the absolute original analog masters, and the tapes were in impeccable condition. It took an unbelievable amount of digging and research - and luck - to get this project done to the standards of Analogue Productions. But, wow, was it ever worth it! The tapes were last used in December 1999 when Ted Jensen at Sterling, along with producer Paul Samwell-Smith, remastered the Cat Stevens catalog for CD.
In 1970, Lee Hulko at Sterling Sound cut Tea For The Tillerman for A&M Records in the U.S. and Island Records in the UK using a Telefunken M10 tape machine and a Neumann VMS 66 lathe with a Neumann SX68 cutterhead. Hulko started Sterling in 1968 and was its original mastering engineer. He's considered among the first engineers to advance mastering from just transferring music from tape to lacquer to an art where attention is paid to all the details that result in better sound. We actually found Hulko's original mastering notes from more than 40 years ago. It's incredible, but Sterling still has all of their notes filed away.
So, it was originally cut at Sterling - as were all of the early original Cat Stevens albums - and the tapes were last used at Sterling. How appropriate then that we should go back to Sterling for this monumental reissue. Using the original tapes, George Marino handled the mastering this time. He used an Ampex ATR-102 tape machine, another significant point of interest. While Ampex has long been revered for their sound, they had never made a preview version so that a mastering engineer could cut a lacquer from an Ampex machine. Mike Spitz at ATR Services made a unique preview modification for Sterling so that they could cut this record using an Ampex. Marino then used a Neumann VMS 80 lathe with a Neumann SX 74 cutterhead.
I think we've gotten something quite a bit better than what was originally issued, Marino says. I think this version is much more representative of what was on the tape. And that's not a criticism of what was originally done.
Marino points out that since the original issue, there have been advancements in cutting lathe technology that make the improvements of this reissue possible.
You didn't have the same number of options that you have in the new Neumann electronics, Marino says. With the new one, they give you more variations to work with. Let's say there's a nice kind of present sounding acoustic guitar on the left channel and then all of the sudden there's a drum peak with cymbal crashes and stuff and that stuff happens to be on the left channel. Being the vocal is down the center, you can drive the high frequency limiter from the right channel. So you can set a threshold on the right channel and grab the vocal without wiping out some of the musical peaks on the left channel. This is what I talk about when I say that we have technical advantages that they didn't have.
Marino also chose to use a wide-track stereo head for this project, which he said allows for better signal-to-noise than the normal stereo head.
And he also decided against using tube electronics, as would have been used originally, because he says that while the tubes allowed for more warmth, they also made the sound duller.
You wind up wanting to put a little top-end EQ or something to get a little something back (when using tubes), Marino explains of his decision.
Marino says that he is very pleased with the results.
A great record. A classic, he says. And those tapes were in excellent, excellent condition. Musically, I think we've got something that sounds richer and more natural. It sounds more correct. I had to do very, very little to the tape regarding EQ processing or anything.
To package this reissue, we've decided to do a facsimile of the original British Island gatefold jacket rather than the non-gatefold U.S. version. This British jacket also has a textured paper stock on the inside and is glossy on the outside. Additionally, we're using the original pink Island label.
So there you have it. Quality Record Pressings is off and pressing in a big, big way! Finally, we're ready to unveil the innovations in record pressing that we've been working on for more than a year. Among those innovations are the installations of microprocessors on the presses so that all of the presses functions are performed with absolute precision. For example, we've developed a dye with an imbedded temperature sensor that we can use to cycle the presses. Rather than having the presses close and open based on time - as it's been to date - these presses will close and open based on temperature, the far more accurate indicator of when the record is ready. We also have a plating department in Quality Record Pressings, run by the best plating man in the business, Gary Salstrom.
Still to come from Analogue Productions pressed at Quality Record Pressings will be the Cat Stevens classics Teaser and the Firecat and Catch Bull at Four.
Tea For The Tillerman is one of Cat Stevens' finest albums and a gem in the crown of early 1970s singer/songwriterdom. Stevens manages to have his cake and eat it too, simultaneously achieving pop accessibility and artistic relevance. The feel is decidedly gentle and spare. Apart from the occasional string section, Stevens is accompanied only by a three-piece band as he sings his introspective lyrics with appreciable favor.1. Where Do The Children Play?
2. Hard Headed Woman
3. Wild World
4. Sad Lisa
5. Miles From Nowhere
6. But I Might Die Tonight
7. Longer Boats
8. Into White
9. On The Road To Find Out
10. Father And Son
11. Tea For The Tillerman$49.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Tea for the TillermanCat Stevens' highly regarded 1970 release, Tea for the Tillerman came only seven months after the start of his comeback with Mona Bone Jakon and its arrangements, performances and songs are all enveloped in a confident grace and beauty. Stevens was able to pull off a rare feat with Tea for the Tillerman in that he was able to achieve pop accessibility without having to sacrifice artistic relevance. The album is also noteworthy for having four of its songs Where Do the Children Play?, On the Road to Find Out, Tea for the Tillerman and Miles from Nowhere featured in Hal Ashby and Colin Higgins' 1971 black comedy Harold and Maude.1. Where Do The Children Play?
2. Hard Headed Woman
3. Wild World
4. Sad Lisa
5. Miles From Nowhere
6. But I Might Die Tonight
7. Longer Boats
8. Into White
9. On The Road To Find Out
10. Father And Son
11. Tea For The Tillerman$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Majikat: Earth Tour 1976In 1976, Majikat became Cat Stevens' farewell tour. The release by Audio Fidelity of this classic album on their Live On Vinyl series is a great reminder of just how innovative and influential Cat Stevens music was and remains to this day. The album features 20 of his biggest hits including Moon Shadow, Peace Train, Where Do the Children Play, Another Saturday Night, Hard Headed Woman, Miles From Nowhere, Lady D'Arbanville, Oh Very Young and many more.LP1
1. Wild World
2. The Wind
4. Where Do The Children Play
5. Another Saturday Night
6. Hard Headed Woman
7. King Of Trees
9. Lady D'Arbanville
10. Banapple Gas
11. Majik Of Majiks
1. Tuesday's Dead
2. Oh Very Young
3. How Can I Tell You
4. The Hurt
5. Sad Lisa
6. Two Fine People
7. Fill My Eyes
8. Father And Son
9. Peace Train$32.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Roadsinger (To Warm You Through The NIght)With his reintroduction to the pop world behind him, renowned singer-songwriter Yusuf (the artist known as Cat Stevens) is ready to once again strike up an intimate relationship with his audience. After retreating from the pop stage following classic '70s multi-platinum albums such as Tea For The Tillerman and Teaser And The Firecat and acclaimed hits such as Wild World, Peace Train, Moonshadow, Morning Has Broken and Father And Son, Yusuf returned in late 2006 with his first pop album in 28 years. Now he's back again with a second album, Roadsinger (To Warm You Through The Night).
I was absent from my audience for so long, Yusuf says, people thought another album would never come. The 2006 album, An Other Cup, was a surprise. With this new album, the distance is much less. I'm back to doing what I do best, painting pictures with music and storytelling on a very human, personal, intuitive level through lyrics and song, so I can help people feel good again. I guess in some ways the new album picks up where the Cat Stevens the public knows left off.
The album, Roadsinger (To Warm You Through The Night), was produced by the now singularly named Yusuf with help from Martin Terefe (James Morrison, Jason Mraz, Martha Wainwright), and recorded around the world. Guests include Morrison, Michelle Branch and Holly Williams (granddaughter of Hank Williams, Sr.).
The new album is a response to the way An Other Cup was received, Yusuf explains. Fans said they wanted to hear more of me with a guitar. So, this album is much more folk-tale oriented. Also, apart from one track, all of it was recorded live. I listened to a lot of' '70s L.A. music, such as Joni Mitchell, James Taylor, Carole King, and it inspired me to go back into that intimate style of recording. The songs are somewhat autobiographical but abstract enough so everyone can relate to them and connect them to their own lives.
The title track, Roadsinger, unfolds the tale of an outcast who revisits his old hometown; along the empty street a child peeks from behind a store window and gives an innocent smile out of the shadows of prejudice. The theme of a journey has always been big with me, says Yusuf. A journey that was unexpectedly cut short in 2004 was when Yusuf was flying from his London home to Washington, D.C., en route to a meeting with Dolly Parton, who had recorded Peace Train several years earlier and wanted Yusuf to play guitar on her cover of his Where Do the Children Play. The incident that made headlines was resolved in 2006 and Yusuf's new song Boots and Sand resulted.
There are plenty people who sing, but not enough who have walked far from their block, he says. I embraced an unexpected spiritual path that was confusing for many (converting to Islam in 1977). Sadly, I'm still often misunderstood. Some people want to put me into their own one-sided view, but I don't fit those limitations. My world is still borderless and wide. The removal of conflict and establishment of peace has always been my global objective. It's a shame that lot of people, including some Muslims, overlook the name Islam, which actually comes from the word 'Peace' in Arabic.
The forthcoming album also showcases some songs from his upcoming musical Moonshadow. The story takes place on a planet of perpetual night where only the moon's shine lights the darkness; it is about a boy's meeting with his Moonshadow and the adventures they share in search for the a world of the sunlight and happiness. As well as having many new songs, the surrealistic musical, Moonshadow also weaves classic songs from his past, including Morning Has Broken, Wild World and The First Cut Is The Deepest.
Yusuf's return to his guitar came about when his teenage artist-musician son, Muhammad (aka Yoriyos), brought one home again. One morning, Yusuf was alone in the lounge when he looked over and felt a draw of curiosity overtake him. He slowly picked it up. I put my fingers on the fretboard to make a 'C' chord, he remembers, and surprised myself, It's still there! It felt right. So I started playing again. On the forthcoming album, Yusuf even plays electric guitar on a couple of tracks, along with keyboards. This part of my career feels similar in one sense to when I began, Yusuf reflects. I had to get past the songs on Mona Bone Jakon before I could move on to Tea For The Tillerman, etc. This time around it was the same story: I laid the groundwork with my debut album, An Other Cup, which inspired a great new collection of songs and scribblings. I had quite a few in my back pocket and again it was my son who sparked the next step. He said, 'Isn't it time to start recording a new album?' And it was.
1. Welcome Home
2. Thinking 'Bout You
3. Everytime I Dream
4. The Rain
5. World O'Darkness
6. To Be What You Must
7. This Glass World
9. All Kinds Of Roses
10. Dream On (Until...)
11. Shamsia$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Tell 'Em I'm Gone
First Album In Five Years From The 2014 Rock And Roll Hall Of Fame Inductee
10 Brand-New Recordings, Including 5 New Compositions By Yusuf
Features Collaborations With Rick Rubin, Richard Thompson, Charlie Musselwhite, Bonnie 'Prince' Billy, Tinariwen, And Matt Sweeney
Tell 'Em I'm Gone is the first new Yusuf album since 2009's
acclaimed Roadsinger. Recorded all over the world,
including Los Angeles, Dubai, Brussels, and London, the
album features 10 brand-new studio recordings, including five
originals and five carefully-chosen cover songs. Tell 'Em I'm
Gone features musical contributions from Richard Thompson,
blues harmonica legend Charlie Musselwhite, singer-songwriter
Bonnie 'Prince' Billy, Tuareg group Tinariwen, and guitarist
Matt Sweeney, as well as production from Rick Rubin.
Each track on Tell 'Em I'm Gone is threaded together by the
themes of freedom and peace that have prevailed through more
than four decades of Yusuf's musical career. On this album,
Yusuf returns to the roots of his musical inspiration: American
blues and R&B, using these genres to explore the universality
of the desire for freedom with songs that recall the spirit of his
earliest days as a nascent singer-songwriter in London.
"What's powerful and profound, to me, is the overall message
which emerged, lyrically," Yusuf says of the new album.
"It suddenly stared me in the face: the struggle for Freedom!
My God, isn't that what most human beings dream of?
"I hope this record will help revive the spirit of Freedom
and re-kindle some of the excitement of those amazing days,
when every musical door seemed to point us a way out of our
imprisonment," Yusuf says.
Stunning originals like "I Was Raised In Babylon" and "Cat And
The Dog Trap" plus covers of blues-pop standards ("Big Boss
Man," "You Are My Sunshine") and a moving version of Edgar
Winter's "Dying To Live" find Yusuf as strong of voice and as
engaging a performer as ever before.
Having first found fame as a teenage folk singer in 1960s
England, Cat Stevens gained worldwide acclaim for his
intimate and affecting works in the 1970s. His compositions
"Wild World," "Peace Train," "Father and Son" and "Morning
Has Broken" remain staples of the folk genre. Following a
conversion to the Islamic faith in 1978, Stevens retired from
the music business to pursue important causes in the
Muslim community; 2006 saw Yusuf's celebrated return to pop
music with the album An Other Cup.1. I Was Raised In Babylon (Yusuf)
2. Big Boss Man (Luther Dixon-Al Smith)
3. Dying To Live (Edgar Winter)
4. You Are My Sunshine (Jimmie Davis-Charles Mitchell, arr. Yusuf)
5. Editing Floor Blues (Yusuf)
6. Cat And The Dog Trap (Yusuf)
7. Gold Digger (Yusuf)
8. The Devil Came From Kansas (Gary Brooker-Keith Reid)
9. Tell 'Em I'm Gone (originally "Take This Hammer," arr. Yusuf)
10. Doors (Yusuf)$24.99Vinyl LP - Sealed Buy Now
Dark Was The NightThis triple LP contains thirty-one exclusive tracks that will benefit the Red Hot Organization, an international charity dedicated to raising funds and awareness for HIV and AIDS. This is their 20th anniversary and 20th release. Aaron and Bryce Dessner of The National produced the album, and John Carlin, the founder of the Red Hot Organization was the executive producer.
The complete list of artists that recorded tracks for this release: Andrew Bird, Antony + Bryce Dessner, Arcade Fire, Beach House, Beirut, Blonde Redhead + Devastations, Bon Iver, Bon Iver & Aaron Dessner, The Books featuring Jose Gonzalez, Buck 65 Remix (featuring Sufjan Stevens and Serengeti), Cat Power and Dirty Delta Blues, The Decemberists, Dirty Projectors + David Byrne, Kevin Drew, Feist + Ben Gibbard, Grizzly Bear, Grizzly Bear + Feist, Iron & Wine, Sharon Jones & The Dap-Kings, Kronos Quartet, Stuart Murdoch, My Brightest Diamond, My Morning Jacket, The National, The New Pornographers, Conor Oberst & Gillian Welch, Riceboy Sleeps, Dave Sitek, Spoon, Sufjan Stevens, Yeasayer and Yo La Tengo.1. Knotty Pine
2. Cello Song
3. Train Song
4. Brackett, WI
5. Deep Blue Sea
6. So Far Around The Bend
8. Feeling Good
9. Dark Was The Night
10. I Was Young When I Left Home
11. Big Red Machine
14. Service Bell
19. El Caporal
20. Ispiration Information
21. With A Girl Like You
22. Blood Pt. 2
23. Hey, Snow White
24. Gentle Hour
25. Another Saturday
27. Amazing Grace
28. The Giant Of Illinois
30. When The Road Runs Out
31. Love Vs. Porn$29.99Vinyl LP - 3 LPs Sealed Buy Now
The New Hovering DogBJ Cole came to prominence in the early 1970s with the country rock outfit, Cochise. His signature pedal steel playing has marked numerous LPs including ones by T Rex, Elton John (Tumbleweed Connection and Madman Across the Water), Cat Stevens, Bjork, The Verve, Depeche Mode, Beck, Elvis Costello, David Gilmour, Emmylou Harris, Pet Shop Boys, Robert Plant, Scott Walker, and the list goes on. The man Sting once described as "the best pedal steel player in the world" is versed in many styles from pop, rock, jazz to experimental. His versatility is perhaps no better showcased than on his first solo album The New Hovering Dog; it combines poetry with orchestration and electronics with a strong cast of musicians from that era. Originally released in 1972 on United Artists, it is now available again on LP after 40 years, remastered and two bonus tracks added.1. The Regal Progression
2. Now You See Them, Now You Don't
3. The Cold Mountain Mariner
4. Up On The Hill Where They Do The Boogie
5. You're Probably Lost
6. Five Pieces For Steel Guitar & Percussion
7. I Know Now
8. The East Winchley Tango$19.99Vinyl LP - Sealed Buy Now
In The WildernessStranger Cat is the new project from Cat Martino, Sufjan Stevens' right hand woman for
the Age of Adz tour and record, as well as All Delighted People. Cat was also a recording
and touring member of Sharon Van Etten's band circa Epic. She appeared with The Shins
on SNL and Williamsburg Park, played in Passion Pit at Governor's Ball, and sings on the
Son Lux record Lanterns. She has had the pleasure to support Indians, Night Beds, Rufus
Wainwright, Marissa Nadler, Black Rebel Motorcycle Club, and Patrick Watson.
Cat retreated from Brooklyn, NY to winter in the Sierra Foothills to write and record
songs emerging from loops using her voice, synths, and percussion. With her pedal chain
and gear in a small cottage she explored the gamut from ethereal to turbulence. Simple
melodies or beats became powerful walls of sound melting through snowstorms, howling
winds and stark silence nestled inside gargantuan oaks and the infinite starry dome.
Joined by Sven Britt for a week, each of them traded making beats, or melodic parts on
casios, synths, guitars, branches and spoons, while the other recorded. Often a cat would
come to the door to listen, meowing to be let in. When it appeared daily they called it
Stranger Cat, and observed its alien supernatural powers, as she'd heard tell of the
Foothills' long history of UFO sightings and ghost haunts. One day they let Stranger Cat
in. The plump feline ate all the kitty food and left.
Out of this adventure was born In The Wilderness, the duo's debut full-length out on Joyful Noise Recordings1. Empty Little Word
3. I Lost It
4. Fig Tree
5. In The Wilderness
6. Remember Me
7. Unzip Your Skin
8. Ecstatic Energy
10. I Promise$18.99Vinyl LP - Sealed Buy Now
Zebop!Impeccably Mastered By Joe Reagoso
First Time Audiophile Vinyl & Gatefold Cover Presentation
Anniversary Limited Edition
1981 was a Winning year for Santana. With the release of their multi-format hit album Zebop!, Carlos Santana and The Santana Band catapulted onto the top ten, the first time in several years, and truly changed the course of their musical history for the next several decades. Thanks in part to the Russ Balard (Argent) penned smash hit single Winning, the band not only maintained their solid following, but also brought in a whole new fan base, which has pledged loyalty to this legendary band since.
Following a similar formula as on their previous gold album Marathon, Zebop! featured smash hit tracks like their powerful rendition of Cat Stevens' Changes and J.J. Cale's The Sensitive Kind. The 12 track powerhouse also featured some of their most revered tunes like Searchin', Brightest Star and a trip back to the Abraxas sound with É Papa RÉ. With the effervescent lead vocals of Alex Ligertwood, the power drumming of Graham Lear, the percussive beat of Armando Pereza, together with the skillful instrumentation of the core band, all fronted by the legendary Carlos Santana, this album truly illustrated a powerful band that hit its stride.
Friday Music is no stranger to the legendary music of Santana, so now it is with much honor to announce the first time 180 Gram Audiophile Vinyl release of their mega classic Zebop!. As a further installment in our Santana/Friday Music 180 Gram Audiophile Vinyl Series, this limited edition classic rock masterpiece is now enhanced for the first time with impeccable mastering by Joe Reagoso (Santana/Grateful Dead) and also features a first time stunning gatefold LP cover with the original LP cover elements not seen in decades.
So, it is now time to celebrate with us the first time 180 Gram Audiophile masterwork release of Zebop! by Santana. This masterpiece is now impeccably mastered on audiophile vinyl, with first time gatefold cover art and of course all of the great songs and superlative magic and memories that can only be that of Carlos Santana and The Santana Band.1. Changes
2. É Papa RÉ
3. Primera Invasion
5. Over and Over
7. Tales of Kilimanjaro
8. The Sensitive Kind
9. American Gypsy
10. I Love You Much Too Much
11. Brightest Star
12. Hannibal$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
I Love My Dog / Matthew And SonOn September 27th of this year, Yusuf / Cat Stevens, took to the most sacred stage in Nashville to awe the sold-out Ryman Auditorium crowd with his persistent musical transcendence. The day prior, Yusuf took to another Nashville stage entirely and performed to no one in particular - a set for himself, of two songs from his earliest days. That stage was the Third Man Records Blue Room, and that set, consisting of the A-sides from Stevens' first two singles, was recorded direct-to-acetate on our 1955 Scully lathe and is now set for release as the second offering in Third Man's Blue Room Sessions series.
With artwork by world renowned illustrator Jess Rotter, this double A-side 7 features I Love My Dog and Matthew and Son performed by Yusuf and his pared-down touring band with palpable intimacy and a rare calm in the midst of a busy world tour.1. I Love My Dog
2. Matthew And Son$6.997 Vinyl Single - Sealed Buy Now
Ghost On GhostIron and Wine makes its Nonesuch Records debut with Ghost on Ghost. Ghost on Ghost is the fifth release from singer-songwriter Sam Beam, using the pen name Iron and Wine. The album was produced by Beam's longtime associate Brian Deck (Modest Mouse, Califone, Fruit Bats) and follows 2011's Kiss Each Other Clean, which debuted at #2 on the Billboard chart to critical acclaim.
Rolling Stone said of Kiss Each Other Clean that "pop music hadn't seen anything like it since the heyday of Cat Stevens," while Pitchfork said it "more closely resembles the lush, gold-toned singer songwriter records of the late 60s and early 70s-Astral Weeks, Goodbye Yellow Brick Road."
For Ghost on Ghost, Beam sought to move from what he called the "anxious tension" of his two previous records. "This record felt like a reward to myself after the way I went about making the last few," he says.
Helping achieve Beam's vision was a group of stellar musicians including Rob Burger, Steve Bernstein, Brian Blade, Curtis Fowlkes, Tony Garnier, Marika Hughes, Briggan Kraus, Maxim Moston, Tony Scherr, Doug Wieselman, Kenny Wolleson, and Anja Wood. Burger (Tin Hat Trio) has worked with Beam intermittently through the years and handled arrangements for strings and horns on Ghost on Ghost. For the album's cover, Beam, who is also a visual artist, chose an image from the series "Private Views" by noted photographer Barbara Crane.
This LP also includes a bonus CD.1. Caught in the Briars
2. The Desert Babbler
4. Low Light Buddy of Mine
5. Graces for Saints and Ramblers
6. Grass Windows
7. Singers and the Endless Song
8. Sundown (Back in the Briars)
9. Winter Prayers
10. New Mexico's No Breeze
11. Lovers' Revolution
12. Baby Center Stage$22.99Vinyl LP - Sealed Buy Now
Pat Thomas & Kwashibu Area BandStrut are proud to announce the brand new studio album by one of Ghana's all-time great vocalists, "The Golden Voice Of Africa", Pat Thomas, in conjunction with the Kwashibu Area Band led by multi-instrumentalist Kwame Yeboah (Cat Stevens, Patrice) and saxophonist Ben Abarbanel-Wolff (Ebo Taylor, Poets of Rhythm). Hailing from Kumasi, Thomas had lived with highlife legend King Onyina from a young age before working with Ebo Taylor in two of Ghana's great 1960s highlife big bands, Broadway Dance Band and Stargazers. They would collaborate regularly, Pat contributing vocals to Ebo's solo albums and Ebo arranging horns for Pat's songs. Both would become a mainstay of the '70s and '80s Ghanaian highlife, afrobeat and afro-pop scenes, hitting big with the Ghana Cocoa Board-sponsored Sweet Beans band. Fela Kuti's bandleader, drummer Tony Allen, would record a session with Sweet Beans in Kumasi in 1975 (as yet unreleased). "Highlife was our music," Pat remembers. "People like Ebo and I modernised it, made it more relevant to our day. We took the Kwa music of Kumasi and other local styles and added Western elements." With his distinctive flowing vocal style, sung in Fanti and Ashanti Twi dialect, Pat became established as one of Ghana's biggest musical draws.1. Mewo Akoma
2. Gyae Su
3. Odoo Be Ba
4. Me Ho Asem
5. Oye Asem
6. Odo Adaada
8. Amaehu$27.99Vinyl LP + CD - 2 LPs Sealed Buy Now
$29.99 $23.69 Save $6.30 (21%)
Bluebeard (On Sale)Import
First reissue for this ultra-rare prog/rock LP from 1971 which was only ever released in Italy.
Blue Beard managed just one album and it seems likely that it was a studio project, roping in disparate, available musicians to record songs written in the main by Thurman Binkley and Robert Welch, both of whom also produced the set. Recording in Milan, Blue Beard comprised an Indonesian, Luis Noll (electric bass), a Dutchman, Hank Meerbeek (drums), an Irishman, John Irvine (lead electric guitar), an Indian, Errol Dyer (organ), and an Australian, Little Sammy Gaha (acoustic guitar). Judging by the photos on the rear cover, Binkley and Welch chipped in on keyboards and guitar respectively.
Blue Beard is best known for the single Sly Willy, which was released in 1971 across Europe, and is now sought after as a prime slice of funky rock. Its flipside, Country Man, is a pleasing, mellow affair. Copies of the single, in its various picture sleeves, change hands for between £20 and £40. The album itself only surfaced in Italy and is now a scarce item, commanding three figures. Highlights include the rococo pop of Baby I Need You, the heavily-strummed, gruffly-sung God Save The World (reminiscent of Cat Stevens) and the up-tempo proggy rock of Losing You, penned by John Irvine.
Nothing further is known of Blue Beard and its musicians, but Thurman Binkley appears to have contributed to the 1975 film La grande blonde avec une petite chatte noire (that's assuming there's only one Thurman Binkley out there), while Bob Welch was a member of the by now US-based Fleetwood Mac from the summer of 1971 through to 1975, a stalwart through one of their rockiest phases. Welch next formed trio Paris, before embarking on a successful solo career.$29.99 $23.69 Save $6.30 (21%)Vinyl LP - Sealed Buy Now