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Casting Crowns

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  • Casting Crowns Casting Crowns Quick View

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    Casting Crowns

    Casting Crowns is the first studio album by the American Christian rock band Casting Crowns. Produced by Mark A. Miller and Steven Curtis Chapman, the album was originally released on October 30, 2003, by Beach Street Records. It incorporates a pop rock and rock sound, with the main instruments used in the album being guitar, keyboard and violin. Casting Crowns received positive reviews from music critics, many of whom praised the album's lyrics and production quality. It was nominated for Pop/Contemporary Album of the Year at the 35th GMA Dove Awards, while its singles were nominated for and received various awards.
    1. What If His People Prayed
    2. If We Are the Body
    3. Voice of Truth
    4. Who Am I
    5. American Dream
    6. Here I Go Again
    7. Praise You with the Dance
    8. Glory
    9. Life of Praise
    10. Your Love Is Extravagant
    Casting Crowns
    $18.99
    Vinyl LP - Sealed Buy Now
  • The Very Next Thing The Very Next Thing Quick View

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    The Very Next Thing

    The Very Next Thing, Casting Crowns' latest offering, is a collection of intimate songs as well as upbeat, fresh sounding tracks with impactful lyrics centered around identifying and acting on what's right next to you.


    "I think we all believe the gospel," says Mark Hall, "we all want it, we're just not sure what we're supposed to do next. We've got this idea of an awesome walk with Jesus out there somewhere, and we're looking for the bridge to get over to it. Serving God isn't this giant dream a year from now. It's not this thing He's going to have you do in a month. It's right now. Following God is the next word of love that I need to speak to somebody, the very next heart that needs to be encouraged. Ministry isn't on Sunday; it's not on a stage. It's you, where you are, doing the next thing God tells you to do."

    1. Hallelujah
    2. The Very Next Thing
    3. One Step Away
    4. Oh My Soul
    5. What If I Gave Everything
    6. God of All My Days
    7. When the God-man Passes By
    8. For All You Are
    9. Make Me a River
    10. Loving My Jesus
    Casting Crowns
    $18.99
    Vinyl LP - Sealed Buy Now
  • The Crown Soundtrack The Crown Soundtrack Quick View

    $39.99
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    The Crown Soundtrack

    Pressed On Double 180-Gram Audiophile Vinyl


    First Pressing Of 750 Individually Numbered Copies On Silver Crown Vinyl, Black Vinyl Thereafter


    Gatefold Sleeve


    PVC Protective Sleeve


    Music From The Golden Globe 2017 Awards Winning Netflix Drama Series


    Main Theme By Hans Zimmer, Music By Rupert Gregson-Williams


    The Crown is a drama television series, created and written by Peter Morgan and produced by Left Bank Pictures and Sony Pictures Television for Netflix Original. The show is a biographical story about the early reign of Queen Elizabeth II of the United Kingdom.


    The first season was released in its entirety in November 2016. Reception to the series was overwhelmingly positive, with critics praising cast performances, direction, writing, cinematography, production values, and relatively accurate historical accounts of Queen Elizabeth's reign. A second season has been commissioned.


    Netflix got one of Hollywood's most prolific and prestigious musicians to compose The Crown's main theme: Hans Zimmer. The 10-time Oscar nominee has gifted us with some of the most iconic soundtracks of our time including The Dark Knight, Inception, and his Academy Award-winning music for The Lion King.


    The rest of the music in the series was written by Rupert Gregson-Williams, another Hollywood composer whose work you may be familiar with from the likes of Hotel Rwanda, The Legend Of Tarzan, Hacksaw Ridge and Over the Hedge.


    The Crown received two awards at the Golden Globes 2017; best performance by an actress in a television drama (for Claire Foy) and the crown jewel award, best television series drama.

    LP 1
    1. The Crown: Main Title (Hans Zimmer)
    2. Duck Shoot

    3. Sagana

    4. Government

    5. The Letter

    6. Limerick

    7. Edward Returns

    8. In This Together


    LP 2
    1. Margaret And Townsend

    2. The Anointing

    3. Someone Remarkable

    4. Where Does That Leave Me?

    5. Margaret Calls Elizabeth

    6. Bit Of Fluff

    7. Dressing Down

    8. Mary Is Dead

    9. Mary And Edward

    10. Chasing Margaret
    11. Head Of The Family

    Hans Zimmer & Rupert Gregson-Williams
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Beast Beast Quick View

    $19.99
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    Beast

    Imagine a creature laying dormant beneath the earth, in an inhuman slumber since a time long forgotten. This creature reawakens, cracks up through the ground and finds a world it barely recognizes. Chaos, disorder, brutality, bloodthirst and terror are all around. Seeking to restore some sense of order to its surroundings, the creature adopts the destructive nature it witnesses in man and begins a vengeful quest for power.


    Mythology, fable and metaphor collide with "Beast", a blistering new album marking the return of DESPISED ICON. The genre-defining band is fully reawakened, poised to recapture the crown with the monstrous and merciless might of their potent expression. Featuring the men responsible for most of the band's now classic death metal catalog, "Beast" is a vicious commentary on the state of the world and the state of music itself.


    This is old school DESPISED ICON reminiscent of "The Healing Process" (2005) and "The Ills Of Modern Man" (2007), but cast through an ultra-modern lens, carrying with it the experience and driven purpose of a band secure in their identity and their legacy. Without sacrificing the creative leaps of what many feared would be their final album, "Day Of Mourning" (2009), DESPISED ICON renew their focus on the collision of dual vocals, technical wizardry, precision dexterity and massive bottom end they helped to pioneer.


    'The Aftermath' kicks off the album with brutal immediacy, encompassing the full scope of what's ahead with unrelenting attack and classic death metal flair. 'Inner Demons' will have guitar teachers and drum instructors pulling their hair out in frustrated angst, while songs like 'Bad Vibes' put the impossible sounding shred workouts on the backburner in favor of brute force. Throughout the album, deep grooves reminiscent of the best of OBITUARY, DYING FETUS, INTERNAL BLEEDING, or even BIOHAZARD pulse within the fierce aggression. There's melody to be found in songs like the French-language 'Drapeau Noir.' The dual vocal style DESPISED ICON fans love is as unrestrained as ever.


    For many extreme music fans, it may be hard to remember a time before DESPISED ICON, given the massive influence they've subsequently had on the genre. But when the group formed back in 2002 and released "Consumed By Your Poison" the same year, there was little intersection between the sounds of classic death metal and the brute force of hardcore. The "metalcore" genre had been in full swing for some time and plenty of those bands had experimented with elements of death metal. But DESPISED ICON were among the first to fully embrace the signatures of the traditional death metal formula combined with a relentless embrace of breakdowns, part of an emerging new sound.


    DESPISED ICON steadily built a following through hard touring with CRYPTOPSY, SUFFOCATION, IMMOLATION, DEICIDE, MORBID ANGEL, BEHEMOTH, HATEBREED and NAPALM DEATH. The diversity of sounds demonstrated by that list of bands is evidence of DESPISED ICON's broad appeal. Before too long, a new subgenre bubbled up from the underground, built around bands like DESPISED ICON, SUICIDE SILENCE, ALL SHALL PERISH, CARNIFEX and JOB FOR A COWBOY. Like many genre tags, "deathcore" became something of a controversial and uncomfortable albatross for many of the associated bands at various times. But the impact of what is unquestionably an exciting variation of extreme music is undeniable.


    DESPISED ICON now boldly reclaims their legacy without reservation or apology. Since the time of the band's dissolution - the result of professional burnout, the shifting priorities and responsibilities that come with adulthood and the need for a creative recharge - the group's members were able to explore different textures with groups like OBEY THE BRAVE and HEAVEN'S CRY. The time apart has only strengthened their resolve when it comes to the purity of what DESPISED ICON means to them as well as to their worldwide fans.


    From the savagely unhinged vocals to the inexhaustible pound of the blast beats, DESPISED ICON's new album is a swift reminder that this band is one of the originators of a powerful movement in extreme metal. The "Beast" is reawakened and ready to rumble. DESPISED ICON is back, ladies and gents, with no frills, no bullshit, and just total power.

    1. The Aftermath
    2. Inner Demons
    3. Drapeau Noir
    4. Bad Vibes
    5. Dedicated to Extinction
    6. Grind Forever
    7. Time Bomb
    8. One Last Martini
    9. Doomed
    10. Beast
    Despised Icon
    $19.99
    Vinyl LP - Sealed Buy Now
  • I Got Dem Ol' Kozmic Blues Again Mama! I Got Dem Ol' Kozmic Blues Again Mama! Quick View

    $24.99
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    I Got Dem Ol' Kozmic Blues Again Mama!

    Sourced from the Original Masters


    I Got Dem Ol' Kozmic Blues Again Mama! was the rst solo studio album Joplin recorded after leaving Big Brother and the Holding Company. The LP was released on September 11, 1969 and reached gold record status within two months of its release.


    When Janis Joplin died in October 1970 at the early age of 27, thus involuntarily confirming the beatnik adage live fast, love hard, die young, it was only a matter of time before she was crowned the "Queen of Rock". Of greater importance than this posthumous entry into rock 'n' roll's hall of fame is the recognition during her lifetime of her explosive vocal style, which - so Vogue - turned the whole history of singing upside down.


    Janis Joplin's discography is just as short and changeable as her life. After two LP releases with the standard 'cast' of rock musicians in the band Big Brother And The Holding Company, with whose excellent musical support she obtained her first recording contract with Columbia Records in 1968, the company provided her with a group augmented with organ and winds. Their intention was to broaden her vocal expression with blues and funk elements, which, however, her most loyal fans regarded as betrayal of the ideals of rock music. Rock fans in the Old World were less critical, especially since Joplin and her Kozmic Blues Band went on a two-month tour of Europe. For those Woodstock fans whose ears are still ringing with the band's full, meaty wind sound and Janis's bluesy soul singing, this album is an absolute must.

    1. Try (Just a Little Bit Harder)
    2. Maybe
    3. One Good Man
    4. As Good As You've Been to This World
    5. To Love Somebody
    6. Kozmic Blues
    7. Little Girl Blue
    8. Work Me Lord
    Janis Joplin
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Got Dem Ol' Kozmic Blues Again Mama! (Speakers Corner) I Got Dem Ol' Kozmic Blues Again Mama! (Speakers Corner) Quick View

    $34.99
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    I Got Dem Ol' Kozmic Blues Again Mama! (Speakers Corner)

    When Janis Joplin died in October 1970 at the early age of 27, thus involuntarily confirming the beatnik adage live fast, love hard, die young, it was only a matter of time before she was crowned the "Queen of Rock". Of greater importance than this posthumous entry into rock 'n' roll's hall of fame is the recognition during her lifetime of her explosive vocal style, which - so Vogue - turned the whole history of singing upside down.



    Janis Joplin's discography is just as short and changeable as her life. After two LP releases with the standard 'cast' of rock musicians in the band Big Brother And The Holding Company, with whose excellent musical support she obtained her first recording contract with Columbia Records in 1968, the company provided her with a group augmented with organ and winds. Their intention was to broaden her vocal expression with blues and funk elements, which, however, her most loyal fans regarded as betrayal of the ideals of rock music. Rock fans in the Old World were less critical, especially since Joplin and her Kozmic Blues Band went on a two-month tour of Europe. For those Woodstock fans whose ears are still ringing with the band's full, meaty wind sound and Janis's bluesy soul singing, this album is an absolute must.



    Musicians:



    • Janis Joplin (vocal)

    • Cornelius Snooky Flowers, Terry Clements (saxophone)

    • Luis Gasca (trumpet)

    • Richard Kermode, Gabriel Mekler (organ)

    • Sam Andrew (guitar)

    • Brad Campbell (bass)

    • Maury Baker, Lonnie Castille (drums)



    Recording: June - August 1969 by Sy Mitchell, Jerry Hochman, and Alex Kazanegras

    Production: Gabriel Mekler



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Try (Just a Little Bit Harder)
    2. Maybe
    3. One Good Man
    4. As Good As You've Been to This World
    5. To Love Somebody
    6. Kozmic Blues
    7. Little Girl Blue
    8. Work Me Lord
    Janis Joplin
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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