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Carl And The Passions'
Carl And The Passions - So ToughWith the addition of drummer Ricky Fataar and guitarist Blondie Chaplin to the lineup, the Beach Boys entered a period of surprisingly earthy arrangements.
Originally released in 1972, this title is now available on 180 gram vinyl and as a stand-alone album for the first time.1. You need a Mess of Help To Stand Alone
2. Here She Comes
3. He Come Down
5. Hold On Dear Brother
6. Make It Good
7. All This Is That
8. Cuddle Up$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Sunshine of Your YouthPhilly-based band Cheerleader follow up 2014's On
Your Side EP and their UK-only "Perfect Vision" 7"
with their first full-length album, The Sunshine of Your
Youth. NYLON called them "the love child of Passion
Pit and St. Lucia." NME listed the band in their Top 10
new bands of 2014, saying "[Cheerleader] recall New
Order at their most addictive," while KCRW said
Cheerleader's music is "giddy, triumphant world conquering
optimism. This is straight up power pop."
Songwriters Joe Haller and Chris Duran are joined
by keyboardist and guitarist Josh Pannepacker,
drummer Carl Bahner and bassist Paul Impellizeri to
create their undeniably anthemic freshman effort,
The Sunshine of Your Youth. The album is 10 tracks
produced and mixed by Mark Needham (Imagine
Dragons, Mona, Youngblood Hawke, Tokyo Police
Club).1. New Daze
2. The Sunshine of Your Youth
3. On Your Side
4. Do What You Want
5. Perfect Vision
6. Haunted Love
7. A Million Ways
9. The Quiet Life
10. Little Bird$17.99Vinyl LP - Sealed Buy Now
$15.99 $12.63 Save $3.36 (21%)
Soft Metals (Discontinued) (On Sale)PATRICIA HALL and her boyfriend IAN HICKS have been enchanting one another with song since the spring of 2009. Their first meeting was an audition. Ian was looking for a voice to compliment his moody, cinematic synthesizer sketches and Patricia hoped to meet the right partner to help put her day dreamy poems and keyboard melodies to music.
Their mutual love of early 80s synth pop, the nascent incarnations of house and techno, ebm, krautrock, post punk, and the first wave of industrial music set the course. After a few sessions together the partnership proved to be exactly what they had both been searching for and SOFT METALS was born. What began as a collaboration between songwriters soon budded into a passionate love affair. Song lyrics became secret messages, with which Patricia confessed her developing affection for Ian. The Portland-based duo's first five original works together, which became the EP The Cold World Melts, released on Captured Tracks, is a time capsule of this courtship. This summer marks the release of their first full-length, a self-titled release with Captured Tracks.
The album is a further expression of their romance, but now two years into their relationship, the two are looking a bit more outward. They explore fantastical soundscapes which conjure the dramatic cinematic worlds of Dario Argento, Roman Polanski, Stanley Kubrick, David Lynch, and the Czech New Wave. Ultra-saturated colors with a touch of noir, opulent architecture, and mysterious femmes all spring to mind. From the deep examinations of the human psyche found in Adam Curtis documentaries to the controversial bridge between science and the soul via Carl
Sagan and Ray Kurzweil, the duo revels in the trans-formative power of love, knowledge, and imagination. The outcome of all this is a collection of bittersweet electronic pop songs balanced by a delicate surrealism, a patient sense of experimentation that leaves you floating in your subconscious and moving to the beat. The sonic landscapes are sleek, but never icy.1. Psychic Driving
4. Celestial Call
5. The Cold World Melts
6. Hold My Breath
7. Eyes Closed
9. Do You Remember
10. In Throes$15.99 $12.63 Save $3.36 (21%)Vinyl LP - Sealed Buy Now
$49.99 $44.99 Save $5.00 (10%)
Layla (Awaiting Stock) (On Sale)Ranked 115/500 On Rolling Stone Magazine's List Of The 500 Greatest Albums Of All Time.
Eric Clapton and Duane Allman in the Same Band for the Only Time: Derek and the Dominos' Layla a Timeless Batch of Fire-Pot Blues, Poignant Gospel, Searing Rock, and Lustful Emotion
Mastered from the Original Master Tapes and Pressed at RTI: Mobile Fidelity 180g 2LP of Layla Is the Definitive-Sounding Analog Edition, Presents Music With Immersive Detail and Realism
The reputation of Derek and the Dominos' Layla and Other Assorted Love Songs, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock - all birthed from the leader's insatiable lust for his friend George Harrison's wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 2LP set exposes the brilliance of Tom Dowd's original production and the scope of the virtuoso musicians' playing. You've never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Clapton's tones emerge with unprecedented soulfulness. Afforded their own space in the mix, Allman's slide-guitar passages crackle with urgency. All-important sonic components such as soundstaging, imaging, and dynamics transport you to the actual event. Mobile Fidelity's analog version testifies on behalf of why fans deemed Clapton god.
Then, of course, there's the title track - crowned the 27th greatest song of all time by Rolling Stone. What to say about the outro - arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Clapton's strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on a pressing that brings Slowhand's every finger moment into great relief. Get inside Clapton's head, burrow into the conflicted emotions fluttering in his heart as he pines for his another man's wife, and in the process, produces an album that forever lives in the souls of anyone who's ever loved and lost.
Clapton's pained yearning permeates everything here. Works such as the swampy Tell the Truth, the pleading Why Does Love Got to Be So Sad?, and blues-drenched Have You Ever Loved a Woman? attest to his raw-nerve discomfort, guilt, and desire. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. It's all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness.
Allman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of R&B, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record. Whatever the case, this is the analog version to own.
This title is not eligible for further discount.1. I Looked Away
2. Bell Bottom Blues
3. Keep on Growing
4. Nobody Knows You When You're Down and Out
5. I Am Yours
7. Key to the Highway
8. Tell the Truth
9. Why Does Love Got to Be So Sad?
10. Have You Ever Loved a Woman
11. Little Wing
12. It's Too Late
14. Thorn Tree in the Garden$49.99 $44.99 Save $5.00 (10%)180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING STOCK Buy Now
The Evil Divide (Awaiting Repress)Three decades into their celebrated career, Death Angel remain as hungry as ever.
As a result, uncompromising urgency and unpredictability define the Bay Area thrash quintet's eighth full-length album, The Evil Divide [Nuclear Blast]. The group-Mark Osegueda [vocals], Rob Cavestany [lead guitar], Ted Aguilar [guitar], Will Carroll [drums], and Damien Sisson [bass]-satiate the appetite for buzzsaw speed riffs, double bass mayhem, and scorching vocals over the course of ten new anthems.
"I want every record of ours to always sound fucking hungry and desperate," declares Mark. "An injured animal is a dangerous fucking animal. We feel that. We're always striving for more and put everything into it until our bodies give out."
"We know who we are," adds Rob. "We're dedicated to this sound for both the fans and ourselves."
In order to siphon that energy, the group re-teamed with producer Jason Suecof [Trivium, Deicide] for the third album in a row. They traded Northern California for Suecof's Florida stronghold, Audio Hammer Studios, during two months in the fall of 2015. Following three consecutive records together, this lineup gelled more than ever while recording.
"You could feel it," continues Rob. "Everything was so much smoother in all regards. We progressed as a unit, and we all got on the same page pretty quickly. It makes recording and playing even more fun."
"We're collectively focused," says Mark. "Rob and I have grown a lot as songwriters, and the entire band is tighter than ever. We knew what to expect sonically with Jason, but we wanted to push things in a different direction. The production and drum, bass, and guitar tones are more organic. He's got such a great ear and nailed it. It's like we confidently hit our stride."
The first single "Lost" intersects a hypnotically haunting refrain with a chugging percussive groove, dropping the melody like a guillotine between fret-burning leads.
"Everybody feels lost at some point in their lives," explains Mark. "It's that sense of self-awareness or lack thereof that comes through in the lyrics. No one's immune to it. That time can be a fleeting week or a matter of years where you don't know what's going on. Music is a way to get it out and a vessel to vent. It's a universal thing." Opener "The Moth" whips from a galloping guitar death march into a battle-cry. Boasting a lyrical contribution from Rob, it name checks the album title in the chorus.
"Mark really breathes life into what I wrote," says Rob. "We have a great time collaborating and bouncing ideas off each other."
"The world is in such an odd state," sighs Mark. "There's always division, but these days it's wild. People are attacking each other for no reason. That's why I love metal. It's an amazing community, and people get into it for no other reason but the passion for music. It's the one thing we can retreat to."
"Cause for Alarm" volleys between a crossfire of six-string prowess, while "Father of Lies" closes on a haunting acoustic outro, illuminating the music's expanse and declaring another creative victory for the group.
The Evil Divide stands out as the culmination of thirty-plus years of music for Death Angel. It kicked off with legendary debut, The Ultra-Violence, in 1987. The classic Frolic Through The Park began to cement their legacy and even earned the distinction of landing on Loudwire's list of the "Top Ten Thrash Albums NOT Released by The Big 4." The group broke up following 1990's Act III only to reunite in 2004 on Art of Dying for the next generation. A powerful trifecta followed. In 2010, Relentless Retribution boasted a cameo from virtuosos Rodrigo y Gabriela, while 2013's The Dream Calls For Blood bowed at #72 on the Billboard Top 200, selling 5,400 copies first-week and earning the group's first-ever entry onto that respective chart. Beyond continued public praise from the likes of James Hetfield of Metallica and Robb Flynn of Machine Head, the band's music has popped up everywhere from Carl's Jr. commercials to Leatherface: The Texas Chainsaw Massacre III. Their fire burns brighter than ever in 2016.
"If you're a casual fan, I hope you really get it on this album," Mark leaves off. "If you've been with us since the beginning, I want you to see we aren't messing around. We're still Death Angel."1. The Moth
2. Cause For Alarm
4. Father Of Lies
5. Hell To Pay
6. It Can't Be This
7. Hatred United, United Hate
9. The Electric Cell
10. Let The Pieces Fall
11. Wasteland$25.99Vinyl LP -2 LPs Sealed AWAITING REPRESS Buy Now
$49.99 $44.99 Save $5.00 (10%)
Shady Grove (Pre-Order) (On Sale)
A Natural, Acoustic Portrait of American Folk, Country, and Bluegrass Standards by Two Virtuosos: Jerry Garcia and David Grisman's Shady Grove Filled with Endearing Joy and Spirited Playing
Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity 180g 2LP Set Sounds Incredibly Realistic, Features Deluxe Booklet in Gatefold Jacket
Jerry Garcia began recording with longtime friend David Grisman at the beginning of the last decade of his life, the refreshing excursions marking a full-circle return to the roots fare the white-bearded virtuoso originally performed before co-founding the Grateful Dead. Garcia's dalliances with Grisman also served another equally important purpose given they provided a much-needed outlet from the demanding pressures, schedules, and business affairs associated with his main band. The endearing joy, contagious enthusiasm, and free-spirited playing on Shady Grove attest to the collection serving as not only the finest musical snapshot of Garcia's final years, but among the best of his storied career.
Mastered from the original master tapes, available on vinyl for the first time, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g 2LP set presents the 1996 collection in exquisite sound. Originally recorded at Dawg Studios between August 1990 and June 1993, Shady Grove bowed as the first release of Grisman-Garcia collaborations in the wake of the iconic guitarist's August 1995 death - and remains, by way of its genre-specific organization, a passionate albeit naturally relaxed portrait of folk, country, and bluegrass standards that provide the foundation of American songbook. To experience it all in such brilliant fidelity is to pull up a chair at the sessions themselves and enjoy a transparent view into lasting tradition and instrumental virtuosity.
Entirely unplugged, the material emerges in three-dimensional detail on this very special audiophile pressing, the wooden tones and organic textures unfolding with wondrous openness, ease, and realism. Nothing is forced, brittle, or exaggerated. What you hear is on par with the acoustics you'd encounter at a world-class hall. Garcia and Grisman's clean, rustic picking on guitar, banjo, mandola, and mandolin harbors a rare intimacy mirrored by an equally uncommon chemistry evident by the seamless interplay.
These traits remain in tact even when the soul mates are occasionally joined by pals such as Jim Kerwin (acoustic bass) and Joe Craven (fiddle and percussion). Garcia's singing, replete with the slight, graceful, dignified shakiness that forever defined his deliveries, comes across with utmost purity and transparency. Emotions and eagerness pour over every note. At the end of several tracks, Garcia and company exchange remarks and laughter - all indicative of the camaraderie, looseness, and spirit that carries through each tune here.
Mobile Fidelity's audiophile edition of Shady Grove also features the kind of deluxe packaging only the best physical media can provide. Sixteen 12-inch x 12-inch pages bound to the gatefold jacket provide extraordinary insight into the songs, atmosphere, and history. Images of artifacts and telling photos serve as a visual guide. New Lost City Ramblers member John Cohen pens extensive liner notes that reveal the lasting importance and timelessness of the tunes herein. Among his observations:
Jerry and David's performances of these traditional folk songs and ballads reconnect us all - folk singers, Deadheads, university students, hillbillies, country and western musicians - with the America [poet Kenneth] Rexroth wrote about; that [Carl] Sandburg wrote about; that the cynicism of American wars and politics, culture wars and culture politics just couldn't destroy.
Indeed, the versions of barn-dance tunes (Shady Grove), jug-band standards (Stealin', also performed in the early days of the Grateful Dead), Delta ballads (Louis Collins), Civil War era fare (The Sweet Sunny South), and campfire songs (Down in the Valley) here astound with depth, soulfulness, and warmth. Deadheads will also find Garcia and Grisman putting a spin on two more tracks - Casey Jones and Jackaroo - long part of the iconic group's repertoire. In countless ways, Shady Grove is not to be missed, particularly on this unsurpassed pressing.
This title is not eligible for further discount.1. Shady Grove
3. Off to Sea Once More
4. The Sweet Sunny South
5. Louis Collins
6. Fair Ellender
8. The Ballad of Casey Jones
9. Dreadful Wind and Rain
10. I Truly Understand
11. The Handsome Cabin Boy
12. Whiskey in the Jar
13. Down in the Valley
14. Hesitation Blues$49.99 $44.99 Save $5.00 (10%)180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now