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  • The Singles The Singles Quick View

    $35.99
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    The Singles

    Can - The Singles, a brand new collection of all of the band's single releases, on triple vinyl, download, CD. This unique document is the first time the singles have been presented together and shows the breadth of their influential career, from well-loved tracks like Halleluwah, Vitamin C and I Want More to more obscure and sought after singles such as Silent Night and Turtles Have Short Legs.


    The tracks are all presented in their original single version, many of which have been unavailable for many years and not presented outside of the original 7 release.


    The triple vinyl comes packaged in a trifold sleeve and decorated with a beautiful spot gloss lamination and is designed by the award-winning Julian House from Intro, a longtime design collaborator of Can's.

    LP 1
    1. Soul Desert
    2. She Brings The Rain
    3. Spoon
    4. Shikako Maru Ten
    5. Turtles Have Short Legs
    6. Halleluwah (Edit)
    7. Vitamin C
    8. I'm So Green


    LP 2
    1. Mushroom
    2. Moonshake
    3. Future Days (Edit)
    4. Dizzy Dizzy (Edit)
    5. Splash
    6. Hunters And Collectors (Edit)
    7. Vernal Equinox (Edit)
    8. I Want More


    LP 3
    1. ....And More
    2. Silent Night
    3. Cascade Waltz
    4. Don't Say No (Edit)
    5. Return
    6. Can Can
    7. Hoolah Hoolah (Edit)

    Can
    $35.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Tago Mago Tago Mago Quick View

    $25.99
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    Tago Mago

    Out Of Print For Over 20 Years


    Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of ethnic, electronic experimental and modern classical music.


    Tago Mago, Can's third studio album originally recorded in 1971 is the first album with Damo Suzuki on vocals, and features the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards.


    The band's powerful influence has never diminished, and their indelible mark is apparent in the bands who freely acknowledge their importance - from Portishead, James Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai, Kanye West (who sampled 'Sing Swan Song') and Radiohead - as well as across other disciplines such as visual art and literature.

    1. Paperhouse
    2. Mushroom
    3. Oh Yeah
    4. Halleluhwah
    5. Aumgn
    6. Peking O
    7. Bring me Coffee or Tea
    Can
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Unlimited Edition Unlimited Edition Quick View

    $25.99
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    Unlimited Edition

    LP Has Been Out Of Print For Over 30 Years


    Can was founded in 1968 by Irmin Schmidt, Holger
    Czukay, Michael Karoli and Jaki Liebezeit who formed
    a group which would utilize and transcend all boundaries of
    ethnic, electronic, experimental, and modern classical music.


    Unlimited Edition pressed as a double LP features unreleased
    tracks from 1968 to 1974 recorded in Can's private Inner Space
    studios. It is an essential album for those who want to know
    more about the roots of the band. Five cuts listed as "E.F.S" refer
    to the band's continuing Ethnological Forgery Series-- a series of
    songs in which Can self-consciously imitated various
    "world music" genres.


    The band's powerful influence has never diminished, and
    their indelible mark is apparent in the bands who freely
    acknowledge their importance - from Portishead, James
    Murphy, New Order, Factory Floor, Public Image Ltd,
    Mogwai, Kanye West (who sampled 'Sing Swan Song') and
    Radiohead - as well as across other disciplines such as
    visual art and literature.

    1. Gomorrha (Dec. 73)
    2. Doko E (Aug. 73)
    3. LH 7o2 (Nairobi/M√únchen)(March 72)
    4. I'm Too Leise (March 72)
    5. Musette (Jan. 70)
    6. Blue Bag (Inside Paper)(Oct. 70)
    7. E.F.S. No. 27 (Dec. 70)
    8. TV Spot (Apr. 71)
    9. E.F.S. No. 7 (Sept. 68)
    10. The Empress And The Ukraine King (Jan. 69)
    11. E.F.S. No. 10 (Jan. 69)
    12. Mother Upduff (May 69)
    13. E.F.S. No. 36 (May 74)
    14. Cutaway (March 69)
    15. Connection (March 69)
    16. Fall of Another Year (Aug. 69)
    17. E.F.S. No. 8 (Nov. 68)
    18. Transcendental Express (July 75)
    19. Ibis (Sept. 74)
    Can
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Falling Faster Than You Can Run Falling Faster Than You Can Run Quick View

    $18.99
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    Falling Faster Than You Can Run

    Well, it doesn't take long for Falling Faster Than You Can Run to reveal that Nathaniel Rateliff isn't in a very good place. His deep funk is revealed very quickly on the opening track 'Still Trying': "If you roll in it long enough/your shit won't even smell" sings Rateliff, in between crying out, unaccompanied, "I don't know/I don't know/a god damned thing".


    And that's the feeling that sticks throughout this, often very fine, new record from Denver, Colorado's Missouri-born Rateliff. On his second full-length album (dropping the & the Wheel from his name) loneliness is writ large: not the kind of loneliness from actually being along, but the kind that comes from being constantly surrounded by people yet unable to shake the feeling of complete isolation. Rateliff has toured with many, many acts over the past few years and most recently has spent time with Dr Dog and fellow Denver act (and friends) The Lumineers. Thankfully, Rateliff rarely sounds like his friends (you might say I'm not a fan) and instead writes and plays music with a lot of heart and soul. It's often his voice that's the star of the show thanks to the subtly-arranged instrumentation: part matured Kurt Wagner burr and part throat-ravaged bluesman ( a bit The Tallest Man on Earth) it's a voice you could listen to all day. But good voice is nothing without good songs, and Rateliff comes with plenty of ammunition on Falling Faster Than You Can Run.


    "Still Trying" is an arresting opener; while Rateliff's heart-wrenching roars are the highlight, the backing isn't too shabby either - acoustic guitar and bass drum battle for the spotlight on a ragged country song, and it sounds authentic, like Rateliff has lived what he's singing. And things get better quickly: "I Am" is mostly just Rateliff and his guitar, as broaches his isolation singing: "you'll never know what's buried there / less you dig around". The music swells as he sings the title over and over, following a similar pattern to the album opener. But before things get too familiar, Rateliff picks up the pace with a couple of full band numbers that could almost be considered jaunty, if we were to ignore the lyrics. "Don't Get Too Close" is fine enough and ticks over nicely like a quickstep, but "Laborman" is even better. Like Wilco at their poppiest, it flies off on crunchy and bright electric guitars which belies the lyrical content: "I got a feelin' / a sleepin' depression / that somebody's gonna get hurt", sings Rateliff, followed by "you got the harness/so where you gonna drag me now?" You can see a pattern developing here; Rateliff's stuck somewhere he doesn't want to be, lonely, but how does he get out of it? Take another look at that album cover too - a couple share a bed, an arm reaches out yet it doesn't touch the other person. It's basically a visual encapsulation of what's being sung about.


    The epic electric storm of "Forgetting Is Believing" leads a trio of great closing tracks, ending with the Lambchop-murmur of the title track. Rateliff's baritone is exposed and dusty as he sings "leave me alone/you can see me fall/faster than you can run", ending as he started the record - alone and isolated.


    Falling Faster Than You Can Run feels, through the dirt, the shit and the whisky, and despite the loneliness, like a hard-earned triumph for Nathaniel Rateliff.


    - Andrew Hannah (The Line Of Best Fit)

    1. Still Trying
    2. I Am
    3. Don't Get Too Close
    4. Laborman
    5. How To Win
    6. Nothing To Show For
    7. Right On
    8. Three Fingers
    9. Forgetting Is Believing
    10. When Do You See
    11. Falling Faster Than You Can Run
    Nathaniel Rateliff
    $18.99
    Vinyl LP - Sealed Buy Now
  • Live In Hanover (On Sale) Live In Hanover (On Sale) On Sale Quick View

    $32.99 $26.06 Save $6.93 (21%)

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    Live In Hanover (On Sale)

    Limited Edition 140 Gram Clear Vinyl LP.


    High quality live FM radio broadcast from Hannover on 11 April 1976 and interestingly featuring the 'pied piper' of the early seventies British hippy scene "Magic Michael" (Michael Cousins) on vocals. Michael, like Rodney Bingenheimer, was more famous for who he knew than for what he actually did, although he did appear on the Greasy Truckers Party LP in 1972, the A Bunch of Stiff Records compilation in 1977, and also collaborated with members of the Damned. Michael had actually also auditioned to be Can's vocalist after Damo left the band, but was rejected, so it is interesting to hear what a post-Damo Can might have sounded like with Magic Michael at the helm.

    1. Vitamin C
    2. Bel Air
    3. One More Night
    4. Dizzy Dizzy
    Can
    $32.99 $26.06 Save $6.93 (21%)
    Clear Vinyl LP - Sealed Buy Now
  • Ege Bamyasi Ege Bamyasi Quick View

    $20.99
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    Ege Bamyasi

    Out Of Print For 15 Years


    Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of
    ethnic, electronic experimental and modern classical music.


    Ege Bamyasi is Can's fourth studio album originally recorded and released in in 1972. The album contains the popular tracks "Vitamin C" and "Spoon" and features one of the band's most iconic front cover images. Ege Bamyas means "Aegean Okra" in Turkish.


    The band's powerful influence has never diminished, and their indelible mark is apparent in the bands who freely acknowledge their importance - from Portishead, James Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai, Kanye West (who sampled 'Sing Swan Song') and Radiohead - as well as across other disciplines such as visual art and literature.

    1. Pinch
    2. Sing Swan Song
    3. One More Night
    4. Vitamin C
    5. Soup
    6. I'm So Green
    7. Spoon
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Delay 1968 Delay 1968 Quick View

    $34.99
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    Delay 1968

    Import


    Although it was recorded in the late '60s, the material included on Can's Delay 1968 did not appear commercially until 1981 due to release problems. The collection features outtakes of some of Can's earliest material with singer Malcolm Mooney and are among the very first Can tunes ever recorded. While Delay 1968 is nowhere near as intricate or assured as the group's later work, the visceral energy of tracks like the deranged Uphill and Butterfly is undeniable.

    1. Butterfly
    2. Pnoom
    3. Nineteen Century Man
    4. Thief
    5. Man Named Joe
    6. Uphill
    7. Little Star Of Bethlehem
    Can
    $34.99
    Vinyl LP - Sealed Buy Now
  • Landed Landed Quick View

    $20.99
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    Landed

    Out Of Print For Over 30 Years


    Can was founded in 1968 by Irmin Schmidt, Holger
    Czukay, Michael Karoli and Jaki Liebezeit who formed
    a group which would utilize and transcend all boundaries of
    ethnic, electronic experimental and modern classical music.
    Landed is Can's seventh studio album, released in 1975.


    The band upgraded to 16 tracks and had the opportunity
    to bring out many more layers of sound and an upbeat
    nature for most of the tracks in the process. The album was
    produced by the band themselves, and produced a single,
    "Hunters and Collectors" backed by "Vernal Equinox", which
    was issued on Virgin that same year.


    The band's powerful influence has never diminished, and
    their indelible mark is apparent in the bands who freely
    acknowledge their importance - from Portishead, James
    Murphy, New Order, Factory Floor, Public Image Ltd,
    Mogwai, Kanye West (who sampled 'Sing Swan Song') and
    Radiohead - as well as across other disciplines such as
    visual art and literature.

    1. Full Moon On The Highway
    2. Half Past One
    3. Hunters And Collectors
    4. Vernal Equinox
    5. Red Hot Indians
    6. Unfinished
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Future Days Future Days Quick View

    $20.99
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    Future Days

    LP Has Been Out Of Print For Over 30 Years


    Can was founded in 1968 by Irmin Schmidt, Holger
    Czukay, Michael Karoli and Jaki Liebezeit who formed
    a group which would utilize and transcend all boundaries of
    ethnic, electronic, experimental, and modern classical music.


    Future Days is the fifth studio album by Can. This is the
    last album to feature Japanese vocalist Damo Suzuki. On
    Future Days, the band explored the ambient direction they
    had introduced into their sound on the previous year's Ege
    Bamyasi creating a landmark in European electronic music.
    Future Days is fiercely progressive, calming, complex,
    intense, and beautiful all at once.


    The band's powerful influence has never diminished, and
    their indelible mark is apparent in the bands who freely
    acknowledge their importance - from Portishead, James
    Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai,
    Kanye West (who sampled 'Sing Swan Song') and Radiohead
    - as well as across other disciplines such as visual art and
    literature.

    1. Future Days
    2. Spray
    3. Moonshake
    4. Bel Air
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • A Double Promo Album (On Sale) A Double Promo Album (On Sale) On Sale Quick View

    $57.99 $45.81 Save $12.18 (21%)

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    A Double Promo Album (On Sale)

    Clear Colored Vinyl - multi-colored labels in PVC sleeve


    Limited to 500 copies


    Vocalist Damo Suzuki's departure from CAN in 1973 had forced the band to re-evaluate their sound. Now with Michael Karoli and Irmin Schmidt sharing
    vocal duties, the band had also begun drawing on influences from disco and glam. While still remaining staunchly outside the mainstream, they
    undoubtedly became more accessible to a wider audience, and soon had a huge fan base in the UK. In fact, just a few months after playing the live
    show found on this double LP (recorded in Lyon in January of 1976), CAN was even on Top Of The Pops!

    LP1
    1. Citrus
    2. Red Hot Indians
    3. Dizzy Dizzy
    4. Chain Reaction


    LP2
    1. One More Night
    2. Vernal Equinox
    3. More Spree Vitamin C

    Can
    $57.99 $45.81 Save $12.18 (21%)
    Clear Vinyl LP - Sealed Buy Now
  • Soundtracks Soundtracks Quick View

    $20.99
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    Soundtracks

    Out Of Print For Over 10 Years


    Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of ethnic, electronic experimental and modern classical music.


    Soundtracks is a compilation album, first released in 1970, consisting of tracks written for film. The album marks the departure of the band's original vocalist Malcolm Mooney, who sings on two tracks, to be replaced by new member Damo Suzuki. "Don't Turn the Light On, Leave Me Alone" is Damo Suzuki's first recorded performance with Can.


    The band's powerful influence has never diminished, and their indelible mark is apparent in the bands who freely acknowledge their importance - from Portishead, James Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai, Kanye West (who sampled 'Sing Swan Song') and Radiohead - as well as across other disciplines such as visual art and literature.

    1. Deadlock
    2. Tango Whiskyman
    3. Deadlock
    4. Don't Turn The Light On, Leave Me Alone
    5. Soul Desert
    6. Mother Sky
    7. She Brings The Rain
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Future Days: Live In Cologne 1973 Future Days: Live In Cologne 1973 Quick View

    $32.99
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    Future Days: Live In Cologne 1973

    Clear Purple Colored Vinyl - red label in PVC sleeve with black lettering.


    This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members of Can had first encountered the self-defined "20th century nomad", Kenji "Damo" Suzuki, a few years earlier on the streets of Cologne. It was shortly after original Can vocalist Malcolm Mooney had left the band and they were left without a singer on the night of a sold-out concert. Upon spying Damo on the streets of Cologne, Holger Czukay just walked up to him and asked him if he wanted to sing at the concert-no rehearsal, just get up on stage with the band and sing. Damo, of course, accepted and the classic Can line-up was born.

    1. Doko E - Part 1
    2. Doko E - Part 2
    Can
    $32.99
    140 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 4 4 Quick View

    $34.99
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    4

    4 on Numbered Limited Edition 180 Gram LP from Mobile Fidelity


    #1 1981 Album Teems With Hits: Urgent, Waiting for a Girl Like You, Juke Box Hero


    Foreigner's Most Consistent, Economical, and Cleanly Produced Record


    Half-Speed Mastered from the Original Master Tapes: Sonics Open Window to Mutt Lange's Direct Production


    Be A Juke Box Hero: Sound Will Rattle Your Walls and Shake Your Windows!


    Want to be a juke box hero? Heres your chance. Featuring Mutt Langes spotless production, contributions from Motown legend Junior Walker and new-wave icon Thomas Dolby, no less than three huge singles, and Foreigners most economical performances, 4 is classic-rock nirvana, a model of crystalline pop-rock melodies and lighter-flicking balladry. More than six million copies later, the 1981 record is still rightly discussed as a front-to-back masterpiece of precision, power, and economy. Its an album that demands to be experienced in the highest-possible fidelity.



    Half-speed mastered from the original master tapes, Mobile Fidelitys 180g LP presents 4 in a room-filling, stadium-big sound that simply crushes whats heard on all prior versions. Replete with energetic rockers such as Urgent, Night Life, and Woman In Black, the record benefits from a sonic facelift that opens up the previously compressed dynamics, expands the dimensions of the soundstage, dials in a clear path to the instrumental images, and erases the ceiling that pressed down on Lou Gramms superhuman vocals. For the first time, Langes obsessive, detail-oriented production can be enjoyed in all its splendid glory.



    Fresh off blockbuster success with AC/DCs Back In Black, Lange uses his magic touch on 4, pairing with guitarist Mick Jones who, armed with the best batch of riffs of his career, shared a the producers sentiment for discipline, efficiency, and cleanliness. And so, on crisp tunes like Break It Up, pianos and hard-hitting guitars share the same space without ever impinging on one another or overstepping boundaries. The winning formula also propels Top 5 hits like the wildly funky Urgent, sent to new heights by Walkers dazzling saxophone solo, and the touching Waiting for a Girl Like You, a crossover smash that introduced Foreigner to soft-rock and adult-pop audiences.



    Simply stated, 4 has everything: Rowdy frustration-releasing cuts, fiery rock n roll tunes, heartfelt torch songs, and synth-drenched pop numbers. The playing throughout positively smokes, as the one-two punch of Gramm and Jones lands with both emotional and musical impact every time. There's not a single wasted note. And, reduced to a quartet, Foreigner seems bent on making more with less, just as Lange does with the polished production. This is 42 minutes of hard-rocking bliss.



    Accept no substitute. Mobile Fidelitys collectible audiophile edition will rattle your walls and shake your windows. Be prepared to tap every reserve available from your amplifiers. And play it LOUD!


    This title is not eligible for discount.

    1. Night Life
    2. Juke Box Hero
    3. Break It Up
    4. Waiting for a Girl Like You
    5. Luanne
    6. Urgent
    7. I'm Gonna Win
    8. Woman in Black
    9. Girl on the Moon
    10. Don't Let Go
    Foreigner
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Robot I Robot Quick View

    $49.99
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    I Robot

    Alan Parsons Project I Robot on Numbered Limited Edition 180g 45RPM 2LP From Mobile Fidelity


    Perfectionism, Innovation, Complexities, and Reference-Grade Production Make Alan Parsons Project's Conceptual I Robot a Timeless Classic: Sci-Fi Arrangements Steeped In Drama and Moodiness


    More Music, More Information, More Detail, More Nuance, More Everything: Mobile Fidelity 180g 45RPM 2LP Set the Definitive-Sounding Analog Version of 1977 Audiophile Standard


    A Demonstration Disc for the Ages: Immaculate Highs and Lows, Supreme Spaciousness, See-Through Transparency, 3D Imaging, Wider Grooves on System-Testing Pressing


    Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous-sounding 180g 45RPM 2LP set and the question becomes irrelevant.


    Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.


    Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages - the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings - including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.


    Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as The Voice call into question human behavior - and their relationship to increasing robotic supremacy - in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.


    I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. Some Other Time employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace Don't Let It Show. The origins of Nucleus stem from a unique analog keyboard concoction dubbed the Projectron, devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with Total Eclipse arriving as an aptly frightening track that presages the climactic Genesis Ch. 1 V. 32.


    Does man or machine win in the end? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.


    This title is not eligible for discount.

    1. I Robot
    2. I Wouldn't Want To Be Like You
    3. Some Other Time
    4. Breakdown
    5. Don't Let It Show
    6. The Voice
    7. Nucleus
    8. Day After Day
    9. Total Eclipse
    10. Genesis Ch. 1 V.32
    Alan Parsons Project
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Monster Movie Monster Movie Quick View

    $20.99
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    Monster Movie

    Out Of Print For Over 10 Years


    Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of ethnic, electronic experimental and modern classical music.


    Monster Movie, Can's debut album was originally recorded and released in 1969. The use of improvisation, experimentation, editing and layering of sounds set a standard for Can's subsequent albums in the early 1970s, which were seminal to the freewheeling avant-garde style dubbed "krautrock" by the British music press.


    The band's powerful influence has never diminished, and their indelible mark is apparent in the bands who freely acknowledge their importance - from Portishead, James Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai, Kanye West (who sampled 'Sing Swan Song') and Radiohead - as well as across other disciplines such as visual art and literature.

    1. Father Cannot Yell
    2. Mary, Mary So Contrary
    3. Outside My Door
    4. You Doo Right
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Soon Over Babaluna Soon Over Babaluna Quick View

    $20.99
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    Soon Over Babaluna

    LP Has Been Out Of Print For Over 30 Years


    Can was founded in 1968 by Irmin Schmidt, Holger
    Czukay, Michael Karoli and Jaki Liebezeit who formed
    a group which would utilize and transcend all boundaries of
    ethnic, electronic, experimental, and modern classical music.


    Soon Over Babaluma is the sixth studio album by Can,
    the band's first album without a lead vocalist who does not
    play an instrument, following the departure of Damo Suzuki.
    The vocals are taken care of by guitarist Michael Karoli and
    keyboardist Irmin Schmidt. It is also their last album that
    was created using a two-track recorder taking the ambient
    style of Future Days and pushing it even further.


    The band's powerful influence has never diminished, and
    their indelible mark is apparent in the bands who freely
    acknowledge their importance - from Portishead, James
    Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai,
    Kanye West (who sampled 'Sing Swan Song') and Radiohead
    - as well as across other disciplines such as visual art and
    literature.

    1. Dizzy Dizzy
    2. Come sta, La Luna
    3. Splash
    4. Chain Reaction
    5. Quantum Physics
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Can (Inner Space) Can (Inner Space) Quick View

    $32.99
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    Can (Inner Space)

    Import


    1979's, Can (aka Inner Space), the band's last proper album, was less experimental than its previous releases, with Michael Karoli doing more straightforward vocals and guitar. Having spent the previous decade taking elements of the classical avant-garde (i.e. Karlheinz Stockhausen) and underground rock (i.e Velvet Underground) to create a kind of genre-less new musicand influencing countless bands in the processCan had reached the natural end of its journey. Although founding members Irmin Schmidt (keyboards) and Jaki Liebezeit (drums) can still be heard, Rebop Kwaku Baah and Rosko Gee of Traffic fame have been added to the mix, with former bassist Holger Czukay doing the editing.


    Includes bonus CD of album

    Side A:

    1. All Gates Open

    2. Safe

    3. Sunday Jam


    Side B:

    1. Sodom

    2. A Spectacle

    3. E.F.S. Nr. 99 ("CAN CAN")

    4. Ping-Pong (trad.)

    5. Can Be

    Can
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Out Of Reach Out Of Reach Quick View

    $20.99
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    Out Of Reach

    Out Of Print For Over 35 Years


    Can was founded in 1968 by Irmin Schmidt, Holger Czukay, Michael Karoli and Jaki Liebezeit who formed a group which would utilize and transcend all boundaries of ethnic, electronic experimental and modern classical music.


    Out Of Reach, the 10th studio album by Can has been
    unavailable in any official format since its original release in 1978.
    Out Of Reach is one of Can's lesser known albums. This is
    due in large part to the fact that bassist Holger Czukay left the
    band while this album was being recorded, and drummer Jaki
    Liebezeit had a reduced role. Most of the rhythm duties were
    left to percussionist, Reebop Kwaku Baah. New bassist Rosko
    Gee largely leads the group, and his jazz-inflected playing
    is marvellous, especially on the centrepiece improvisations
    "November" and "Serpentine."


    The band's powerful influence has never diminished, and their indelible mark is apparent in the bands who freely acknowledge their importance - from Portishead, James Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai, Kanye West (who sampled 'Sing Swan Song') and Radiohead - as well as across other disciplines such as visual art and literature.

    1. Serpentine
    2. Pauper's Daughter And I
    3. November
    4. Seven Days Awake
    5. Give Me No "Roses"
    6. Like Inobe God
    7. One More Day
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Flow Motion Flow Motion Quick View

    $20.99
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    Flow Motion

    Out Of Print For Over 30 Years


    Can was founded in 1968 by Irmin Schmidt, Holger
    Czukay, Michael Karoli and Jaki Liebezeit who formed
    a group which would utilize and transcend all boundaries of
    ethnic, electronic experimental and modern classical music.


    Flow Motion is the eighth Can studio album. It features the
    UK hit single "I Want More". The success of "I Want More"
    led to an appearance on Top of the Pops. Flow Motion
    was mixed using binaural stereo, a method of recording
    sound that uses two microphones, arranged with the intent
    to create a 3-D stereo sound sensation for the listener of
    actually being in the room with the performers or instruments.


    The band's powerful influence has never diminished, and
    their indelible mark is apparent in the bands who freely
    acknowledge their importance - from Portishead, James
    Murphy, New Order, Factory Floor, Public Image Ltd,
    Mogwai, Kanye West (who sampled 'Sing Swan Song') and
    Radiohead - as well as across other disciplines such as visual
    art and literature.

    1. I Want More
    2. Cascade Waltz
    3. Laugh Till You Cry, Live Till You Die
    4. ... And More
    5. Babylonian Pearl
    6. Smoke (E.F.S. No. 59)
    7. Flow Motion
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Can Can Quick View

    $20.99
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    Can

    LP Has Been Out Of Print For Over 20 Years


    Can was founded in 1968 by Irmin Schmidt, Holger
    Czukay, Michael Karoli and Jaki Liebezeit who formed
    a group which would utilize and transcend all boundaries of
    ethnic, electronic, experimental, and modern classical music.


    Can, the 11th studio album by Can was originally released
    in 1979. Lost during its initial release amongst the punk
    explosion, Can features the classic tracks "Sodom" and
    "Can Be". Holger Czukay's involvement took a back seat
    on this album. Can is also the last album before Can reunited
    with Malcolm Mooney on the reunion album, Rite Time in
    1986.


    The band's powerful influence has never diminished, and
    their indelible mark is apparent in the bands who freely
    acknowledge their importance - from Portishead, James
    Murphy, New Order, Factory Floor, Public Image Ltd, Mogwai,
    Kanye West (who sampled 'Sing Swan Song') and Radiohead
    - as well as across other disciplines such as visual art and
    literature.

    1. All Gates Open
    2. Safe
    3. Sunday Jam
    4. Sodom
    5. Aspectacle
    6. EFS No. 99 "Can Can"
    7. Ping Pong
    8. Can Be
    Can
    $20.99
    Vinyl LP - Sealed Buy Now
  • Prestige Series Green Cartridge Prestige Series Green Cartridge Quick View

    $95.00
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    Prestige Series Green Cartridge

    The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.


    The newly redesigned Black1 and Green1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Black1 and Green1 models use a three piece OTL cantilever technology, standard oxygen free wire in the coils and Grado's specially designed elliptical diamond mounted in a brass bushing. The Green1 model is selected from the Black1 production run and meets higher test specifications. Approximately 15% of the production run will meet these standards and become Green1 models.


    The Prestige Green is furnished with suitable mounting hardware and the unique tool required to separate stylus assembly from cartridge body. Separating the stylus assembly from the cartridge body with the tool can be tricky, so proceed with caution, lest you end up with the cartridge body in your hand and the stylus embedded in a nearby wall.


    One review states: an there be anything much better? Well, there can: the Signature handily tops the Green in terms of the detail, depth and overload point. However, with a $60.00 list price, the Grado Prestige Green is a cartridge most people will find thoroughly enjoyable for nearly all kinds of music, especially if their system is very slightly laid back. At it's price, it simply can't be beaten! If you have a moderately-priced turntable lurking in your closet, pull it out, get a Grado prestige Green, install it and LISTEN TO THE MUSIC. You'll enjoy!


    Frequency Response: 10-55

    Principal: MI

    Channel Separation at 1KHz: 30

    Input Load: 47K

    Output at 1KHz 5CM/Sec.: 5mV

    Recommended Tracking Force: 1.5

    Stylus Type: E

    Inductance: 45mH

    Resistance: 475

    Compliance CUs: 20

    Stylus Replacement F: U

    Mounting: S/P

    Weight: 5.5




    This product is not eligible for discount.

    Grado Cartridges
    $95.00
    Cartridge Buy Now
  • We Can Do Anything We Can Do Anything Quick View

    $17.99
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    We Can Do Anything

    We Can Do Anything follows 2000's Freak Magnet and marks the group's ninth LP. It was recorded in Brooklyn, Nashville, Los Angeles, Milwaukee and Denver during their summer tour. Jeff Hamilton - a multi-instrumentalist in the Femmes' ever-changing backing band, Horns of Dilemma - served as producer, while John Agnello (Sonic Youth, Dinosaur Jr.) mixed.


    The We Can Do Anything cover art was drawn by Kevin Hearn of the Barenaked Ladies, whom Violent Femmes toured with over the summer. He also contributed accordion, guitars, keys and backing vocals to several songs on the album.


    Violent Femmes frontman Gordon Gano culled a handful of songs for We Can Do Anything from his trove of old cassette demos and journals, including Big Car and I Could Be Anything. He also shared writing duties on various songs with Sam Hollander, Dave Katz and Better Than Ezra's Kevin Griffin; We Can Do Anything also boasts one cover, What You Really Mean, which was written by Gano's sister, folk musician and artist, Cynthia Gayneau.


    -Rolling Stone

    1. Memory
    2. I Could Be Anything
    3. Issues
    4. Holy Ghost
    5. What You Really Mean

    6. Foothills
    7. Traveling Solves Everything

    8. Big Car
    9. Untrue Love

    10. I'm Not Done
    Violent Femmes
    $17.99
    Vinyl LP - Sealed Buy Now
  • I Can See You I Can See You Quick View

    $7.99
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    I Can See You

    A four song EP released three years after Black Flag had broken up. This four-song EP was released three years after the breakup of Black Flag. The line-up heard here is Henry Rollins (vocals), Greg Ginn (guitar), Kira (bass) and Bill Stevenson (drums).
    1. I Can See You
    2. Kickin' & Stickin'
    3. Out of This World
    4. You Let Me Down
    Black Flag
    $7.99
    Vinyl LP - Sealed Buy Now
  • Mirror Man Mirror Man Quick View

    $14.99
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    Mirror Man

    1979's, Can (aka Inner Space), the band's last proper album, was less experimental than its previous releases, with Michael Karoli doing more straightforward vocals and guitar. Having spent the previous decade taking elements of the classical avant-garde (i.e. Karlheinz Stockhausen) and underground rock (i.e Velvet Underground) to create a kind of genre-less new musicand influencing countless bands in the processCan had reached the natural end of its journey. Although founding members Irmin Schmidt (keyboards) and Jaki Liebezeit (drums) can still be heard, Rebop Kwaku Baah and Rosko Gee of Traffic fame have been added to the mix, with former bassist Holger Czukay doing the editing.
    1. All Gates Open
    2. Safe
    3. Sunday Jam
    4. Sodom
    5. Aspectacle
    6. Ethnological Forger Series No. 99 Can Can
    7. Ping Pong
    8. Can Be
    Can
    $14.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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