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  • Right On Time (Pre-Order) Right On Time (Pre-Order) Quick View

    $38.99
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    Right On Time (Pre-Order)

    Limited Edition Of 1000 Numbered Copies On 'Strawberry Red' Vinyl, Black Vinyl Thereafter


    180 Gram Audiophile Vinyl


    Including 8-Page Booklet With Lyrics


    40-Year Anniversary Edition


    Including The Hits Strawberry Letter 23, Runnin' For Your Lovin' And Q


    Louis and George Johnson formed The Brothers Johnson under the auspices of Quincy Jones in 1975, releasing this second album in 1977. With Quincy at the helm as producer, the duo quickly broke wide open with its debut album.


    The Brothers Johnson's second album Right on Time consists of some of the best proto-typical funk-soul grooves from the late 70s. The album is again produced by Quincy Jones and his contributions ensure the high quality of the instrumental arrangements and general glossiness of the audio production as in their debut album.


    Several of the tracks are as good as anything Michael Jackson or Earth Wind and Fire would've produced around this time, particularly Runnin' For Your Lovin', Strawberry Letter 23 and Never Leave You Lonely. There are also two fantastic instrumentals, Q and Brother Man that are both irrepressibly funky, with Louis Johnson's tight bass providing the solid rhythmic foundation he is famous for. Fusion fans will be familiar with several of the backing musicians: Harvey Mason, Dave Grusin, and Lee Ritenour to name a few.


    The single Strawberry Letter 23 gained a #5 spot in the US billboard charts and #1 on the US R&B billboard. The album received platinum.

    1. Runnin' For Your Lovin'
    2. Free Yourself, Be Yourself
    3. Q

    4. Right On Time

    5. Runnin' For Your Lovin'

    6. Free Yourself, Be Yourself

    7. Q

    8. Right On Time
    The Brothers Johnson
    $38.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Back For A Taste Of Your Love Back For A Taste Of Your Love Quick View

    $16.99
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    Back For A Taste Of Your Love

    A rollicking vocalist and gifted harmonica player, Syl Johnson has forged a career in both blues and soul. The brother of bassist Mac Thompson and guitarist/vocalist Jimmy Johnson, Syl Johnson sang and played with blues artists Magic Sam, Billy Boy Arnold, and Junior Wells in the '50s before recording with Jimmy Reed for Vee-Jay in 1959. He made his solo debut that same year with Federal. Johnson toured with Howlin' Wolf from late 1959 until 1962, when Willie Mitchell signed him to Hi Records.


    Johnson recorded for both Twilight and Hi in the late '60s and early '70s, clicking with the dance/novelty cut Come on Sock It to Me and crackling message track Is It Because I'm Black? He had his biggest hit with Take Me to the River in 1975, reaching number seven on the R&B charts. Johnson later recorded for Shama and Boardwalk. He reappeared on a collaboration with his brother Jimmy in the summer of 2002, humorously titled Two Johnsons Are Better Than One.


    [Back For A Taste Of Your Love] ...moves his hard Chicago soul groove over to Willie Mitchell's production style, which has a bit more of a mellow tip to it. Syl wrote a number of the tracks, and the titles include I'm Yours, Feelin' Frisky, I Hate I Walked Away, and The Love You Left Behind.


    - Zero G Sound

    1. I'm Yours
    2. I Let a Good Girl Go
    3. Anyway the Wind Blows
    4. You Don't Know Me
    5. Feelin' Frisky
    6. We Did It
    7. Wind, Blow Her Back My Way
    8. I Hate I Walked Away
    9. The Love You Left Behind
    Syl Johnson
    $16.99
    Vinyl LP - Sealed Buy Now
  • Greatest Hits (Awaiting Repress) Greatest Hits (Awaiting Repress) Quick View

    $42.99
    Buy Now
    x

    Greatest Hits (Awaiting Repress)

    180 Gram Translucent Gold Colored Vinyl With Gatefold Cover


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Midwestern area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Shining Star

    2. That's The Way Of The World
    3. September

    4. Can't Hide Love

    5. Got To Get You Into My Life
    6. Sing A Song

    7. Gratitude

    8. Serpentine Fire

    9. Fantasy


    LP 2
    1. Kalimba Story
    2. Mighty Mighty

    3. Reasons

    4. Saturday Nite

    5. Let's Groove

    6. Boogie Wonderland ( with The Emotions)
    7. After The Love Has Gone

    8. Getaway

    Earth, Wind & Fire
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs AWAITING REPRESS Buy Now
  • Gratitude Gratitude Quick View

    $44.99
    Buy Now
    x

    Gratitude

    180 Gram Translucent Blue Colored Vinyl With Gatefold Cover


    Mastered Impeccably By Joe Reagoso


    Manufactured At R.T.I.


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Mid-western area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Introduction

    2. Africano/ Power Medley

    3. Yearnin' Learnin'

    4. Devotion

    5. Sun Goddess
    6. Reasons

    7. Sing A Message To You


    LP 2
    1. Shining Star

    2. New World Symphony
    3. Sunshine

    4. Singasong

    5. Gratitude

    6. Celebrate

    7. Can't Hide Love

    Earth, Wind & Fire
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • King Of The Delta Blues Singers Vol. II King Of The Delta Blues Singers Vol. II Quick View

    $34.99
    Buy Now
    x

    King Of The Delta Blues Singers Vol. II

    Ranked 424/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    King of the Delta Blues Singers, Vol. II is a compilation album by American blues musician Robert Johnson, released in 1970 on Columbia Records. It is considered one of the greatest blues releases ever.


    A wonderful follow-up to the first compilation (King of the Delta Blues Singers) of Robert Johnson's small library of recorded work. This album boasts the first album appearance of Love in Vain, as well as a number of other blues classics penned by the artist. Sweet Home Chicago, I Believe I'll Dust My Broom, They're Red Hot, and Malted Milk are all present (and all covered by a multitude of artists -- the Blues Brothers, Elmore James, the Red Hot Chili Peppers, and Eric Clapton, respectively). As is generally the practice with Robert Johnson albums, a painting stands in for the cover (there are only two known photographs of the artist in the first place, and every other album released uses one of them). The music is certainly impeccable -- the self-accompanying bassline boogie was one of Johnson's greatest contributions to the blues, and it's displayed in all its beauty here. To top this, there's the beauty of his melodic work, and the interplay with his semi-gruff voice that help to make his songs memorable. He is the true legend of the blues, and anyone with even the slightest curiosity in that genre or rock needs to own both this album and its predecessor.

    - Adam Greenberg (All Music Guide)

    1. Kind Hearted Woman Blues
    2. I Believe I'll Dust My Broom
    3. Sweet Home Chicago
    4. Rambling On My Mind
    5. Phonograph Blues
    6. They're Red Hot
    7. Dead Shrimp Blues
    8. Preachin' Blues
    9. I'm A Steady Rollin' Man
    10. From Four Till Late
    11. Little Queen Of Spades
    12. Malted Milk
    13. Drunken Hearted Man
    14. Stop Breakin' Down Blues
    15. Honeymoon Blues
    16. Love In Vain
    Robert Johnson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Band Of Brothers Band Of Brothers Quick View

    $34.99
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    Band Of Brothers

    14 New Recordings From One Of America's Most Treasured Songwriters


    Includes The Wall, Wives And Girlfriends, Bring It On


    Band Of Brothers is the new album by country music singer songwritter Willie Nelson. Produced by Buddy Cannon, the album was recorded by Nelson in October 2013 and March 2014. The sessions took place at Nashville's Sound Emporium Studios with additional recordings at Pedernales Studio in Austin, Texas and The Hit Factory Criteria in Miami, Florida.


    Nine of the fourteen tracks of the album consist of newly written compositions by Nelson, the most included in one of his album releases since 1996's Spirit. The album includes covers of Vince Gill's Whenever You Come Around, Gordie Sampson's Songwriter and a duet with Jamey Johnson of Billy Joe Shaver's The Git Go.


    The video for the first single, The Wall premiered on May 6, 2014 by Rolling Stone. The single Bring It On was later premiered on June 3 by ESPN Music.

    1. Bring It On
    2. Guitar In The Corner
    3. The Wall
    4. Whenever You Come Around
    5. Wives And Girlfriends
    6. I Thought I Left You
    7. Send Me A Picture
    8. Used To Her
    9. The Git Go (with Jamey Johnson)
    10. Band Of Brothers
    11. Hard To Be An Outlaw
    12. Crazy Like Me
    13. The Songwriter
    14. I've Got A Lot Of Traveling To Do
    Willie Nelson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Band of Brothers Band of Brothers Quick View

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    Band of Brothers

    IN A CELEBRATED CAREER
    that's extended over a half century,
    Willie Nelson is immediately recognizable as one of our nation's most
    celebrated singer-songwriters. After almost two decades, he's putting both of
    those unique talents together with an
    all-new album of predominantly original
    material, titled, Band Of Brothers.


    Willie Nelson's musical gifts ring as
    true as ever, and they're brilliantly
    captured on this brand new album. 14
    new recordings, nine of which feature
    new music and lyrics written by Willie,
    comprise in one of his most personal
    albums in years. The man who penned
    elegant country standards from "Crazy"
    to "Funny How Time Slips Away" is
    in rare form with deeply introspective
    tracks including "The Wall" and "Send
    Me A Picture." Elsewhere, songs like
    the rollicking "Wives And Girlfriends"
    and "Used To Her" prove his continued
    gift for wit and wisdom when it comes
    to affairs of the heart. Willie also
    delivers signature interpretations of
    Vince Gill's "Whenever You Come
    Around", Billy Joe Shaver's "The Git
    Go" (a duet with Jamey Johnson)
    and Billy Anderson's aptly-titled
    "Songwriter". Buddy Cannon returns
    as producer and co-writer, having
    collaborated with Willie on all four of
    his albums for Legacy.


    Band Of Brothers comes hot on
    the heels of a whirlwind of activity
    surrounding the legendary performer,
    already a Lifetime Achievement
    Grammy Award winner, a Kennedy
    Center honoree and one of the rst
    recipients of a lifetime achievement
    award from the National Academy
    of Popular Music. Nelson, whose
    association with the Sony Music family
    goes back to his 1964 signing to RCA
    Records and an extraordinary stint with
    Columbia Records from 1975 to 1993,
    signed to Legacy Recordings in 2012,
    releasing the acclaimed Heroes that
    same year, followed by Let's Face The
    Music And Dance (2013), a collection
    of pop, jazz and country standards.
    To All The Girls..., a collection of new
    duets with eighteen female duet
    partners, was released in October
    2013, becoming Nelson's first Top 10
    placement on the pop charts in over
    30 years. Having turned 80 last year,
    Willie shows no signs of slowdown,
    continuing to tour and record at the
    pace of a man half his age.

    1. Bring It On
    2. Guitar In The Corner
    3. The Wall
    4. Whenever You Come Around
    5. Wives And Girlfriends
    6. I Thought I Left You
    7. Send Me A Picture
    8. Used To Her
    9. The Git Go (with Jamey Johnson)
    10. Band Of Brothers
    11. Hard To Be An Outlaw
    12. Crazy Like Me
    13. The Songwriter
    14. I've Got A Lot Of Traveling To Do
    Willie Nelson
    $24.99
    Vinyl LP - Sealed Buy Now
  • Jack Johnson & Friends: Best Of The Kukua Festival Jack Johnson & Friends: Best Of The Kukua Festival Quick View

    $34.99
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    Jack Johnson & Friends: Best Of The Kukua Festival

    Just in time for Earth Day, Brushfire Records will release Jack Johnson and Friends: Best of Kokua Festival. The album features a 13-track compilation of live performances from Jack Johnson's benefit concerts for the Kokua Hawaii Foundation. Proceeds from Jack Johnson and Friends: Best of Kokua Festival will benefit the Kokua Hawaii Foundation.


    Culled from six years of his eco-minded music festival, Jack Johnson and Friends: Best of Kokua Festival, highlights onstage collaborations with legendary musicians like Willie Nelson, Jackson Browne, Eddie Vedder, Ben Harper, Dave Mathews, Ziggy and Damian "Jr. Gong" Marley and more.


    Johnson and his band team up with more than a dozen guest artists to perform both original works and spirited covers of classic songs. The album features several of Johnson's breezy folk-rock gems, including "Constellations" (with Eddie Vedder), "Mudfootball" (with Ozomatli & G. Love), "Breakdown" (with ukulele virtuoso Jake Shimabukuro), and "Better Together" (with Hawaiian singer Paula Fuga).


    Elsewhere on Jack Johnson and Friends: Best of Kokua Festival, Johnson joins his guests for stripped-down renditions of their own songs: Taj Mahal offers his bluesy "Further On Down The Road," Jackson Browne revisits "Take It Easy" with the help of singer/guitarist John Cruz (who also shares his Hawaiian anthem "Island Style"), and the Marley brothers bring the reggae with Ziggy's "Cry, Cry, Cry" and Damian's dancehall banger "Welcome to Jamrock."


    Rounding out the record are an eclectic collection of covers, including Bob Marley's "High Tide or Low Tide" (featuring Ben Harper), Bob Dylan's "I Shall Be Released" (featuring Eddie Vedder) and Jimmy Buffet's "A Pirate Looks at Forty" (featuring Dave Matthews and Tim Reynolds). Willie Nelson, meanwhile, delivers a Harper-assisted take on "Blue Eyes Crying in the Rain," the Fred Rose-penned classic he popularized.


    Held on Earth Day weekend at Honolulu's Waikiki Shell since its inception in 2004, the Kokua Festival serves as both a community-centered celebration of music and environmental awareness and as the major fundraiser for the Kokua Hawaii Foundation (a nonprofit organization founded by Johnson and his wife Kim in 2003 to support environmental education in the schools and communities of Hawaii). Like the festival itself, Jack Johnson and Friends: Best of Kokua Festival spotlights artists who share the Kokua Hawaii Foundation's mission of protecting the planet and cultivating environmental consciousness.

    LP1
    1. Better Together - Jack Johnson with Paula Fuga
    2. Cry, Cry, Cry - Ziggy Marley with Jack Johnson & Paula Fuga
    3. A Pirate Looks At Forty - Jack Johnson, Dave Matthews & Tim Reynolds
    4. Mudfootball - Jack Johnson with Ozomatli & G. Love
    5. Constellations - Jack Johnson with Eddie Vedder & Kawika Kahiapo
    6. Take It Easy - Jackson Browne with Jack Johnson & John Cruz
    7. Island Style - John Cruz with Jack Johnson & Jackson Browne


    LP2
    1. Breakdown - Jack Johnson with Jake Shimabukuro
    2. Further On Down The Road - Taj Mahal with Jack Johnson
    3. Welcome To Jamrock - Damian "Jr. Gong" Marley with Jack Johnson & Paula Fuga
    4. High Tide or Low Tide - Ben Harper & Jack Johnson
    5. Blue Eyes Crying In the Rain - Willie Nelson with Jack Johnson & Ben Harper
    6. I Shall Be Released - Jack Johnson, Eddie Vedder, Zach Gill & Friends

    Jack Johnson
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Black Ice Black Ice Quick View

    $34.99
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    Black Ice

    AC/DC's widely anticipated Black Ice is the band's first studio album in eight years and it features 15 new tracks from brothers Angus and Malcolm Young, along with Brian Johnson, Cliff Williams and Phil Rudd. The album was produced by Brendan O'Brien and mixed by Mike Fraser at the Warehouse Studio in Vancouver, BC. The first single Rock N Roll Train is already exploding on Rock Radio and has hit #1 on the Rock Charts. Black Ice has been pressed here on two 180-gram vinyl and is housed in a beautiful, gatefold package.
    1. Rock 'n' Roll Train
    2. Skies On Fire
    3. Big Jack
    4. Anything Goes
    5. War Machine
    6. Smash N Grab
    7. Spoilin For A Fight
    8. Wheels
    9. Decibel
    10. Stormy May Day
    11. She Likes Rock N Roll
    12. Money Made
    13. Rock N Roll Dream
    14. Rocking All The Way
    15. Black Ice
    AC / DC
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Beyond The 4 Walls Beyond The 4 Walls Quick View

    $34.99
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    Beyond The 4 Walls

    Beyond The 4 Walls - 45 RPM Double LP Pressed By Quality Record Pressings!


    Renowned Sacred Steel Players The Campbell Brothers Return To Studio Recording


    APO Records Produces Live To 2-Track Recording At Blue Heaven Studios


    Mastering By Kevin Gray Of Cohearent Audio


    Beyond The 4 Walls is the triumphant return of the Campbell Brothers to studio recording. It's been too many years. Since they were first heard outside their church, almost 15 years ago, the Campbell Brothers have been on an incredible and often arduous journey, finding their way, balancing their faith with their desire to take their music to new audiences.


    The brothers alternatively pluck heartstrings and wail righteously as practitioners of Sacred Steel - African-American gospel music with electric steel guitar and vocals - music at the heart of the music tradition of the House of God church. Rochester, New York, is their home, but Sacred Steel has had devotees in Florida, Detroit, Nashville and elsewhere since the 1930s.


    Within the church the brothers have long been considered masters - Chuck on pedal steel, Phil on guitar and Darick on lap steel. To their growing audience, they inspire awe as their songs slowly expand from guitar licks that speak in soft voices, to the likes of a powerful train engine and raucous thunderclaps of notes.


    National Public Radio wrote of The Campbell Brothers that Sacred Steel is every bit as earth-shattering as (Robert) Johnson's music was in the '30s. It's a soul-stirring blend of gospel and the power and volume of electric blues and rock, a sound as hot as brimstone that kicks holy butt. It's also shredding perceptions of country's signature instrument and the limitations of church music.


    APO Records and Quality Record Pressings bring you now this unbridled musical celebration, uplifting souls and inspiring hope among those who arguably need it most - those who exist Beyond The 4 Walls. The Campbell Brothers are proud to carry on that legacy with this album as they continue to share their brand of gospel music with the world.

    LP1
    1. Hell No! Heaven Yes!
    2. It's Alright Now
    3. Mama's Gone
    4. Believe I'll Run On
    5. Lord, I Just Want To Thank You
    6. Nobody's Fault But Mine


    LP2
    1. When All Of God's Children Get Together
    2. P.U.S.H. (Pray Until Something Happens)
    3. Joy
    4. Make A Joyful Noise
    5. When Things Go Wrong
    6. I Ain't Going To Cry No More
    7. God, Can We Talk For A Minute?

    The Campbell Brothers
    $34.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Revelator Revelator Quick View

    $29.99
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    Revelator

    Revelator is a dramatic leap forward for both Susan Tedeschi and Derek Trucks in every respect, from the songwriting and the production to Tedeschi's vocals and Trucks' guitar playing. Their new 11-piece band is an aggregation of talented musicians related by experience, and blood, and clearly adds to the notion of Revelator as a true group album.


    Tedeschi and Trucks co-wrote the album's 11 tracks with an impressive list of songwriters including: Jeff Trott, John Leventhal, David Ryan Harris and Sonya Kitchell, Gary Louris (The Jayhawks), Oliver Wood (Wood Brothers), Doyle Bramhall II, Erick Krasno (Soulive), Mike Mattison, Kofi Burbridge and Oteil Burbridge.


    In addition to Tedeschi and Trucks, Revelator features bassist Oteil Burbridge (Allman Brothers) and keyboardist/flutist Kofi Burbridge (The Derek Trucks Band), drummers J.J. Johnson and Tyler Greenwell, trumpeter Maurice Brown, tenor saxophonist Kebbi Williams, trombonist Saunders Sermons and harmony singers Mark Rivers and Mike Mattision.

    1. Come See About Me

    2. Don't Let Me Slide
    3. Midnight In Harlem
    4. Bound for Glory
    5. Simple Things
    6. Until You Remember
    7. Ball And Chain
    8. These Walls
    9. Learn How To Love
    10. Shrimp and Grits (Interlude)
    11. Love Has Something Else To Say
    12. Shelter
    Tedeschi Trucks Band
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Power Of Peace Power Of Peace Quick View

    $27.99
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    Power Of Peace

    Legacy Recordings, a division of Sony Music Entertainment, is pleased to announce the release of Power of Peace, a new studio album from Santana (Carlos Santana and Cindy Blackman Santana) and The Isley Brothers (Ronald and Ernie).

    Recorded last year, Power of Peace is the fulfillment of a dream, a new musical studio collaboration connecting Santana and The Isleys on a mind-bending journey through some of the immortal soul, funk, blues, rock, jazz and pop songs that continue to inspire them.

    About the Power of Peace, Carlos Santana observes, I feel a deep sense of gratitude, appreciation, and thankfulness. There is a spirit of creativity that came knocking and presented itself as a golden opportunity to do something with and for a supreme musician, who I consider to be the best in the world. Brother Ronnie Isley has been in the center of collective unity and harmony on the radio around the world since 1962 with 'Twist and Shout,' the song that the Beatles chose to invade America with. Like Michael Jackson, John Lennon, and Bob Marley, he's an iconic supreme of the highest order. Cindy and I feel very blessed to offer him this gift. From God, through us to you, for the world Mr. Ronnie Isley.

    It was an absolute joy working on this album with Carlos!, exclaims Ronald Isley. I hope this record carries the spirit of hope, love, and peace to the world that it brought to me, my brother and Carlos!

    Ernie Isley shares his brother's enthusiasm, saying, Doing this project with Carlos Santana was fun and illuminating. I hope all music lovers enjoy what we have done.

    Led by the legendary Ronald Isley on lead vocals and the album's main producer/arranger Carlos Santana on lead guitar, rhythm guitar, percussion and background vocals, Power of Peace covers songs first made familiar by the Chambers Brothers (Are You Ready, Love, Peace, Happiness), Swamp Dogg (Total Destruction to Your Mind), Stevie Wonder (Higher Ground), Billie Holiday (God Bless the Child), Eddie Kendricks (Body Talk), Curtis Mayfield (Gypsy Woman), Muddy Waters/Willie Dixon (I Just Want to Make Love to You), Dionne Warwick/Jackie DeShannon (What the World Needs Now is Love Sweet Love), Marvin Gaye (Mercy Mercy Me - The Ecology), Leon Thomas (Let the Rain Fall on Me) and Sy Miller and Jill Jackson (Let There Be Peace on Earth).

    Power of Peace premieres a new song, I Remember, written and sung by Cindy Blackman Santana. Cindy, who plays drums on the album, produced and arranged Higher Ground (along with her husband, Carlos). A family affair, Power of Peace features two Santanas--Carlos (guitar) and Cindy (drums)--and four Isleys: Ronald (vocals) and Ernie (rhythm guitar) and their respective spouses, Kandy Johnson Isley (Ron's wife, she sings background on God Bless the Child, Body Talk and Gypsy Woman) and Tracy Isley (Ernie's wife, she also sings background vocals on God Bless the Child).

    1. Are You Ready
    2. Total Destruction To Your Mind
    3. Higher Ground
    4. God Bless The Child
    5. I Remember
    6. Body Talk
    7. Gypsy Woman
    8. I Just Want To Make Love To You
    9. Love, Peace, Happiness
    10. What The World Needs Now Is Love Sweet Love
    11. Mercy Mercy Me (The Ecology)
    12. Let The Rain Fall On Me
    13. Let There Be Peace On Earth
    The Isley Brothers & Santana
    $27.99
    150 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • On The Loose On The Loose Quick View

    $16.99
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    On The Loose

    Hi Records producer Willie Mitchell constructed his vaunted house rhythm section around three talented Hodges Brothers during the late-'60s: guitarist Mabon (nicknamed Teenie); bassist Leroy; and organist Charles. With drummer Howard Grimes (and on some of Al Green's sides, MG's trapsman Al Jackson Jr.) rounding out the lineup, this skintight Memphis quartet laid down surging, simmering grooves behind the entire Hi stable during the label's 1970's heyday: Green, Ann Peebles, Otis Clay, Syl Johnson, and Mitchell himself, to name but a few. Mitchell had patiently molded the unit since when the Hodges Brothers were just in their teens.


    As the succinctly named Hi Rhythm, they recorded the 1976 LP, On The Loose, and remained a cohesive unit well into the '90s, even providing luxurious backing on Johnson's wonderful 1994 comeback set for Delmark, Back in the Game. Meanwhile, as the Hodges Brothers, they released a 1994 record called Perfect Gentlemen on the tiny Velvet Recording of America logo that also featured a fourth brother Fred on keys and veteran soul singer Percy Wiggins on several tracks. Fat Possum now has the distinction of reissuing the Hi Rhythm's long out-of-print 1976 offering On The Loose here on vinyl once again!

    1. Black Rock
    2. On The Loose
    3. Superstar
    4. Since You've Been Gone
    5. Purple Rain Drops
    6. I Remember Do You
    7. Save All My Lovin'
    8. You Got Me Comin'
    9. Skinny Dippin'
    Hi Rhythm
    $16.99
    Vinyl LP - Sealed Buy Now
  • Signs Of Light Signs Of Light Quick View

    $20.99
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    Signs Of Light

    Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs Of Light, crackles with the upbeat, sing-a-long energy of the Head And The Heart's finest work. Lead single All We Ever Knew, which was written during the Let's Be Still era but never captured to the band's satisfaction until now, is sure to be a crowd-pleaser, while Turn It Around seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.


    On Signs Of Light, that gamut of emotions is felt most deeply on the Josiah Johnson-penned title track, which none of the other members had ever heard until they happened to walk in on him playing it over and over at the piano during pre-production in El Paso, Texas. It was one of those moments where no one talks, Russell remembers. No one needs the chords; no one is looking up. You simply pick up your instrument and play. The next thing you know, nearly 10 minutes have gone by and you have no idea how or why or what just happened.


    1. All We Ever Knew
    2. City of Angels
    3. Rhythm & Blues
    4. False Alarm
    5. Dreamer
    6. Library Magic
    7. Turn It Around
    8. Colors
    9. Take a Walk
    10. Oh My Dear
    11. I Don't Mind
    12. Your Mother's Eyes
    13. Signs of Light
    Head and the Heart
    $20.99
    Vinyl LP - Sealed Buy Now
  • Signs Of Light (Picture Disc) (Pre-Order) Signs Of Light (Picture Disc) (Pre-Order) Quick View

    $24.99
    Buy Now
    x

    Signs Of Light (Picture Disc) (Pre-Order)

    Picture Disc Edition


    Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs Of Light, crackles with the upbeat, sing-a-long energy of the Head And The Heart's finest work. Lead single All We Ever Knew, which was written during the Let's Be Still era but never captured to the band's satisfaction until now, is sure to be a crowd-pleaser, while Turn It Around seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.


    On Signs Of Light, that gamut of emotions is felt most deeply on the Josiah Johnson-penned title track, which none of the other members had ever heard until they happened to walk in on him playing it over and over at the piano during pre-production in El Paso, Texas. It was one of those moments where no one talks, Russell remembers. No one needs the chords; no one is looking up. You simply pick up your instrument and play. The next thing you know, nearly 10 minutes have gone by and you have no idea how or why or what just happened.


    1. All We Ever Knew
    2. City of Angels
    3. Rhythm & Blues
    4. False Alarm
    5. Dreamer
    6. Library Magic
    7. Turn It Around
    8. Colors
    9. Take a Walk
    10. Oh My Dear
    11. I Don't Mind
    12. Your Mother's Eyes
    13. Signs of Light
    The Head And The Heart
    $24.99
    Vinyl LP Picture Disc - Sealed PRE-ORDER Buy Now
  • God's Problem Child God's Problem Child Quick View

    $19.99
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    God's Problem Child

    'God's Problem Child' is Willie's first album to debut all-new songs since 'Band of Brothers' in 2014. It includes 13 new songs, including seven recently written by Willie and Buddy Cannon, his longtime collaborator and producer. The album's title track, penned by Jamey Johnson and Tony Joe White, includes vocals by both writers and the legendary Leon Russell (on what may be Russell's very last recording). Closing the album is He Won't Ever Be Gone, a song written by Gary Nicholson that pays tribute to Willie's outlaw country comrade, Merle Haggard.
    1. Little House on the Hill
    2. Old Timer
    3. True Love
    4. Delete and Fast Forward
    5. A Woman's Love
    6. Your Memory Has a Mind Of Its Own
    7. Butterfly
    8. Still Not Dead
    9. God's Problem Child
    10. It Gets Easier
    11. Lady Luck
    12. I Made a Mistake
    13. He Won't Ever Be Gone
    Willie Nelson
    $19.99
    Vinyl LP - Sealed Buy Now
  • Studio Rio Presents: The Brazil Connection Studio Rio Presents: The Brazil Connection Quick View

    $19.99
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    Studio Rio Presents: The Brazil Connection

    Legacy Recordings, the catalog division of Sony Music Entertainment, will release Studio Rio Presents: The Brazil Connection, an innovative new collection of 12 beloved vocal recordings re-experienced through new samba and bossa nova arrangements created by iconic Brazilian musicians and The Berman Brothers.


    Embracing the All In One Rhythm™ Theme of the 2014 FIFA World Cup, Studio Rio Presents: The Brazil Connection blends 12 iconic performances--from Bill Withers, Aretha Franklin, Marvin Gaye, Billie Holiday, Sly & The Family Stone, The Isley Brothers, Mel TormÉ, Nina Simone, Johnny Nash, Dave Brubeck with Carmen McRae, Andy Williams and Sarah Vaughan--with new, samba and bossa nova arrangements and production inspired by the spirit of Brazilian music.


    Working on Studio Rio Presents: The Brazil Connection project, the Berman Brothers sought out the original multi-track masters and utilized an all-new, state-of-the-art separation technology from Science of Sounds to extract exquisitely pristine and detailed vocals. The newly isolated vocals were then melded with brand-new, authentic backing arrangements played by Studio Rio, an all-star cast of Brazilian musical pioneers from the bossa nova and samba genres, including Latin Grammy Lifetime Achievement Award winner Roberto Menescal and Brazilian musical legend Marcos Valle.


    Studio Rio Presents: The Brazil Connection is the latest innovative musical project from the Berman Brothers (Frank and Christian), a production team whose previous work includes Rhythms Del Mundo (2006), a cross-cultural album summit which which fused an all-star cast of Cuban musicians including Ibrahim Ferrer and Omara Portuondo of the Buena Vista Social Club with US and UK artists and superstars such as U2, Coldplay, Sting, Jack Johnson, Maroon5, Arctic Monkeys, Franz Ferdinand, Kaiser Chiefs and others. Rhythms del Mundo was released in more than 61 countries and received multiple sales awards worldwide.


    During the past 20 years, the Berman Brothers have received more than 90 gold and platinum awards, two BMI Awards, a Golden Globe nomination, a Grammy nomination (for Love One Another, recorded by Cher) and a place in history for their production and remix of the Baha Men's colossal hit, Who Let the Dogs Out. As producers, writers and publishers, the Bermans have worked with an array of international superstars including Coldplay, Sting, Cher, Real McCoy, Dido, Maroon5, Sophie B Hawkins, Reamonn and members of the legendary Buena Vista Social Club.


    Music is the heart and soul of Brazil, celebrating with syncopated beats and beautifully expressive melodies. It's the life force of the entire culture, wrote the Berman Brothers in their notes for Studio Rio Presents: The Brazil Connection. We have always had a huge appreciation of Brazilian music. Between us, we have a massive collection of bossa nova and samba recordings, new and old, a lot which we found in flea markets in Amsterdam, Paris, and London.... Once you get into this music, there really is no way to stop. It was this joyful and timeless music that inspired the idea for this collection. Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known American artists like Billie Holiday, Aretha Franklin, Marvin Gaye, The Isley Brothers, and many others. What would these classic songs sound like had they been recorded in the studios of Rio De Janeiro in the first place, with the best Brazilian musicians and arrangers?"


    "It was an amazing journey-bringing together these American classics and the vibrancy of Brazilian music with the help of so many talented musicians, arrangers and a dedicated production team. We learned many things putting together this music including what was the most important, and least surprising lesson of all: Brazil is the most musical place we have ever been in our lives.

    1. Lovely Day (Studio Rio Version) - Bill Withers with Studio Rio
    2. Walk on By (Studio Rio Version) - Aretha Franklin with Studio Rio
    3. Sexual Healing (Studio Rio Version) - Marvin Gaye with Studio Rio
    4. You've Changed (Rio Music Collective Version) - Billie Holiday with Studio Rio
    5. Family Affair (Rio Music Collective Version) - Sly & The Family Stone with Studio Rio
    6. It's Your Thing (Rio Music Collective Version) - The Isley Brothers with Studio Rio
    7. I've Got You Under My Skin (Studio Rio Version) - Mel TormÉ witb Studio Rio
    8. I Can See Clearly Now (Studio Rio Version) - Johnny Nash with Studio Rio
    9. Take Five (Studio Rio Version) - Dave Brubeck & Carmen McRae with Studio Rio
    10. Music to Watch Girls By (Studio Rio Version) - Andy Williams with Studio Rio
    11. Summertime (Studio Rio Version) - Sarah Vaughan with Studio Rio
    Studio Rio
    $19.99
    Vinyl LP - Sealed Buy Now
  • Deep In The Night (Pure Pleasure) Deep In The Night (Pure Pleasure) Quick View

    $34.99
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    Deep In The Night (Pure Pleasure)

    Originally released on Warners Brothers to scant acclaim in 1978, this Jerry Wexler-produced masterpiece finds James in astounding voice with a batch of great material to apply her massive interpretive powers to. The band, including the cream of the late-'70s Los Angeles session hot-shots (Cornell Dupree, Jeff Porcaro, Chuck Rainey, Plas Johnson, Jim Horn), lays it down soulful and simple and the result is a modern-day R&B classic. Highlights abound throughout, but special attention must be turned to James' takes on Only Women Bleed and the Eagles' Take It to the Limit.



    Musicians:



    • Etta James (vocal)

    • Plas Johnson, Jim Horn (saxophone)

    • Larry Carlton, Cornell Dupree, Brian Ray (guitar)

    • Keith Johnson (electric piano)

    • Richard Tee (piano)

    • Chuck Rainey (bass)

    • Tom Roady (percussion)

    • Jeff Porcaro (drums)



    Recording: 1978 by Bruce Robb and Joe Chicarelli

    Production: Jerry Wexler



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Laying Beside You
    2. Piece Of My Heart
    3. Only Women Bleed
    4. Take It To The Limit
    5. Deep In The Night
    6. Lovesick Blues
    7. Strange Man
    8. Sugar On The Floor
    9. Sweet Touch Of Love
    10. Blind Girl
    Etta James
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Precious Soul Precious Soul Quick View

    $16.99
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    Precious Soul

    Long Out Of Print Debut Solo Album from One of Hi Records' Most Successful Staff Songwriters!


    Best-known as a staff songwriter under Willie Mitchell at Hi Records and as the husband of Hi star Ann Peebles, Don Bryant was also a fine, underappreciated singer in his own right. Bryant was born in Memphis on April 4, 1942; his father, Edward, sang with a gospel group called the Four Stars of Harmony, and Bryant himself began singing in church at age five. In 1955, he and four brothers formed their own gospel group, the Five Bryant Brothers, which soon switched to doo wop under the name the Quails.


    Not long after, Bryant joined several high school friends in another doo wop group, the Four Canes, who were named after their manager, local DJ D. Cane Cole. When the group split with Cole, Bryant changed their name to the Four Kings, and they caught the attention of trumpeter/bandleader Willie Mitchell, who began performing with them around the Memphis club scene. Through Mitchell, Bryant got his original composition "Is There Someone Else on Your Mind" recorded by the 5 Royales and made his first solo recording in 1964 with a cover of Chris Kenner's "I Like It Like That."


    Over the next five years, Bryant recorded several duets with Marion Brittnam and numerous cover songs, the latter of which constituted his first full-length LP, 1969's Precious Soul (issued on Hi). However, his behind-the-scenes career soon became more lucrative, specifically when Mitchell assigned him to work with new Hi signee Ann Peebles. No longer the label's focal point, Bryant resisted at first, but quickly discovered a creative and personal chemistry with Peebles that blossomed into a relationship in 1972 and marriage two years later.


    In the meantime, Bryant co-wrote a number of Peebles' signature songs, including "I Can't Stand the Rain" and "99 Pounds"; his success led to a staff songwriting position, where he penned material for other Hi stars like Al Green, Syl Johnson, O.V. Wright and Otis Clay.


     

    1. She's Looking Good
    2. (You're A) Wonderful One
    3. Funky Broadway
    4. Can I Change My Mind
    5. Soul Man
    6. Land of 1000 Dances
    7. Slip Away
    8. For Your Precious Love
    9. Expressway To Your Heart
    10. Try Me
    11. When Something Is Wrong With My Baby
    12. Cry Baby
    Don Bryant
    $16.99
    Vinyl LP - Sealed Buy Now
  • Anomalisa (Original Soundtrack) Anomalisa (Original Soundtrack) Quick View

    $34.99
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    Anomalisa (Original Soundtrack)

    First Pressing Of 1000 Numbered Copies On Silver Coloured Vinyl


    From writer Charlie Kaufman (Being John Malkovich, Eternal Sunshine of the Spotless Mind) and Duke Johnson (Moral Orel, Frankenhole) comes Anomalisa, a stop-motion animated film.


    Michael Stone, an author that specializes in customer service, is a man who is unable to interact deeply with other people. His low sensitivity to excitement, and his lack of interest made him a man with a repetitive life on his own perspective. But, when he went on a business trip, he met a stranger - an extraordinary stranger, which slowly became a cure for his negative view on life that possibly will change his mundane life.


    The score is composed by Carter Benedict Burwell. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Fargo (1996), The Big Lebowski, No Country for Old Men, Burn After Reading, and True Grit. Other notable works include the Spike Jonze films Being John Malkovich, Adaptation and Where the Wild Things Are.

    1. Overture
    2. Welcome To The Fregoli
    3. Cin Cin City
    4. Another Person
    5. None Of Them Are You
    6. Fregoli Elevator
    7. Lisa In His Room
    8. Girls Just Want To Have Fun
    9. Anomalisa
    10. Cincinnati Sunrise
    11. My Name Is Lawrence Gill
    12. Breakfast With Lisa
    13. Michael's Speech
    14. Goddess Of Heaven
    Carter Burwell
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Paradise & Lunch (Speakers Corner) Paradise & Lunch (Speakers Corner) Quick View

    $34.99
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    Paradise & Lunch (Speakers Corner)

    A good 20 years have passed since a band with ancient musicians from Cuba - the Buena Vista Social Club - took the world by storm. Behind the project, in the wings yet right in the midst of this unheard-of music, was Ry Cooder, who regarded this encounter as the greatest musical event of his entire life. The bottleneck guitar hero had always been very interested in the music from the other Americas ever since the solo albums he made in his early years, in which he told the story of the American folk and blues in a multitude of styles. The LP Paradise And Lunch is no exception and begins with gospel-like grooves that smell of native soil. The faint smell of a wooden church from pioneering days wafts out of the processional antiphonal song Jesus On The Mainline and a healthy 12-bar blues paints a picture of what silent witnesses could tell if they could (If Walls Could Talk). Cooder and his sidemen felt themselves perfectly at home when adventuring further afield and this is testified to in the laid-back calypso rhythm of It's All Over Now and the clip-clop of Mexican Divorce.


    This wonderful album is highly recommended for each and every number, but if you want a tip for a very special track, then just listen to the ragtime piano rolls in Bo Diddley's Ditty Wah Ditty.


    Musicians:



    • Ry Cooder (guitar, mandolin, bass, vocal)

    • Ronnie Barron (piano, organ)

    • Earl Hines (piano)

    • Plas Johnson (alto saxophone)

    • Oscar Brashear (cornet)

    • Red Callender (bass)

    • John Duke (bass)

    • Russ Titelman (electric bass)

    • Chris Ethridge (electric bass)

    • Milt Holland (drums, percussion)

    • Jim Keltner (drums)




    Recording: 1974 at the Warner Brothers Studios in North Hollywood and Burbank (USA), by Lee Herschberg

    Production: Lenny Waronker & Russ Titelman




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Tamp 'Em Up Solid
    2. Tattler
    3. Married Man's a Fool
    4. Jesus on the Mainline
    5. It's All Over Now
    6. Fool for a Cigarette/Feelin' Good
    7. If Walls Could Talk
    8. Mexican Divorce
    9. Ditty Wah Ditty
    Ry Cooder
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 33 1/3 33 1/3 Quick View

    $21.99
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    33 1/3

    In a span of less than two decades, Shemekia Copeland has evolved from teenage upstart to one of the most prominent voices in the blues. She's currently the most feted woman in the blues world and actually had a coronation where she was crowned and declared Queen of the Blues at the Chicago Blues Festival in 2011. Shemekia earned her crown with a series of high-quality recordings and an unrelenting tour schedule that has taken her to all corners of the globe. She's played all the major festivals and concert dates from Europe to Iraq to a memorable performance at the White House in front of an audience that included the President of the United States, sharing the bill with Buddy Guy, Mick Jagger, Jeff Beck, B.B. King and other greats.


    Early in 2012, Shemekia participated in two tribute concerts celebrating recently departed great Hubert Sumlin and Robert Johnson s centennial, both at New York s Apollo Theater in Harlem, not far from the neighborhood where Shemekia spent her childhood. Those nights she was a featured attraction along with Eric Clapton, Keith Richards, Derek Trucks, Elvis Costello and Taj Mahal. Clearly, she's risen to the top of the field and that reckoning is underscored with the album release of 33 1/3.


    For Shemekia, it s all about ushering the blues an art form that stretches back to the early 1900's into a fast-paced new century and keeping the music true to its roots, making it relevant to a new generation. Her latest step in this ongoing journey is 33 1/3, an 11-song CD set culled from a variety of high-profile sources, including Bob Dylan, Sam Cooke, pater familias Johnny Clyde Copeland and Randy Weeks. Shemekia weaves it all together with assistance from a skilled studio crew: guitarist/producer Oliver Wood (Wood Brothers), bassist Ted Pecchio (Susan Tedeschi) and drummer Gary Hansen. Various guest musicians step in along the way, including the Buddy Guy.


    Every one of these songs tells a story about where I am in my life, says Shemekia. They all connect to something that has happened to me, both good and bad. I've experienced a lot since I started making records and touring more than 15 years ago, and I think people want to tap into the wisdom that comes with that experience. I tried to bring a little bit of that to every one of these songs.

    1. Lemon Pie
    2. Can't Let Go
    3. Ain't Gonna Be Your Tattoo
    4. Somebody Else s Jesus
    5. A Woman
    6. I Sing The Blues
    7. Mississippi Mud
    8. One More Time
    9. Ain't That Good News
    10. Hangin' Up
    11. I'll Be Your Baby Tonight
    Shemekia Copeland
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Hidden (On Sale) Hidden (On Sale) On Sale Quick View

    $19.99 $15.79 Save $4.20 (21%)

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    Hidden (On Sale)

    These New Puritans are a group on a very precise mission. Hailing from England's Southend-On-Sea, and consisting of Jack Barnett, his twin brother George, Thomas Hein and Sophie Sleigh-Johnson. They first came to prominence with their 2008 debut album, Beat Pyramid. Urgent, pared down, sharp as a stick, it was hailed by the NME as demonstrating a span of ideas and singularity of vision that simply shouldn't happen to 20 year olds. They've created their own imperfect world. And so they did, but this was not a band that was spent after completing their first album but one who were only just beginning to unpack their ideas.


    The evidence of that is in the form of their new album, Hidden, a work so extraordinary in its range, ambition and clarity of purpose as to defy overall comparison with anything you have ever heard. These New Puritans have constructed an imaginarium whose contents are of less importance than the way in which it has been assembled, the creative and unprecedented use of contrasting sound sources to create a massive burst of percussion with layers of sample sounding classical and chunks of contemporary polished pop pushed through an analog filter.

    1. Time Xone
    2. We Want War
    3. Three - Thousand
    4. Hologram
    5. Attack Music
    6. Fire � Power
    7. Orion
    8. Canticle
    9. Drum Courts-Where Corals Lie
    10. White Chords
    11. 5
    These New Puritans
    $19.99 $15.79 Save $4.20 (21%)
    Vinyl LP - Sealed Buy Now
  • Rough Guide To Barbecue Bob Rough Guide To Barbecue Bob Quick View

    $19.99
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    Rough Guide To Barbecue Bob

    Lovingly Remastered Using Pioneering Restoration Techniques


    Very few names in the history of the blues capture the imagination quite like that of Barbecue Bob. Don't be fooled by the quirky pseudonym and gimmicky publicity photograph of him posing in his chef's whites with guitar in hand, as he was an incredibly influential figure whose records helped pave the way for many of the important bluesmen that followed.


    One of the unsung heroes of the Piedmont blues style, Robert Hicks aka Barbecue Bob recorded over sixty sides for Columbia Records and became one of the best-selling artists on their 'race series', outsold only by Bessie Smith, Ethel Waters and Blind Willie Johnson. With his original and witty compositions he was one of the real pioneers of the Atlanta blues scene of the time, but his career was tragically ended by his death from pneumonia at the age of just 29.


    Born in Walnut Grove, Georgia to a family of sharecroppers, Hicks learned to play the guitar from his brother Charley and Savannah 'Dip' Weaver, the mother of his friend Curley Weaver. He teamed up with Charley, Curley and harmonica player Eddie Mapp to perform at dances, parties and picnics in the Atlanta area. After leaving the group in 1926, Hicks became a chef in a barbecue joint where he would cook, serve and sing to the customers. He soon became something of a local celebrity and was noticed by a talent scout from Columbia Records, who gave him the opportunity to record under the catchy title of Barbecue Bob.


    Characterized by a heavy percussive guitar style, he often used a bottleneck and played with a frailing technique that is more often associated with the claw hammer banjo. His twelve string guitar gave a rich accompaniment to his warm nasal singing voice which, compared to the morbid and foreboding songs of the Delta blues, created a vibe which was jaunty and upbeat. With a huge repertoire of songs ranging from hokum to slow blues and spirituals to traditional songster tunes, his music is imbued with a special warmth typical to the East Coast blues.


    Even from the opening few measures of his very first record Barbecue Blues, Hicks signature sound of a bright and trebly twelve string guitar combined with his expressive voice is instantly accessible and almost 'pop' sounding in comparison with other blues singers of the time. His debut song was a huge success and led to a prolific recording career over the next four years when, it is said, he lived fast and enjoyed the high life. Hicks frequently recorded with his brother Charley, who was known as Laughing Charley Lincoln, and would later record several sides in 1930 with Buddy Moss and Curley Weaver as the Georgia Cotton Pickers.


    Largely due to his life being tragically cut short in 1931, his music has been sadly overlooked and has therefore not received the respect proffered to other East coast players such as Blind Willie McTell and Buddy Moss. He was however a true innovator in his time, and this compilation gives proof that his music is undoubtedly some of the most engaging early blues that you are likely to hear.

    1. Poor Boy A Long Ways From Home (1927)

    2. Barbecue Blues (1927)
    3. Honey Your Going Too Fast (1928)

    4. Motherless Chile Blues (1927)

    5. She Looks So Good (1930)
    6. Thinkin' Funny Blues (1927)

    7. Honey You Don't Know My Mind (1927)
    8. Going Up The Country (1928)

    9. Atlanta Moan (1930)

    10. It Just Won't Hay (1929)

    11. Chocolate To The Bone (1928)

    12. She's Coming Back Some Cold Rainy Day (1930)
    Barbecue Bob
    $19.99
    Vinyl LP - Sealed Buy Now
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