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  • Blood Lust (Picture Disc) (Awaiting Repress) Blood Lust (Picture Disc) (Awaiting Repress) Quick View

    $22.99
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    Blood Lust (Picture Disc) (Awaiting Repress)

    Who are this mysterious bunch known as Uncle Acid & the Deadbeats? We are not able to shed much light on the identity of this drug-crazed coven of freaks but are addicted the their heavy, melodic, garage horror-rock sounds.Their music brings back the dark spirit of true rock and roll conjured up by this anonymous cult of horror worshipping fiends. Uncle Acid has come to kill!
    1. I'll Cut You Down
    2. Death's Door
    3. Over and Over Again
    4. Curse in the Trees
    5. I'm Here to Kill You
    6. 13 Candles
    7. Ritual Knife
    8. Withered Hand of Evil
    9. Down to the Fire (Bonus)
    Uncle Acid & the Deadbeats
    $22.99
    Vinyl LP Picture Disc - Sealed AWAITING REPRESS Buy Now
  • Blood Red River Blood Red River Quick View

    $23.99
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    Blood Red River

    After trekking east from the suburbs of Perth to take new root in Sydney, in 1983 the Scientists hooked up with producer Chris Logan, who's credited with the album's imposing sonic girth and rumbling low end, and premier Aussie punk label Au Go Go for an album that would define their unmistakably swampy, psychotic aura. These six songs revisited band leader Kim Salmon's interest in the Cramps and the Stooges,while adding in the repetitive dementia of Suicide and elements of cow punk twang, with Salmon's distinctly unrefined Australian accent snarling tales of lust, confusion and angst.
    1. When Fate Deals Its Mortal Blow
    2. Burnout
    3. The Spin
    4. Rev Head
    5. Set It On Fire
    6. Blood Red River
    The Scientists
    $23.99
    Vinyl LP - Sealed Buy Now
  • Blood And Chocolate (On Sale) Blood And Chocolate (On Sale) On Sale Quick View

    $34.99 $31.49 Save $3.50 (10%)

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    Blood And Chocolate (On Sale)


    Elvis Costello Blood and Chocolate on Numbered Limited Edition 180g LP from Mobile Fidelity


    Emotionally Cathartic Nick Lowe-Produced Set Includes I Want You, I Hope You're Happy Now, and Uncomplicated


    Mastered from the Original Master Tapes and Pressed at RTI: Guitar-Driven, Stripped-Down 1986 Album Teems With Stacked Rhythms, Tonalities, Punch, and Tension


    Costello at His Most Vicious: Songs Rumble and Storm, Dark Humor and Biting Lyrics Address Tumult, Jealousy, Vindictiveness


    Part of Mobile Fidelity's Elvis Costello Reissue Series: Singer-Songwriter's First Eleven Studio Albums Available on Sumptuously Sounding 180g LP


    Known in his youth as the angry young man, Elvis Costello waited until 1986 to create the most vicious record of his career. Stripped to the studs and produced by Nick Lowe, Blood and Chocolate seethes with vindictiveness, spite, and rancor. The 11-track effort clatters with raw rock n' roll menace and clangs with darkly humorous intent. Venomous, acerbic, and aggressive, it values rhythm and attack over harmony and melody. A volatile rite of passage on which harsh Telecaster riffs cut like razor blades and Costello spits words as if they were Molotov cocktails tossed at enemies, this is the satisfying sound of emotional catharsis.


    Mastered from the original master tapes and pressed at RTI, this collectable edition of Blood and Chocolate joins Mobile Fidelity's acclaimed Costello reissues series in presenting the icon's vital records in rich, dynamic, three-dimensional analog sound. That's never been truer than it is here. Costello and Co. recorded the songs in a large room at London's Olympic Studios while playing at stage volumes, an unconventional approach that nonetheless suited the music's raw feel. Nearly every track was done in three takes or less, with minimal vocal fixes and overdubs added immediately afterward. Such energy, spark, force, and pace thrive on this reissue.


    Capturing the decibel-laden atmosphere that heightens the rhythmic pace and elevates the urgency of the deliveries, Mobile Fidelity's 180g LP delivers the band's performances with wall-of-sound hugeness and booming authority. And while this isn't a record where subtlety reigns, listeners can now discern the acoustic guitar strummed by Lowe for the foundation of the savage Uncomplicated as well as the nuanced final bars of the inimitable I Want You on which each member's instrumental track is switched off to bleed into Costello's vocal microphone. Indeed, for all the apparent chaos, Steve Nieve's keyboards even get accurate placement and imaging on this incredible pressing. Then there's the temperament of the songs themselves-perhaps best described by Costello.


    The album title and Eamon Singer's crude cover painting reflected some intense and uncertain situations. The record might have well been a blurred polaroid: a smashed-up room, a squashed box of chocolates, some broken glass and a little blood smeared on the wall, wrote the singer in 2002. The album [is] a pissed-off 32-year-old divorce's version of the musical blueprint with which I had begun my recording career with the Attractions. Indeed, the band-on the verge of fraying at the seams and at each other's throats in close confines-pummels twanging chords, beats up on notes, turns up amplifiers, and eyes everything with great suspicion.


    Lyrically, Costello has seldom been wittier, sharper, or more malicious. The snarling, tables-turning I Hope You're Happy Now joins Bob Dylan's Positively Fourth Street as among the most lacerating kiss-off tunes ever penned. Similarly sarcastic, Next Time Round lends a pop rave-up air to the album's otherwise dark assault. The bloodletting Crimes of Paris and Poor Napoleon (featuring Pogues singer Cait O'Riordan playing the role of the voice of pity) confront the consequences of traumatic relationships and lustful choices with a savvy intellect. Given the mood and mindset of everyone and everything involved, it's no surprise that Costello and the Attractions wouldn't again work together until eight years later. Saying that Blood and Chocolate was worth the sacrifice is an understatement.


    This title is not eligible for further discount.

    1. Uncomplicated
    2. I Hope You're Happy Now
    3. Tokyo Storm Warning
    4. Home Is Anywhere You Hang Your Head
    5. I Want You
    6. Honey, Are You Straight or Are You Blind?
    7. Blue Chair
    8. Battered Old Bird
    9. Crimes of Paris
    10. Poor Napoleon
    11. Next Time Round
    Elvis Costello
    $34.99 $31.49 Save $3.50 (10%)
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pusher Man Pusher Man Quick View

    $8.99
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    Pusher Man

    Limited Edition Pressing


    Everybody's favourite band, Uncle Acid, release a new single, Pusher Man on Rise Above Records. The single is backed by Remember Tomorrow, an Iron Maiden cover, initially available on a Kerrang (legendary UK magazine) cover-mount CD.


    Pusher Man is taken from the bands fourth album, The Night Creeper, which was released to much acclaim in July of last year. The track was recorded as part of the album sessions at Toe Rag Studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard).


    They released their breakthrough album Blood Lust in 2011, a homage to British Hammer and folk horror films of the 1970s, a candle-lit head-trip of withered hands, ritual knives and gallows ropes. Mind Control (2013), their third album, looked further afield, to the post-Charles Manson US for inspiration: Jim Jones dosing the Kool-Aid. Blue Cheer, Blue Oyster Cult and B-movie biker movies. War, Watergate, serial killers and suicidal TV evangelists.

    1. Pusher Man
    2. Remember Tomorrow
    Uncle Acid & the Deadbeats
    $8.99
    7 Vinyl Single - Sealed Buy Now
  • Vol. 1 (Cherry Red Vinyl) (Pre-Order) Vol. 1 (Cherry Red Vinyl) (Pre-Order) Quick View

    $37.99
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    Vol. 1 (Cherry Red Vinyl) (Pre-Order)

    Pressed On Cherry Red Colored Vinyl


    Includes Insert


    First released on Friday 13th February 2010 (40 years to the day after Black Sabbath's debut LP), Vol 1 was the first efforts of unknown songwriter, Kevin Starrs. Pressed in small numbers for a non-existing fan base, the album took several months to shift all 30 CD-R copies and provided a small platform to fund it's follow up, BLOOD LUST (2011).
    Recorded on a tight budget of stashed dole money and with little knowledge or regard for conventional recording techniques, the chaotic results speak for themselves;


    Distorted vocals, out of tune harmonies, ragged musicianship and everything pushed to the red. The clatter of mic stands falling over mid performance, the rustling of lyric papers, the missed key changes and flubbed lines. Everything you would want to avoid is here. Self-funded, self-recorded and self-released to a fanfare of silence, VOL 1 was a true D.I.Y. effort from start to finish. No great ambition, no target audience, no press support. Just a collection of songs for anyone who would listen. With its mix of budget horror lyrics, Everly Brothers obsessed harmonies, downer rock riffs, overly long guitar solos and bizarre high pitched vocals, Vol 1 had very limited appeal outside a small group of underground fanatics.


    In the years following, The album became something of a cult curiosity. Despite the shoddy work of bootleggers and impatient collectors, Starrs refused to re release the album until he could work on its remix and oversee the mastering. "It was a D.I.Y project from the beginning so I wasn't going to give it up and let someone else mess with it. I Also wasn't going to cash in on something for the sake of it. I wanted it to sound the best that it possibly could. The record deserves my full attention, so with no new album to distract anyone in 2017, it was the perfect time to work on it and release it on vinyl. It can stand on its own...flaws included."


    So here it is, Vol 1 in all its ragged glory...finally mastered and mixed for this release.

    1. Crystal Spiders
    2. Witches Garden
    3. Dead Eyes of London
    4. Lonely and Strange
    5. Vampire Circus
    6. Do What Your Love Tells You
    7. I Don't Know
    8. Wind Up Toys
    Uncle Acid & the Deadbeats
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Vol. 1 (White Vinyl) (Pre-Order) Vol. 1 (White Vinyl) (Pre-Order) Quick View

    $37.99
    Buy Now
    x

    Vol. 1 (White Vinyl) (Pre-Order)

    Pressed On White Colored Vinyl


    Includes Insert


    First released on Friday 13th February 2010 (40 years to the day after Black Sabbath's debut LP), Vol 1 was the first efforts of unknown songwriter, Kevin Starrs. Pressed in small numbers for a non-existing fan base, the album took several months to shift all 30 CD-R copies and provided a small platform to fund it's follow up, BLOOD LUST (2011).
    Recorded on a tight budget of stashed dole money and with little knowledge or regard for conventional recording techniques, the chaotic results speak for themselves;


    Distorted vocals, out of tune harmonies, ragged musicianship and everything pushed to the red. The clatter of mic stands falling over mid performance, the rustling of lyric papers, the missed key changes and flubbed lines. Everything you would want to avoid is here. Self-funded, self-recorded and self-released to a fanfare of silence, VOL 1 was a true D.I.Y. effort from start to finish. No great ambition, no target audience, no press support. Just a collection of songs for anyone who would listen. With its mix of budget horror lyrics, Everly Brothers obsessed harmonies, downer rock riffs, overly long guitar solos and bizarre high pitched vocals, Vol 1 had very limited appeal outside a small group of underground fanatics.


    In the years following, The album became something of a cult curiosity. Despite the shoddy work of bootleggers and impatient collectors, Starrs refused to re release the album until he could work on its remix and oversee the mastering. "It was a D.I.Y project from the beginning so I wasn't going to give it up and let someone else mess with it. I Also wasn't going to cash in on something for the sake of it. I wanted it to sound the best that it possibly could. The record deserves my full attention, so with no new album to distract anyone in 2017, it was the perfect time to work on it and release it on vinyl. It can stand on its own...flaws included."


    So here it is, Vol 1 in all its ragged glory...finally mastered and mixed for this release.

    1. Crystal Spiders
    2. Witches Garden
    3. Dead Eyes of London
    4. Lonely and Strange
    5. Vampire Circus
    6. Do What Your Love Tells You
    7. I Don't Know
    8. Wind Up Toys
    Uncle Acid & the Deadbeats
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • The Punch Line The Punch Line Quick View

    $24.99
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    The Punch Line

    The Minutemen may have come out of the same California hardcore scene that produced Black Flag, Circle Jerks, and Fear, but they not only bore little resemblance to their West Coast contemporaries, they didn't sound much like anyone else in American rock at that time. The Punch Line was the band's first album, packing 18 tunes into less than 25 minutes, and if the music shares hardcore's lust for speed and assaultive rhythmic punch, their sharp, fragmented melodies, complex tempos, and overtly poetic and political lyrics made clear they were rugged individuals; imagine James Blood Ulmer teaching Wire how to get funky and you start to get an idea of what The Punch Line sounds like. It wasn't until the band began to slow down a bit on What Makes a Man Start Fires? that the strength of the group's individual songs became clear, and The Punch Line works better as a unified sonic assault than as a collection of tunes, but moments do stand out, especially Tension, Fanatics, and the title cut, which certainly lends a new perspective to Native American history. The Punch Line was as wildly inventive as anything spawned by American punk, and the band would only get better on subsequent releases.

    - Mark Deming (All Music)
    Search
    Tension
    Games
    Boiling
    Disguise
    Struggle, The
    Monuments
    Ruins
    Issued
    Punch Line, The
    Song For El Salvador

    History Lesson
    Fanatics
    No Parade
    Straight Jacket
    Gravity
    Warfare
    Static
    Minutemen
    $24.99
    Vinyl LP Reissue - Sealed Buy Now
  • Layla (Awaiting Stock) (On Sale) Layla (Awaiting Stock) (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    Layla (Awaiting Stock) (On Sale)

    Ranked 115/500 On Rolling Stone Magazine's List Of The 500 Greatest Albums Of All Time.



    Eric Clapton and Duane Allman in the Same Band for the Only Time: Derek and the Dominos' Layla a Timeless Batch of Fire-Pot Blues, Poignant Gospel, Searing Rock, and Lustful Emotion


    Mastered from the Original Master Tapes and Pressed at RTI: Mobile Fidelity 180g 2LP of Layla Is the Definitive-Sounding Analog Edition, Presents Music With Immersive Detail and Realism


    The reputation of Derek and the Dominos' Layla and Other Assorted Love Songs, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock - all birthed from the leader's insatiable lust for his friend George Harrison's wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 2LP set exposes the brilliance of Tom Dowd's original production and the scope of the virtuoso musicians' playing. You've never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Clapton's tones emerge with unprecedented soulfulness. Afforded their own space in the mix, Allman's slide-guitar passages crackle with urgency. All-important sonic components such as soundstaging, imaging, and dynamics transport you to the actual event. Mobile Fidelity's analog version testifies on behalf of why fans deemed Clapton god.


    Then, of course, there's the title track - crowned the 27th greatest song of all time by Rolling Stone. What to say about the outro - arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Clapton's strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on a pressing that brings Slowhand's every finger moment into great relief. Get inside Clapton's head, burrow into the conflicted emotions fluttering in his heart as he pines for his another man's wife, and in the process, produces an album that forever lives in the souls of anyone who's ever loved and lost.


    Clapton's pained yearning permeates everything here. Works such as the swampy Tell the Truth, the pleading Why Does Love Got to Be So Sad?, and blues-drenched Have You Ever Loved a Woman? attest to his raw-nerve discomfort, guilt, and desire. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. It's all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness.


    Allman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of R&B, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record. Whatever the case, this is the analog version to own.


    This title is not eligible for further discount.

    1. I Looked Away
    2. Bell Bottom Blues
    3. Keep on Growing
    4. Nobody Knows You When You're Down and Out
    5. I Am Yours
    6. Anyday
    7. Key to the Highway
    8. Tell the Truth
    9. Why Does Love Got to Be So Sad?
    10. Have You Ever Loved a Woman
    11. Little Wing
    12. It's Too Late
    13. Layla
    14. Thorn Tree in the Garden
    Derek & The Dominos
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING STOCK Buy Now
  • Californication Californication Quick View

    $36.99
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    Californication

    Ranked 399/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Californication is the seventh studio album by great American rock band Red Hot Chili Peppers.



    It was released on June 8, 1999, on Warner Bros. Records and was produced by the much admired Rick Rubin.



    Californication marked the return of John Frusciante, who had previously appeared on Mother's Milk and Blood Sugar Sex Magik; to replace Dave Navarro as the band's guitarist. Frusciante's return was credited with changing the band's sound altogether, producing a notable shift in style from the music recorded with Navarro.



    The album's subject material incorporated various sexual innuendos commonly associated with the band, but also contained more varied themes than previous albums, including lust, death, contemplations of suicide, California, drugs, globalization, and travel.




    Californication is the Chili Peppers' most commercially successful studio release, with over 16 million copies sold worldwide, and more than 5 million in the United States alone. As of 2002, the album had sold over 4 million copies in Europe.



    The record produced several hits for the band, including Otherside, Californication and the Grammy Award-winning Scar Tissue. Californication peaked at number three on the U.S. Billboard 200. The record marked a significant change in style for the band, displaying a decidedly more spiritual rock n roll side.

    1. Around The World

    2. Parallel Universe

    3. Scar Tissue

    4. Otherside

    5. Get On Top
    6. Californication

    7. Easily

    8. Porcelain

    9. Emit Remmus

    10. I Like Dirt
    11. This Velvet Glove

    12. Savior

    13. Purple Stain

    14. Right On Time

    15. Road Trippin'
    Red Hot Chili Peppers
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Bizet: Carmen (Speakers Corner) Bizet: Carmen (Speakers Corner) Quick View

    $95.99
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    Bizet: Carmen (Speakers Corner)

    This is a problem recording, and even fans of Leonard Bernstein and Marilyn Horne will find it odd« writes a large mail-order media company about this Carmen production. However, discerning listeners who submerge themselves in the music will soon conclude that the problem is rather to be found among the many highly acclaimed and styled-up other recordings that present the fiery musical portrait as a sanitized, spirited indoor ballet. This is very different from Bernstein, who hints at the work's inevitable tragedy already in the agonisingly weighty clashing cymbals of the surprisingly slow opening. His rustic-sounding street scenes are filled with vaudeville, raw and authentic, and so typical of how people behave when they dance out-of-doors. This Carmen is far closer to the cracking Westside Story than a saturated Traviata.


    Marilyn Horne in the title role lends the full-blooded Carmen such an incredible voice in all manner of moods that one can hardly believe that we are listening to just one singer. One minute we hear the bright voice of a young girl lusting for life, and in the next minute the mezzo-like pained cry of a man-killing heroine.
    James McCracken has a distinctive dry voice, which is full of rousing passion, and is ideal in the role of Don JosÉ. He is complemented by the dramatic, powerful baritone Tom Krause as the torero Escamillo.


    Harry Pearson, the founder and former Editor in Chief of the specialist magazine The Absolute Sound, accorded this outstanding recording a regular mention in his 'super disc' list - no problem!

    Musicians:



    • Marylin Horne

    • James McCracken

    • The Manhattan Opera Chorus and the Metropolitan Opera Orchestra conducted by Leonard Bernstein



    Recording: September and October 1972 im Manhattan Center, New York von
    GÜnter Hermanns

    Production: Thomas W. Mowrey



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    LP 1
    1. Prelude
    First Act
    2. Introduction
    3. March And Chorus Of Urchins
    4. Chorus And Scene
    5. Habanera
    6. Scene
    7. Dialogue
    8. Duet
    9. Chorus

    10. Chanson And Melodrama

    11. Chanson Et Duet
    12. Finale


    LP 2
    1. Entracte
    Second Act
    2. Chanson
    3. Chorus And Ensemble
    4. Couplets / Chorus
    5. Quintet
    6. Chanson
    7. Duo
    8. Finale
    Third Act
    9. Entracte

    10. Introduction


    LP 3
    1. Trio
    2. Ensemble
    3. Air
    4. Duo
    5. Finale

    6. Entracte

    Fourth Act
    7. Chorus

    8. Chorus

    9. Final Duo

    Georges Bizet
    $95.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 3 LPs Sealed Buy Now
  • Blood Lust (Out Of Stock) Blood Lust (Out Of Stock) Quick View

    $37.99
    x

    Blood Lust (Out Of Stock)

    Import


    Who are this mysterious bunch known as Uncle Acid & the Deadbeats? We are not able to shed much light on the identity of this drug-crazed coven of freaks but are addicted the their heavy, melodic, garage horror-rock sounds.Their music brings back the dark spirit of true rock and roll conjured up by this anonymous cult of horror worshipping fiends. Uncle Acid has come to kill!

    Side 1
    1. I'll Cut you Down
    2. Death's Door
    3. Over and Over Again
    4. Curse of the Trees


    Side 2
    1. I'm Here to Kill you
    2. 13 Candles
    3. Ritual Knife
    4. Withered Hand of Evil

    Uncle Acid & the Deadbeats
    $37.99
    Vinyl LP - Sealed Temporarily out of stock
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