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  • Catacombs Of The Black Vatican Catacombs Of The Black Vatican Quick View

    $22.99
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    Catacombs Of The Black Vatican

    Catacombs of the Black Vatican will stand as an enduring testament to Black Label Society s sheer force of will and mastery of each and every musical neighborhood the hard rock titans choose to stomp through. The aggressive bite of the barnstorming BLS banger Damn the Flood sits comfortably right alongside the stripped down, emotionally searing Angel of Mercy, Scars and Shades of Gray. The album's opening tracks, Fields of Unforgiveness and lead single My Dying Time, drop the throttle into swampy, down-tempo menace that wouldn't sound out of place in a Classic Rock band's catalog nor at the creative height of the grunge era.


    There's a beauty in caveman like simplicity, in the break-bottles-and-break-necks gusto of a loud power chord. To many listeners, Wylde invented pinch harmonics every bit as much as Chuck Berry s dreamt up the duck walk. When the Guitar Hero franchise was all the rage, Wylde was a playable character in the game.


    Every time you're going to make a new record, it's exciting, he says of the run-up to the creation of Catacombs of the Black Vatican. When you're in the studio you can approach it like Salvador Dali where you've got a blank canvas in front of you. You can paint a little bit, sit back and look at it and go, Oh man, let's add a little more red over here, let's make this darker over there. Because live? It's a free-for-all. People are bleeding. There's fire going on. You're getting attacked by grizzly bears.

    1. Fields of Unforgiveness
    2. My Dying Time
    3. Believe
    4. Angel of Mercy
    5. Heart of Darkness
    6. Beyond the Down
    7. Scars
    8. Damn the Flood
    9. I've Gone Away
    10. Empty Promises
    11. Shades of Gray
    Black Label Society
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Mafia Mafia Quick View

    $34.99
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    Mafia

    Mafia is the sixth studio album by heavy metal band Black Label Society, released March 8, 2005. It is one of the band's most commercially successful releases selling over 250,000 copies in the U.S. The track In This River was written before the death of Zakk Wylde's friend and fellow guitarist Dimebag Darrell, but it has since been dedicated to him.
    LP1
    1. Fire It Up
    2. Whats In You
    3. Suicide Messiah
    4. Forever Down
    5. In This River
    6. You Must Be Blind
    7. Death March
    8. Dr. Octavia


    LP2
    9. Say What You Will
    10. Too Tough To Die
    11. Electric Hellfire
    12. Spread Your Wings
    13. Been A Long Time
    14. Dirt On The Grave
    15. I Never Dreamed

    Black Label Society
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Sin And Bones Sin And Bones Quick View

    $23.99
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    Sin And Bones

    Fozzy is the brainchild of Rich Ward and Chris Jericho, two larger-than-life, trailblazing personalities that have spent the past decade shaping their own brand of sonic splendor, Ward's incendiary guitars forging a path for Jericho's inimitable vocals atop a rhythmic foundation of earth-rattling proportions. Not that anybody should be surprised. Ward is one of metal s pioneers the mastermind of Stuck Mojo, he soldered metal with rhythmic vocals long before it became fashionable, touring the world with some of metal s biggest bands and being hailed as one of Pantera legend Dimebag Darrell and Black Label Society/Ozzy Osbourne axe man Zakk Wylde's favorite guitarists. And front men don't come more dynamic than Chris Jericho, one of professional wrestling's biggest superstars, the embodiment of charisma, and the byproduct of a lifetime immersed in metal.

    Sins and Bones is Fozzy in their full metal glory, 10 tracks of the most powerful music North America has to offer, capturing the bands powerhouse fusion of genres power metal roots bleeding with progressive style and a classic feel. Jericho and Ward have combined to sell more than 1.2 million records in their heralded careers, but those numbers are a fraction of the audience Fozzy were introduced to when their front man made the Top 7 as a contestant on season 10 of Dancing with the Stars, one of the biggest television shows in the world. Chris Jericho has conquered prime time now its time for Fozzy to conquer the world of heavy metal.
    1. Spider In My Mouth
    2. Sandpaper (Featuring M. Shadows)
    3. Blood Happens
    4. Inside My Head
    5. Sin and Bones
    6. A Passed Life
    7. She's My Addiction
    8. Shine Forever
    9. Dark Passenger
    10. Storm The Beaches
    Fozzy
    $23.99
    Vinyl LP - Sealed Buy Now
  • Sonic Brew Sonic Brew Quick View

    $34.99
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    Sonic Brew

    Sonic Brew is the first album by the heavy metal band Black Label Society, however unlike the albums that followed, this album still possessed a distinct Southern rock overtone that up to this time had predominated Zakk Wylde's solo writing style.
    LP 1
    1. Bored To Tears
    2. The Rose Petalled Garden
    3. Hey You (Batch Of Lies)
    4. Born To Lose
    5. Peddlers Of Death
    6. Mother Mary
    7. Beneath The Tree
    8. Low Down


    LP 2
    9. T.A.Z.
    10. Better Half
    11. Black Pearl
    12. World Of Trouble
    13. Spoke In The Wheel
    14. The Beginning At Last
    15. No More Tears

    Black Label Society
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Blessed Hellride The Blessed Hellride Quick View

    $19.99
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    The Blessed Hellride

    The Blessed Hellride is the fourth studio album by Black Label Society. It contains a mix of heavy (Stoned and Drunk, Stillborn) and lighter (The Blessed Hellride, Dead Meadow) tunes. Ozzy Osbourne appears on the first single Stillborn, though his name was not used to promote the track. He is credited inside the booklet, however, due to Ozzy being on Sony Records at the time, Spitfire Records were not allowed to promote this song with Osbourne's name - a sticker on the cover of the album said featuring special guest star.
    1. Stoned And Drunk
    2. Doomsday Jesus
    3. Stillborn
    4. Suffering Overdue
    5. The Blessed Hellride
    6. Funeral Bell
    7. Final Solution
    8. Destruction Overdrive
    9. Blackened Waters
    10. We Live No More
    11. Dead Meadow
    Black Label Society
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Song Remains Not The Same The Song Remains Not The Same Quick View

    $19.99
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    The Song Remains Not The Same

    Available for the first time on vinyl, unplugged versions from Black Label Society's critically acclaimed ORDER OF THE BLACK combined with additional material recorded during the ORDER OF THE BLACK sessions. Conceived, created and compiled by Zakk himself, THE SONG REMAINS NOT THE SAME a must buy for any BLS or Zakk fan.
    1. Overlord (Unplugged Version)
    2. Parade Of The Dead (Unplugged Version)
    3. Riders Of The Damned (Unplugged Version)
    4. Darkest Days (Unplugged Version)
    5. Junior's Eyes
    6. Helpless
    7. Bridge Over Troubled Waters
    8. Can't Find My Way Home
    9. Darkest Days (Album Version) [Feat. John Rich]
    10. The First Noel
    Black Label Society
    $19.99
    Vinyl LP - Sealed Buy Now
  • Order Of The Black Order Of The Black Quick View

    $22.99
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    Order Of The Black

    In the two decades since Ozzy Osbourne hired him away from his job at a New Jersey gas station to become his new guitarist, Zakk Wylde has established himself as a guitar icon known and revered the world over. Writing and recording with Osbourne led to multi-platinum success, inspiring him to create the now legendary Black Label Society in 1998. In the decade plus since, BLS has turned the notion of what a rock band should be upside down by inspiring legions of fans (known as Berserkers) all over the world to follow the mantra: Strength, Determination, Merciless, Forever (SDMF for short). Wylde and his Berserkers have established a heavy metal institution true to the vision of uncompromising, unfiltered and unrestrained rock 'n' roll.
    1. Crazy Horse
    2. Overlord
    3. Parade of the Dead
    4. Darkest Days
    5. Black Sunday
    6. Southern Dissolution
    7. Time Waits for No One
    8. Godspeed Hellbound
    9. War of Heaven
    10. Shallow Grave
    11. Chupacabra
    12. Riders of the Damned
    13. January
    Black Label Society
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Whole Whole Quick View

    $19.99
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    Whole

    Chicago heavy rockers SOIL release their sixth studio album Whole via Pavement Entertainment. It's the band's first 100% independent release.


    We wanted to call all the shots on this album and, for the first time ever, hold our future in our own hands, explains bassist Tim King.


    Whole is the first SOIL album with original frontman Ryan McCombs since 2004's Re.De.Fine (after which he joined DROWNING POOL). It sees SOIL returning to its classic sound that fans have come to admire, with a pres release calling it the CD that could have come directly after the 'Scars' album in 2001."


    Following the 2012 release of its first-ever live DVD, Re-LIVE-ing The Scars, SOIL began writing new material and entered the studio in February 2013 with producer Ulrich Wild (PANTERA, BREAKING BENJAMIN) to begin recording.


    This was by far the most comfortable and natural recording process we have ever experienced, says guitarist Adam Zadel. From the writing, pre-production, and through the main tracking and mixing, everything was smooth and fluid.


    Songs featured on Whole include The Hate Song, Loaded Gun, Way Gone and Shine On, which is dedicated to the SOIL fans for standing by the band throughout the years. Another track, Amalgamation, sees McCombs taking songtitles from both the SOIL and DROWNING POOL releases he was a part of and weaving them into verses of the song.


    I think, lyrically speaking, those that are familiar with the work I've done are going to get the next chapter that they would expect, McCombs says about the lyrical process. Words from a heart and mind that has lived them.


    One of the greatest things I experience as a lyricist is when people come up and share with me how a song, or a specific verse or line from a song, got them through a hard time or times in their lives. It reminds me of the times music did that for me and how powerful music and/or a lyric can be in a person's life.


    Drums and percussion on Whole were performed by Will Hunt (BLACK LABEL SOCIETY, EVANESCENCE, DEVICE).


    Will added a whole new dimension to the songs, states King. He added a monstrous and aggressive vibe to the album.


    A guest guitar solo on Wake Up was performed by longtime friend Mike Mushok of the band STAIND.


    - Blabbermouth

    1. Loaded Gun
    2. The Hate Song
    3. Ugly
    4. Way Gone
    5. Psychopath
    6. Shine On
    7. Wake Up
    8. Amalgamation
    9. My Time
    10. Little Liar
    11. One Love
    Soil
    $19.99
    Vinyl LP - Sealed Buy Now
  • Live At The Red Garter Vol. 2 Live At The Red Garter Vol. 2 Quick View

    $14.99
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    Live At The Red Garter Vol. 2

    From the late '60s to the mid '90s, the Fania All Stars were probably the most important and influential group in salsa, Afro-Cuban and Puerto Rican music. What began as a showcase band for a young label developed into a Latino supergroup capable of filling stadiums. The band's members were either successful bandleaders or the top musicians on their instruments at the time. As Fania Records expanded its horizons and endeavoured to reach outside its traditional Spanish speaking market in the 1970s, the All Stars became their musical ambassadors, traveling across the globe from South America to Africa to Europe spreading the salsa gospel.


    But that was the future! The Fania All Stars began at the Red Garter Club in Greenwich Village. By 1967 Fania Records was on the rise and label owner Jerry Masucci was wanting to feature a showcase of all his artists, which now included long-established bandleaders Ray Barretto and Fania co-owner Johnny Pacheco, alongside the new generation (Willie Colon, Larry Harlow, Monguito, Joe Bataan, Louie Ramirez, Ralph Robles, Bobby Valentin). The idea was to record a live session which would serve as a showcase for the label using the all star format which had already proved popular by Fania's rivals Tico and Alegre.


    In 1968, Masucci and popular Latin music/jazz DJ Symphony Sid talked Red Garter promoter Jack Hooke into putting on a series of nights with the Fania musicians, but to broaden the appeal of the concerts and records, a host of guest stars were added to the bill. The Live At the Red Garter Vol 2 album sleeve reads like a who's who of Afro-Cuban and Puerto Rican music in the late 1960s! Special guest stars include the mambo king Tito Puente, Eddie Palmieri on piano and timbalero/sonero Jimmy Sabater from the million selling Joe Cuba Sextet. A supporting cast from the bands of Puente, Palmieri, Pacheco and Barretto included vocalists Ismael Miranda, Pete Conde Rodriguez, bassist Bobby Rodriguez and timbalero Orestes Vilato. A truly staggering bill though at the time, many musicians were just starting out, Willie Colon was just 18, however, almost every player present at these sessions would go on to be a salsa star in the next decade.


    After Barretto's introduction, the band gets counted in and that unmistakable bassline starts, 8 bars of low-end heaven as smooth as Baileys on ice, the trademark riff to Son Cuero Y Boogaloo, a Barretto's signature tune of the period. It's much more than just a boogaloo, it's a son montuno with soul! An earlier version of the song had appeared on Barretto's album Hard Hands, but this live version smoked! After the coro and brass sections traded 8's the tension builds, then the band hits a break and timbalero Orestes Vilato comes in and blazes a monsterous solo.


    The next track Noche featured its composer, pianist Larry Harlow, on a slow guajira montuno. Harlow was a non-Latino but his solo is pure Cuban proving it's not where you're from but it's how you play and what you feel that matters! The last track on the opening side was a full-on soul/funk instrumental jam called Red Garter Strut, the Fania All Stars kicking like Junior Walker or the Famous Flames! Another example of the cross-cultural experiments going on at the time in New York.


    Side two is equally mixed, a Charlie Palmieri funky montuno salsa called Kikapoo Joy Juice opening the set. An uptempo dance tune with the vocalists singing in English, a sign of the times when boogaloo ruled everything in sight. Next up, If This World Were Mine, a Marvin Gaye cover featuring Joe Bataan and female vocalist La La doing their best Marvin and Tammi Tyrrell impression over a slow soulful latin-tinged groove.Richie's Bag closes side 2, written by and featuring pianist Richie Ray, another soul montuno dancefloor classic with the vocalists singing English lyrics quoting Joe Bataan's present and future hits , Gypsy woman, Subway Joe, "Ordinary Guy.


    And that's it! The whole album is just 6-tracks long but it serves as a historical musical document of something new and vibrant that was evolving in Latin New York in the '60s. A coming together of black, white and brown as music crossed ethnic barriers. Music, like society, was attempting to integrate. What Masucci and Pacheco succeeded to do with this recording and Fania Records in general was to bring together the older and new generations of Latin musicians, where it became the roots of what became salsa in the next decade, whilst making the first recordings of the Fania All Stars, the band that would be most associated with spreading the music to a global audience. These reasons make this album a must for any true aficionado of Puerto Rican music from New York.

    1. Son Cuero Y Boogaloo
    2. Noche
    3. Red Garter Strut
    4. Kikapooo Joy Juice
    5. If This World Were Mine
    6. Richie's Bag
    Fania All Stars
    $14.99
    Vinyl LP - Sealed Buy Now
  • Gratitude Gratitude Quick View

    $44.99
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    Gratitude

    180 Gram Translucent Blue Colored Vinyl With Gatefold Cover


    Mastered Impeccably By Joe Reagoso


    Manufactured At R.T.I.


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Mid-western area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Introduction

    2. Africano/ Power Medley

    3. Yearnin' Learnin'

    4. Devotion

    5. Sun Goddess
    6. Reasons

    7. Sing A Message To You


    LP 2
    1. Shining Star

    2. New World Symphony
    3. Sunshine

    4. Singasong

    5. Gratitude

    6. Celebrate

    7. Can't Hide Love

    Earth, Wind & Fire
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • Greatest Hits (Awaiting Repress) Greatest Hits (Awaiting Repress) Quick View

    $42.99
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    Greatest Hits (Awaiting Repress)

    180 Gram Translucent Gold Colored Vinyl With Gatefold Cover


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Midwestern area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Shining Star

    2. That's The Way Of The World
    3. September

    4. Can't Hide Love

    5. Got To Get You Into My Life
    6. Sing A Song

    7. Gratitude

    8. Serpentine Fire

    9. Fantasy


    LP 2
    1. Kalimba Story
    2. Mighty Mighty

    3. Reasons

    4. Saturday Nite

    5. Let's Groove

    6. Boogie Wonderland ( with The Emotions)
    7. After The Love Has Gone

    8. Getaway

    Earth, Wind & Fire
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs AWAITING REPRESS Buy Now
  • Pissed And Driven (Out of Stock) Pissed And Driven (Out of Stock) Quick View

    $19.99
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    Pissed And Driven (Out of Stock)

    BLACK WATER RISING is back with the follow up to their critically acclaimed self-titled debut.
    'Pissed And Driven' represents what many would describe as another honest, barebones, no frills
    rock album. Invigorated and eager to capitalize on the success of their debut album, the band's new material promises to be riff heavy and proudly anchored in the foundations of traditional hard rock and metal song writing with hooks and catchy choruses to pull you in. New songs like 'Show
    No Mercy', 'Pissed And Driven', 'Last Man Standing' and 'Fire It Up' combine the band's love of Thin Lizzy and Judas Priest with the sonic stomp of Black Label Society, all while retaining a musical identity of their own.
    1. Show No Mercy
    2. Last Man Standing
    3. Pissed And Driven
    4. Dance With The Devil
    5. Along For The Ride
    6. Fire It Up
    7. All Gone
    8. The Allure Of Self Destruction
    9. Broken Man
    10. We Are The Authority
    Black Water Rising
    $19.99
    Vinyl LP - Sealed Temporarily out of stock
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