Vinyl. Our way of life since 2004 (877) 929-8729

VPI Dealer Authorized & Certified
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
LP20 - 20% Off Vinyl
Home > Products for: '

Black Angels Death Song

'
  • 1
Results per page:
  • Death Song Death Song Quick View

    $24.99
    Buy Now
    x

    Death Song

    The Black Angels - Austin's psych rock masters - have confirmed details for their upcoming album, 'Death Song.,' the five-piece's first full-length release in four years.


    Written and recorded in large part during the recent election cycle, the music on 'Death Song' serves as part protest, part emotional catharsis in a climate dominated by division, anxiety and unease. "Currency," a strong contender for the heaviest song the band has ever put to wax, meditates on the governing role the monetary system plays in our lives, while slow-building psychedelic earworm "Half Believing" questions the nature and confusing realities of devotion.


    Recorded between Seattle and Austin, 'Death Song' features production from Phil Ek (Father John Misty, Fleet Foxes, The Shins). The 11-track collection offers a sharply honed elaboration on their signature sound - menacing fuzz guitar and cutting wordplay, steeped in a murky hallucinatory dream.


    Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock, and the New York Times has said they "play psychedelic rock as if the 1960s never ended, and they are absolute masters of it".


    The band has toured with Queens of the Stone Age, Brian Jonestown Massacre, the Black Keys + more, and played festivals such as Glastonbury, Fuji Rock, Primavera, Harvest Fest, Coachella and Bonnaroo. Two of the band members co-founded Levitation Festival (formerly Austin Psych Fest) in 2008, which has since grown into one of the best-reviewed and expertly-curated festivals in the country.

    LP 1
    1. Currency
    2. I'd Kill For Her
    3. Half Believing
    4. Comanche Moon
    5. Hunt Me Down
    6. Grab As Much (As You Can)


    LP 2
    1. Estimate
    2. I Dreamt
    3. Medicine
    4. Life Song
    5. Death March

    Black Angels
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Angel Shadow Angel Shadow Quick View

    $16.99
    Buy Now
    x

    Angel Shadow

    It's no surprise that Kim Free started playing the violin at the age of 5. Just about everyone on her father's side of the family was musical. Her great-grandmother conducted orchestras in silent movie theaters. Her grandmother and grandfather both played violin, grandpa with the Cincinnati Symphony. Her aunt is a professional harpist in Lexington, Kentucky. It was in her blood. Growing up at the Rinzai-Ji Zen Center in West Adams, Los Angeles, she diligently practiced her violin while simultaneously absorbing the pop music of the day, especially alternative stalwarts like New Order and The The. As an undergrad at Loyola Marymount University she became Program Director of KXLU, the acclaimed radio station based at the University. She continued playing violin, but this time in a supporting role, with local LA artists like Lavender Diamond.


    After graduating in 2006, Kim decided to try her hand at making music on her own. So she took her computer into her bedroom and started crafting some lo-fi compositions. Although she didn't play her violin on her home recordings (she couldn't get the right sound quality), Kim used guitar, bass, synthesizer and sometimes vocals to build her music, which ranged from ethereal to experimental to just plain pop. The cassette DIY culture was just (re)starting in 2008, and Kim's peers wanted to release her music. She called her band Black Church and named herself Sunny Winters. Over the course of three years, there would be 5 cassette-only limited edition Black Church releases on three different labels and Kim performed about twenty shows around Los Angeles as Black Church.


    In 2010, Kim decided that her music was ready to move out of the bedroom. The new batch of songs didn't feel like Black Church, it was something new. Her friend Christy Greenwood offered to record her, and so, free of the constraints of the straight-to-GarageBand recording, she was able to once again call upon her first musical voice, the violin.


    Angel Shadow is the result of those sessions. Disarmingly fragile and hauntingly dreamy, the 11-song soundscape is scattered with instant earworms that subtly betray Kim's love for pop music. This is an album of transition, the death of Black Church and the subsequent birth of Kim Free, so it's no surprise that all of the songs (including the instrumentals) are inspired by the idea of transition, either to death, like Ease Into Piece and Guantanamo or into the unknown, like Goodbye My Love. From the instrumental opening of Diamond Channel through the hypnotic loop of Starlight Corridor and the satisfying coda of Silver Screen, Angel Shadow tells a story and invites exploration.


    Kim Free plays all of the instruments on Angel Shadow, her debut solo album, and she intends to do the same when she starts performing the songs live later in 2012. She'll be hitting performance spaces around the country armed with her mandolin, keyboard, and her grandmother's violin.

    1. Diamond Channel
    2. Breaking Spells
    3. Ease Into Piece
    4. Suck On You Forever
    5. I Don't Know Why
    6. Promise You Love Me
    7. Night Waltz
    8. Guantanamo
    9. Everyday
    10. Goodbye My Love
    11. Silver Screen
    Kim Free
    $16.99
    Vinyl LP - Sealed Buy Now
  • Black Widow Black Widow Quick View

    $27.99
    Buy Now
    x

    Black Widow

    Nature counts the black widow spider amongst its most fascinating and dangerous anomalies. The female arachnid often devours its mate after copulation. It's both a delicate and dangerous predator. In This Moment isn't all that different from this enigmatic beast. Led by frontwoman Maria Brink, the Los Angeles hard rock outfit strikes with a seductive metallic bite on their aptly titled fifth full-length album, Black Widow.


    Black Widow is a metaphor for this innocent young girl who gets infected with life, traumas, experiences, and the balance of light and darkness, explains Maria. She becomes this poised and powerful creature. That's the album.


    We went into this with the title Black Widow, says lead guitarist Chris Howorth. It fits the image of Maria as this powerful heroine. If you think of the boys in the audience watching our stage show, she's like the black widow pulling them all in.


    The record, the first for the band on Atlantic Records, picks up where the group's 2012 breakthrough, Blood, left off. That album saw In This Moment debut at #15 on the Billboard Top 200, their highest chart position to date, and eventually sold over 250,000 units in the U.S. alone. It also spawned the single Blood, which rose to #9 on the Mainstream Rock and Active Rock Songs charts. A sold out headline tour, HELLPOP, followed, as well as appearances at the Uproar Festival and Rock On The Range, and jaunts with Shinedown and Papa Roach. After the whirlwind of Blood subsided, Maria and Chris retreated to Las Vegas in February 2014 to begin working on what would become Black Widow with longtime producer Kevin Churko [Ozzy Osbourne, Five Finger Death Punch].

    LP1
    1. The Infection
    2. Sex Metal Barbie
    3. Big Bad Wolf
    4. Dirty Pretty
    5. Black Widow
    6. Sexual Hallucination (feat. Brent Smith)
    7. Sick Like Me


    LP2
    1. Bloody Creature Poster Girl
    2. The Fighter
    3. Bones
    4. Natural Born Sinner
    5. Into The Darkness
    6. Out Of Hell

    In This Moment
    $27.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Black Beauty Black Beauty Quick View

    $26.99
    Buy Now
    x

    Black Beauty

    28-page, full-color book (11" x 11")


    Extensive essay by Ben Edmonds (Creem, Rolling Stone, Mojo) featuring all-new interviews


    Abundant, never-before-seen photographs by Herbert Worthington (Fleetwood Mac's Rumours)


    Brilliantly mastered by multi-GRAMMY® nominee Dan Hersch (Paul Simon, Kinks, Cars,The Band)


    Mastered for vinyl by multi-GRAMMY® winner Doug Sax (The Who, Rolling Stones, Pink Floyd)


    Black Beauty, the never-before-released masterpiece by Arthur Lee's legendary psychedelic rock band Love, is available on 180-gram vinyl LP. Recorded in 1973 for the ambitious new label Buffalo Records,
    the album remained unreleased when the company folded. Finally, after 39 years High Moon Records is honored to fulfill Arthur Lee's wish that Black Beauty be heard by music fans worldwide. Black Beauty is making its first-ever official release
    in any format, anywhere! With unparalelled sound and state-of-the-art packaging, critics are hailing Black Beauty as an instant classic. Black Beauty is that rarest of rock artifacts: an unreleased,
    full-length studio album, from an undisputed musical
    genius. Black Beauty is the missing link in a catalog that includes Forever Changes, the classic 1967 Love album the New York Times called "one of the most affecting and beguiling albums of all time. With Black Beauty, Arthur Lee manages to combine searing 70's-rock with gorgeous melodies and stellar songwriting - topped off by his most distinctive, snarling, soulful vocals ever. With its wonderfully eclectic collection of songs, the
    album offers Love fans a rare glimpse into a previously undocumented phase of Arthur Lee's fabled career, while shining a light for new fans to discover the unique genius that is the music of Arthur Lee and Love.



    It's tempting to play what-if with Love's lost labor, Black Beauty, which was recorded in 1973 but shelved for nearly four decades. What if Buffalo Records hadn't gone out of business just prior to the album's release? What if Black Beauty had actually hit stores? What if it hadn't languished in limbo until years after Arthur Lee's death? Would it have stopped Love's slide into obscurity? Would it have signaled a comeback for the man who masterminded Forever Changes, still one of the most complex and compelling artifacts of 1960s Los Angeles? Would his life and career have played out any differently? Would we think of him today as something other than a cult artist, inspired as well as damned by his era?


    It's difficult to imagine any answers to those questions, but it says a lot about Lee that the album even raises these what-ifs and coulda-beens. The very qualities that made him such a fascinating voice-- restlessness, excitability, paranoia, perfectionism, single-mindedness-- may have doomed any commercial prospects more than his notorious fear of travel ever did. After recording Forever Changes, he fired the band and hired new musicians to take their places. Every subsequent album featured a different line-up, although the changes seem based more on personality than on musical direction or ability. Never stagnant, Love was in constant flux, always in a state of development but never quite arriving. So the operative question becomes: Was this the version of Love that Lee had been working toward?


    For Black Beauty-- which is finally seeing release via High Moon Records, although the reissue has been delayed for two years-- Lee assembled guitarist Melvan Whittington, bass player Robert Rozelle, and drummer Joe Blocker. This may be the hardiest and most muscular of Love's post-Changes rosters, with remarkable force and range. With crisp production by Paul Rothchild, best known for his work with the Doors, Love build from a potent blues rock foundation not dissimilar to that of Jimi Hendrix, but without the distracting shamanistic persona and guitar pyrotechnics. "Walk Right In" struts into country rock territory, rewriting Cannon's Jug Stompers 1929 hit into a plea for empathy, and "Beep Beep" attempts a sort of pop reggae, albeit not entirely convincingly.


    On the whole, this particular line-up sounds perfectly rough and unrehearsed, generating a tense energy on "Skid" and "Stay Away" even as they suggest a band still figuring out exactly what they can do together. It's a strong album, but it's not another Forever Changes, whose accomplishments in retrospect were unrepeatable, or even another Four Sail. On the other hand, Lee wasn't aiming to craft something in that vein. Still, especially considering the professional setbacks he had faced in the years leading up to Black Beauty-- which includes being dropped by Elektra and shuffling through a series of independent labels-- Lee sounds engaged and invigorated, forgoing the bitterness that had rankled the band for a slightly more hopeful outlook. On stand-out "Can't Find It", he sings, "Every time I cry my heart out, and every time I play the fool, but there's gotta be something in this lonely world for me." The confession is all the more bittersweet for being capped with the line, "but I can't find it without you." It's ostensibly a love song, but could just as easily be addressed to his audience. His creative satisfaction relies on having a listener to complete the circuit, which makes this album's long shelf life all the sadder.

    -Stephen M. Deusner (Pitchfork, May 15, 2013)

    1. Young & Able
    2. Midnight Sun
    3. Can't Find It
    4. Walk Right In
    5. Skid
    6. Beep Beep
    7. Stay Away
    8. Lonely Pigs
    9. See Myself In You
    10. Product Of The Times
    Love
    $26.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Quine Tapes The Quine Tapes Quick View

    $109.99
    Buy Now
    x

    The Quine Tapes

    The Velvet Underground's revolutionary mix of boundary-breaking sonic extremism and transgressive lyrical content changed the face of rock 'n' roll forever. It was on stage that the band's unprecedented vision truly came to life. But the band never made any official live recordings, leaving fans with the small handful of live Velvets tapes that have emerged over the years. Undeniably, the most comprehensive and compelling embodiment of the Velvet Underground's live brilliance is the bountiful cache of 1969 tapes recorded by Velvets fan and future alt-rock guitar icon Robert Quine (who would go on to play with the Velvet Underground's leader Lou Reed more than a decade later).


    The Velvet Underground - The Quine Tapes is a definitive document of the live Velvet Underground. Captured on tape by Quine in San Francisco and St. Louis between May and December of 1969, the recordings feature the Velvet Underground's final lineup of Reed, guitarist Sterling Morrison, drummer Moe Tucker and bassist Doug Yule. The material includes incendiary performances of such seminal Velvets standards as I'm Waiting for the Man, What Goes On, Sunday Morning, Femme Fatale, White Light/White Heat, Venus in Furs, Heroin, New Age, The Black Angel's Death Song and Rock and Roll. Also included is a rare performance of the Follow the Leader, an original song which the band never officially released, as well as stunningly different versions of the epic Sister Ray.


    These historic Velvet Underground performances are now available on vinyl for the first time ever. To commemorate the occasion, Sundazed Music has designed a lavish six-LP box set, with the discs packaged in three separate gatefold jackets and contained in a deluxe slipcase. The package features incredible new cover art commissioned especially for this vinyl release, plus rare photos, Verve label repro's, poster/handbill inserts, and detailed liner notes by Rolling Stone's David Fricke. In keeping with Sundazed's usual exacting standards, this set has been newly mastered by Bob Irwin from the original source material and is perfectly pressed on high-definition virgin vinyl.

    V.1


    Side One
    1. I'm Waiting For The Man (The Family Dog, San Francisco, November 8, 1969)
    2. It's Just Too Much (The Family Dog, San Francisco, November 8, 1969)
    3. What Goes On (The Family Dog, San Francisco, November 8, 1969)


    Side Two


    4. I Can't Stand It (The Family Dog, San Francisco, November 8, 1969)
    5. Some Kinda Love (The Family Dog, San Francisco, November 8, 1969)
    6. Foggy Notion (The Family Dog, San Francisco, November 8, 1969)
    7. After Hours (The Family Dog, San Francisco, November 8, 1969)
    8. I'm Sticking With You(The Family Dog, San Francisco, November 8, 1969)


    Side Three


    9. Sister Ray (The Family Dog, San Francisco, November 7, 1969)


    Side Four


    10. Sunday Morning (The Family Dog, San Francisco, November 9, 1969)
    11. Follow The Leader (The Matrix, San Francisco, November 27, 1969)


    V.2


    Side Five


    12. Femme Fatale (The Family Dog, San Francisco, November 7, 1969)
    13. White Light/White Heat(The Matrix, San Francisco, December 1, 1969)
    14. Venus In Furs (The Matrix, San Francisco, December 1, 1969)


    Side Six


    15. Heroin (The Matrix, San Francisco, November 23, 1969)
    16. New Age(The Matrix, San Francisco, November 24, 1969)


    Side Seven


    17. Sister Ray Part 1 (The Matrix, San Francisco, December 3, 1969)


    Side Eight


    18. Sister Ray Part 2 (The Matrix, San Francisco, December 3, 1969)


     


    V.3


    Side Nine


    19. The Black Angel's Death Song (The Matrix, San Francisco, November 23, 1969)
    20. Over You (The Matrix, San Francisco, November 25, 1969) I'm Waiting For The Man (The Matrix, San Francisco, November 27, 1969)p>

    Side Ten


    21. Rock And Roll(The Matrix, San Francisco, November 25, 1969) Ride Into The Sun (The Matrix, San Francisco, November 24, 1969)


    Side Eleven


    22. Sister Ray/Foggy Notion Part 1 (Washington University, St. Louis, May 11, 1969)


    Side Twelve


    23. Sister Ray/Foggy Notion Part 2 (Washington University, St. Louis, May 11, 1969)

    Velvet Underground
    $109.99
    Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • The Verve / MGM Tapes The Verve / MGM Tapes Quick View

    $109.99
    Buy Now
    x

    The Verve / MGM Tapes

    Sourced from the original Verve/MGM analog reels and mastered by Bob Irwin.


    At a time when the Rolling Stones were forbidden from singing about spending the night together on national television, the Velvet Underground was crafting songs about such taboo subjects as illegal drugs, sadomasochism and black angels of death. And that was just on their debut. Throughout their first three albums, VU continued to challenge societal norms through their lyrics and rock music itself through their unorthodox instrumental approach. Their sound was theirs alone, which proved to be an obstacle when it came to sales. The majority of popular music fans simply weren't ready for the bleakly beautiful vision of VU. But for those who were, this LP trilogy was a clarion call, drawing together the outsiders who felt disenfranchised and unfulfilled by Top Forty fodder. Like time release capsules, these LPs became catalysts for change as they spread from city to city and were consumed by adventurous listeners. Bands formed, scenes coalesced and new musical paths emerged which would eventually branch off into punk, alternative, indie and more. Take a sample from any underground music genre and you're likely to find VU DNA pulsing through its core.


    As the alternative scene grew, so did the legend of the Velvet Underground. However, with relatively few of the original LPs in circulation, finding them could be difficult and, as a result, more people had probably heard OF the band than had actually heard their music. The emergence of compact discs in the mid-80s, along with a groundswell of VU-influenced bands singing their praises, finally got their music into wider distribution. Yet, for vinyl enthusiasts who longed to place those precious albums on their turntables, that thrill remained elusive.


    Until now. With tremendous pride, Sundazed presents The Velvet Underground: The Verve/MGM Albums. This beautiful, deluxe boxed set gathers the rare mono versions of the band's first three studio albums along with the superior mono version of Nico's Chelsea Girl and a definitive edition of the band's unfinished fourth album! Sourced from the original Verve/MGM analog reels and mastered by Bob Irwin, this collection is an essential purchase for the discerning vinyl devotee. For all tomorrow's parties, this is your soundtrack.


    - The ultimate collection of underground rock's big bang!

    - Includes the rare mono versions of the VU's first three albums, the superior mono version of Nico's Chelsea Girl (featuring Reed, Cale & - Morrison) and a definitive edition of the band's unfinished fourth album!

    - Housed in a beautiful deluxe box with all original LP artwork along with two bonus poster inserts!

    - Introduction by Rolling Stone senior editor/MOJO contributor David Fricke.

    The Velvet Underground & Nico (mono)
    1. Sunday Morning
    2. I'm Waiting for the Man
    3. Femme Fatale
    4. Venus In Furs
    5. Run Run Run
    6. All Tomorrow's Parties
    7. Heroin
    8. There She Goes Again
    9. I'll Be Your Mirror
    10. The Black Angel's Death Song
    11. European Son


    Nico: Chelsea Girl (mono)
    1. The Fairest of the Seasons
    2. These Days
    3. Little Sister
    4. Winter Song
    5. It Was a Pleasure Then
    6. Chelsea Girls
    7. I'll Keep It with Mine
    8. Somewhere There's a Feather
    9. Wrap Your Troubles in Dreams
    10. Eulogy to Lenny Bruce


    White Light/White Heat (mono)
    1. White Light/White Heat
    2. The Gift
    3. Lady Godiva's Operation
    4. Here She Comes Now
    5. I Heard Her Call My Name
    6. Sister Ray


    The Velvet Underground (mono)
    1. Candy Says
    2. What Goes On
    3. Some Kinda Love
    4. Pale Blue Eyes
    5. Jesus
    6. Beginning to See the Light
    7. I'm Set Free
    8. That's the Story of My Life
    9. The Murder Mystery
    10. Afterhours


    1969: The Lost Fourth Album/Originally Unissued (stereo)
    1. Foggy Notion
    2. One of These Days
    3. Lisa Says
    4. I'm Sticking with You
    5. Ocean
    6. I Can't Stand It
    7. I'm Gonna Move Right In
    8. We're Gonna Have a Real Good Time Together
    9. Rock and Roll
    10. Ride into the Sun

    Velvet Underground
    $109.99
    Vinyl LP Box Set - 5 LPs Sealed Buy Now
  • Tempo Of The Damned (Awaiting Repress) Tempo Of The Damned (Awaiting Repress) Quick View

    $27.99
    Buy Now
    x

    Tempo Of The Damned (Awaiting Repress)

    First Time On Vinyl In North America


    Limited Edition Of 1,000 Copies


    Double Gatefold Sleeve


    Pressed On Orange & Red Vinyl


    Twelve years after their 1992 studio record, Force Of Habit, Exodus released Tempo Of The Damned, a worthy comeback with crushing riff attacks, merciless drumming and distinctive vocal outbreaks. Strong and fresh, behold a real thrash hurricane, that continues just as if the band has never left the stage, respectively the studio.


    Tom Hunting, Kirk Hammet and Gary Holt founded EXODUS in 1982, shortly after selecting an appropriate singer the band, Paul Baloff, who completed the line up perfectly and bringing the dream to fruition. Within the following year EXODUS gained huge attention in the international underground scene, evolving from an insiders' tip of the tape trading community to a highly popular act. Innovative song writing and explosive live shows made the difference, EXODUS brought Bay Area Thrash to the world and inspired many bands, among them METALLICA, TESTAMENT, DEATH ANGEL and VIOLENCE (respectively MACHINE HEAD).


    In 1983 Kirk Hammet left the band to join METALLICA, and was replaced by Rick Hunolt, and soon after Rob McKillop complimented the mix. The debut Bonded By Blood was released two years later and became a timeless thrash classic still appreciated today. A vast tour with SLAYER and VENOM preceded next thus the name EXODUS spread more and more.


    Shortly before the second album Pleasures Of The Flesh showed up in 1987, Baloff left the band due to personal and musical differences and got replaced by Steve Zetro Souza (ex-LEGACY). The line-up and chemistry was working for the creativity and the subsequent success of the band. With the studio records like; Fabulous Disaster, Impact Is Imminent and Force Of Habit as well as the live album Good Friendly Violent Fun and the compilation Lessons In Violence EXODUS kept on improving their style and promoted their music with a large number of gigs including tours with PANTERA, ANTHRAX, MOTÖRHEAD, BLACK SABBATH, METALLICA, MEGADETH and many others.


    1992 saw the split of EXODUS, affected by stress and personal problems. A short reunion happened 1996 (with their old singer Paul Baloff) with a tour through Europe and North America and the release of the second live record Another Lesson In Violence.


    Another break took place until September 2001 when EXODUS attended the Thrash Of The Titans benefit show featuring LEGACY, ANTHRAX, S.O.D. and DEATH ANGEL. Afterwards the band started writing new material but got adjourned abruptly: Paul Baloff suffered a stroke on 2nd February 2002 and passed away. Back with Souza at the microphone EXODUS continued working and finally finished the recording sessions for the new, ultimate comeback album Tempo Of The Damned in 2003. The comeback of the decade - without any weaknesses or failures Tempo Of The Damned is the Bonded By Blood of the present time. Pure thrash as good as it gets!

    1. Scar Spangled Banner

    2. War Is My Shepherd

    3. Blacklist
    4. Shroud Of Urine

    5. Forward March

    6. Culling The Herd

    7. Sealed With A Fist

    8. Throwing Down

    9. Impaler
    10. Tempo Of The Damned
    Exodus
    $27.99
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Renegade Renegade Quick View

    $31.99
    Buy Now
    x

    Renegade

    The Thin Lizzy 180 Gram Audiophile Series Continues At Friday Music


    Celebrate Four Decades Of Thin Lizzy With Their Long Out Of Print 1981 Hard Rock/ Metal Classic Renegade


    First Time Audiophile Vinyl Presentation


    Mastered Impeccably From The Original Warner Bros. Tapes By Joe Reagoso At Friday Music Studios And Capitol Records


    Released in 1981 as a successful follow-up to their much loved Black Rose - A Rock Legend (FRM3338) & Chinatown (FRM3496) albums, Phil Lynott, Scott Gorham, Brian Downey and new guitar sensation Snowy White forged ahead once again with their trademark hard rock sound and continued their assault on audiences worldwide with their 11th masterwork Renegade.


    As the powerful opener, Angel Of Death kicks the album into full gear, featuring the dual lead guitars of Scott Gorham and Snowy White, known for creating some of the finest and most familiar guitar riffs in music history, they continue their legendary style with this metal anthem. Phil Lynott's vocal and bass attack notched up another career defining song as well, which served the band well for years and has truly been one of their most revered tunes.


    Eight more incredible performances from these rock and roll warriors continue to thrill the listener including more Phil Lynott hard rock classics like Leave This Town, the ballistic It's Getting Dangerous and the stellar title smash, Renegade.


    More rockers flow like the hit single Hollywood (Down On Your Luck) and the brilliant Thin Lizzy smash Mexican Blood truly making this album a fan favorite for years to come.


    This hard rocking session showcases the legendary Thin Lizzy at their usual very best, always delivering the goods and assuring to their worldwide fans that Renegade will reign as one of their finest achievements in their enduring album catalog.


    Mastered impeccably from the original authorized Warner Music tapes by Joe Reagoso at Friday Music Studios and Capitol Records in Hollywood, Friday Music in very honored and enthusiastic to welcome back the much heralded Thin Lizzy classic Renegade for the first time on 180 Gram Audiophile Vinyl.


    To make this more of a treasure for your limited edition Thin Lizzy collection, this long out of print vinyl treasure features the legendary original album art not seen in years in the LP format.


    As usual, we will include a poly sleeve to protect your hard rockin' audiophile vinyl and a poly bag to preserve your very cool album cover. Thin Lizzy Renegade An Audiophile Hard Rock Classic Celtic Style..... From your Friends at Friday Music!

    1. Angel of Death
    2. Renegade
    3. The Pressure Will Blow
    4. Leave This Town

    5. Hollywood (Down On Your Luck)
    6. No One Told Him

    7. Fats

    8. Mexican Blood
    9. It's Getting Dangerous
    Thin Lizzy
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Weirdo Shrine Weirdo Shrine Quick View

    $15.99
    Buy Now
    x

    Weirdo Shrine

    For most, a brush with death would be cause for retreat, reflection, and reluctance, but Seattle band La Luz found something different in it: resilience. Having survived a high-speed highway collision shortly after releasing their 2013 debut LP It's Alive, La Luz, despite lasting trauma, returned to touring with a frequency and tirelessness that put their peers to shame. Over the past year-and-a-half of performing, the band arrived at a greater awareness of their music's ability to whip eager crowds into a frenzy. In response, frontwoman Shana Cleveland's guitar solos took on a more unhinged quality. The basslines (from newly-installed member Lena Simon) became more lithe and elastic. Stage-dives and crowd-surfing grew to be as indelible a part of the La Luz live experience as their onstage doo-wop-indebted dance moves. When it came time to record Weirdo Shrine, their second album-due out August 7th-the goal was to capture the band's restless live energy and commit it to tape. In early 2015, Cleveland and Co. adjourned to a surf shop in San Dimas, California where, with the help of producer/engineer Ty Segall, they realized this vision. Tracking most of the album live in shared quarters, La Luz chose to leave in any happy accidents and spur-of-the-moment flourishes that occurred while recording. Cleveland's newly fuzzed-up guitar solos-which now incorporated the influence of Japanese Eleki players in addition to the twang of American surf and country-were juxtaposed against the group's most angelic four-part harmonies to date. The organs of Alice Sandahl and the drumming of Marian Li Pino were granted extra heft and dimension. Thematically, Cleveland channeled Washingtonian poet Richard Brautigan on "You Disappear" and "Oranges," and sought inspiration from Charles Burns' Seattle-set graphic novel Black Hole. The resulting album is a natural evolution of the band's self-styled "surf noir" sound-a rawer, turbo-charged sequel that charts themes of loneliness, infatuation, obsession and death across eleven tracks, from the opening credits siren song of "Sleep Till They Die" to the widescreen, receding-skyline send-off of "Oranges" and its bittersweet epilogue, "True Love Knows." In describing Weirdo Shrine, Segall remarked that it gave him a vision of a "world burning with colors [he'd] never seen, like mauve that is living." In "Oranges," the Brautigan poem which inspired the aforementioned track of the same name, the poet writes of a surreal "orange wind / that glows from your footsteps." These hue-based allusions are apt: the sound of La Luz is (appropriately) vibrant, and alive with a kaleidoscopic passion. Weirdo Shrine finds them at their most saturated and cinematic.
    1. Sleep Till They Die
    2. You Disappear
    3. With Davey
    4. Don't Wanna Be Anywhere
    5. I Can't Speak
    6. Hey Papi
    7. I Wanna Be Alone (With You)
    8. I'll Be True
    9. Black Hole, Weirdo Shrine
    10. Oranges
    11. True Love Knows
    La Luz
    $15.99
    Vinyl LP - Sealed Buy Now
  • Hozier Hozier Quick View

    $27.99
    Buy Now
    x

    Hozier

    Self-titled debut album from Irish artist Hozier.


    Ahead of his forthcoming full-length, Hozier released a 4-track introductory EP, featuring his fast-rising track Take Me To Church in addition to Angel Of Small Death, which reflects the gospel-soul gumbo at the heart of his music, Arcadian acoustic adventure Like Real People Do, and Cherry Wine, a raw emotional discourse recorded live at 6am on an abandoned hotel rooftop. Hozier played all the instruments (Fiachra Kinder helped out on drums), sang all the parts and recorded in his home studio, and Rob Kirwan (Depeche Mode, PJ Harvey) mixed the tracks in Dublin.


    Born in County Wicklow on St Patrick's Day, Hozier gained worldwide attention nearly overnight when he posted the video for his song Take Me To Church in late September. The gripping black and white video, directed by Brendan Canty, highlights the turbulent plight of the LGBT community in Russia via the story of two gay men targeted by a homophobic gang. The powerful video brings life to the emotional song, which touches on the influence of religion on humanity.


    The Take Me To Church video has quickly racked up views on YouTube, reaching millions of views largely on word of mouth. The track has been a fixture on Spotify's Most Viral charts, regularly appearing in the Top 10 in the US and the UK since the end of last year, and Spotify also selected Hozier as one of their Spotlight Artists to Watch 2014. Take Me To Church also hit #1 on Hype Machine's Most Popular chart, and has also been hovering on the top of Ireland's singles chart, outselling acts like Lorde and One Direction week after week. Hozier has been playing to packed rooms in Ireland, and his first London show sold out in minutes, underscoring the phenomenon that has emerged in such a short time. UK tastemaker Zane Lowe has also just selected Hozier for his coveted Hottest Record spotlight.

    LP 1
    1. Take Me To Church
    2. Angel Of Small Death And The Codeine Scene
    3. Jackie And Wilson
    4. Someone New
    5. To Be Alone
    6. From Eden


    LP 2
    1. In A Week (Feat. Karen Cowley)
    2. Sedated
    3. Work Song
    4. Like Real People Do
    5. It Will Come Back
    6. Foreigner's God
    7. Cherry Wine

    Hozier
    $27.99
    Vinyl LP + CD - 2 LPs Sealed Buy Now
  • New Bermuda (Deluxe) New Bermuda (Deluxe) Quick View

    $27.99
    Buy Now
    x

    New Bermuda (Deluxe)

    Limited Edition Deluxe 2 LP Set with Embossing & Foil Stamp


    San Francisco's Deafheaven found massive critical success when their 2013 album Sunbather was an unexpected crossover hit, earning the band a 92/100 Metacritic score and ending the year as the best reviewed album of 2013. No one could have anticipated a band that drew from equal parts Weakling and My Bloody Valentine ascending to such heights, and that incomprehensibility added to the band's singularity and allure.


    Two years later, founding members George Clarke and Kerry McCoy began working on their ANTI debut, New Bermuda, with a new perspective. Says Clarke: "Sunbather yearned for something better. New Bermuda focuses on the idea of false promise, achieving something and wondering if it's what you really wanted in the first place." McCoy shares that sentiment: "Sunbather sounds like people who have nothing but are satisfied with life. There's an uplifting quality to it. But New Bermuda is a very tense record." McCoy cites death metal demigods Dissection and Morbid Angel, the blackened death pioneers Behemoth, and Cliff Burton-era Metallica as influences on the new album.


    As New Bermuda progresses, Deafheaven travels further outside of their comfort zone, feasting on other niches of underground metal and offsetting the blunt force of their feral rage with more complex and nuanced beauty. A sophisticated and subdued pop element kicks off "Baby Blue", before the band abruptly shifts into an amalgam of NWOBHM's anthemic urgency and thrash metal's racing chugs. There's a brief comedown where the band veers into the musique concrete soundscapes and hushed melodrama of early Godspeed You! Black Emperor before "Come Back" resumes the band's merciless assault of stampeding drums and vitriolic guitar harmonies, only to shift mid-song into the somber territories of 4AD's early catalog. Which is not to say that Deafheaven have softened their approach; New Bermuda offers the most punishing music of the band's career in the wake of their greatest success.

    1. Brought to the Water
    2. Luna
    3. Baby Blue
    4. Come Back
    5. Gifts for the Earth
    Deafheaven
    $27.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • New Bermuda New Bermuda Quick View

    $21.99
    Buy Now
    x

    New Bermuda

    San Francisco's Deafheaven found massive critical success when their 2013 album Sunbather was an unexpected crossover hit, earning the band a 92/100 Metacritic score and ending the year as the best reviewed album of 2013. No one could have anticipated a band that drew from equal parts Weakling and My Bloody Valentine ascending to such heights, and that incomprehensibility added to the band's singularity and allure.


    Two years later, founding members George Clarke and Kerry McCoy began working on their ANTI debut, New Bermuda, with a new perspective. Says Clarke: "Sunbather yearned for something better. New Bermuda focuses on the idea of false promise, achieving something and wondering if it's what you really wanted in the first place." McCoy shares that sentiment: "Sunbather sounds like people who have nothing but are satisfied with life. There's an uplifting quality to it. But New Bermuda is a very tense record." McCoy cites death metal demigods Dissection and Morbid Angel, the blackened death pioneers Behemoth, and Cliff Burton-era Metallica as influences on the new album.


    As New Bermuda progresses, Deafheaven travels further outside of their comfort zone, feasting on other niches of underground metal and offsetting the blunt force of their feral rage with more complex and nuanced beauty. A sophisticated and subdued pop element kicks off "Baby Blue", before the band abruptly shifts into an amalgam of NWOBHM's anthemic urgency and thrash metal's racing chugs. There's a brief comedown where the band veers into the musique concrete soundscapes and hushed melodrama of early Godspeed You! Black Emperor before "Come Back" resumes the band's merciless assault of stampeding drums and vitriolic guitar harmonies, only to shift mid-song into the somber territories of 4AD's early catalog. Which is not to say that Deafheaven have softened their approach; New Bermuda offers the most punishing music of the band's career in the wake of their greatest success.

    1. Brought to the Water
    2. Luna
    3. Baby Blue
    4. Come Back
    5. Gifts for the Earth
    Deafheaven
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Intermination Intermination Quick View

    $20.99
    Buy Now
    x

    Intermination

    Lauded as "one of the most determined and deadly thrash metal acts in recent history (Alibi), German thrash mavens DEW-SCENTED have returned with their 10th studio album Intermination. Featuring 13 punishing tracks of pure thrash metal, the album also boasts a special appearance on guest vocals from Kyle Thomas (Exhorder, Trouble) on the track Reborn in addition to a cover version of grindcore legends Repulsion's Radiation Sickness. Mixed by Dan Swano (Edge of Sanity, Opeth, Bloodbath) while featuring artwork from Gustavo Sazes (Arch Enemy, Legion of the Damned), Intermination is set to pulverize crowds worldwide on June 30 via Prosthetic Records.


    The band celebrated their 20-year anniversary in 2013 by releasing the comprehensive compilation Insurgent, containing a mix of new original songs with live tracks and hard-to-find covers, which they supported with extensive touring across Europe and Japan including runs with Testament, Death Angel, The Black Dahlia Murder, Fleshgod Apocalypse and Sacred Reich. They also maintained a high-profile across the festival scene with appearances at Wacken, Full Metal Cruise, Free & Easy Festival and several more. Stay tuned for news on the band's upcoming appearances!

    1. Declaration Of Intent
    2. On A Collision Course
    3. Scars Of Creation
    4. Affect Gravity
    5. Means To An End
    6. Ode To Extinction
    7. Demon Seed
    8. Power Surge
    9. Ruptured Perpetually
    10. Living Lies
    11. Atavistic
    12. Reborn
    13. Radiation Sickness
    Dew-Scented
    $20.99
    Vinyl LP - Sealed Buy Now
  • The Garden Of Unearthly Delights The Garden Of Unearthly Delights Quick View

    $24.99
    Buy Now
    x

    The Garden Of Unearthly Delights

    Mighty Doom icons CATHEDRAL from Coventry, England for sure are one of the most unique and unpredictable acts around. These legendary merchants of slow-motion sound could care less about redundant genre restrictions and have so far incorporated everything from Doom, Psych, Folk up to Funk in their works. With their eighth album The Garden Of Unearthly Delights CATHEDRAL have achieved much more than simply living up to that reputation - the guys created timeless songs that couldn`t be farther away from standardisation, stagnation and convention.


    Produced by Warren Ryker (DOWN, CROWBAR), The Garden Of Unearthly Delights is probably the most varied effort of the band so far. While a song like 'North Berwick Witch Trials' will bring back memories of such immortal riffs`n`groove as in 'Hopkins' or 'Ride', 'Tree Of Life And Death' simply tears everything to pieces with its ultra-heavy guitar sound and fierce vocals courtesy of Lee Dorrian.


    The centerpiece of it all certainly is the 27-minute-long mammoth epos 'The Garden' that almost bursts with such a wealth of ideas and changes in atmosphere that other bands probably couldn`t come up with on a whole album. Using every stylistic device from female vocals up to violins and embedding it all in that typical CATHEDRAL brand of Doom, The Garden Of Unearthly Delights is a treat for every fan of the band, old and new alike.


    Starting with quite sinister and ultra-slow songs on the 1990 EP In Memorium and the full-length album Forest Of Equilibrium, CATHEDRAL quickly gained cult status. The 1992 follow-up EP Soul Sacrifice brought changes soundwise and saw the band mixing traditional Doom with 70s - Hardrock and showed a first glimpse of the trademarks CATHEDRAL still represent nowadays.


    After having previously toured with MORBID ANGEL and SAINT VITUS, the band embarked on the legendary Gods Of Grind - Tour with ENTOMBED, CARCASS and CONFESSOR. „The Ethereal Mirror" featured alltime faves like 'Ride' and 'Midnight Mountain' and suddenly gave CATHEDRAL the reputation as „the next big thing in Metal".


    Struggling with this label, the band started to experiment on the EP Statik Majik and probably tried out every single instrument they could lay their hands on to churn out a 20-minute-track like 'Voyage Of The Homeless Sapien'. After touring with BLACK SABBATH, the guys went on to record the landmark „The Carnival Bizarre" in 1996 that brought us immortal tunes such as 'Hopkins (The Witchfinder General)' and 'Utopian Blaster' - the latter featuring Tony Iommi on guitar. Supernatural Birth Machine was released in 1996 after touring in South America, Europe and Japan amongst others. The catchy songwriting on that album echoed on Caravan Beyond Redemption in 1998, but with a heavier twist to it. The next serious change in style occurred on the gloomy and sludgy Endtyme that went almost completely without sound experiments and concentrated on ultra-grim riffing. 2002`s The VIIth Coming combined catchiness with heaviness to form a well-balanced mixture between old and new CATHEDRAL.


    Now that the English fourpiece has returned with The Garden Of Unearthly Delights it`s time to follow them for new adventures in sound

    1. Dearth AD
    2. Tree of Life & Death
    3. North Berwick Witch Trials
    4. Upon Azrael's Wings
    5. Corpsecycle
    6. Fields of Zagara
    7. Oro the Manslayer
    8. Beneath a Funereal Sun
    9. The Garden
    Cathedral
    $24.99
    Vinyl LP - Sealed Buy Now
  • Chris Shiflett And The Dead Peasants Chris Shiflett And The Dead Peasants Quick View

    $19.99
    Buy Now
    x

    Chris Shiflett And The Dead Peasants

    Chris Shiflett & The Dead Peasants is a new project from Shiflett, already known as the lead guitarist for Foo Fighters and the frontman for Jackson United. Steeped in his love for classic country artists (Johnny Cash, Waylon Jennings), rockabilly (Gene Vincent, Eddie Cochran), and deep-rooted rock bands (The Rolling Stones, The Replacements), this new album is packed with soulful pedal steeland twang guitar-accented songs. The album highlights his talent and versatility not only as a skillful guitarist, but also as a songwriter. These infectious Americana-laced rock songs are some of the best hes penned, from the chiming keys and buoyant, ringing guitars of Get Along to the pedal steel- and mandolin-lined heartache of Bandaged, and from the spry, Old 97s-ian Baby, Let It Out to the rueful country swing of Death March.


    Shiflett wrote the songs on Chris Shiflett & The Dead Peasants over the course of 2008-09, inspiration first striking when a friend asked him to perform at Orange Countys punk-rockabilly Hootenanny festival in 2008. After re-immersing himself in his Americana and old country music collection to prepare a short set and then playing a brief acoustic tour with friend Joey Cape of Lagwagon, he began writing what eventually became the new album. Recorded at the Foo Fighters Studio 606 in Los Angeles, CA, this past December and January, the core band on Chris Shiflett & The Dead Peasants is Shiflett (vocals, guitar), 606 house engineer John Lousteau (drums, in addition to engineering), and Derek Silverman (keyboards). The albums additional instrumentation was performed by an array of fine musicians, including Davey Faragher (Elvis Costello and The Imposters, Jenny Lewis, John Hiatt) on bass, Greg Leisz (Wilco, Lucinda Williams, Whiskeytown) on pedal steel, Stevie Blacke (Beck, Weezer, Colbie Caillat) on violin and mandolin, and Audra Mae on backing vocals.

    1. Helsinki
    2. Get Along
    3. Bandaged
    4. God Damn
    5. Burning Lights (Joe Strummer cover)
    6. An Atheists Player
    7. Not Going Down Alone
    8. Baby, Let It Out
    9. Death March
    Chris Shiflett And The Dead Peasants
    $19.99
    Vinyl LP - Sealed Buy Now
  • Savages Savages Quick View

    $24.99
    Buy Now
    x

    Savages

    Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.


    Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.


    "All of the things that make SOULFLY killer are combined in Savages," Max declares.


    »Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.


    "I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."


    A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.


    SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.


    In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).


    Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"


    Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."


    Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."


    Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."


    Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."


    Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."


    Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."


    Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."


    Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.


    Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"


    Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.

    LP 1
    1. Bloodshed

    2. Cannibal Holocaust
    3. Fallen

    4. Ayatollah Of Rock 'N' Rolla

    5. Master Of Savagery

    6. Spiral


    LP 2
    1. This Is Violence

    2. K.C.S.

    3. El Comegente

    4. Soulfliktion

    5. Fuck Reality (Bonus Track)

    6. Soulfly IX (Bonus Track)

    Soulfly
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Still Life Still Life Quick View

    $19.99
    Buy Now
    x

    Still Life

    Dawn Golden is the work of Los Angeles-based producer Dexter Tortoriello. He gained exposure in 2010 when his other (much more serene) project, Houses began getting wide spread attention. Dawn Golden is it's opposite. Influenced by everything from doom metal bands like Neurosis to avant noise artists such as Xiu Xiu, the songs pound with a calm, but dire urgency. The project began in Tortoriello's bedroom as an experiment in different recording techniques, and quickly escalated as vocals were added and ideas rounded out. Dawn Golden released his first EP, Blow, in April 2011. The effort, which featured standouts like "Blacks" and "White Sun," received critical acclaim from NPR and Pitchfork. Post-Blow, Tortoriello started recording albums for both Dawn Golden and Houses, releasing Houses' A Quiet Darkness in May 2013. During this period, he continued working on the songs for what would become Dawn Golden's debut LP, Still Life. The album was recorded over the last three years at the Mad Decent studios in Los Angeles.


    Still Life is built around stream-of-conscious craft that explores the doleful voids of addiction, love, and death. Led by its first single "All I Want," Still Life gains its stark emotional perspective through some of the most unique production you're likely to hear this year. There's heavy exploration of sonic texture, and Tortoriello uses frozen cut-ups and creative vocal editing to flip a traditionally-futuristic sound into something that oozes feeling.

    1. Discoloration
    2. All I Want
    3. Sleight Orchestra
    4. I Won't Bend
    5. Swing
    6. The Beekeeper
    7. Still Life
    8. Chevrotain
    9. Last Train
    10. Brief Encounter
    Dawn Golden
    $19.99
    Vinyl LP - Sealed Buy Now
  • As Above, So Below (Out Of Stock) As Above, So Below (Out Of Stock) Quick View

    $32.99
    x

    As Above, So Below (Out Of Stock)

    With a lineage dating back to 1977, South Londons Angel Witch were leading lights of a now legendary movement known as the New Wave Of British Heavy Metal that saw their path interwoven with the likes of Iron Maiden, Saxon, Samson, Praying Mantis, the Tygers Of Pan Tang and countless more.
    Unlike a great many of the groups with whom they shared stages their style was dark, uncompromising and heavy; a perfect complement for the sword & sorcery-themed lyrics of songs such as White Witch, Gorgon and Angel Of Death no wonder Geoff Barton of Sounds magazine once memorably described their bludgeoning sound as: the first Black Sabbath album played through a cement mixer.


    This album is unquestionably the finest thing to bear the band's name since the first, iconic release. Its contents unite newly-penned yet timeless sounding material.

    1. Dead Sea Scrolls
    2. Into The Dark
    3. Gebura
    4. The Horla
    5. Witching Hour
    6. Upon This Chord
    7. Guillotine
    8. Brainwashed
    Angel Witch
    $32.99
    Vinyl LP - Sealed Temporarily out of stock
  • 1
Go to top