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  • Lady In Satin Lady In Satin Quick View

    $24.99
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    Lady In Satin

    Import
    1. I'm A Fool To Want You
    2. For Heaven's Sake
    3. You Don't Know What Love Is
    4. I Get Along Without You Very Well
    5. For All We Know
    6. Violets For Your Furs
    7. You've Changed
    8. It's Easy To Remember
    9. But Beautiful
    10. Glad To Be Unhappy
    11. I'll Be Around
    12. The End Of A Love War
    Billie Holiday
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • All Or Nothing At All All Or Nothing At All Quick View

    $49.99
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    All Or Nothing At All

    Mastered by George Marino at Sterling Sound


    ...the third (Billie Holiday album) to receive the two-disc 45 RPM treatment by Analogue Productions. ... Billie sounds like she's at the microphone in your living room. The instruments are spread out between the speakers and there is plenty of depth. A pristine original has a bit more pronounced vocal sibilance and air, and this reissue smooths that out a bit. That aside, this is a fabulous reissue of essential music. Highest recommendation. - Recording = 9.5/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 95


    ...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011


    After the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957 - but the present collection is a magnificent culmination of her years with the producer.


    Originally released in 1955.

    1. Do Nothing'Till You Hear From Me
    2. Cheek to Cheek
    3. Ill Wind
    4. Speak Low
    5. I Wished on the Moon
    6. But Not for Me
    7. All Or Nothing at All
    8. We'll Be Together Again
    9. Sophisticated Lady
    10. April In Paris
    11. Say It Isn't So
    12. Love Is Here to Stay
    Billie Holiday
    $49.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM Mono - 2 LPs Sealed Buy Now
  • The Sound Of Jazz (Pure Pleasure) The Sound Of Jazz (Pure Pleasure) Quick View

    $34.99
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    The Sound Of Jazz (Pure Pleasure)

    The Sound Of Jazz is a 1957 edition of the CBS television series Seven Lively Arts, and was one of the first major programmes featuring jazz to air on American network television.
    The one-hour program aired on Sunday, December 8, 1957, at 5 p.m. Eastern Time, live from CBS Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants.
    The Sound Of Jazz brought together 32 leading musicians from the swing era including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry 'Red' Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots, but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on Fine and Mellow.
    The show's performance of Fine and Mellow reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.




    Musicians:



    • Red Allen Stars

    • Billie Holiday & Band

    • Count Basie All Stars

    • The Jimmy Giuffre Trio

    • Mal Waldron

    • Pee Wee Russell




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Wild Man Blues - The Henry "Red" Allen All-Stars

    2. Rosetta -  Henry Allen And His Orchestra

    3. Fine And Mellow - Billie Holiday with Mal Waldron & The All Stars

    4. Blues - Jimmy Giuffre;Pee Wee Russell

    5. I Left My Baby - Count Basie with All-Stars featuring Jimmy Rushing

    6. The Train And The River -  The Jimmy Giuffre Trio

    7. Nervous - Mal Waldron

    8. Dickie's Dream - Count Basie with All-Stars

    9. Wild Man Blues (Alternate Take) - The Henry "Red" Allen All-Stars
    Various Artists
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • At Storyville At Storyville Quick View

    $24.99
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    At Storyville

    Billie Holiday Is Captured Live At Storyville In Boston In 3 Sets Separated By Two Years From 1951-1953


    From The Historic Black Lion Records Archive


    Remastered And Pressed On Audiophile-Grade Vinyl At Pallas Group In Germany


    Previously Out Of Press On Vinyl For Over 25 Years


    Billie Holiday is captured live in three unique sets at Storyville in Boston, separated by two years from 1951-53. These discreet recordings capture "Lady Day" in prime emotive voice. On most of the selections she is accompanied by the Carl Drinkard Trio, but six others find her joined by Buster Harding's Trio; the great tenor Stan Getz sits in on three of these numbers.


    Previously out of press for over 25 years, this historic recording has now been remastered and pressed on audiophile-grade 140gram vinyl at Pallas Group in Germany.

    1. I Cover The Waterfront
    2. Too Marvelous For Words
    3. I Love You Porgy
    4. Them There Eyes
    5. Willow Weep For Me
    6. I Only Have Eyes For You
    7. You Go To My Head
    8. He's Funny That Way
    9. Billie Blues
    10. Miss Brown To You
    11. Lover Come Back To Me
    12. Ain't Nobody's Business If I Do
    13. You're Driving Me Crazy
    Billie Holiday
    $24.99
    Vinyl LP - Sealed Buy Now
  • Greatest Hits (Awaiting Repress) Greatest Hits (Awaiting Repress) Quick View

    $42.99
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    Greatest Hits (Awaiting Repress)

    180 Gram Translucent Gold Colored Vinyl With Gatefold Cover


    During the 1970s, a new brand of pop music was born - one that was steeped in African and African-American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force-feeding listeners' spiritual content."Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.After graduating high school, Maurice moved to the Windy City to continue his musical education at the prestigious Chicago Conservatory Of Music. He continued picking up drumming jobs on the side, which eventually lead to a steady spot as a studio percussionist with the legendary Chicago label, Chess Records. At Chess, Maurice had the privilege of playing with such greats as Etta James, Fontella Bass, Billy Stewart, Willie Dixon, Sonny Stitt and Ramsey Lewis, whose trio he joined in 1967. He spent nearly three years as part of the Ramsey Lewis Trio. "Ramsey helped shape my musical vision beyond just the music," Maurice explains. "I learned about performance and staging." Maurice also learned about the African thumb piano, or Kalimba, an instrument whose sound would become central to much of his work over the years.In 1969, Maurice left the Ramsey Lewis Trio and joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends got a recording contract with Capitol and called themselves the "Salty Peppers," and had a marginal hit in the Midwestern area called "La La Time." That band featured Maurice on vocals, percussion and Kalimba along with keyboardists/vocalists Wade Flemons and Don Whitehead.


    After relocating to Los Angeles and signing a new contract with Warner Bros., Maurice simultaneously made what may have been the smartest move of his young career. He changed the band's name to Earth, Wind & Fire (after the three elements in his astrological chart). The new name also captured Maurice's spiritual approach to music - one that transcended categories and appealed to multiple artistic principals, including composition, musicianship, production, and performance. In addition to White, Flemons and Whitehead, Maurice recruited Michael Beal on guitar, Leslie Drayton, Chester Washington and Alex Thomas on horns, Sherry Scott on vocals, percussionist Phillard Williams and his younger brother Verdine on bass.


    Earth, Wind & Fire recorded two albums for Warner Brothers: the self-titled 1970 album Earth, Wind And Fire and the 1971 album The Need Of Love. A single from this album, "I Think About Lovin' You," provided EWF with their first Top 40 R&B hit. Also in 1971, the group performed the soundtrack to the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'.


    In 1972, White dissolved the line-up (except he and brother Verdine White) and added Jessica Cleaves (vocals - formerly of the R&B group The Friends of Distinction), Ronnie Laws (flute, saxophone), Roland Bautista (guitar), Larry Dunn (keyboard), Ralph Johnson (percussion) and Philip Bailey (vocals, formerly of Friends & Love). Maurice became disillusioned with Warner Brothers, which had signed the group primarily as a jazz act. Maurice, in contrast, was more interested in combining elements of jazz, rock, and soul into an evolving form of fusion, a truly universal sound.


    A performance at New York's Rockefeller Center introduced EWF to Clive Davis, then President of Columbia Records. Davis loved what he saw and bought their contract from Warner Bros. With Columbia Records, debuting with the 1972 album Last Days And Time, the group slowly began to build a reputation for innovative recordings and exciting, live shows, complete with feats of magic (floating pianos, spinning drum kits, vanishing artists) engineered by Doug Henning and his then-unknown assistant David Copperfield. Their first gold album, Head To The Sky, peaked at number 27 pop in the summer of 1973, yielding a smooth tangy cover of "Evil" and the title track single. The first platinum EWF album, Open Our Eyes, whose title track was a remake of the classic originally recorded by Savoy Records group the Gospel Clefs, included "Mighty Mighty" (number four R&B) and "Kalimba Story" (number six R&B).


    Maurice once again shared a label roster with Ramsey Lewis, whose Columbia debut Sun Goddess, was issued in December 1974. The radio-aired title track was released as a single under the name Ramsey Lewis and Earth, Wind & Fire. It went to number 20 R&B in early 1975. The Sun Goddess album went gold, hitting number 12 pop in early 1975. Maurice had also played on Lewis' other high-charting album, Wade In The Water; the title track single peaked at number three R&B in the summer of 1966.


    The inspiration for "Shining Star" (one of EW&F's most beloved singles) was gleaned from thoughts Maurice had during a walk under the star-filled skies that surrounded the mountains around Caribou Ranch, CO a popular recording site and retreat during the '70s. The track was originally included in the 'That's The Way Of The World' movie that starred Harvey Keitel and was produced by Sig Shore (Superfly). "Shining Star" glittered at number one R&B for two weeks and hit number one pop in early 1975. It was included on their 1975 multi-platinum album That's The Way Of The World that held the number one pop spot for three weeks in Spring 1975 and earned them their first Grammy Award. The title track single made it to number five R&B in summer of 1975. It also yielded the classic ballad "Reasons," an extremely popular radio-aired album track.


    The multi-platinum album Gratitude held the number one pop album spot for three weeks in late 1975. On the album was "Singasong" (gold, number one R&B for two weeks, number five pop), the Skip Scarborough ballad "Can't Hide Love" (number 11 R&B), and the popular radio-aired album tracks "Celebrate," "Gratitude," and the live version of "Reasons." In 1976, Maurice decided he wanted to record a spiritual album. The multi-platinum album Spirit parked at number two pop for two weeks in fall of 1976 and boasted the gold, number one R&B single "Getaway" and "Saturday Nite." Spirit is remembered as one of EWF's best albums and sadly for also being the last project of Producer Charles Stepney. He died May 17, 1976, in Chicago, IL, at the age of 45. Charles was a former Chess Records arranger/producer/session musician/multi-instrumentalist/songwriter and Maurice's main collaborator on his EWF projects. The multi-platinum album All 'N All peaked at number three pop in late 1977, won three Grammy's, and had arrangements by Chicago soul mainstay Tom Tom Washington and Eumir Deodato. The singles were "Serpentine Fire" (number one R&B for seven weeks) and "Fantasy." The group's horn section, the legendary Phenix Horns (Don Myrick on saxophone, Louis Satterfield on trombone, Rahmlee Michael Davis and Michael Harris on trumpets) became an integral part of the Earth, Wind & Fire sound.


    During this time, Maurice produced several artists such as The Emotions (1976's Flowers and 1977's Rejoice which included the number one R&B/pop hit "Best Of My Love") and Deniece Williams (1976's This Is Niecy which included the Top Ten R&B hit "Free"). In the late seventies, in association with Columbia Records, Maurice also launched a record label, ARC.


    The multi-platinum greatest-hits set The Best Of Earth, Wind & Fire, Vol. I included a cover of the Beatles' "Got To Get You Into My Life" went to number one R&B and number nine pop in Summer 1978. The group performed the song in the 1978 Bee Gees/Peter Frampton movie 'Sgt. Pepper's Lonely Hearts Club Band'. Another single, "September," made it to number one R&B, number eight pop in early 1978. On the flip side was the enchanting popular radio-aired album track "Love's Holiday" from All 'N All.


    Their live performances were stellar as well. Sellout crowds were spellbound by the band's bombastic performances. Their performances blasted a cosmic wave of peace, love and other happy vibrations to audiences using a combination of eye-popping costumes, lights, pyrotechnics and plain old good music. Sometimes they even threw in magic illusions. Earth, Wind & Fire's message was one of universal harmony, in both musical and cultural senses. "We live in a negative society," Maurice told Newsweek. "Most people can't see beauty and love. I see our music as medicine."


    The multi-platinum album I Am hit number three pop in Summer 1979 on the strength of the million-selling single "Boogie Wonderland" with The Emotions (number two R&B for four weeks, number six pop) and the phenomenal gold ballad "After The Love Has Gone," written by David Foster, Jay Graydon and Bill Champlin that stayed at number two R&B/pop for two weeks. Their Faces album peaked at number ten pop in late 1980 and was boosted to gold by the singles "Let Me Talk" (number eight R&B), "You" (number ten R&B), and "And Love Goes On."


    The million-selling funked-up "Let's Groove," co-written by The Emotions' Wanda Vaughn and her husband Wayne Vaughn, was the track that re-energized EWF's career, parking at number one R&B for eight weeks and number three pop, causing their Raise! album to go platinum (hitting number five pop in late 1981). Their next gold album Powerlight made it to number 12 pop in spring 1983 and included the Top Ten R&B single and Grammy-nominated "Fall In Love With Me." Their 1983 Electric Universe album stalled at number 40 pop, breaking the band's string of gold, platinum and multi-platinum albums.


    In 1983, Maurice decided he and the band needed a break. During this hiatus, Maurice recorded his self-titled solo album Maurice White and produced various artists including Neal Diamond, Barbra Streisand and Jennifer Holliday. Reuniting with the band in 1987, EWF released the album Touch The World and scored yet another number one R&B single, "System of Survival" and embarked on a corresponding nine-month world tour. This was followed by the 1988 release The Best Of Earth, Wind & Fire Vol. II.


    In 1990 the group released the album Heritage. Two years later, Earth, Wind & Fire released The Eternal Dance; a 55-track boxed set retrospective of the band's entire history. The appearance of such a project after a prolonged period of relative inactivity signaled to many listeners that the band was calling it quits but that did not turn out to be case. In 1993, EWF released the album, Millennium that included the Grammy-nominated "Sunday Morning" and "Spend The Night."


    Earth, Wind & Fire kept recording and in 1996 released Avatar and Greatest Hits Live; followed by 1997's In The Name Of Love; 2002's That's The Way Of The World: Alive In '75; Live In Rio which was recorded during their 1979 "I Am World Tour;" 2003's The Promise, which included the Grammy-nominated "Hold Me" and 2005's Illumination, which included the Grammy-nominated "Show Me The Way."


    In 2000, the nine-piece '70s edition of Earth, Wind & Fire reunited for one night only in honor of their induction into The Rock And Roll Hall Of Fame. In 2001, Eagle Rock Entertainment released the documentary 'Earth, Wind & Fire: Shining Stars', which contains rarely seen historic video footage along with in-depth interviews with the band members.


    Even though Maurice is no longer a part of the touring group, he remains the band's heart and soul from behind the scenes as composer and producer. Maurice reflects, "I wanted to create a library of music that would stand the test of time. 'Cosmic Consciousness' is the key component of our work. Expanding awareness and uplifting spirits is so important in this day. People are looking for more. I hope our music can give them some encouragement and peace."

    LP 1
    1. Shining Star

    2. That's The Way Of The World
    3. September

    4. Can't Hide Love

    5. Got To Get You Into My Life
    6. Sing A Song

    7. Gratitude

    8. Serpentine Fire

    9. Fantasy


    LP 2
    1. Kalimba Story
    2. Mighty Mighty

    3. Reasons

    4. Saturday Nite

    5. Let's Groove

    6. Boogie Wonderland ( with The Emotions)
    7. After The Love Has Gone

    8. Getaway

    Earth, Wind & Fire
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs AWAITING REPRESS Buy Now
  • The Essential Rare Collection The Essential Rare Collection Quick View

    $22.99
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    The Essential Rare Collection

    Translucent Red Vinyl


    Collector's edition 12" translucent red vinyl pressing featuring Lady Day herself, Billie Holiday, and some of her signature tunes including "Lover Man," "God Bless The Child," "Don't Explain" and more!

    1. Any Old Time
    2. Lover Man
    3. Don't Explain
    4. God Bless The Child
    5. My Man
    6. All Of Me
    7. They Can't Take That Away From Me
    8. Swing, Brother, Swing
    9. I Can't Get Started
    10. Fine And Mellow
    11. The Blues Are Brewin'
    12. Do You Know What It Means To Miss New Orleans?
    Billie Holiday
    $22.99
    Colored Vinyl LP - Sealed Buy Now
  • Lady Day (Pure Pleasure) Lady Day (Pure Pleasure) Quick View

    $34.99
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    Lady Day (Pure Pleasure)

    Excerpt from George Avakian's notes on the album sleeve:



    When planning this album, I had a hellish time trying to choose what I thought were the absolute cream of Billie Holiday. In the course of this wrestling, it struck me that not only were Billie's vocals incredibly perfect, but that I could not remember a single instance of anyone playing a bad solo or even a bad phrase among the hundred or more performances I had to choose from in the golden period of her work. Checking over records (which was almost unnecessary, because I could still remember them almost note for note) was a rather beautiful and somewhat shattering experience. Jazz, a product of so many things - musical evolution, the social scene of a particular time, the economic atmosphere of the moment, what somebody had for breakfast that day - and none of those tings will ever come together again as they did when these records were made.



    Musicians:



    • Billie Holiday (vocal)

    • Ben Webster, Lester Young (tenor saxophone)

    • Johnny Hodges (alto saxophone)

    • Roy Eldridge, Buck Clayton (trumpet)

    • Benny Goodman, Art Shaw (clarinet)

    • John Truehart (guitar)

    • Teddy Wilson (piano)

    • John Kirby (bass)

    • Cozy Cole, Joe Jones (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Miss Brown To You
    2. I Wished On the Moon
    3. What A Little Moonlight Can Do
    4. If You Were Mine
    5. Summertime
    6. Billie's Blues
    7. I Must Have That Man
    8. Foolin' Myself
    9. Easy Living
    10. Me, Myself and I
    11. A Sailboat In the Moonlight
    12. I Cried For You
    Billie Holiday
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Recital (Speakers Corner) Recital (Speakers Corner) Quick View

    $34.99
    Buy Now
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    Recital (Speakers Corner)

    Almost 45 years have passed since the death of 'Lady Day'. About 50 years ago she could be seen and heard in just a few rare concerts outside the USA. Alcohol, drugs, affairs and racial discrimination in the USA had all left their mark on her and only her voice served as a reminder of her great successes.



    It is thanks to Norman Granz that Billie Holiday signed a new, lucrative contract in the early Fifties. He drew the very best musicians into the studio and paid for excellent arrangers so that Billie had an opportunity to sing her old songs once again and record them for posterity in the very best sound quality.



    Entitled Recital, this disc compiles numbers from 1952 and 1954 which were recorded with various accompanists. The musicians themselves kept a low profile out of respect for Billie Holiday; even Oscar Peterson shows himself to be a sensitive accompanist, while Paul Quinichette demonstrates that he is a very capable replacement for Lester Young. In this repertoire taken from musical and songbooks from 1921 to 1935, 'Lady Day' manages to convey her personality and life story - even in the softest of songs! Those with quick tempi, too, such as What A Little Moonlight Can Do - one of the outstanding numbers here - shine out with a personal touch. It is not only young talented singers who should listen to these masterpieces at least a dozen times per week - these gems will delight the passive music lover too.



    Musicians:



    • Billie Holiday (vocal)

    • Charlie Shavers, Joe Newman (trumpet)

    • Flip Philips, Paul Quinichette (tenor saxophone)

    • Oscar Peterson (piano, organ)

    • Herb Ellis, Barney Kessel (guitar)

    • Ray Brown (bass)

    • Alvin Stoller, Gus Johnson (drums)




    Recording: May and July 1952, April 1954 in New York

    Production: Norman Granz





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. If the Moon Turns Green
    2. Remember
    3. Autumn in New York
    4. My Man
    5. Lover Come Back to Me
    6. Stormy Weather
    7. Yesterdays
    8. He's Funny That Way
    9. I Can't Face the Music
    10. How Deep is the Ocean
    11. What a Little Moonlight Can Do
    12. I Cried for You
    Billie Holiday
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wild Women Don't Have The Blues (Pure Pleasure) Wild Women Don't Have The Blues (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Wild Women Don't Have The Blues (Pure Pleasure)

    Although singer Nancy Harrow made a strong impression with this debut recording, she did not lead another record date until 1978 other than a lesser-known effort for Atlantic in 1966. Obviously the years of obscurity were not deserved, for this set is a near-classic. Harrow is heard in her early prime singing such veteran songs as All Too Soon, On the Sunny Side of the Street, the seven-minute Blues for Yesterday, and the title cut (originally done by Ida Cox in the 1920s). A more modern stylist (although influenced by Billie Holiday a little) than the material she performed at the time, Harrow is joined by such top mainstream players as trumpeter Buck Clayton (who provided the arrangements), tenorman Buddy Tate, trombonist Dickie Wells, and pianist Dick Wellstood. Highly recommended, Harrow's debut date has plenty of spirit and enthusiasm.




    Musicians:



    • Nancy Harrow (vocal)

    • Buck Clayton (trumpet, conductor, arranger)

    • Buddy Tate (tenor saxophone)

    • Dickie Wells (trombone)

    • Tom Gwaltney (clarinet, alto saxophone)

    • Danny Bank (baritone saxophone)

    • Dick Wellstood (piano)

    • Kenny Burrell (guitar)

    • Milt Hinton (bass)

    • Oliver Jackson (drums)




    Recording: November 1960 at Nola Penthouse Studios, New York City, by Bob d'Orleans

    Production: Nat Hentoff




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Take Me Back Baby
    2. All Too Soon
    3. Cant We Be Friends
    4. On The Sunny Side Of The Street
    5. Wild Women Dont Have The Blues
    6. Ive Got The World On A String
    7. I Dont Know What Kind Of Blues Ive Got
    8. Blues For Yesterday
    Nancy Harrow
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Lady In Satin Lady In Satin Quick View

    $20.99
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    Lady In Satin

    Billie Holiday is undeniably one of the most influential singers of the twentieth century. As the first vocalist to cite instruments and especially the horns of Louis Armstrong and Lester Young as her main inspiration, she was one of the most relentlessly individual singers of the jazz age, transforming silly Tin Pan Alley songs into jazz standards. But her biography also reads as one of the saddest tales of the modern age. Her talents came at a cost; the price seemed to be a predilection for bad men and an addiction to drugs.


    Lady In Satin is the last major recording of Billie Holiday that was released during her lifetime, and it is also the most controversial. Ray Ellis' seem like a harsh contrast to Holiday's broken and fragile voice. Ellis himself was, at first, disappointed by the quality of the recording. It was only after listening more closely that he realized the beauty of these sessions and understood why Billie ranked this album as her favorite. More than any of her other recordings, Lady In Satin calls for an emotional rather than a musical listening.

    1. I'm A Fool to Want You
    2. For Heaven's Sake
    3. You Don't Know What Love Is
    4. I Get Along Without You Very Well
    5. For All We Know (Album Version)
    6. Violets for Your Furs
    7. You've Changed
    8. It's Easy to Remember
    9. But Beautiful
    10. Glad to Be Unhappy
    11. I'll Be Around
    Billie Holiday
    $20.99
    Vinyl LP - Sealed Buy Now
  • Pastel Blues Pastel Blues Quick View

    $24.99
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    Pastel Blues

    Pastel Blues features Be My Husband and was written by Andrew Stroud, Simone's husband and manager at the time. She sings it a cappella with her handclapping and a hi-hat as her only accompaniment. The song was later retitled as Be Your Husband and covered by Jeff Buckley on Live at Sin-É (2003). The album also features covers of Billie Holiday songs, Tell Me More and More and Then Some and Strange Fruit.
    1. Be My Husband
    2. Nobody Knows You When You're Down and Out
    3. End of the Line
    4. Trouble in Mind
    5. Tell Me More and More and Then Some
    6. Chilly Winds Don't Blow
    7. Ain't No Use
    8. Strange Fruit
    9. Sinnerman
    Nina Simone
    $24.99
    Vinyl LP - Sealed Buy Now
  • Special Requests (and other favorites) Special Requests (and other favorites) Quick View

    $18.99
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    Special Requests (and other favorites)

    Kenny Burrell has appeared on so many essential jazz
    recordings that jazz history and his biography seem
    irretrievably intertwined. Billie Holiday's valedictory
    rumination Lady Sings the Blues, Jimmy Smith's epochal funk
    throwdown Back at the Chicken Shack, Tony Bennett's Carnegie
    Hall debut - Kenny Burrell played guitar for them all. Even Jimi
    Hendrix once remarked, Kenny Burrell - that's the sound I'm
    looking for. Here is Burrell captured live at the West-Coast jazz
    mecca, Catalina's, in an easy-going program of some of his
    most-requested tunes along with a few of his personal favorites
    thrown in. Jazz tunes by Benny Golson, Freddie Hubbard, the
    Duke and others are here all given the ever-tasteful Burrell
    treatment.


    Musicians:

    Kenny Burrell, guitar

    Justo Almario, tenor sax

    Tom Ranier, piano

    Tony Dumas, bass

    Clayton Cameron, drums

    1. Killer Joe
    2. Little Sunflower
    3. The Summer Knows
    4. Make Someone Happy
    5. Bye Bye Blackbird
    6. In a Sentimental Mood
    Kenny Burrell
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Songs For Distingue Lovers Songs For Distingue Lovers Quick View

    $49.99
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    Songs For Distingue Lovers

    ...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011


    It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence - a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, distingue; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available at 45 RPM!


    Originally released in 1957.

    1. Day In Day Out
    2. A Foggy Day
    3. Stars Fell On Alabama
    4. One For My Baby (And One More For The Road)
    5. Just One Of Those Things
    6. I Didn't Know What Time It Was
    Billie Holiday
    $49.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Lady In Satin (Pre-Order) Lady In Satin (Pre-Order) Quick View

    $19.99
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    Lady In Satin (Pre-Order)

    Billie Holiday presents Lady In Satin. Features exclusive cover by photographer Jean-Pierre Leloir.
    1. I'm A Fool To Want You
    2. For Heaven's Sake
    3. You Don't Know What Love Is
    4. I Get Along Without You Very Well
    5. For All We Know
    6. Violets For Your Furs
    7. You've Changed
    8. It's Easy To Remember
    9. But Beautiful
    10. Glad To Be Unhappy
    11. I'll Be Around
    12. The End Of A Love Affair
    Billie Holiday
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Nostalgia Nostalgia Quick View

    $21.99
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    Nostalgia

    Annie Lennox describes Nostalgia as the album she has been waiting her whole life to record. Produced by Lennox and frequent collaborator Mike
    Stevens, the collection features hauntingly beautiful takes on iconic American songs such as "Summertime," "Mood Indigo" and "Strange Fruit." While the
    album pays tribute to some of the greatest artists of the 20th century (Duke Ellington, George Gershwin, Billie Holiday), the songs were also chosen for
    their continuing ability to resonate in the 21st century. The Scottish artist has sold 80 million records and won four GRAMMYs, two MTV VMAs, an Oscar
    and a Golden Globe. VH1 named her "The Greatest White Soul Singer Alive" and Rolling Stone counted her as one of "The 100 Greatest Singers of All
    Time."
    1. Memphis In June
    2. Georgia On My Mind
    3. I Put A Spell On You
    4. Summertime
    5. I Cover The Waterfront
    6. Strange Fruit
    7. God Bless The Child
    8. You Belong To Me
    9. September In The Rain
    10. I Can Dream, Can't I?
    11. The Nearness Of You
    12. Mood Indigo
    Annie Lennox
    $21.99
    Vinyl LP - Sealed Buy Now
  • All Or Nothing At All (Bonus Track) All Or Nothing At All (Bonus Track) Quick View

    $24.99
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    All Or Nothing At All (Bonus Track)

    Import


    Includes Bonus Track, from the same session but not on the original LP

    1. Do Nothin' Till You Here From Me
    2. Cheek To Cheek
    3. Ill Wind
    4. Speak Low
    5. I Wished On The Moon
    6. But Not For Me
    7. All Or Nothing At All
    8. We'll Be Together Again
    9. Sophisticated Lady
    10. April In Paris
    11. Say It Isn't
    12. Love Is Here To Stay
    13. Moonlight In Vermont*


    *Bonus Track

    Billie Holiday
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Lady Sings the Blues Lady Sings the Blues Quick View

    $19.99
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    Lady Sings the Blues

    Billie Holiday presents Lady Sings the Blues. Features exclusive cover by photographer Jean-Pierre Leloir.
    1. Trav'lin' Light
    2. I Must Have That Man
    3. Some Other Spring
    4. Lady Sings The Blues
    5. Strange Fruit
    6. God Bless The Child
    7. Good Morning, Heartache
    8. No Good Man
    9. Love Me Or Leave Me
    10. Too Marvelous For Words
    11. Willow Weep For Me
    12. I Thought About You
    13. Stormy Blues
    Billie Holiday
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Songs For Distingue Lovers Songs For Distingue Lovers Quick View

    $24.99
    Buy Now
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    Songs For Distingue Lovers

    Import


    Classic Jazz LP

    Collector's Edition

    Newly Remastered

    One Pressing Limited Edition

    Deluxe Inner Sleeves

    1. Day In, Day Out

    2. A Foggy Day

    3. Stars Fell On Alabama

    4. Comes Love

     

    1. One For My Baby

    2. Just One Of Those Things

    3. I Didn't Know What Time It Was

    4. Moonlight In Vermont
    Billie Holiday
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Body And Soul (45 RPM) Body And Soul (45 RPM) Quick View

    $49.99
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    Body And Soul (45 RPM)

    Mastered by George Marino at Sterling Sound


    Small jazz groups brought out the best in Billie Holiday - especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Harry Sweets Edison and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards, including three gems by the Gershwin brothers -and she rarely sounded more luminous.


    Originally released in 1957.

    1. Body and Soul
    2. They Can't Take That Away from Me
    3. Darn That Dream
    4. Let's Call the Whole Thing Off
    5. Comes Love
    6. Gee Baby, Ain't I Good to You
    7. Embraceable You
    8. Moonlight in Vermont
    Billie Holiday
    $49.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • The Bridge The Bridge Quick View

    $29.99
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    The Bridge

    180 Gram LP Mastered from the Original Master Tapes


    This 1962 Record Marks Rollins' Return After Taking a Voluntary Break to Refine His Playing


    How badly did Sonny Rollins want to refine his playing? The saxophonist shocked the world in 1959 and took a break, returning in 1962 with this splendiferous set, named after the Williamsburg Bridge, where he practiced by himself. He's paired here with guitarist Jim Hall, whose communicative lines, along with Rollins' esteemed solos and melancholy patterns, gives The Bridge lofty status. The quartet tackles both originals and standards such as Billie Holiday's God Bless the Child and Cole Porter's You Do Something to Me, turning up aces every time.


    Mastered from the original master tapes, ORG Music's 180 gram LP presents this Bluebird/RCA classic in the finest analog sound it's ever known. Everything from each of Rollins' dip-and-dive patterns to the patter of Ben Riley's drums is heard with extreme detail and range.

    1. Without a Song
    2. Where Are You?
    3. John S.
    4. The Bridge
    5. God Bless the Child
    6. You Do Something to Me
    Sonny Rollins
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Live in Cologne 1954 Live in Cologne 1954 Quick View

    $49.99
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    Live in Cologne 1954

    In January 1954, twelve American musicians traveled to Europe under the tour title Jazz Club USA, named after Leonard Feather s radio show. Feather also sent his own mini-festival on tour: a trio with singing pianist Beryl Brooker, another trio led by Red Norvo, the quartet of Buddy DeFranco, and singer Billie Holiday. Having had an encounter with her abusive husband the evening prior, Billie appeared onstage in Cologne wearing dark sunglasses, and the repertoire included a song written by her entitled I Love My Man (a.k.a. Billie's Blues ). The singer may have been battered by her disastrous life, but she was nevertheless able to move her audience.
    LP1
    1. Billie's Blues
    2. All of Me
    3. I Cover the Waterfront
    4. Them There Eyes
    5. My Man
    6. What a Little Moonlight Can Do
    7. I'll Remember April
    8. Over the Rainbow
    9. Bass Solo


    LP2
    1. Now's the Time
    2. Sweet Georgia Brown
    3. Skittish*
    4. Rifftide*


    *Bonus Tracks

    Billie Holiday & Buddy DeFranco Quartet
    $49.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Trav'lin' Light Trav'lin' Light Quick View

    $24.99
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    Trav'lin' Light

    A tribute to Anita O'Day's idol Billie Holiday -- who had died less than two years before the making of this recording -- O'Day's performances here are more notable for what she didn't borrow from her vocal role model. Selections like the title track find her generating a slightly bitter tone quality and languorous phrasing in the manner of Holiday, but most of this beautiful record find O'Day going her own way in a more forthright, less vulnerable manner. While O'Day's version of God Bless the Child doesn't really make it, just about everything else is marvelous. Half of the tracks feature a small group led by guitarist Barney Kessel while the other half -- the more effective tracks, actually -- feature now-exuberant, now-exquisite arrangements for big band by Johnny Mandel that make haunting use of muted brass at ballad tempos. This was O'Day's favorite among her Norgran/Verve albums.

    -All Music Guide
    1. Trav'lin Light
    2. The Moon Looks Down And Laughs
    3. Don't Explain
    4. Remember
    5. Some Other Spring
    6. What A Little Moonlight Can Do
    7. Miss Brown To You
    8. God Bless The Child
    9. If The Moon Turns Green
    10. I Hear Music
    11. Lover Come Back To Me
    12. Crazy He Calls Me
    13. Yesterdays*


    *Bonus Track

    Anita O'Day
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Seesaw Seesaw Quick View

    $29.99
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    Seesaw

    Seesaw reunites force-of-nature blues-rock vocalist Beth Hart and guitar hero Joe Bonamassa for a second album of choice covers from various musical eras. As with their first outing, Don't Explain, the project is in collaboration with producer Kevin Shirley (Joe Bonamassa, Led Zeppelin, Aerosmith, Black Crowes). Each of the three principals suggested and selected tracks for the 11-song set list, which mines soulful classics previously made famous by Aretha Franklin, Etta James, Billie Holiday, Donnie Hathaway, Lucinda Williams, Buddy Miles, Tina Turner, Slackwax, Melody Gardot, and Nina Simone.


    The one-two punch of Hart's powerhouse vocals and Bonamassa's scorching solos both honors and reinvents the original recordings. They are backed by the same world class band that kept the grooves going on Don't Explain: Anton Fig (drums, percussion), Carmine Rojas (bass), Blondie Chaplin (rhythm guitar, backing vocals and percussion), Arlan Schierbaum (organ, piano). This time out, their mighty sound is augmented by a horn section, with Lee Thornburg on trumpets and trombones, and Ron Dziubla on saxophones.


    For Hart and Bonamassa, making music together grew out of the friendship and mutual artistic appreciation they developed after crossing paths on the road numerous times, particularly on the festival circuit in Europe. Bonamassa wanted to do a project with her, and came up with the idea for a soul covers record. Shirley, who's produced 12 of Bonamassa's albums, was enthusiastic, and Bonamassa contacted Hart. "When I got the call that he wanted to do a soul record with me, I figured I'd be the background singer. He said 'no, you're singing lead.'" The chemistry clicked, and Don't Explain was released in 2011, followed now by 2013's Seesaw-in between, both Hart and Bonamassa have toured, recorded solo albums, and reached new career highs.


    "What's so cool about these projects is that when Joe and Beth enter the studio, he comes in as a guitar player, and she comes in as a singer," says Shirley. "They're getting together just to play fun music, sing some favorite songs, without the pressure of career issues they might have on solo projects. The point is to pick up and celebrate songs that didn't get their due in the day, and to pay homage to ones that were truly classics. The vibe this time is more upbeat than on Don't Explain, lots of big band horns."

    1. Them There Eyes
    2. Close to My Fire
    3. Nutbush City Limits
    4. I Love You More Than You'll Ever Know
    5. Can't Let You Go
    6. Miss Lady
    7. If I Tell You I Love You
    8. Rhymes
    9. A Sunday Kind of Love
    10. Seesaw
    11. Strange Fruit
    Beth Hart & Joe Bonamassa
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Bare Bones Bare Bones Quick View

    $49.99
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    Bare Bones


    Acclaimed 2009 Gem Is Jazz Chanteuse's First Album Of Originals


    Extraordinary Sound Transports Listeners To A Small Coffeehouse: You Need To Hear This On Vinyl!


    Peyroux's Half The Perfect World And Careless Love Also Available On Mofi 180-gram LP


    Having proven several times over that shes among the premier vocal jazz singers on the planet with Half the Perfect World and Careless Loveboth available as limited-edition 180-gram LPs from Mobile FidelityMadeleine Peyroux makes her mark as a songwriter on the exquisite Bare Bones, her first album of originals. A thematic record that begins with wariness, moves to loss, builds to acceptance, and finishes with hope, the critically acclaimed set is Peyrouxs most soul-baring effort.


    The records title says it all. Deeply personal and eminently mature, the chanteuse strips everything down, from her emotional guard to the arrangements. Peyroux penned many of the songs with longtime producer Larry Klein (Joni Mitchell), and also co-wrote the standout You Cant Do Me with Steely Dan legend Walter Becker. As expected, a tart wittiness defines the lyrics, demonstrating Peyrouxs continual growth as an artist. Becker's contributions also spice the title track, while noted tunesmiths Joe Henry and Julian Coryell assist on other songs. As usual, the singer enjoys the sparse, elegant backing of a small group of first-rate musicians. Peyrouxs alto vocals shine.


    The empress of the jazzy, languid groove does what she has done on her two bestsellers (and her half-forgotten 1996 debut); purr intimately about life and the iniquities of love over retro backings of brushed drums and polite piano that evoke Billie Holiday. Neil Spencer, The Observer, March 2009


    Sonically, Bare Bones continues Peyrouxs tradition of making some of the best-sounding albums around. Her tunesdirect, emotional, beautiful, detailedbenefit from production that emphasizes her strengths and puts a spotlight on the songs, not on any unnecessary tricks or embellishments. This is strictly about the music, its emotional effects on the listener, and the universal healing power of feelings associated with lost love and recovery.


    Its hard to imagine a candlelit cocktail bar that wouldnt benefit from playing Madeleine Peyrouxs fourth album, Bare Bones. The ear loves to catch on the inflections of her supple alto, the clear picking on her acoustic guitar, the pacing as slow as a hand-stitched dress. Margaret Wappler, Los Angeles Times, March 2009


    Half-speed mastered from the original analog tapes, Mobile Fidelitys 180-gram 2-LP set enhances the experiences of hearing Peyrouxs languorous gems. Transparent, airy, three dimensional, fully textured, and featuring extended response from the acoustic bass and guitars, this analog pressing puts you in the middle of a coffeehouse, with Peyroux and her small ensemble seated a few feet in front of you. Its that good.


    Mobile Fidelitys collector's vinyl editions of Peyrouxs earlier hit studio albums have sold quickly. Dont wait on this.


    This title is not eligible for discount.

    1. Instead

    2. Bare Bones

    3. Damn the Circumstances

    4. River of Tears

    5. You Can't do Me

    6. Love and Treachery

    7. Our Lady of Pigalle

    8. Homeless Happiness

    9. To Love You All Over Again

    10. I Must Be Saved

    11. Somethin' Grand

    Madeleine Peyroux
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
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