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  • Basic Series Acrylic Dust Cover - VPI Nomad, VPI Player, VPI Scout Jr, VPI Scout, and Shinola Runwell Basic Series Acrylic Dust Cover - VPI Nomad, VPI Player, VPI Scout Jr, VPI Scout, and Shinola Runwell Quick View

    $99.00
    Buy Now
    x

    Basic Series Acrylic Dust Cover - VPI Nomad, VPI Player, VPI Scout Jr, VPI Scout, and Shinola Runwell

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    The Only Dust Cover Authorized By VPI Industries


    In order to protect your investment in a VPI turntable, AudioShield created a product line that supports production VPI turntables.


    This cover supports the VPI Nomad, VPI Player, VPI Scout Jr, VPI Scout, and Shinola Runwell turntable. Not compatible with the Scout II SE.


    This product is 100% made in the United States of America.


    AudioShield warrants this unit against defects in materials and/or workmanship for 90 days from the date of purchase.


    Product Dimensions:

    Width: 18.75

    Depth: 14

    Height: 4.25


    Turntable not included in purchase.

    AudioShield
    $99.00
    VPI Dust Cover - Plinth Buy Now
  • Prestige Series Black Cartridge Prestige Series Black Cartridge Quick View

    $75.00
    Buy Now
    x

    Prestige Series Black Cartridge

    The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.


    The newly redesigned Black1 and Green1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Black1 and Green1 models use a three piece OTL cantilever technology, standard oxygen free wire in the coils and Grado's specially designed elliptical diamond mounted in a brass bushing. The Green1 model is selected from the Black1 production run and meets higher test specifications. Approximately 15% of the production run will meet these standards and become Green1 models.


    Frequency Response: 10-55

    Principal: MI

    Channel Separation at 1KHz: 30

    Input Load: 47K

    Output at 1KHz 5CM/Sec.: 5mV

    Recommended Tracking Force: 1.5

    Stylus Type: E

    Inductance: 45mH

    Resistance: 475

    Compliance CUs: 20

    Stylus Replacement F: U

    Mounting: S/P

    Weight: 5.5


    This product is not eligible for discount.

    Grado Cartridges
    $75.00
    Cartridge Buy Now
  • Prestige Series Silver Cartridge Prestige Series Silver Cartridge Quick View

    $225.00
    Buy Now
    x

    Prestige Series Silver Cartridge

    The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.


    The newly redesigned Silver1 and Gold1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Silver1 and gold1 models use a four piece OTL cantilever technology, ultra-high purity long crystal (UHPLC) oxygen free copper wire in the coils and Grado's specially designed elliptical diamond mounted on a brass bushing. The Gold1 model is selected from the Silver1 production run and meets higher test specifications. Approximately 5% of the production run meet these standards and become Gold1 models.


     


    Frequency Response: 10-60

    Principal: MI

    Channel Separation at 1KHz: 35

    Input Load: 47K

    Output at 1KHz 5CM/Sec.: 5mV

    Recommended Tracking Force: 1.5

    Stylus Type: E

    Inductance: 45mH

    Resistance: 475

    Compliance CUs: 20

    Stylus Replacement F: U

    Mounting: S/P

    Weight: 5.5



    This product is not eligible for discount.

    Grado Cartridges
    $225.00
    Cartridge Buy Now
  • Prestige Series Red Cartridge Prestige Series Red Cartridge Quick View

    $170.00
    Buy Now
    x

    Prestige Series Red Cartridge

    The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.


    The newly redesigned Blue1 and Red1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Blue1 and Red1 models use a four piece OTL cantilever technology, standard oxygen free wire in the coils and Grado's specially designed elliptical diamond mounted on a brass bushing. The Red1 model is selected from the Blue1 production run and meets higher test specifications. Approximately 10% of the production run will meet these standards and become Red1 models.


    There may be some recordable response differences between this cartridge and it's more expensive brethren, but it's difficult to imagine more pleasing and musical performance. The Grado Prestige Red is proof that one does not have to spend large amounts of money for good sound from a phono cartridge. More expensive cartridges may well provide incremental improvements in one or more areas, but the Grado performs at a level where such improvements will be small. I recommend that you consider this $ensible cartridge, as it is good value for the price.


    Frequency Response: 10-55

    Principal: MI

    Channel Separation at 1KHz: 30

    Input Load: 47K

    Output at 1KHz 5CM/Sec.: 5mV

    Recommended Tracking Force: 1.5

    Stylus Type: E

    Inductance: 45mH

    Resistance: 475

    Compliance CUs: 20

    Stylus Replacement F: U

    Mounting: S/P

    Weight: 5.5




    This product is not eligible for discount.

    Grado Cartridges
    $170.00
    Cartridge Buy Now
  • Prestige Series Green Cartridge Prestige Series Green Cartridge Quick View

    $95.00
    Buy Now
    x

    Prestige Series Green Cartridge

    The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.


    The newly redesigned Black1 and Green1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Black1 and Green1 models use a three piece OTL cantilever technology, standard oxygen free wire in the coils and Grado's specially designed elliptical diamond mounted in a brass bushing. The Green1 model is selected from the Black1 production run and meets higher test specifications. Approximately 15% of the production run will meet these standards and become Green1 models.


    The Prestige Green is furnished with suitable mounting hardware and the unique tool required to separate stylus assembly from cartridge body. Separating the stylus assembly from the cartridge body with the tool can be tricky, so proceed with caution, lest you end up with the cartridge body in your hand and the stylus embedded in a nearby wall.


    One review states: an there be anything much better? Well, there can: the Signature handily tops the Green in terms of the detail, depth and overload point. However, with a $60.00 list price, the Grado Prestige Green is a cartridge most people will find thoroughly enjoyable for nearly all kinds of music, especially if their system is very slightly laid back. At it's price, it simply can't be beaten! If you have a moderately-priced turntable lurking in your closet, pull it out, get a Grado prestige Green, install it and LISTEN TO THE MUSIC. You'll enjoy!


    Frequency Response: 10-55

    Principal: MI

    Channel Separation at 1KHz: 30

    Input Load: 47K

    Output at 1KHz 5CM/Sec.: 5mV

    Recommended Tracking Force: 1.5

    Stylus Type: E

    Inductance: 45mH

    Resistance: 475

    Compliance CUs: 20

    Stylus Replacement F: U

    Mounting: S/P

    Weight: 5.5




    This product is not eligible for discount.

    Grado Cartridges
    $95.00
    Cartridge Buy Now
  • Prestige Series Blue Cartridge Prestige Series Blue Cartridge Quick View

    $125.00
    Buy Now
    x

    Prestige Series Blue Cartridge

    The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.


    The newly redesigned Blue1 and Red1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Blue1 and Red1 models use a four piece OTL cantilever technology, standard oxygen free wire in the coils and Grado's specially designed elliptical diamond mounted on a brass bushing. The Red1 model is selected from the Blue1 production run and meets higher test specifications. Approximately 10% of the production run will meet these standards and become Red1 models.


    All Grado Prestige cartridges have a fixed magnet and coils that generate a flux field axial pivot. A small generator disc is attached to the back end of the cantilever and moves within the lines of flux of the four coils and magnet generating a signal in response to stylus movement. The user-replaceable, elliptical diamond stylus is attached to the cantilever and moves within the four separate magnetic gaps which comprise what Grado calls a "flux-bridger" generator system. The generating element creates a flux increase in one gap while decreasing it in another to reduce distortion. According to Grado's literature, this design requires fewer coil turns, resulting in lower cartridge mass and electrical inductance. The cartridge is said to be insensitive to tonearm cable capacitance. The Grado cartridges are hand-built in the U.S.,and each cartridge is tested against Grado's standard for performance.


    Frequency Response: 10-55

    Principal: MI

    Channel Separation at 1KHz: 30

    Input Load: 47K

    Output at 1KHz 5CM/Sec.: 5mV

    Recommended Tracking Force: 1.5

    Stylus Type: E

    Inductance: 45mH

    Resistance: 475

    Compliance CUs: 20

    Stylus Replacement F: U

    Mounting: S/P

    Weight: 5.5




    This product is not eligible for discount.

    Grado Cartridges
    $125.00
    Cartridge Buy Now
  • Prestige Series Gold Cartridge Prestige Series Gold Cartridge Quick View

    $260.00
    Buy Now
    x

    Prestige Series Gold Cartridge

    The Prestige (and upscale Reference) cartridges from Grado are the first released since the elder Grado's retirement, but they mark an evolution, not dramatic change, of the classic Grado style. There are three basic levels in the Prestige lineup: Black/Green, Blue/Red, and Silver/Gold. In each of these pairings, the latter model is the same as the former, but is able to meet more astringent test specifications. The Green, for instance, is taken from the top 15% of the Black models production.


    The newly redesigned Silver1 and Gold1 have had their coil design reconfigured, and the effective moving mass of their generating system has been reduced by 17%. The Silver1 and gold1 models use a four piece OTL cantilever technology, ultra-high purity long crystal (UHPLC) oxygen free copper wire in the coils and Grado's specially designed elliptical diamond mounted on a brass bushing. The Gold1 model is selected from the Silver1 production run and meets higher test specifications. Approximately 5% of the production run meet these standards and become Gold1 models.


    What People are saying about the Gold... "The Prestige Gold's sound was readily identifiable, but after just a few seconds it didn't matter much, so engaging were the results."

    - Wayne Garcia - The Absolute Sound


    "It's a definite Best Buy!"

    - Hi Fi Choice / Alan Sircom


    "Beefheart's Clear Spot, the undoing of many an under-performing cartridges, didn't faze the Grado." - Hi Fi Choice / Alan Sircom "It was lively and detailed but never edgy on vocal sibilants, and didn't over-emphasis leading edges on acoustic guitar."

    - Hi Fi Choice / Alan Sircom


    "While the Prestige Gold cannot provide quite the same ultra-refined, take-you-to-the-mountaintop listening experiences that big buck moving coils can, it takes you a long way up the path toward analog excellence, and for a pennies-on-the-dollar price."

    - Chris Martens / The Absolute Sound


     


    Frequency Response: 10-60

    Principal: MI

    Channel Separation at 1KHz: 35

    Input Load: 47K

    Output at 1KHz 5CM/Sec.: 5mV

    Recommended Tracking Force: 1.5

    Stylus Type: E

    Inductance: 45mH

    Resistance: 475

    Compliance CUs: 20

    Stylus Replacement F: U

    Mounting: S/P

    Weight: 5.5



    This product is not eligible for discount.

    Grado Cartridges
    $260.00
    Cartridge Buy Now
  • Better Call Saul (Original Score - Seasons 1 & 2) Better Call Saul (Original Score - Seasons 1 & 2) Quick View

    $39.99
    Buy Now
    x

    Better Call Saul (Original Score - Seasons 1 & 2)

    First Pressing Of 1000 Numbered Copies On Red Vinyl, Black Vinyl Thereafter


    180 Gram Audiophile Vinyl


    Etched D-Side With Certified Replica Of Jimmy's Law Degree - No Music


    Gatefold Sleeve / Includes 4-Page Booklet


    Including 2 Printed Innersleeves


    PVC Protective Sleeve


    Secret Inscriptions In Run Out Groove


    Score Of Multiple Award Winning Spin-Off Of Breaking Bad


    Score By Dave Porter


    Better Call Saul is a television crime drama series created by Vince Gilligan and Peter Gould. It is a spin-off prequel of Gilligan's prior series Breaking Bad. Set in 2002, Better Call Saul follows the story of small-time lawyer Jimmy McGill, a lawyer and a former scam artist, who becomes involved with the criminal world, six years before his appearance on Breaking Bad as Saul Goodman.


    Like its predecessor, Better Call Saul has received critical acclaim. It has garnered several nominations, including fourteen Primetime Emmy Awards, seven Writers Guild of America Awards, five Critics' Choice Television Awards, a Screen Actors Guild Award and two Golden Globe Awards. The series premiere held the record for the highest-rated scripted series premiere in basic cable history at the time of its airing.


    Dave Porter, the composer of the score, has also written the opening theme and complete score of Breaking Bad. For his work on Breaking Bad, Porter has won an ASCAP Award. The Better Call Saul score features songs from the first and second series.


    Strictly limited, the first 1,000 numbered copies of the Better Call Saul score are pressed on red vinyl. The package contains 2 printed inner sleeves with images of Jimmy, Nacho, and Mike. It also contains an exclusive 4-page booklet with additional pictures and liner notes. The etch on the D-side is a certified replica of Jimmy McGill's law degree he received from the University of American Samoa.

    LP 1
    1. Shared Smoke

    2. Ass Over Tea Kettle

    3. One Leg Each
    4. Sex Robot Voice
    5. Payphone Dilemma
    6. Billboard Stunt
    7. Chuck's Theme
    8. Elevator Exchange
    9. One Last Gift
    10. Jimmy's Choice
    11. Davis & Main
    12. Pretend I'm Not Here
    13. Deliberations
    14. Magic Hands
    15. Weary Mike


    LP 2
    1. Border Crossing
    2. Watching And Waiting
    3. Reciprocating Saw
    4. Three Moves Ahead
    5. M40
    6. Better Call Saul End Credit
    (Etched D-Side With Certified Replica Of Jimmy's Law Degree - No Music)

    Dave Porter
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • AudioQuest Castle Rock Speaker Cable MULTIPLE LENGTHS AVAILABLE AudioQuest Castle Rock Speaker Cable Quick View

    $1,000.00
    Buy Now
    x

    AudioQuest Castle Rock Speaker Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    Full Range Termination with Banana (Silver) Plug*


    Custom Lengths Available Upon Request


    RIP Gibraltar, long live Castle Rock! Like Gibraltar before it, Castle Rock is designed as an
    extremely high-performance cable which provides true Double-BiWire performance in a single
    attractive cable. Original Gibraltar's all important basics - superior geometry, magnetic
    autonomy of each quad-conductor section, Perfect-Surface metal technology, conductor-size
    optimization (AQ's Spread-Spectrum Technology), etc. - are the fundamentals of Castle Rock.
    Castle Rock employs AQ's best copper conductor metal (Perfect-Surface Copper+),
    AudioQuest's DBS (Dielectric-Bias System) and NDS (Noise-Dissipation System).


    A very recent advancement featured in Castle Rock (and all other Tree and Rock Series speaker
    cables) is the addition of the sleek new Hanging Silver 1000 Series Multi-Spades and Bananas.
    Originally developed for the WEL Signature Series speaker cables, these plugs are made using a
    Hanging Silver over pure Red Copper process in which the spades and bananas are submerged
    ("hung") into a vat of extreme-purity silver, resulting in a very thick direct-silver plate. No
    intermediary performance-degrading materials (such as nickel or alloy) are used.


    Also new to Castle Rock is a more-neatly-sculpted "breakout" (the covering where the cable
    separates into red and black legs), which is now made of a synthetic non-magnetic polymer,
    rather than metal. We're making this all-models upgrade because speaker cables and AC power
    cables carry large magnetic fields which interact with any metal "collar" around the cable.
    Eliminating metal in the breakouts is another significant (and clearly audible) step forward in our
    goal of eliminating distortion and making the cable sonically invisible.


    Castle Rock represents the culmination of Gibraltar's long-term evolution along with
    performance-enhancing new systems and materials. These ingredients add up to important
    audible improvements and more pleasurable listening!


    *Different Terminations & Multi-Spade Plug Option Available Upon Request


    AudioQuest
    $1,000.00
    Prepared Speaker Cable (Pair) - Multiple Lengths Available
    Buy Now
  • AudioQuest WEL Signature Speaker Cable MULTIPLE LENGTHS AVAILABLE AudioQuest WEL Signature Speaker Cable Quick View

    $12,200.00
    Buy Now
    x

    AudioQuest WEL Signature Speaker Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    Full Range Termination with Banana (Silver) Plug*


    Custom Lengths Available Upon Request


    It was never William E. Low's intention to create a "signature series" of cables, so it can be said that the WEL Signature series is something which evolved. As anyone who has ever birthed something from the ground up knows, things have the tendency to take on lives of their own. Inspiration becomes the compass that sets the direction we follow. WEL Signature speaker cable is a 30+ year culmination of AudioQuest's best materials and techniques, combined with the sensitivity and refinement that only comes when those who love music and appreciate the objectivity of uncolored, undistorted sound.


    SOLID 100% PERFECT-SURFACE SILVER (PSS) CONDUCTORS: WEL Signature uses extremely high-purity Perfect-Surface Silver conductors. All conductors are solid, which prevents strand interaction, a major source of distortion. Surface quality is critical because a conductor can be considered as a rail-guide for both the electric fields within a conductor, and for the magnetic fields outside the conductor. The astonishingly smooth and pure Perfect-Surface eliminates harshness and greatly increases clarity compared to OFHC, OCC, 8N and other coppers. The superior purity of PSS further minimizes distortion caused by grain boundaries, which exist within any metal conductor.


    CARBON-BASED MULTI-LAYER NOISE-DISSIPATION and CROSS-TALK-DISSIPATION SYSTEM (INSULATION): The negative conductors in WEL Signature are insulated with partially conductive Carbon-Loaded Polyethylene. This remarkable material damps radio-frequency garbage from being fed back into the amplifier. The sonic benefit is exactly the same reduction in "hash" and better dimensionality that comes whenever RF garbage is reduced in an audio circuit. WEL Signature uses Nitrogen-Injected Foamed-Polyethylene Insulation on its positive conductors because air absorbs next to no energy, and Polyethylene is low-loss and has a benign distortion profile. Thanks to all the air in Foamed-PE, it causes much less of the out-of-focus effect common to other materials.


    DIELECTRIC-BIAS SYSTEM (DBS, US Pat #s 7,126,055 & 7,872,195 B1): All insulation slows down the signal on the conductor inside. When insulation is unbiased, it slows down parts of the signal differently, a big problem for very time-sensitive multi-octave audio. AudioQuest's DBS creates a strong, stable electrostatic field which saturates and polarizes (organizes) the molecules of the insulation. This minimizes both energy storage in the insulation and the multiple nonlinear time-delays that occur. Sound appears from a surprisingly black background with unexpected detail and dynamic contrast. The DBS battery packs will last for years. A test button and LED allow for the occasional battery check.


    DOUBLE COUNTER-SPIRAL GEOMETRY: WEL Signature and the other AQ "Tree Feature" cables have an inner circular array of positive conductors spiraling in one direction. Around this inner group are the negative conductors spiraling in the opposite direction. Even while the positive and negative conductors are crossing each other instead of being parallel, the relationship between the positive and negative groups is fixed and non-changing, adhering to one of AudioQuest's most basic design tenets: consistency. The result is an astonishing clarity, like focusing a camera lens you had no idea was so far out of focus.


    SPREAD-SPECTRUM TECHNOLOGY (SST): Any single size or shape of conductor has a specific distortion profile. Even though radially symmetrical conductors (solid round or tubular) have the fewest discontinuities, any conductor of a particular size does have a sonic signature. SST uses a precise combination of different size conductors in order to significantly reduce the audibility of these character flaws. The different SST-determined conductor sizes used in WEL Signature allow an exceptionally clear, clean and dynamic sound.


    *Different Terminations & Multi-Spade Plug Option Available Upon Request


    AudioQuest
    $12,200.00
    Prepared Speaker Cable (Pair) - Multiple Lengths Available
    Buy Now
  • Yes Yes Quick View

    $31.99
    Buy Now
    x

    Yes


    45th Anniversary Limited Edition!


    First Time Audiophile Vinyl And Gatefold Cover Presentation!


    Mastered Impeccably From The Original Atlantic Records Tapes By Joe Reagoso At Friday Music Studios And Capitol Records, Hollywood, CA


    After four plus decades of recording a staggering catalog of top charting albums, a plethora of successful worldwide
    tours and basically being the original architects of the prog-rock genre, Yes have continually given the fans their all and it all
    began humbly in 1969 with their first LP simply called Yes.


    With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted of Jon
    Anderson (vocals), Chris Squire (bass/vocals), Peter Banks (guitars/vocals), Bill Bruford on drums and keyboardist Tony Kaye.
    Yes truly stands as absolutely one of the most intriguing debut albums to begin the dawn of the prog-rock movement.


    Yes fans continue to praise Yes as a truly inspiring masterwork. This important piece of music consists of eight amazing
    Yes workouts such as the definitive side one opener Beyond and Before, the art rock driven interpretation of The Beatles'
    Every Little Thing and of course the international fan favorite Survival. Also featured from the Vincent Gallo film Buffalo '66 is
    the classic Sweetness from this incredible first album release.


    Yes enthusiasts were superlatively rewarded with even more progressive rock favorites as the brilliant acoustic driven
    balladry of Jon Anderson's Yesterday, Chris Squire and Jon Anderson's superb centerpiece Looking Around and the powerful
    Bill Bruford, Jon Anderson and Chris Squire Harold Land truly made Yes one of the finest albums of the early classic rock era.


    As we continue our exclusive and extensive Yes 180 Gram Audiophile Vinyl Series, Friday Music is very honored to announce their 1969 masterpiece Yes. Issued for the first time on premium sound 180 gram high grade audiophile vinyl, this
    exceptional work is now mastered impeccably from the original Atlantic Records tapes by Joe Reagoso (Close to the Edge,
    Drama, Tales From Topographic Oceans, 90125, Relayer).


    To celebrate the 45th Anniversary of this amazing album, this limited edition masterpiece is housed in a beautiful first
    time gatefold cover and includes the original stunning U.S. artwork by Haig Adishian, featuring the rare lyrics which are now
    inside the inside gatefold art.


    So, let us celebrate the audiophile dream recording from Yes with the exclusive Friday Music presentation of their debut
    masterwork Yes. Another definitive treasure awaits you from the Yes 180 Gram Audiophile Vinyl Series exclusively from
    your friends at Friday Music. Look for more Yes 45th Anniversary releases this year from Friday Music as we continue to
    celebrate the wonderful music of this incredible superstar act. Looking Around You!

    1. Beyond and Before
    2. I See You
    3. Yesterday and Today
    4. Looking Around
    5. Harold Land
    6. Every Little Thing
    7. Sweetness
    8. Survival
    Yes
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • The Yes Album (Box Set) The Yes Album (Box Set) Quick View

    $59.99
    Buy Now
    x

    The Yes Album (Box Set)


    The Yes/Friday Music 180 Gram Audiophile Vinyl Series Continues!


    45th Anniversary Limited Edition!


    Stunning Gatefold Cover & Box Set Presentation!


    Mastered Impeccably From The Original Atlantic Records Tapes By Joe Reagoso At Friday Music Studios
    And Capitol Records, Hollywood, CA


    After four decades of recording a staggering catalog of top charting albums, a plethora of successful
    worldwide tours and basically the original architects of the prog-rock genre, the makings of their superstar reign
    began during the recording sessions for masterpiece The Yes Album.


    With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted
    of Jon Anderson (vocals), Chris Squire (bass/vocals), Bill Bruford (drums), Tony Kaye (keyboards) and the
    introduction of Steve Howe (guitars/vocals), The Yes Album truly stands as absolutely one of the finest and most
    revered rock albums of all time.


    Yes fans continue to praise The Yes Album as a truly inspiring masterwork. This important piece of music
    consists of six amazing Yes workouts such as the definitive album opener Yours Is No Disgrace, the hard rocking
    Starship Trooper, and the brilliant I've Seen All Good People which featured the massive hit single Your Move.
    From this moment on, there was no looking back for this superstar quintet.


    Yes enthusiasts were superlatively rewarded with even more progressive rock favorites as the brilliant
    acoustic driven guitar work of Steve Howe's Clap, Chris Squire and Jon Anderson's superb Perpetual Change
    and the jazz-rock fusion of A Venture truly made The Yes Album one of the finest albums of the classic rock era.
    As we continue our exclusive and extensive Yes 180 Gram Audiophile Vinyl Series, Friday Music is very
    honored to announce their 1971 masterpiece The Yes Album. Issued for the first time on 2 LP 180 gram 45 rpm
    audiophile vinyl, this exceptional work is now mastered impeccably from the original Atlantic Records tapes by
    Joe Reagoso (Close to the Edge, Drama, Tales From Topographic Oceans, 90125, Relayer).


    To celebrate the 45th Anniversary of this amazing album, this limited edition masterpiece is housed in a
    beautiful box set and features a stunning gatefold cover inside, which includes the historic photography of Phil
    Franks and Jon Goodchild's cover design.


    So, let us celebrate the audiophile dream recording from Yes with the exclusive Friday Music Deluxe 45 rpm
    2 LP Box Set presentation of their masterwork The Yes Album exclusively from your friends at Friday Music.
    Look for more Yes 45th Anniversary releases this year from Friday Music as we continue to celebrate the wonderful
    music of our incredible superstar act. I've Seen All Good People!

    LP 1
    1. Yours Is No Disgrace
    2. Clap
    3. Starship Trooper
    a. Life Seeker
    b. Disillusion
    c. Wurm


    LP 2
    1. I've Seen All Good People
    a. Your Move
    b. All Good People
    2. A Venture
    3. Perpetual Change

    Yes
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM Box Set - 2 LPs Buy Now
  • AudioQuest Star-Quad GO-4 Speaker Cable MULTIPLE LENGTHS AVAILABLE AudioQuest Star-Quad GO-4 Speaker Cable Quick View

    $439.00
    Buy Now
    x

    AudioQuest Star-Quad GO-4 Speaker Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    Full Range Termination with Banana (Silver) Plug*


    Custom Lengths Available Upon Request


    GO-4 is a step up in the Star-Quad series by virtue of offering higher-quality metal and the addition of AudioQuest's patented Dielectric-Bias System. These two advancements significantly better the performance of Type 4, the most successful speaker cable in our 30+ year history.


    SOLID PERFECT-SURFACE COPPER+ (PSC+) CONDUCTORS: GO-4 uses extremely high-purity Perfect-Surface Copper+ conductors. All conductors are solid, which prevents strand interaction, a major source of distortion. Surface quality is critical because a conductor can be considered a rail-guide for both the electric fields within a conductor, and for the magnetic fields outside the conductor. The astonishingly smooth and pure PSC+ eliminates harshness and greatly increases clarity compared to OFHC, OCC, 8N and other coppers. The superior purity of PSC+ further minimizes distortion caused by grain boundaries, which exist within any metal conductor.


    CARBON-BASED NOISE-DISSIPATION and CROSS-TALK-DISSIPATION SYSTEMS (INSULATION): The two negative conductors in GO-4 are insulated with partially conductive Carbon-Loaded Polyethylene. This remarkable material damps radio-frequency garbage from being fed back into the amplifier. The sonic benefit is exactly the same reduction in "hash" and better dimensionality that comes whenever RF garbage is reduced in an audio circuit. GO-4 uses air-filled Nitrogen-Injected Foamed-Polyethylene Insulation on its positive conductors because air absorbs next to no energy, and Polyethylene is low-loss and has a benign distortion profile. Thanks to all the air in Foamed-PE, it causes much less of the out-of-focus effect common to other materials.


    STAR-QUAD GEOMETRY: The relationship between conductors defines a cable's most basic electrical values (capacitance and inductance). However, even when those variables are kept in a reasonable balance, the relationship between conductors can be varied in ways that greatly affect the sound. The Star-Quad construction of GO-4 allows for significantly better dynamic contrast and information intelligibility than if the same conductors were run in parallel.


    SPREAD-SPECTRUM TECHNOLOGY (SST): Any single size or shape of conductor has a specific distortion profile. Even though radially symmetrical conductors (solid or tubular) have the fewest discontinuities, any conductor of a particular size does have a sonic signature. SST is a method for significantly reducing the awareness of these character flaws by using a precise combination of different size conductors. The different SST-determined conductor sizes used in GO-4 allow an exceptionally clear, clean and dynamic sound.


    DIELECTRIC-BIAS SYSTEM (DBS, US Pat #s 7,126,055 & 7,872,195 B1): All insulation slows down the signal on the conductor inside. When insulation is unbiased, it slows down parts of the signal differently, a big problem for very time-sensitive multi-octave audio. AudioQuest's DBS creates a strong, stable electrostatic field which saturates and polarizes (organizes) the molecules of the insulation. This minimizes both energy storage in the insulation and the multiple nonlinear time-delays that occur. Sound appears from a surprisingly black background with unexpected detail and dynamic contrast. The DBS battery packs will last for years. A test button and LED allow for the occasional battery check.


    *Different Terminations & Multi-Spade Plug Options Available Upon Request


    AudioQuest
    $439.00
    Prepared Speaker Cable (Pair) - Multiple Lengths Available
    Buy Now
  • AudioQuest K2 Speaker Cable MULTIPLE LENGTHS AVAILABLE AudioQuest K2 Speaker Cable Quick View

    $6,100.00
    Buy Now
    x

    AudioQuest K2 Speaker Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    Full Range Termination with Banana (Silver) Plug*


    Custom Lengths Available Upon Request


    At the peak of AudioQuest's Flat Rock series sits K2. Just like the mountaintop, from this vantage point there are very few options to look up toward. K2 combines Solid Perfect-Surface Silver Conductors with DBS and AudioQuest's most successful Double Star-Quad Geometry. K2 will lift the sound of your system to near tropospheric heights.


    SOLID 100% PERFECT-SURFACE SILVER (PSS) CONDUCTORS: Solid conductors prevent strand interaction, a major source of cable distortion. Extremely high-purity Perfect-Surface Silver minimizes distortion caused by grain boundaries that exist within any metal conductor, eliminating harshness and greatly increasing clarity compared to all other conducting materials.


    CARBON-BASED NOISE-DISSIPATION (INSULATION): The negative conductors in K2 are insulated with partially conductive Carbon-Loaded Polyethylene. This remarkable material damps radio-frequency garbage from being fed back into the amplifier. The sonic benefit is exactly the same reduction in "hash" and better dimensionality that comes whenever RF garbage is reduced in an audio circuit. K2 uses Foamed-Polyethylene Insulation on its positive conductors because air absorbs next to no energy, and Polyethylene is low-loss and has a benign distortion profile. Thanks to all the air in Foamed-PE, it causes much less of the out-of-focus effect common to other materials.


    DIELECTRIC-BIAS SYSTEM (DBS, US Pat #s 7,126,055 & 7,872,195 B1): All insulation slows down the signal on the conductor inside. When insulation is unbiased, it slows down parts of the signal differently, a big problem for very time-sensitive multi-octave audio. AudioQuest's DBS creates a strong, stable electrostatic field which saturates and polarizes (organizes) the molecules of the insulation. This minimizes both energy storage in the insulation and the multiple nonlinear time-delays that occur. Sound appears from a surprisingly black background with unexpected detail and dynamic contrast. The DBS battery packs will last for years. A test button and LED allow for the occasional battery check.


    DOUBLE STAR-QUAD GEOMETRY: The relationship between conductors defines a cable's most basic electrical values (capacitance and inductance). However, even when those variables are kept in a reasonable balance, the relationship between conductors can be varied in ways that greatly affect the sound. The Double Star-Quad construction of K2 allows for significantly better dynamic contrast and information intelligibility than if the same conductors were run in parallel.


    SPREAD-SPECTRUM TECHNOLOGY (SST): Any single size or shape of conductor has a specific distortion profile. Even though radially symmetrical conductors (solid or tubular) have the fewest discontinuities, any conductor of a particular size does have a sonic signature. SST is a method for significantly reducing the awareness of these character flaws by using a precise combination of different size conductors. The different SST-determined conductor sizes used in K2 allow an exceptionally clear, clean and dynamic sound.


    *Different Terminations & Multi-Spade Plug Option Available Upon Request


    AudioQuest
    $6,100.00
    Prepared Speaker Cable (Pair) - Multiple Lengths Available
    Buy Now
  • Drumming (Pure Pleasure) (Pre-Order) Drumming (Pure Pleasure) (Pre-Order) Quick View

    $37.99
    Buy Now
    x

    Drumming (Pure Pleasure) (Pre-Order)

    Simply put, Drumming is, along with some of Philip Glass' Einstein On The Beach, one of the most fascinating pieces of first-generation minimalism. The version recorded for Elektra/Nonesuch in 1987 ranks among Reich's masterpieces. The 60-minute continuous work features one basic rhythm pattern. Throughout four segued movements it is multiplied, played in canon on various percussion instruments. Part I is for four pairs of tuned bongo drums; Part II for three marimbas (played by nine players) and two singers mimicking the sound of marimbas; Part III for three glockenspiels, piccolo, and whistling (played by Reich himself); Part IV for all previous instruments, including voices. Transitions between movements are gradual, the whole piece being built on accumulation and reduction. When it is time to go to the next movement, players are slowly removed, quarter-notes replaced by rests, in order to make room for the new instruments. The piece almost comes to a complete halt at the end of Part III, keeping only the most basic pulse before the whole process starts over, building up to the finale. There is a sense of happiness and lightness irradiating from Drumming. It is a perfect example of the paradox of the simple and the complex, the easy and the challenging underlying minimalist music. Both cerebral and vitally tribal or ritualistic, this album is a must-have.

    Musicians:

    • Bob Becker, Ben Harms, Gary Kvistad, Steve Reich, Gary Schall, Glen Velez, Thad Wheeler (tuned drums, marimbas, glockenspiele)
    • Pamela Wood Ambush, Jay Clayton (voc)
    • Steve Reich (whistling)
    • Mort Silver (flute)

    About Pure Pleasure

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Part I
    2. Part II
    3. Part III
    4. Part IV
    Steve Reich
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • 99.9% 99.9% Quick View

    $29.99
    Buy Now
    x

    99.9%

    Born in Port-au-Prince, Haiti and raised in the city of Montreal, 23
    year-old Canadian artist Kaytranada is widely regarded as one of
    the most important new producers in the musical landscape today.
    Since the age of fourteen, when he first began to DJ and when his
    brother introduced him to music production software, his output has
    been relentless. As he explains, "after he showed me the basics,
    from that day on I couldn't stop making beats," pumping out a beat
    a day for the next couple of years and soon after self-releasing a series
    of EPs and beat tapes that quickly began to expand his reach.


    Single releases like "Drive Me Crazy" with Vic Mensa and "Leave
    Me Alone" with Shay Lia soon spread his name like wildfire and
    gained listens reaching far into the millions. In addition to that
    he's produced for artists such as Mobb Deep, Kali Uchis, Freddie
    Gibbs, The Internet, & Talib Kweli and remixed the likes of Disclosure,
    Pharrell, Missy Elliot, Janet Jackson, and others. Kaytranada
    soon cemented his reputation and his sound; an undeniable swing
    of the drums comparable to J Dilla's, a signature soulful touch in the
    melodies, and a healthy dose of funky bass lines. Last year he was
    tapped by the legendary Rick Rubin who has acted as a mentor,
    eventually signing him to a publishing relationship.


    99.9% will be Kaytranada's first debut album on XL Recordings.
    The 15-track album includes guest vocals from Anderson .Paak,
    AlunaGeorge, BADBADNOTGOOD, Craig David, Syd, Little Dragon,
    Goldlink and more.

    LP 1
    1. Track Uno
    2. Bus Ride (Feat. Karriem Riggins & River Tiber)
    3. Got It Good (Feat. Craig David)
    4. Together (Feat. Alunageorge & Goldlink)
    5. Drive Me Crazy (Feat. Vic Mensa)
    6. Weight Off (Feat. Badbadnotgood)
    7. One Too Many (Feat. Phonte)


    LP 2
    1. Despite The Weather
    2. Glowed Up (Feat. Anderson .paak)
    3. Breakdance Lesson N.1
    4. You're The One (Feat. Syd)
    5. Vivid Dreams (Feat. River Tiber)
    6. Lite Spots
    7. Leave Me Alone (Feat. Shay Lia)
    8. Bullets (Feat. Little Dragon)

    KAYTRANADA
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Mystery Girl Expanded Mystery Girl Expanded Quick View

    $39.99
    Buy Now
    x

    Mystery Girl Expanded

    Everyone involved with Mystery Girl sensed the magic in Roy Orbison, who, in 1988, was enjoying a full creative renaissance and resurgence of popularity. One of Roy's classic recordings, "In Dreams," memorably lip-synched into a hurricane lamp by Dean Stockwell, had served as a key thematic element in David Lynch's "Blue Velvet," igniting a renewed interest in the Big O.


    In a series of bold aesthetic moves, Orbison directly addressed his legacy, first with Class of '55 (a 1986 reunion album with fellow Sun Records alumni Johnny Cash, Jerry Lee Lewis and Carl Perkins) and then, In Dreams: The Greatest Hits, where Orbison recut many of his biggest songs, using 1980s technology to produce results often surpassing his original recordings.


    At this same time, Roy Orbison became a founding member of the Traveling Wilburys, the roots rock supergroup also featuring Bob Dylan, George Harrison, Jeff Lynne, and Tom Petty. It was during work with the Wilburys that the vision for Mystery Girl, a new Roy Orbison album made of original songs from a variety of writers-including Roy Orbison, Diane Warren, Elvis Costello, Wesley Orbison and U2s Bono and the Edge (among others)-began taking shape.


    "When he sang it, it was absolutely magnificent," said Jeff Lynne, who would produce tracks for Mystery Girl. "His voice, I had never heard a voice like that live, you know, in the studio, ever . He had this wonderful spirit, almost like a kid in many ways.


    He was just a happy guy. I love him . One of the proudest things I've ever done is to have become his friend. I'd look at him and just go, 'Wow, it's him. The Big O.'"


    Roy's core group of musicians on the original Mystery Girl recordings included Jeff Lynne (guitar, piano, bass, backing vocals), Tom Petty (acoustic guitar, backing vocals), Mike Campbell (guitar, bass, mandolin), Jim Keltner (drums), Howie Epstein (bass, backing vocals), and Benmont Tench (piano, organ, cheap strings). Contributing artists on the album include Barbara Orbison, Roy Orbison, Jr., Al Kooper, George Harrison, Bono, T Bone Burnett, Steve Cropper, The Memphis Horns, and more.


    "I was just taken by how amazing this guy was. Just sitting, singing softly, sitting on the sofa with an acoustic guitar, his voice was unbelievable." remembers Tom Petty. "The music will live on, you know; it's very timeless music."


    Mike Campbell added, "Any time I hear one of Roy's songs, wherever I am, I just stop and listen to it and he's there, you know. His artistry and his voice and his spirit and the depth of his soul is so unique and it just connects with you in such a deep way . He just had a way of getting into your heart."


    "He was a real innovator, truly a great singer," said Bono. "The real rebels to me always had manners. Elvis, you know, and Roy, Roy was a true gentleman. And that's a scary thing in a man, do you know what I mean? A man that's so sure in himself that he can be polite."


    The legendary guitarist Steve Cropper confided that, "I've only met basically three, maybe three-and-a-half, of what I call 'light bulbs' in my life. And what I mean by 'light bulbs' is they're the brightest one in the room and when they walk in the door every head turns. Every head. Not just a few, not some people still talking in the corner. It's like everyone stops what they are doing. Elvis Presley, Otis Redding and Roy Orbison. And I saw that happen to Bill Clinton. So, there you go and I've never seen that happen to anybody else, ever."

    LP1
    1. You Got It
    2. In the Real World
    3. (All I Can Do Is) Dream You
    4. A Love So Beautiful
    5. California Blue
    6. She's a Mystery to Me
    7. The Comedians
    8. The Only One
    9. Windsurfer
    10. Careless Heart


    LP2
    1. The Way Is Love
    2. She's a Mystery to Me (Studio Demo)
    3. (All I Can Do Is) Dream You (Studio Demo)
    4. The Only One (Studio Demo)
    5. The Comedians (Studio Demo)
    6. In the Real World (Studio Demo)
    7. California Blue (Studio Demo)
    8. Windsurfer (Work-Tape Demo)
    9. You Are My Love (Work-Tape Demo)

    Roy Orbison
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Emergency Ward (Speakers Corner) Emergency Ward (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Emergency Ward (Speakers Corner)

    We can thank our lucky stars that Nina Simone was well aware of her musical environment and enjoyed experimenting with it, despite her notorious eccentric personality. This was the only reason that so much basic repertoire, traditional blues numbers, black work songs and favourite white show melodies - all filled with a deep soul feeling - reached her fans. Emergency Ward! is no exception. First there is the explosive medley, recorded live, of George Harrison's My Sweet Lord and David Nelson's Today Is A Killer. Accompanied by a small combo and a gospel choir, Nina Simone ignites an 18-minute blazing bonfire which loses none of its spiritual fire for even a second.



    In contrast to the gentle Poppies, extravagantly produced with strings, woodwinds and chorus, is the questioning Isn't It A Pity, arranged for piano. Here, simple, throbbing harmonies are occasionally allowed to swell into clouds of chords, giving Nina Simone the opportunity to show off her highly diversified vocal timbre which, as so often, fades away into nothing like an unanswered question. This is an exceptional album filled with a wealth of feeling and one which will leave no one untouched.



    Musicians:



    • Nina Simone (piano, vocal)

    • Sam Waymon (vocal)

    • Orchestra




    Recording: November 1971 at Fort Dix and February 1972 at RCA Victor's Studio A,
    New York City, by Ed Begley

    Production: Nina Simone, Andrew Stroud and Weldon J. Irvine Jr.





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. My Sweet Lord
    2. Today is a Killer
    3. Poppies
    4. Isn't It a Pity
    Nina Simone
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Respighi - Ancient Dances (Speakers Corner) Respighi - Ancient Dances (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Respighi - Ancient Dances (Speakers Corner)

    The common practice in concert houses today of performing early music on modern orchestral instruments is owed largely to the endeavors of Ottorino Respighi. His free transcription of Renaissance works for the lute (1932) opened the way to the rediscovery of forgotten rhythms and timbres. Although Respighi altered the structure of the music by dissecting phrases right down to their basic elements, re-ordering them and redefining their sonority by the use of heavy brass and timpani, the art of the ancient maestri remained unscathed. Cadences and harmonic idioms are given a modern coloring at the most, but are never destroyed. Antal Dorati and his famous Philharmonia Hungarica have all that is needed to bring the score to life. Even in opulent passages the individual instruments can be heard distinctly. This works particularly well in the first two suites in which each movement is treated to a process of refinement by means of differing orchestration. That the third suite, written purely for stringed instruments, soars away, just like the proverbial Aeolian harp is only to be expected from this orchestra.




    Recording: June 1958 at the large hall of the Konzerthaus, Vienna, Austria, by C.R. Fine

    Production: Wilma Cozart-Fine




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Suite 1 for Orchestra
    Suite 2 for Orchestra
    Suite 3 for Strings
    Antal Dorati with Hungary Philharmonic
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dvorak: String Quintet In G Major (Speakers Corner) Dvorak: String Quintet In G Major (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Dvorak: String Quintet In G Major (Speakers Corner)

    A perusal of string quintets throughout history leaves one with the impression that their creators wish to bestow a powerful impact upon the small group of musicians. And it is no different with Dvoák's Quintet in G major: a double bass, instead of the usual second cello, paints with broad strokes in the lengthy score whose first movement almost takes on symphonic dimensions.


    Here, the insistent, broad theme is presented in snappy cascades of sound. The cantilena, supported by a scurrying second subject, is followed by a frenzied Scherzo, which is steeped in Czech folk music under Dvoák's distinctive style. The third movement (Poco andante) is highly meditative and is constructed with layers of one and the same basic motif, which soon is intensified with pulsating quavers and finally evolves in rising melodic elements.


    The Finale is filled with fresh melodies and spiced with subtle motivic development, which is pleasant on the ear in all its complexity. It is not surprising, therefore, that Dvoák won an important prize for his Quintet.

    Recording: June 1971 at Boston Symphony Hall by GÜnter Hermanns
    Production: Thomas Mowrey



    Musicians:



    • Joseph Silverstein (violin)

    • Max Hobart (violin)

    • Burton Fine (viola)

    • Jules Eskin (cello)

    • Henry Portnoi (bass)



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Allegro Con Fuoco
    2. Intermezzo. Andante Religioso. Molto Adagio
    3. Scherzo. Allegro Vivace - Trio. L'Istesso Tempo, Quasi Allegretto
    4. Poco Andante

    5. Finale. Allegro Assai
    Antonin Dvorak
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Back To The Blues (Pure Pleasure) Back To The Blues (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Back To The Blues (Pure Pleasure)

    Although she was one of the most powerful and moving of the jazz singers, Dinah Washington suffered more than most from unimaginative and erratic backings. Many of her EmArcy recordings, notably those with Clifford Brown or Clark Terry on trumpet, had outstanding performances, but her collections were compromised by unsuitable accompaniment. This set of 12 blues gives a lop-sided picture in that it doesn't include any of her ballad performances. However, the basic big band settings allow the power and verve of her singing to come through, and confirm her as the best of the women singers with blues material. During the 1950s she had been regarded as an R&B performer but arranger and band-leader Fred Norman wrote these fine 1962 jazz settings for her shortly before her death.


    The material is strong and Washington soars and swings, her voice reaching many of the potent climaxes for which she was so highly regarded. The material runs through much of the traditional repertoire--Big Bill Broonzy, Leroy Carr and Lil Green being represented--and there is a nine-minute Nobody Knows The Way I Feel This Morning that is unique in her discography.

    Musicians:



    • Dinah Washington (vocals)
    • Illinois Jacquet, Eddie Chamblee (tenor saxophone)
    • Jack Wilson, Patti Bown (piano)
    • Jimmy Sigler (organ)
    • Everett Barksdale, Billy Butler (guitar)
    • George Duvivier (bass)
    • Jimmy Thomas, Osie Johnson (drums)



    Recording: March - November 1962 at Bell Sound Studios, New York

    Production: Henry Glover


    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. The Blues Ain't Nothin' But A Woman Cryin' For Her Man
    2. Romance In The Dark
    3. You've Been A Good Old Wagon
    4. Let Me Be The First To Know
    5. How Long, How Long Blues
    6. Don't Come Running Back To Me
    7. It's A Mean Old Man's World
    8. Key To The Highway
    9. If I Never Get To Heaven
    10. Duck Before You Drown
    11. No Hard Feelings
    12. Nobody Knows The Way I Feel This Morning
    Dinah Washington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Elvis' Golden Records No. 1 (Speakers Corner) Elvis' Golden Records No. 1 (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Elvis' Golden Records No. 1 (Speakers Corner)

    Have we got the lot? The King of Rock'n'Roll certainly didn't need to ask whether his entourage had collected together all their favourite hits. They had gathered them all together - a collection of Golden Records, rather like a selection box of favourite chocolates, greedily swallowed down and enjoyed to the full. And how they loved them all - whether 'complete works' collectors or fans. To this very day, this collection from 1958 is quite set apart from the normal 'best of' collections. It shines out like a precious jewel among mere pebbles. This was the first of four Gold volumes, and it set the standard for those to come. Before any of the immemorable songs came to be included, they had to have sold at least a million copies and won an undeniable and unforgettable reputation as a heart-string plucker. To name a title is more than superfluous. It's quite enough just to listen and enjoy. Whoever wants the ultimate basic Elvis collection can't go wrong here.



    Musicians:



    • Elvis Presley (guitar, vocal)

    • The Jordanaires (vocal)

    • and various bands




    Recordings: January 1956 - September 1957 in Hollywood, New York and Nashville in mono

    Production: Steve Sholes


    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Hound Dog
    2. Loving You
    3. All Shook Up
    4. Heartbreak Hotel
    5. Jailhouse Rock
    6. Love Me
    7. Too Much
    8. Don't Be Cruel
    9. That's When Your Heartaches Begin
    10. (Let Me Be Your) Teddy Bear
    11. Love Me Tender
    12. Treat Me Nice
    13. Anyway You Want Me (That's How I Will Be)
    14. I Want You, I Need You, I Love You
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl Mono - Sealed Buy Now
  • AudioQuest Star-Quad Type 4 Speaker Cable MULTIPLE LENGTHS AVAILABLE AudioQuest Star-Quad Type 4 Speaker Cable Quick View

    $179.00
    Buy Now
    x

    AudioQuest Star-Quad Type 4 Speaker Cable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    Full Range Termination with Banana (Silver) Plug*


    Custom Lengths Available Upon Request


    The 4-Series of AudioQuest speakers cables may be the most successful in AudioQuest's 30+ year history. Type 4's roots go all the way back to the late 80's. The fundamental geometry and conductor complement of Type 4 hasn't changed since 1995 because any change to the size or position of the 4-Series' 2-sized Spread-Spectrum conductor arrangement would reduce performance.


    SOLID LONG-GRAIN COPPER (LGC) CONDUCTORS: Type 4's solid Long-Grain Copper allows a smoother and clearer sound than cables using typical OFHC (Oxygen-Free High-Conductivity) copper. OFHC is a general metal industry specification regarding "loss" without any concern for distortion. LGC has fewer oxides within the conducting material, less impurities, less grain boundaries, and definitively better performance. All four of Type 4's conductors are solid. Electrical and magnetic interaction between strands in a conventional cable is the single greatest source of distortion, often causing a somewhat harsh, dirty and confused sound. Solid conductors are the most important ingredients enabling Type 4's very clear sound. Whether a conductor is solid or stranded, skin-effect is a prime distortion mechanism in speaker cables. Type 4 very simply keeps this effect out of the audio range by using conductor sizes that are below the threshold for audible distortion.


    CARBON-BASED NOISE-DISSIPATION and CROSS-TALK-DISSIPATION SYSTEMS (INSULATION): The two negative conductors in Type 4 are insulated with partially conductive Carbon-Loaded Polyethylene. This remarkable material damps radio-frequency garbage from being fed back into the amplifier. The sonic benefit is exactly the same reduction in "hash" and better dimensionality that comes whenever RF garbage is reduced in an audio circuit. Type 4 uses Nitrogen-Injected Foamed-Polyethylene Insulation on its positive conductors because air absorbs next to no energy, and Polyethylene is low-loss and has a benign distortion profile. Thanks to all the air in Foamed-PE, it causes much less of the out-of-focus effect common to other materials.


    STAR-QUAD GEOMETRY: The relationship between conductors defines a cable's most basic electrical values (capacitance and inductance). However, even when those variables are kept in a reasonable balance, the relationship between conductors can be varied in ways that greatly affect the sound. The Star-Quad construction of Type 4 allows for significantly better dynamic contrast and information intelligibility than if the same conductors were run in parallel.


    SPREAD-SPECTRUM TECHNOLOGY (SST): Any single size or shape of conductor has a specific distortion profile. Even though radially symmetrical conductors (solid or tubular) have the fewest discontinuities, any conductor of a particular size does have a sonic signature. SST is a method for significantly reducing the awareness of these character flaws by using a precise combination of different size conductors. The different SST-determined conductor sizes used in Type 4 allow an exceptionally clear, clean and dynamic


    *Different Terminations & Multi-Spade Plug Options Available Upon Request


    AudioQuest
    $179.00
    Prepared Speaker Cable (Pair) - Multiple Lengths Available
    Buy Now
  • That's The Way Of The World (Speakers Corner) That's The Way Of The World (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    That's The Way Of The World (Speakers Corner)

    Ranked 493/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    OK, so it's disco sound, but it's really good. Whoever says that today must have been pretty lively on their feet in the 70s and 80s and in the days of their youth they will definitely have noticed that the commercial fusion music they listened to on a Saturday night was buzzing with energy and excitement. Earth, Wind & Fire considered their amazing mix of Latin, Gospel, Soul, Funk and dynamic horn section as being of existential importance. This was the album that would either make or break the band: either they would establish themselves or they would sink into oblivion like so many other rhythm and blues acts.



    The basic recipe - finely chiselled Latin beat, meaty bass grooves and sizzling funky improvisations, spiced with the sound of exotic instruments - works perfectly. Furthermore, crowned with a beautifully airy falsetto and relaxed harmonious singing, the band created a big-band sound that the magazine Rolling Stone described as »innovative yet popular, precise yet sensual, calculated yet galvanizing«. Almost two decades later, and with more than three million albums sold in the USA alone, the editorial team voted the LP into their list of the '500 Greatest Albums of All Time'. And about time too! At last today's ravers and rappers also get the opportunity to experience the great rhythms to which their daddies danced.



    Musicians:



    • Maurice White (vocal, percussion, drums)

    • Verdine White (vocal, bass, percussion)

    • Philip Bailey (vocal, conga, percussion)

    • Larry Dunn (piano, organ, synthesizer)

    • Al McKay (guitar, percussion)

    • Ralph Johnson (drums, percussion)

    • Johnny Graham (guitar)

    • Fred White (drums, percussion)




    Recording: 1975 at Caribou Ranch in Nederland, Colorado (USA), by Curt Wittig

    Production: Maurice White





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Shining Star
    2. That's The Way Of The World
    3. Happy Feelin'
    4. All About Love
    5. Yearnin', Learnin'
    6. Reasons
    7. Africano
    8. See The Light
    Earth, Wind, & Fire
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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