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  • Language & Perspective Language & Perspective Quick View

    $19.99
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    Language & Perspective

    Los Angeles natives, Bad Suns, are pleased to announce the release of their debut album, Language & Perspective. Comprised of eleven tracks,
    Language & Perspective moves effortlessly from start to finish showcasing the band's stadium ready anthems and undeniably catchy hooks.Produced by
    Eric Palmquist (The Mars Volta, Wavves, Trash Talk) Language & Perspective serves as a follow up to the band's breakout debut EP Transpose, which
    hit streets earlier this year. In a short time since their inception, Bad Suns have performed the first single, 'Cardiac Arrest,' on Conan and the track is
    already fast approaching Top 20 at Alt Radio with a weekly audience of 1 million plus and building."It's pretty incredible what you can accomplish with
    time, work, and patience. Playing our songs to receptive audiences, across the country, has been surreal for us; it's what we've always dreamed of. We're
    excited for people to hear the album that we've made, and then come experience it in a live setting," says frontman Christo Bowman. Bad Suns is
    currently on tour directly supporting The 1975 until the beginning of June when they kick off a run of headlining shows in the US.
    1. Matthew James
    2. We Move Like The Ocean
    3. Cardiac Arrest
    4. Pretend
    5. Take My Love and Run
    6. Dancing on Quicksand
    7. Salt
    8. Transpose
    9. Learn To Trust
    10. Sleep Paralysis
    11. Rearview
    Bad Suns
    $19.99
    Vinyl LP - Sealed Buy Now
  • How Will You Know If You Never Try How Will You Know If You Never Try Quick View

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    How Will You Know If You Never Try

    Nashville based quartet COIN presents their sophomore album How Will You Know If You Never Try. This exciting new album is produced by Tim Pagnotta (Walk The Moon, St. Lucia) and Andrew Maury (The Kooks, Lewis Del Mar). The album features COIN's catchy single I Don't Wanna Dance, the Alternative Radio hit Talk Too Much, a stripped-down ballad Malibu 1992 and their newly released single Feeling. The album has 11 sequenced tracks, and one hidden bonus track(between tracks 2 and 3 side-B).


    COIN is comprised of Chase Lawrence (vocals/keys), Joe Memmel (guitar/vocals), Ryan Winnen (drums) and Zach Dyke (bass). The band recorded their self-titled debut album in Nashville with Grammy nominated producer Jay Joyce (Cage the Elephant, Sleeper Agent). COIN has toured with acts such as The 1975, Bad Suns, Walk The Moon, and Neon Trees. The band was also included in a feature in TIME's 21 Musicians We Want to Hear From in 2017.

    1. Don't Cry, 2020
    2. Boyfriend
    3. Talk Too Much
    4. I Don't Wanna Dance
    5. Hannah
    6. Are We Alone?
    7. Heart Eyes
    8. Lately II
    9. Feeling
    10. Miranda Beach
    11. Malibu 1992
    Coin
    $19.99
    Vinyl LP - Sealed Buy Now
  • Kids In Love Kids In Love Quick View

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    Kids In Love

    Love is all you need. It's been said many times and many ways of course, but it's truer now than ever.


    When The Mowgli's first landed on the scene, their message of positivity and love resonated with audiences everywhere. The group's 2013 major label debut, Waiting for the Dawn [Photo Finish], debuted at #4 on the Billboard Heatseekers Chart and yielded the hit "San Francisco". Following its release, the seven-piece-Colin Louis Dieden [vocals, guitar], Katie Jayne Earl [vocals, percussion], Dave Appelbaum [keyboards], Josh Hogan [guitar, vocals], Matthew Di Panni [bass], Spencer Trent [guitar, vocals], and Andy Warren [drums]-performed on Jimmy Kimmel LIVE!, The Tonight Show with Jay Leno, CONAN, Watch What Happens Live, and more. Between headline tours and runs supporting everybody from Walk The Moon to Manchester Orchestra, they even cut a song for the Relativity Media hit film Earth To Echo. Along the way, their interpretation of love became even clearer, and it defines their sophomore outing, Kids In Love.


    "Our first album essentially said, 'What's up everyone? We're The Mowgli's, and we believe love can change the world," explains Katie. "Over the past couple of years, we really came to terms with who we are as a band. With Kids In Love we're exploring the intricacies of love. It's such a broad concept. This time around, we get into intimate love, personal love, as well as universal love. We've found art is the best vehicle to ponder what this really means."


    "Before, the concept was painted in very broad strokes," Colin goes on. "Our intention was to start a movement and a culture around what we do. We put all of that under a microscope on this album and talked about personal experiences and stories, the lack of love, and finding it again."


    "We've learned so much about the business, ourselves, and this message," adds Josh. "We've become more direct. It's a little wiser."


    In order to properly convey that sentiment, the group teamed up with producer Tony Hoffer [The Kooks, Silversun Pickups, Fitz & The Tantrums] in his Los Angeles studio during the summer of 2014. With Hoffer at the helm, they fine-tuned their sound into an elegant amalgam of influences. Additionally, they recorded with prior collaborators Captain Cuts [Smallpools, Tove Lo] - a production team that includes Ryan Rabin of Grouplove, and worked with Matt Radosevich [Walk The Moon, One Direction] on two additional tracks. "We wanted to create songs that we knew we would enjoy playing live, songs we hoped that speak to people's personal experiences with love and life and loss and everything that comes with being a kid - or really anyone - in love," Katie explains.


    "We've been on tour incessantly, and this album was really written all over the country," Colin recalls. "It was composed in green rooms, hotels, parking lots, and everywhere in between. I went to Nashville for a week on a whim and tried to learn how to write country music. I was so lucky to work with some of the best in the business. I wanted to bring some of those storytelling elements into the music too. We really grew up, and the songs reflect that journey."


    The first released track "Through The Dark" builds from a shimmering acoustic guitar into an unshakable harmony between Josh and Colin. It shines its own kind of musical light.


    "Everybody goes through dark times," Josh asserts. "We're trying to put a positive spin on that though, and show you can get through that darkness no matter what."


    Colin continues, "In a weird way, it feels like the answer to Waiting for the Dawn. It's a hopeful and encouraging song."


    Then, there's the first single "I'm Good." It begins with a sun-soaked clean guitar and resounding percussion before snapping into a delightful refrain that's undeniably unforgettable. You'll feel good after one listen


    Elsewhere on the album, "Whatever Forever" is augmented by driving handclaps and a group chorus that proves infectious. Lyrically, it stemmed from some shared ink within the band. "Colin and I both got a tattoo of that phrase a few years ago in a hotel bar during Hurricane Sandy," smiles Josh. "We'd seen it on the wall of a bar, and it felt like the perfect new life motto. We're not worried about anything; we're just going for it."


    "That's a personal favorite," concurs Colin. "After one show, I had a girl walk up to me and say, 'I've been dealing with so much and hurting so badly. I adopted 'Whatever Forever' as my mantra. I needed that.' Sometimes, you need to distance yourself from what hurts."


    Ultimately, The Mowgli's open up their hearts once more, and the results are nothing short of inspiring. "We just want people to feel good," Katie concludes. "It's a domino effect. If someone leaves a show feeling great, maybe they pay it forward. If we can contribute a little bit of joy, companionship, and happiness, we're doing our part to make the world a little brighter."


    "I want them to feel inspired to do something positive," Josh agrees. "It's all about sharing that." Colin leaves off, "I want this to be a positive transformative experience. It's almost like falling in love. When you're in a good mood, you tend to react positively. I hope it adds more positivity and love to the world."

    1. You're Not Alone
    2. I'm Good
    3. Bad Dream
    4. What's Going On
    5. Through the Dark
    6. Whatever Forever
    7. Make It Right
    8. Love Me Anyway
    9. Shake Me Up
    10. Home To You
    11. Kids In Love
    12. Sunlight
    The Mowgli's
    $19.99
    Vinyl LP - Sealed Buy Now
  • Good Girl Gone Bad Good Girl Gone Bad Quick View

    $24.99
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    Good Girl Gone Bad

    Good Girl Gone Bad is Rihanna's groundbreaking third studio album and it follows up the rising star's debut Music of the Sun and her sophomore release A Girl Like Me. Along with the album's overall success, its singles have gone on to become major hits including the worldwide number-one hit single with Jay-Z Umbrella, the top three U.S. hit, Don't Stop the Music, and Hate That I Love Youand Shut Up and Drive, which respectively became top ten and twenty hits on the U.S. Billboard Hot 100. The eighth single, Rehab, became the album's seventh single to reach the top 20 on the Hot 100, which made Good Girl Gone Bad the second album in history to have seven singles reach the top twenty on the Billboard Hot 100, the first being Janet Jackson's 1989 album Rhythm Nation 1814.
    1. Umbrella featuring Jay-Z
    2. Push Up
    3. Dont Stop the Music
    4. Breakin Dishes
    5. Shut Up and Drive
    6. Hate That I Love You featuring Ne-Yo
    7. Say It
    8. Sell Me Candy
    9. Rehab
    10. Question Existence
    11. Good Girl Gone Bad
    12. Lemme Get That
    Rihanna
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Love Power Peace Love Power Peace Quick View

    $49.99
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    Love Power Peace

    First Release Of 3 LP Set As Envisioned By James Brown


    Includes Deluxe Jacket With Rare Photos And Liner Notes By Alan Leeds


    Mastered From Brown's 1971 Mixdown Reels, Unused Until Now


    James Brown's magnum opus! Love Power Peace is the sound of the Godfather and his youngblood J.B.'s (including Bootsy and Catfish Collins) electrifying a crazed Parisian audience on March 8, 1971. Sequenced and mixed by Brown himself for a planned triple album, the set was shelved when key band members departed before it could be issued. Here, for the first time, are the sides as intended, exactly as delivered by James Brown Productions to his label in 1971-a 3-LP set with each disc mastered from the original mixdown reels, and each with a unique name, Love, Power and Peace! Brown and band rip through recent singles like "Sex Machine," "Super Bad," "Give It Up or Turnit a Loose" and "Get Up, Get Into It, Get Involved" with a metronomic precision laid down by bassist Bootsy Collins and drummer Jabo Starks. "Ain't It Funky Now" - formerly a slow, simmering groove - is transformed into a fast, funky tour de force in which newbie Catfish Collins unleashes one of the most badass guitar solos ever, while a medley of three other Brown standards ("Papa's Got a Brand New Bag"/"I Got You (I Feel Good)"/"I Got the Feelin' ") blazes by faster than the Godfather of Soul's personal Learjet. Interspersed with just the right amount of slow numbers like "Georgia on My Mind," and including tracks from the show's supporting acts that were not included on the 1992 CD (which was a remixed, incomplete show), this document of the funk revolution features rare photos and liner notes by tour director Alan Leeds. The way to jump on board for a trip through James' world at the height of his career!

    LP1
    1. Introduction
    2. Brother Rapp
    3. Ain't It Funky Now
    4. Georgia On My Mind - Part 1
    5. Georgia On My Mind - Part 2
    6. Sunny
    7. Intro: Bobby Byrd
    8. Signed, Sealed, Delivered I'm Yours
    9. I Need Help (I Can't Do It Alone)


    LP2
    1. Introduction: Vicki Anderson
    2. Don't Play That Song (You Lied)
    3. Yesterday
    4. Break & Intro Announcement

    5. Dance & It's A New Day
    6. Bewildered - Part 1
    7. Bewildered - Part 2
    8. There Was A Time

    9. Sex Machine
    10. Try Me - Part 1


    LP3
    1. Try Me - Part 2
    2. Papa's Got A Brand New Bag/I Got You/I Got The Feelin'
    3. Give It Up Or Turnit A Loose
    4. It's A Man's Man's Man's World
    5. Who Am I
    6. Please Please Please
    7. Sex Machine (Reprise)
    8. Super Bad
    9. Get Up, Get Into It, Get Involved
    10. Soul Power
    11. Get Up, Get Into It, Get Involved (Reprise)
    12. Finale

    James Brown
    $49.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Born Under A Bad Sign (Awaiting Repress) Born Under A Bad Sign (Awaiting Repress) Quick View

    $24.99
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    Born Under A Bad Sign (Awaiting Repress)

    Ranked 499/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    In 1967, the future of electric blues guitar answered to the name of Albert King. It's not like Albert was a green newcomer to the blues world when he strolled through the doors of Memphis-based Stax Records in 1966. After all, he had his first taste of studio action as a band leader more than a dozen years earlier. But the massively constructed southpaw saved his best for Stax. It's virtually impossible to cite a more important or influential blues album from the latter half of the 1960's than BORN UNDER A BAND SIGN...
    This Sundazed vinyl edition features the entire classic album with its gorgeous vintage artwork, two rare single sides added as bonus cuts, original liner notes and new annotation by Bill Dahl.

    1. Born Under A Bad Sign
    2. Crosscut Saw
    3. Kansa City
    4. Oh, Pretty Woman
    5. Down Don't Bother Me
    6. The Hunter
    7. Funk-shun
    8. I Almost Lost My Mind
    9. Personal Manager
    10. Laundromat Blues
    11. As The Years Go Passing By
    12. The Very Thought Of You
    13. Overall Junction
    Albert King
    $24.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Bad Part Of Town / Wish Me Up / Love In A Summer Basket / Did He Die Bad Part Of Town / Wish Me Up / Love In A Summer Basket / Did He Die Quick View

    $15.99
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    Bad Part Of Town / Wish Me Up / Love In A Summer Basket / Did He Die

    Rare MGM Recordings In A Gatefold Double 7 Set


    A group burning as white-hot as the Seeds couldn't last long and, indeed, after their initial blast of success with "Pushin' Too Hard," the original band fell apart. However, Saxon's mission was not yet complete so he and keyboardist Daryl Hooper put together a new lineup. The replanted Seeds signed with MGM Records and entered the studio, capturing some amazing performances. MGM released two singles from these sessions in 1970, but both failed to chart. Further bad luck came when label boss Mike Curb launched a "drug purge," dropping bands with perceived drug associations, the Seeds among them. Their two singles quickly vanished from MGM's catalog, making them almost impossible to find. Reaching deep into the vaults, Sundazed has rescued these elusive recordings for this double 7" release. Sourcing all four tracks from the original MGM analog tapes, these songs are reborn in amazing aural quality on this strictly limited edition. Grab one and let your psychedelic garden grow!

    Single 1 (Originally Issued As MGM K-14163, August 11th, 1970)
    1. Bad Part Of Town
    2. Wish Me Up


    Single 2 (Originally Issued As MGM K-14190, November 16th, 1970)
    1. Love In A Summer Basket
    2. Did He Die

    The Seeds
    $15.99
    7 Vinyl Single - 2 Singles Sealed Buy Now
  • Burnin' Sky (Deluxe) Burnin' Sky (Deluxe) Quick View

    $39.99
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    Burnin' Sky (Deluxe)

    During the summer of 1976, the band returned to France yet again to record 12 songs for what would become Burnin Sky. They chose Château d HÉrouville as the studio, which is where David Bowie would record Low later that same year. Burnin Sky was released in March 1977, and broke into the Top 20 in both the U.K. and U.S.


    The BURNIN SKY: DELUXE EDITION bonus LP features unreleased versions of nearly every song on the album, including alternative takes and mixes of Man Needs A Woman and Morning Sun, plus the full version of Too Bad. The session tapes also unearthed Unfinished Story, a song that was completed, but never released.

    LP 1
    1. Burnin Sky
    2. Morning Sun
    3. Leaving You
    4. Like Water
    5. Knapsack (The Happy Wanderer)
    6. Everything I Need
    7. Heartbeat
    8. Peace Of Mind
    9. Passing Time
    10. Too Bad
    11. Man Needs Woman
    12. Master Of Ceremony


    LP 2
    1. Burnin Sky (Alternative Vocal & Guitar)
    2. Morning Sun (Acoustic Version)
    3. Leaving You (Alternative Vocal)
    4. Like Water (Rough Mix)
    5. Knapsack (The Happy Wanderer) (Early Run Through)
    6. Everything I Need (Rough Mix)
    7. Peace Of Mind (Alternative Version)
    8. Passing Time (Alternative Vocal)
    9. Man Needs Woman (Alternative Vocal & Guitar)
    10. Too Bad (Full Version)
    11. Man Needs Woman (Early Version, Mick Ralphs Vocal)
    12. Unfinished Story (Previously Unreleased)

    Bad Company
    $39.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Rock N Roll Singer (On Sale) Rock N Roll Singer (On Sale) On Sale Quick View

    $16.99 $11.89 Save $5.10 (30%)

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    Rock N Roll Singer (On Sale)


    First Pressing On Vinyl


    Rock 'N' Roll Singer is the debut solo album from
    Sun Kil Moon/Red House Painters' Mark Kozelek.
    The seven song album was released on CD in 2000
    while Kozelek's final album with his previous band
    Red House Painters was in limbo with record label
    mergers. Rock 'N' Roll Singer features three
    original songs, three completely deconstructed
    AC/DC covers (these versions are not found
    elsewhere) and a John Denver remake. Rock 'N'
    Roll Singer has sold over 25,000 copies in the U.S.
    This is the first pressing on vinyl.

    This title is not eligible for further discount.

    1. Find Me, Ruben Olivares
    2. Rock 'N' Roll Singer
    3. You Ain't Got a Hold on Me
    4. Metropol 47
    5. Around and Around
    6. Bad Boy Boogie
    7. Ruth Marie
    Mark Kozelek
    $16.99 $11.89 Save $5.10 (30%)
    Vinyl LP - Sealed Buy Now
  • Rock N Roll Singer (Bend In Cover) (On Sale) Rock N Roll Singer (Bend In Cover) (On Sale) On Sale Quick View

    $8.99 $6.29 Save $2.70 (30%)

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    Rock N Roll Singer (Bend In Cover) (On Sale)


    First Pressing On Vinyl


    Rock 'N' Roll Singer is the debut solo album from
    Sun Kil Moon/Red House Painters' Mark Kozelek.
    The seven song album was released on CD in 2000
    while Kozelek's final album with his previous band
    Red House Painters was in limbo with record label
    mergers. Rock 'N' Roll Singer features three
    original songs, three completely deconstructed
    AC/DC covers (these versions are not found
    elsewhere) and a John Denver remake. Rock 'N'
    Roll Singer has sold over 25,000 copies in the U.S.
    This is the first pressing on vinyl.

    1. Find Me, Ruben Olivares
    2. Rock 'N' Roll Singer
    3. You Ain't Got a Hold on Me
    4. Metropol 47
    5. Around and Around
    6. Bad Boy Boogie
    7. Ruth Marie
    Mark Kozelek
    $8.99 $6.29 Save $2.70 (30%)
    Vinyl LP - Sealed Buy Now
  • Ultima II Massage Ultima II Massage Quick View

    $22.99
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    Ultima II Massage

    TOBACCO can't have nice things.


    On his third album, the Pennsylvania snake-synth-charmer deepens his approach
    to aural depravity. Ultima II Massage widens a jagged swath through the dude's
    own weird catalog, each disparate track damaged to the point of contributing to
    some sort of greater, lurching Frankenstein-like state. "I spent a lot of time
    breaking it in all the right places," says TOBACCO. "It ends up making the whole
    thing breathe - sometimes gasp for air. It feels more alive." Immediately after
    nishing 2010's Maniac Meat, he went to work on the beat-addled series begun
    with Fucked Up Friends in 2008. There were notable breaks en route to now - a
    surprising commission to remix White Zombie's "Thunder Kiss '65," a new BMSR
    record (Cobra Juicy), and producing Demon Queen's Exorcise Tape with vocalist
    Zackey Force Funk - but he saved the worst for last, amassing the most
    misanthropic material for Ultima. To wit, SPIN dubbed early share "Lipstick
    Destroyer" a "junkyard takedown of Daft Punk's beloved, pristine electro."
    TOBACCO explains his modied approach: "I wanted to push each song just
    enough, so that even when the album's at its wildest, it's something you can zone
    out to. It feels like a denitive end to a concept I've been trying to perfect forever.
    Maniac Meat was linear. This time I wanted to do a lot of di!erent things and have
    them come together as one meditative piece. At least for myself."


    Which, oddly enough, makes sense. This is easily TOBACCO's most diverse set to
    date - his own Stereopathetic Soulmanure, but about that 1-900 hotline life:
    massage parlors, plasticized sleaze, fake tans, old dial-ups to the fan clubs of
    dead B-actors. Fittingly, the album's only contributor is Beck music director Brian
    LeBarton who shrieks as Notrabel on the grimy freak-out "Streaker." At 17 tracks,
    Ultima is stacked with beautifully perverse hits - from the sickly sticky "Eruption,"
    to the wobbly demon swaggerer "Face Breakout," to the distorted punk spazz of
    "Dipsmack," to the apocalyptic sepia ambience of "Spitlord." You may hear
    disembodied bits of Boards of Canada, early Def Jam records, and Gary Numan,
    or maybe just public-access TV and bad VHS dubs of '80s horror icks. Or the sun
    exploding and everything you've ever loved melting. Again, TOBACCO was just
    trying to make meditation music.


    But to nd that rotted sweet spot, as always, he had to subvert his pop urges.
    TOBACCO went back to the cassette decks he started o! with - analog weapons
    of distortion to compliment his hissing vocoder and blown rhythms. Any moment
    that felt "just right" was brutally assaulted until ugly again. All to accomplish one
    end: "This might be my most purposely difcult album yet, but I promise if you let
    it in, it can fuck you up."


    Ultima II Massage. No happy ending.

    1. Streaker (ft. Notrabel)
    2. Good Complexion
    3. Video Warning Attempts
    4. Eruption
    5. Lipstick Destroyer
    6. Self Tanner
    7. Face Breakout
    8. Blow Your Heart
    9. Beast Sting
    10. Dipsmack
    11. Creaming for Beginners
    12. Omen Classic
    13. Pool City, McKnight Road
    14. Spitlord
    15. Father Sister Berzerker
    16. The Touch from Within
    Tobacco
    $22.99
    Colored Vinyl LP - Sealed Buy Now
  • The Place And The Time The Place And The Time Quick View

    $36.99
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    The Place And The Time

    + Vinyl Only Bonus Track


    Despite a myriad of obstacles, Moby Grape managed to persevere and create a potent and enduring body of recorded work, recording four albums during its original 1967-1969 lifespan. While 1967's Moby Grape is widely acknowledged as a classic and one of rock's greatest debut albums, the subsequent Wow, Moby Grape '69 and Truly Fine Citizen are all underrated gems.


    It's a measure of the musicians' abundance of talent and creativity that, despite the multiple roadblocks that they confronted, Moby Grape recorded prolifically and cut a wealth of originally unreleased material. The Place and the Time offers a scintillating assortment of rare tracks cut during the band's heady 1967-1968 heyday and it is the first time any of these tracks have appeared on vinyl! Encompassing audition recordings, album outtakes, alternative versions, live material and more, the recordings offer a powerful testament to the remarkable rapport that made the band such a unique musical force. The fact that music this stunning and originally sat on the shelf for so long is just another in the litany of injustices that haunt the Moby Grape story. Fortunately, the band's majestic recorded legacy has outlasted the bad luck. The music remains as fresh and inspiring as ever, and the vintage material featured in this collection constitutes a crucial addition to Moby Grape's already monumental body of work.

    1. Indifference (Columbia Records audition recording (1967)
    2. Looper (Columbia Records audition recording (1967)
    3. Stop (Demo Recording (1967)
    4. Rounder (Instrumental Outtake Recording from the Moby Grape sessions (1967)
    5. Sweet Ride (Never Again) (Unedited Version, recorded for the motion picture The Sweet Ride (1967)
    6. Loosely Remembered (Demo Recording (1967)
    7. The Place and the Time (Alternate Version from the Wow album sessions (1967)
    8. Bitter Wind (Demo Recording (1967)
    9. Seeing (Alternate Version from the Wow album sessions (1968)
    10. What's to Choose (Alternate Version from the Wow album sessions (1968)
    11. Miller's Blues* (Alternate Version from the Wow album sessions (1968)
    12. Soul Stew (Outtake Recording from the Moby Grape '69 album sessions (1968)
    13. If You Can't Learn From My Mistakes (Demo Recording (1968)
    14. You Can Do Anything (Demo Recording (1967)
    15. Skip's Song (Demo Recording (1967)
    16. It's a Beautiful Day Today (Demo Recording (1968)
    17. What's to Choose (Demo Recording (1967)
    18. Hoochie (Demo Recording (1968)
    19. Big (Demo Recording (1968)
    20. Rounder (Live Recording (1968)
    21. Miller's Blues (Live Recording (1968)
    22. Changes (Live Recording (1968)
    23. Looper (Demo Recording (1967)
    24. Soul Stew (Instrumental Outtake Recording from the Moby Grape '69 album sessions (1968)
    25. Cockatoo Blues (Tongue-Tied) (Demo Recording (1968)


    * Vinyl Only Bonus Track

    Moby Grape
    $36.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Live 1966 Live 1966 Quick View

    $24.99
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    Live 1966

    Besides releasing two classic longplayers and many more singles (including the smash, "Gloria"), touring/behaving badly all across America and appearing on TV shows like 'Upbeat' and 'Where The Action Is', the Shadows of Knight also ruled at suburban Chicago's hands-down hippest teen club, The Cellar. Over the decades, their Cellar performances have become the stuff of legend.


    Miraculously, two reels of tape of the Shadows of Knight live on stage at the Cellar (in 1966!) were eventually uncovered by Sundazed. As early as their 'Gloria' album debut in spring '66, the Shadows of Knight had separated themselves from the garage band pack with a heavily Chicago Blues-based, wildly rocking repertoire. Their trademark sound is on full display in this attitude-drenched, anarchic live recording from late in that exalted year.


    For this expanded edition, the original sets and correct song sequence have been faithfully restored. And to top that, additional and until now completely unheard bonus material is rescued from those old reels. Specifically, added to an already scorching set are previously-unheard takes of "Peepin' and Hidin'" (sung by blues legend Joe Kelley), "Willie Jean" (with a vocal from drummer Tom Schiffour) and "Any Way That You Want Me". Equally important, the packaging now equals the musical contents thanks to an all-new, eye grabbing sleeve highlighted by John Hora's amazing original photography from '66.


    Unlike their comparatively harnessed studio recordings, the Shadows of Knight are presented here raw 'n' alive, sloppy bordering on brilliant and with all the subtlety of a bulldozer. Would you want 'em any other way?

    1. Everybody Needs Somebody to Love
    2. Don't Fight It
    3. Got My Mojo Working
    4. Any Way That You Want Me
    5. Gospel Zone
    6. Got To Get You Off My Mind
    7. It Takes A Long Time Comin'
    8. Hey Joe
    9. Tomorrow's Gonna Be Another Day
    10. Peepin' and Hidin'
    11. Let It Rock
    12. Willie Jean
    13. Spoonful
    14. Oh Yeah
    15. Dark Side
    16. Gloria
    The Shadows of Knight
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Feel So Far Away: Anthology 1974-1998 I Feel So Far Away: Anthology 1974-1998 Quick View

    $49.99
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    I Feel So Far Away: Anthology 1974-1998

    As one quarter of one of the most influential bands of the 20th century, Maureen Moe Tuckers work in the Velvet Underground created a template for all rock drummers that followed. Even today, Moes primal, tribal rhythms can be heard in countless songs from artists around the globe. Her no-nonsense style, spare kit, no drum stool, almost no cymbals, conveyed an urgency and an honesty that was the foundation of the bands sound. In a patchouli-soaked world of 20 minute double-bass drum solos, Moe kept it simple, direct and to the point. As Lou Reed put it, Shes the driving force. The hardcore heart of the Velvets mindset.


    Following her tenure with VU, Moe emerged as a solo artist, building a body of work that stretched over three decades. Ranging from home recordings to collaborations with members of Sonic Youth, Violent Femmes, Half-Japanese and her former band, the songs cover a gamut of styles but all bear the unmistakable thumbprint of their creator. Released by various independent labels on LPs, EPs, singles and compact discs, collecting her catalog has been a daunting task. This compilation finally gathers those far-flung tracks in one place.


    More than just a drummer, Moe is a multi-instrumentalist, playing guitar, bass, sax, keyboards, harmonica and whatever else the song might need. For prime examples of her DIY recording technique, check out her rendition of Chuck Berrys Around and Around from her debut LP Playin Possum. Recording that album at home on a four-track tape recorder allowed Moe to reconnect with her rock roots and eventually led to a return to live performing.


    Moving to Douglas, Georgia as a single mother in the early 80s greatly impacted her songwriting. Themes of workaday blues and tough times are reflected in songs like Spam Again and Thats B.A.D. Loss is also a recurring topic, as in Andy, a touching tribute to the late Andy Warhol. However, it is not all darkness and melancholia. Bursts of exuberance in songs like Hey Mersh! and her loving cover of Bo Diddley radiate infectious joy. Moe also faces the VU legacy head on, reinterpreting seminal tracks like Heroin, Im Waiting for the Man, Pale Blue Eyes and Im Sticking with You and making them her own. Of all the former Velvets, Moes solo work is perhaps the most direct continuation of the bands sound and structure. She never lost her love for pure, lean rock and roll.


    This collection has been mastered by Sundazeds Bob Irwin and includes notes by David Fricke. Available on three LPs, Sundazed is honored to present this first-ever career anthology for an uncompromising artist of remarkable tenacity and vision.

    1. Bo Diddley
    2. Heroin
    3. Slippin and Slidin
    4. Around and Around
    5. Will You Love Me Tomorrow?
    5. Im Sticking With You
    7. Guess Im Falling in Love
    8. Andy
    9. Hey Mersh!
    10. Pale Blue Eyes
    11. Chase
    12. Talk So Mean (alternate mix)
    13. Fired Up (single version)
    14. Too Shy (single version)
    15. Thats B.A.D.
    16. Lazy
    17. Blue, All the Way to Canada
    18. Then He Kissed Me
    19. Im Not
    20. Im Waiting for the Man
    21. Spam Again (live)
    22. Crackin Up
    23. Ive Seen Into Your Soul
    24. Poor Little Fool
    25. I Wanna
    26. To Know Him is to Love Him
    27. Last Night I Said Goodbye to My Friend
    28. After Hours
    Moe Tucker
    $49.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • The Knox Phillips Sessions: The Unreleased Recordings The Knox Phillips Sessions: The Unreleased Recordings Quick View

    $24.99
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    The Knox Phillips Sessions: The Unreleased Recordings


    11 Never-Before-Released Tracks By The Killer, Including A Special Bonus Track!


    Liner Notes Written By Critically Acclaimed Author And Sun Records Expert Colin Escott


    Jerry Lee Lewis was one of rock 'n' roll's brightest stars - and one of its first casualties. Ten years after his career imploded, he spectacularly remade himself in country music. Altogether, he scored more than 40 country hits, in addition to era-defining rock classics like "Whole Lotta Shakin' Goin' On" and "Great Balls of Fire." Those early rock 'n' roll hits were produced by Sam Phillips at Sun Records in Memphis.


    Jerry Lee left Sun in 1963, but, like Elvis, returned often. By the mid-1970s, the studio was run by Sam Phillips' son, Knox, who produced one of the era's biggest hits: the Amazing Rhythm Aces' "Third Rate Romance." Like his father, Knox intuitively understood how to produce Jerry Lee Lewis, allowing him free rein to plunder his subconscious for half-forgotten songs and reimagine them as Jerry Lee Lewis songs, just as he'd done with "Whole Lotta Shakin'" twenty years earlier.


    Over the course of several late nights in the 1970s, Knox recorded Jerry Lee Lewis as he crossed the breadth of American music from Stephen Foster to Jim Croce's still-current hit "Bad, Bad Leroy Brown." Alongside a nineteenth century gospel standard, "Pass Me Not, O Gentle Savior," Jerry drawled his way imperiously through pop classics like "Harbor Lights," and timeless country hits like "Room Full of Roses." Although he wrote none of the songs, Jerry Lee imprints himself forcefully upon them all, perhaps never more so than on the bitterly regretful "That Kind of Fool."


    THE KNOX PHILLIPS SESSIONS: THE UNRELEASED RECORDINGS features eleven songs that capture one of the true, enduring giants of American music at his best. Lewis played the music that he wanted to record and made every song into a unique expression of his wild, eclectic soul. There have been plenty of Jerry Lee Lewis records, but none like this!

    1. Bad, Bad Leroy Brown
    2. Ragged But Right
    3. Room Full Of Roses
    4. Johnny B. Goode / Carol
    5. That Kind Of Fool
    6. Harbor Lights
    7. Pass Me Not, O Gentle Savior
    8. Music! Music! Music! / Canadian Sunset
    9. Lovin' Cajun Style
    10. Beautiful Dreamer
    11. That Kind Of Fool (Full Band Version)
    Jerry Lee Lewis
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nightingale Floors Nightingale Floors Quick View

    $19.99
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    Nightingale Floors

    Nightingale Floors is the fifth studio album from Rogue Wave. This release follows the band's 2010 album Permalight and the debut track from the album, titled College, is already streaming via Soundcloud.


    The brainchild of Zach Schwartz (aka Zach Rogue) Rogue Wave formed in 2002 in Oakland, CA. While the line-up has changed from album to album the two constants have always been Zach and drummer Pat Spurgeon. Nightingale Floors finds the group secure in its sound and brimming with confidence. The result can only be described as a triumphant return to form.


    Meditations on life and death dominate Nightingale Floors, in large part because Rogue's father passed away during the writing of the record. But far from being a downer, Rogue has used the experience to find peace and, ultimately, happiness in facing up to the short time we have on Earth and appreciate everything around him. Much has been written about Rogue Wave's misfortune over the years, and it's true that for such a nice bunch of guys, they certainly have had their fair share of bad luck.


    Rogue Wave tapped Release The Sunbird s mixer John Congleton (whose impressive rÉsumÉ includes Modest Mouse, The Walkmen, David Byrne & St. Vincent, and Explosions In The Sky) to produce the record just north of Oakland at Cotati's Prairie Sun Recording Studios. With the assistance of touring bassist Masanori Mark Christianson, Peter Wolf Crier s Peter Pisano (guitar), Sea Of Bees Jules Baenziger (vocals), and Mwahaha s Ross Peacock (synth manipulation), Rogue, Spurgeon, and Christianson channeled their energies into 10 smart, dynamic songs that range from opener No Magnatone and its dreamy washes of sound to the big, catchy rock of College to the gentle The Closer I Get to the moody yet epic closer Everyone Wants To Be You. The music is as thoughtfully conceived as you'd expect from Rogue Wave, and there s an emotional energy behind the tracks that lingers on long after the album's last note.

    1. No Magnatone
    2. College
    3. Figured It Out
    4. Siren's Song
    5. The Closer I Get
    6. S(a)tan
    7. Used To It
    8. Without Pain
    9. When Sunday Morning Comes
    10. Everyone Wants To Be You
    Rogue Wave
    $19.99
    Vinyl LP - Sealed Buy Now
  • Red Light Fever Red Light Fever Quick View

    $19.99
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    Red Light Fever

    Taylor Hawkins has become a worldwide superstar as the dynamic drummer for Foo Fighters. As many fans of Foo Fighters know, Taylor isnt just a drummer, as he most famously penned Cold Day In the Sun, from the record breaking release In Your Honor, which has now become a live staple for the band. Enter Taylor Hawkins & The Coattail Riders, with their second full length, Red Light Fever. A new collection of music which draws a clear line between contemporary rock music, and the classic rock artists that clearly influence Taylors music. Songs like Way Down and Not Bad Luck sound both contemporary and classic at the same time.

    1. Not Bad Luck
    2. Your Shoes
    3. Way Down
    4. Its Over
    5. Hell To Pay
    6. Sunshine
    7. Never Enough
    8. Hole
    9. In My Shoe
    10. James Gang
    11. Dont Have To Speak
    12. I Can See It Now
    13. I Dont Think I Trust You Anymore
    Taylor Hawkins and the Coattail Riders
    $19.99
    Vinyl LP - Sealed Buy Now
  • Time To Go Home Time To Go Home Quick View

    $15.99
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    Time To Go Home

    Chastity belt is a rock band consisting of four friends - guitarists Julia Shapiro and Lydia Lund, bassist Annie Truscott, and drummer Gretchen Grimm. They met in a tiny college town in eastern Washington, but their story begins for real in Seattle, that celebrated home of Macklemore and the twelfth man. Following a post-grad summer apart, a handful of shows and enthusiastic responses from the city's diy community led them, as it has countless others, into a cramped practice space. They emerged with a debut album, No Regerts, sold it out faster than anyone involved thought possible, and toured America, a country that embraced them with open-ish arms. Now they're back and the tab is settled, the lights are out, the birds are making noise even though the sun isn't really up yet: it's time to go home, their second long-player and first for hardly art. In the outside world, they realized something crucial: they didn't have to play party songs now that their audience didn't consist exclusively of inebriated 18-22 year olds, as it did in that college town. Though still built on a foundation of post-post-punk energy, jagged rhythms, and instrumental moves that couldn't be anyone else's, the songs they grew into in the months that followed are equal parts street-level takedown and gray-skied melancholy. They embody the sensation of being caught in the center of a moment while floating directly above it; shapiro's world spins around her on on the floor, grounded by Grimm and Truscott's most commanding playing committed to tape. They pay tribute to writer Sheila Heti on drone and John Carpenter with the thing, and deliver a parallel-universe stoner anthem influenced by electrelane with joke. recorded by JosÉ Díaz Rohena at the unknown, a desecrated church and former sail factory in anacortes, and mixed with a cathedral's worth of reverb by Matthew Simms (guitarist for legendary british post-punks and one-time tourmates Wire), time to go home sees Chastity Belt take the nights out and bad parties of their past to their stretching points, watch the world around them break apart in anticipatory haze, and rebuild it in their own image with stunning clarity before anyone gets hungover.
    1. Drone

    2. Trapped

    3. Why Try

    4. Cool Slut

    5. On the Floor

    6. The Thing

    7. Joke
    8. Lydia

    9. IDC

    10. Time To Go Home
    Chastity Belt
    $15.99
    Vinyl LP - Sealed Buy Now
  • Little Death Shaker Little Death Shaker Quick View

    $19.99
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    Little Death Shaker

    Stripped of all noise influences and focusing on straight-up songs, Little Death Shaker is a record evocative of late nights and dusty parking lots, long drives and boozy hookups. This is the work of a dude who's spent his youth and young manhood on tour and it comes through in both the music and the lyrics. Where Castanets' lyrics gave us Ray Carver-ian fragments and it's-what-you-leave-out-that-counts minimalism, here we see Raposa back from the battleground with stories to tell.



    This is the most lyric-heavy Raposa's been and it's also the most playful and humorous, and you get the feeling some of these songs would be the ones that would go down best near 2am at some weird sports bar dive in southeast Alabama/Iowa/Mississippi. (We can just see some big biker dude/fallen NASCAR star/Gary Busey lookalike sitting back-to-bar, Bud in hand, having a good-natured laugh over the punchline from Some of My Friends or the WTF premise of the Dan Reeder penned You'll Never Surf Again.)



    The record begins with fighting spirit. Allegiance comes on with a punch of electric guitar and Raposa singing I woke up feeling/bold as shit. It's his rowdiest and most confident song to date, a real knockabout that'll take you by surprise if you're used to Castanets. Up next the title track verges on Queen (Flash Gordon soundtrack?) and Some of My Friends is a barnburner with the ghosts old Sun Studios players holding court.



    Highlights are many. The dark-as-Skoal interstate roller Whippoorwill, the slowly ramping Some Kind of Fool, which rolls easy and pretty with backup vocals from Matthew Houck of Phosphorescent before building to a shitkicking rock 'n' roll peak where we find Raposa delivering some of his best and most racy lyrics, singing the very un-indie-rock, I could spend this good money wherever I care to/taste all the honies that I choose /lay myself down beside anyone's flower/all alive in the morning with the dew. It's a song about libertine freedom and heartbreak ignored and taking the bull by the horns and being, well, kind of a bastard.



    More highlights: Castanets collaborator Talia Gordon taking main vocals on You're Not Standing Like You Used To (Kate Wolf); the after-afterhours minor chord jam Stateline, Little Death Shaker's most ruckus track of all, a late-night spent trapped in the stripclub/rig cab/country bar/tour van/your own damn head. At 10 minutes it's a tale of drugs and wayward love, a real red-lit kind of aloneness, backed by a legit live crawl, with high and ghostly organ and distorted vocals crackling like a bad CB connection.



    With Meridian, Raposa and Houck bring back the vibe of Some Kind of Fool and take it on a humid trip through the deepest South, gators in the water, snakes in the sand, a stormhead looming over the sun-dappled river. When Raposa sings oh honey here comes the storm you can just FEEL the weather breaking.



    One of this record's real charms is you can close your eyes and see these 13 tracks played live; you can see the drummer leaning over his kit with his brushes (and sunglasses on?), the backup singers standing around the mic, beers in hand, eyes closed, swaying side to side, the lights crisscrossing the stage. Meridian is no different. You can see this band. You can see these people playing together, and in a world of records that bands can't duplicate live, it's crazy-refreshing!



    The album's closer, Allegiance 2, brings backlongtime Castanets collaborator Bridgit Jacobsen (nÉe Decook) for a hushed and barely-there apology. Oh lord be kind to me/after all these devils I have kissed. As a prayer, a shrug, and an exhausted offering, it's a fitting way to end an album so concerned with sin and vice. It's also a fitting end-introduction to this new band. So meet Raymond Byron and the White Freighters and their record Little Death Shaker. Here's to the new!

    1. Allegiance

    2. Little Death Shaker

    3. Some of My Friends

    4. Turnpike/Bedsheet

    5. You'll Never Surf Again

    6. Don't That Lake Just Shine

    7. Whippoorwill

    8. A Little More Credit

    9. Some Kind of Fool

    10. You're Not Standing Like You Used To

    11. Stateline

    12. Meridian, MS

    13. Allegiance 2
    Raymond Byron And The White Freighter
    $19.99
    Vinyl LP - Sealed Buy Now
  • Leave Me Alone Leave Me Alone Quick View

    $17.99
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    Leave Me Alone

    The debut album from the all-female indie rockers. Since bursting onto the DIY scene last summer, Hinds - Ana Perrote, Carlotta Cosials, Ade Martin and Amber Grimbergen - have mastered a raw and playful sound all their own. With just a handful of released singles under their belt, Hinds have already earned early support from BBC Radio 1, BBC 6Music, NME, Guardian, Beats 1, Pitchfork, Rolling Stone, The Fader, Gorilla vs. Bear, and many more. Kicking things off with their single 'Garden', Hinds take us on a bad* rock 'n' roll ride on Leave Me Alone.


    Weaving sun-kissed, '60s inspired melodies, executed with a genius call and response between co-vocalists and band co-founders Perrote and Cosials, Hinds create the ultimate soundtrack to the best day ever - from start to finish - spent with your four best friends. In addition to previously released fan favorites including the band's first-ever single 'Bamboo', 'Castigadas en El Granero' - which translates in English to Grounded In The Barn - and the band's first new song of 2015 'Chili Town', Leave Me Alone only gets better with each song. Featuring bright surf-pop tune 'San Diego', the mixed-tempo 'Fat Calmed Kiddos', and a bitter ode to sh*ty boyfriends in 'And I Will Send Your Flowers Back', Leave Me Alone is guaranteed to bring the Mediterranean sun to you wherever you are in the world at any time of the year.

    1. Garden
    2. Fat Calmed Kiddos
    3. Warts
    4. Easy
    5. Castigadas en El Granero
    6. Solar Gap
    7. Chili Town
    8. Bamboo
    9. San Diego
    10. And I Will Send Your Flowers Back
    11. I LL Be Your Man
    12. Walking Home
    Hinds
    $17.99
    Vinyl LP - Sealed Buy Now
  • Tookah Tookah Quick View

    $18.99
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    Tookah

    Tookah is Emiliana Torrini's fourth album and it follows 2008's critically acclaimed Me And Armini. It sees Emiliana back in the studio with her long-time producer/collaborator Dan Carey.


    'Tookah' was written at different stages over a 3 year period, the oldest song being "When Fever Breaks" which was written having come off a tough two year tour which took it's toll in many ways.


    "The only way to deal with things is to go into the studio and do music, it is like brain scrambling. You come out of the session clearer as you get to step out of yourself take a look and deal with it."


    Other songs like 'Autumn Sun' were written in Iceland.


    "We had done that before, gone on a week's writing trip to Iceland, wrote five songs in that week which all made it onto ´Me and Armini´. We were kind of expecting the same to happen. It didn´t. We only wrote 'Autumn Sun'. It was extremely frustrating. Lyrics were hard to write for this album and I spent day and night trying to finish it - with Dan standing over me in military mode. The only time in my life I did not like him much."


    On the airplane we realized Dan had left his computer at the airport - it had the only copy of the song. He ran out to find it and just made it back just before the doors closed. We had a terrifying landing that almost ended badly. We grabbed each other and the only thing we said was "Nooo the song! It will be lost forever!"


    This record was my sound journey. I had not long had my baby and was getting my head around this huge love I had for him and then being absolutely devastated that I might have dragged him out of a world where he was wild and free, riding horses, swimming in rivers and eating over open fires, to this world where the bad is too much to handle. I had a new identity to figure out and the record was the tiger in the rowing boat. It was going nowhere. I did not like the music we were doing because we had done it before. We knew how to craft that. I needed a challenge, proof that something in me had shifted and it had to be musically as well. I was driving myself too hard.


    Dan told me I was not ready to make a record, that I should forget about it for a while, just hang out.


    So, we started hanging out, in the studio. In my head the difference was we were not making a record. I discovered the Oberheim on Youtube and that changed everything. That and the Swarmatron Dan had bought. We knew we would plaster it all over the record before we knew what the record was.


    I pulled some friends together I was writing with Simon Byrt, ("Blood Red", "Elísabet"), Ian kellett (´Elísabet) and Matt Robertson who are real synth nerds and we started playing around and having fun. We went to Dan´s and jammed and started doing some synth symphonies.


    After you have a baby there comes a time where you need to go out with your girlfriends and dance. I went to the studio with Dan and did a dance track "Speed of Dark." We danced. It had to be on the record it was a part of the journey. From that the sound of the record was born, it was a challenge bringing it all together.


    The sound was worked very visually. There are almost two stories to each song there is the lyrical visual and then there is a whole different visual that comes with the instrumental and that is how the sound was often directed. "Home" is a very good example of how the sound was built from a visual. When we were writing it, it was clear it had to have a very certain feeling. ´I wanted it to have the visual of you standing in snow blinding white, watching your breath in the cold, not feeling the cold. You look to your left and a lake stretches out frozen and huge. You walk over it to the other side into a forest, you lose direction. Completely lost and helpless. Fireworks start lighting up the sky and you feel a wave of relief. You walk towards them. In the king blue sky they start changing into jelly fish in neon flashing colours, leading the way to home.´ We did not stop until we saw that when playing it.


    'Tookah' is a made up word. It came when I was improvising and I connected with that word or name in a very deep blissful way. It is the core of you. The 'you' you were when you were born, before life decorated you like a Christmas tree with all the baggage. It is what connects us with everyone and everything.


    It is what the sufis spin for, what we are looking for all our lives. It is the sudden thankfulness you feel when doing nothing in particular, where everything is gently perfect for a moment. God has many names. I call mine 'Tookah'.


    - Emiliana Torrini

    1. Tookah
    2. Caterpillar
    3. Autumn Sun
    4. Home
    5. Elisabet
    6. Animal Games
    7. Speed of Dark
    8. Blood Red
    9. When Fever Breaks
    Emiliana Torrini
    $18.99
    Vinyl LP - Sealed Buy Now
  • Call It What It Is Call It What It Is Quick View

    $24.99
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    Call It What It Is

    Ben Harper & The Innocent Criminals have reunited for Call It What It Is, their first record together in nine years.


    Call It What It Is is an incisive, bold, poetic statement that could only come from these long-time musical partners, one of popular music's most essential, cohesive and dynamic ensembles. The standout title track showcases Harper's unmatched ability to blend the personal and political. Invoking the names of Trayvon Martin, Ezell Ford, and Michael Brown over an agitated blues riff, Harper cuts to the quick: "There's good cops / bad cops / white cops / black cops / call it what it is / Murder." The genre-spanning collection contains many highlights including the sun-kissed groove of Shine and the album's swaggering lead track When Sex Was Dirty.


    It had been seven years since Ben Harper last played a show with the Innocent Criminals, so when the time came to reunite for a live tour in 2015, the band-percussionist Leon Mobley, bassist Juan Nelson, drummer Oliver Charles, keyboardist Jason Yates, and guitarist Michael Ward-quickly discovered that Harper had more in mind than simply revisiting the group's prodigious song catalogue. In fact, Harper had been quietly amassing material for a new record and the first recording sessions were scheduled to begin even before the rehearsals for their triumphant four-night sold-out reunion run at the Fillmore in San Francisco last March.


    "I thought we would be more energized and revitalized by thinking outside the box and starting with new material in the studio before we dug into the old stuff," said Harper of the reunion album. "It was meant to be a signpost that we're here to forge new ground musically and personally."

    1. When Sex Was Dirty
    2. Deeper And Deeper

    3. Call It What It Is

    4. How Dark Is Gone

    5. Shine

    6. All That Has Grown

    7. Pink Balloon

    8. Finding Our Way
    9. Bones

    10. Dance Like Fire

    11. Goodbye To You
    Ben Harper
    $24.99
    Vinyl LP - Sealed Buy Now
  • Thin Lizzy - Collected (Pre-Order) Thin Lizzy - Collected (Pre-Order) Quick View

    $34.99
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    Thin Lizzy - Collected (Pre-Order)

    Limited First Pressing Of 1500 Individually Numbered Copies On Silver Vinyl, Black Vinyl Thereafter

    180 Gram Audiophile Vinyl

    Gatefold Sleeve

    High Quality PVC Protective Sleeve

    4-Page Booklet With Liner Notes And Photos

    Special Embossed Cover Artwork

    Featuring ''Whiskey In The Jar'', ''Boys Are Back In Town'' & ''Jailbreak''

    Thin Lizzy COLLECTED is a great collection of the many faces of the band. In late 1972 Thin Lizzy released their first hit in the version of a traditional Irish ballad, ''Whiskey In The Jar''. It topped the worldwide charts. The band's album released later on in 1973 featured both the hit single and ''The Rocker''.

    Nightlife, the fourth studio album was produced by Ron Nevison and featured Gary Moore on lead guitar on ''Still In Love With You''.

    The fifth studio album Fighting showed the first real evidence of the twin guitar sound that would lead the band towards their greatest successes. It includes the tracks ''Suicide'' and ''Wild One''.

    After a successful multi-band tour in support of Status Quo, the band recorded the album Jailbreak. The album featured the tracks ''Jailbreak'' and ''The Boys Are Back in Town'', as well as the real gem ''Emerald''. The twin guitar sound had been fully developed by this time. Thin Lizzy flew to Canada in 1977 as a trio to record their next album, with Gorham handling all the guitar parts. The album included the songs ''Dancing In The Moonlight'' and ''Bad Reputation''.

    At the beginning of 1979 they recorded Black Rose: A Rock Legend in Paris. The album was released in 1979 and has been described as one of the band's greatest, most successful album. The tracks ''Do Anything You Want'' and ''Sarah'' are both included.

    Lynott worked on his solo career with several albums. It spawned the solo tracks ''King's Call'' and ''Yellow Pearl'', as well as the track ''Chinatown''. In the meantime Thin Lizzy released their twelfth studio album including the wonderful tracks ''The Sun Goes Down'' and ''Cold Sweat''.

    LP 1
    1. Whiskey In The Jar
    2. Sarah
    3. The Rocker
    4. Still In Love With You
    5. Wild One
    6. Rosalie
    7. Suicide
    8. The Boys Are Back In Town
    9. Jailbreak
    10. Cowboy Song
    11. Emerald
    12. Johnny The Fox Meets Jimmy The Weed


    LP 2
    1. Don't Believe A Word
    2. Bad Reputation
    3. Dancing In The Moonlight
    4. That Woman's Gonna Break Your Heart
    5. Soldier Of Fortune
    6. Do You Anything Want To
    7. Waiting For An Alibi
    8. Chinatown
    9. Hollywood
    10. The Sun Goes Down
    11. Cold Sweat
    12. Phil Lynott - King's Call
    13. Phil Lynott - Old Town
    14. Phil Lynott - Yellow Pearl

    Thin Lizzy
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Valleys Of Neptune Valleys Of Neptune Quick View

    $34.99
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    Valleys Of Neptune

    Jimi Hendrix Valleys Of Neptune on Audiophile-Quality 180g 2LP Set!


    12 Previously Unreleased, Fully Realized Jimi Hendrix Studio Recordings Available for the First Time Ever!


    Cut from the Analog Masters by Legendary Engineer George Marino at Sterling Sound and Pressed on 180-gram Vinyl at RTI!


    The Hendrix Family is Committed to Bringing you the Best Sound Quality Possible: Do Not Miss This Collection!


    Set Joins Exquisitely Remastered Versions of Are You Experienced?, Axis: Bold As Love, Electric Ladyland, and First Rays of the New Rising Sun!


    The already insurmountable legacy of the greatest, most advanced rock guitarist to ever play a note just got better. Valleys Of Neptune, a newly curated album of 12 fully realized Jimi Hendrix studio recordings, contains more than 60 minutes of music never commercially available on any Hendrix album. Centered around tracks recorded during a pivotal and turbulent four-month period in 1969, Valleys Of Neptune unveils the original Jimi Hendrix Experience's final studio recordings for the very first time. Just as importantly, no expense has been spared in making sure this monumental release sounds as good as humanly possible. Mastered from the original analog tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this 2LP set is a sonic knockout on par with the very best audiophile recordings. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history. Albums don't get more essential than this.


    Valleys Of Neptune provides a fundamental, compelling, and largely unseen view of what Jimi Hendrix was doing in the critical period between the release of Electric Ladyland in October of 1968 and the 1970 opening of his own Electric Lady Studios in Greenwich Village. The state-of-the-art facility is also where he would begin his final project, the ambitious double album First Rays of the New Rising Sun.


    Here, the group lays down the foundation for its follow-up to Electric Ladyland, alongside the guitar superhero's first sessions with bassist Billy Cox, an army buddy Hendrix had recruited into his new ensemble. As such, Valleys Of Neptune offers more than an hour of previously unreleased Jimi Hendrix music, newly mixed for this historic release by Hendrix's longtime engineer Eddie Kramer, who first worked with the guitarist on 1967's Are You Experienced? Valleys Of Neptune is produced by Janie Hendrix, John McDermott (who contributes detailed liner notes), and Kramer. The Valleys Of Neptune single has long been one of the most sought-after of Hendrix's recordings. But it's not the only reason to grab this set.


    Other highlights encompass blazing studio covers of Elmore James' Bleeding Heart and Cream's Sunshine of Your Love, as well as premier performances of original Hendrix compositions like Ships Passing Through The Night, Lullaby For The Summer, and the original recording of the Jimi Hendrix Experience rendition of Hear My Train A Comin'. Also included is Mr. Bad Luck, a Jimi Hendrix Experience track, produced by Chas Chandler during the 1967 Axis: Bold as Love sessions.
    Specific personnel and recording dates of the tracks are as follows:


    Stone Free

    Recorded: Record Plant, New York, April 7, 9, 14, May 17,1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Billy Cox

    Drums: Mitch Mitchell

    Backing Vocals: Roger Chapman, Andy Fairweather Low


    Valleys Of Neptune

    Recorded: Record Plant, New York, September 23, 1969, May 15, 1970

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Drums: Mitch Mitchell

    Bass: Billy Cox

    Percussion: Juma Sultan


    Bleeding Heart

    Recorded: Record Plant, New York, April 24, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Billy Cox

    Drums: Rocky Isaac

    Tambourine: Chris Grimes

    Maracas: Al Marks


    Hear My Train A Comin'

    Recorded: Record Plant, New York, April 7, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Mr. Bad Luck

    Recorded: Olympic Studios, London, May 5, 1967

    Producer: Chas Chandler

    Additional bass and drum recording, Air Studios, London, June 5, 1987

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Sunshine Of Your Love

    Recorded: Olympic Studios, London, February 16, 1969

    Producer: Jimi Hendrix

    Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell

    Percussion: Rocki Dzidzornu


    Lover Man

    Recorded: Olympic Studios, London, February 16, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Ships Passing Through The Night

    Recorded: Record Plant, New York, April 14, 1969

    Producer: Jimi Hendrix

    Guitar, Vocals: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Fire

    Recorded: Olympic Studios, London, February 17, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass, Backing Vocal: Noel Redding

    Drums: Mitch Mitchell


    Red House

    Recorded: Olympic Studios, London, February 17, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Lullaby For The Summer

    Recorded: Record Plant, New York, April 7, 1969

    Producer: Jimi Hendrix

    Mixed By Eddie Kramer

    Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Crying Blue Rain

    Recorded: Olympic Studios, London, February 16, 1969

    Producer: Jimi Hendrix

    Additional bass and drum recording, Air Studios, London, June 5, 1987

    Vocal, Guitar: Jimi Hendrix

    Percussion: Rocki Dzidzornu

    Bass: Noel Redding

    Drums: Mitch Mitchell


    1. Stone Free
    2. Valleys Of Neptune
    3. Bleeding Heart
    4. Hear My Train A Comin'
    5. Mr. Bad Luck
    6. Sunshine Of Your Love

    7. Lover Man
    8. Ships Passing In The Night
    9. Fire
    10. Red House
    11. Lullaby For The Summer
    12. Crying Blue Rain
    Jimi Hendrix
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
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