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  • Dark Side Of The Moon Dark Side Of The Moon Quick View

    $30.99
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    Dark Side Of The Moon

    Ranked 43/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Remastered From The Original Analogue Tapes By James Guthrie, Joel Plante, And Bernie Grundman


    Pink Floyd's most successful and singularly defining album is here to stay. The Dark Side of the Moon has sold over 40 million copies worldwide since its release in 1973, and it shows no signs of letting up. With lush, immaculate production and sweeping instrumentals, The Dark Side of the Moon is unrivaled in sonic brilliance. The complex textures found within have captivated audiophiles for over thirty years.


    With lyrics about seemingly mundane details set against dreamy, atmospheric backdrops, the songs on The Dark Side of the Moon achieve a truly emotional response. Performances are not virtuosic, but they are brilliant nonetheless and were likewise brilliantly recorded. Abbey Road Studios engineer Alan Parsons and Pink Floyd made use of some of the most advanced techniques available at the time to craft a sound that was innovative yet entirely classic, by any sense of the word. Swirling organs, mellow drums, and spacious guitars are signature sounds that have been inextricably linked with Pink Floyd's magnificent songwriting.


    The Dark Side of the Moon is a peerless entry in the annals of classic rock history. No record collection should be without this multi-platinum masterpiece.

    1. Speak to Me
    2. Breathe in the Air
    3. On the Run
    4. Time
    5. The Great Gig in the Sky
    6. Money
    7. Us and Them
    8. Any Colour You Like
    9. Brain Damage
    10. Eclipse
    Pink Floyd
    $30.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Today! (Mono) Today! (Mono) Quick View

    $34.99
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    Today! (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themseleves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Put simply, this is the Beach Boys at their mid-'60s prime. Ironically, the band's greatest evolutionary leap was spurred by its leader, Brian Wilson, who decided to drop out of the band's live performances after a December 1964 nervous breakdown to concentrate on honing the Beach Boys' studio sound. With Wilson's productions gaining a significant new depth and confidence (note the innovative modulations on 'Dance, Dance, Dance'), the first half of Today seems a logical, upbeat step forward from its predecessors. But it's the album's second act that steals the show, setting the stage for the triumph of Pet Sounds. Indeed, it's easy to imagine gorgeous, introspective tracks such as 'Please Let Me Wonder,' 'She Knows Me Too Well,' and 'In the Back of My Mind' intertwined with the best of Sounds. - Amazon.com

    1. Do You Wanna Dance?
    2. Good To My Baby
    3. Don't Hurt My Little Sister
    4. When I Grow Up
    5. Help Me, Ronda
    6. Dance, Dance, Dance
    7. Please Let Me Wonder
    8. I'm So Young
    9. Kiss Me, Baby
    10. She Knows Me Too Well
    11. In The Back Of My Mind
    12. Bull Sessions With The "Big Daddy"
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • New Jazz Conceptions New Jazz Conceptions Quick View

    $34.99
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    New Jazz Conceptions

    In 1956, Bill Evans was virtually unknown (it would be more than a year before he first gained notice as part of the celebrated Miles Davis Sextet). His initial album attracted little attention back then, but listening with hindsight it is easy to hear in these highly individual trio and solo treatments a clear prophecy of the rich inventiveness that so deeply influenced Herbie Hancock, Chick Corea, Keith Jarrett and an entire generation of jazz pianists.


    Originally released in 1956.

    1. I Love You
    2. Five
    3. I Got It Bad and That Ain't Good
    4. Conception
    5. Easy Living
    6. Displacement
    7. Speak Low
    8. Waltz for Debby
    9. Our Delight
    10. My Romance
    11. No Cover, No Minimum
    Bill Evans Trio
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Time Out (200 Gram) Time Out (200 Gram) Quick View

    $34.99
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    Time Out (200 Gram)

    200 Gram Vinyl


    Analogue Productions and Quality Record Pressings present the definitive Time Out by The Dave Brubeck Quartet, now a 33 1/3 RPM LP


    Reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing


    Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it - for the quartet's best-known hit Take Five has graced the soundtracks of multiple films, including Mighty Aphrodite, Pleasantville and Constantine.


    The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time - so distinctive, it's a rare jazz track that became a pop hit.


    Including the monster hit Take Five, the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 33 1/3 RPM on 200-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you Time Out renewed.


    The jacket is also special - very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic old school look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.


    The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer. An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.

    1. Blue Rondo A La Turk
    2. Strange Meadow Lark
    3. Take 5
    4. 3 To Get Ready
    5. Kathy's Waltz
    6. Everybody's Jumpin'
    7. Pick Up Sticks
    Dave Brubeck
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dusty In Memphis Dusty In Memphis Quick View

    $54.99
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    Dusty In Memphis

    Ranked 89/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Britain's greatest pop diva Dusty Springfield was the finest white soul singer of her era and this landmark Atlantic Records album from 1969 is a masterpiece, a perfect marriage of pop and soul...contains her top 10 hit Son Of A Preacher Man plus several other hit singles and classic tracks...


    Originally released in 1969, the concept for Dusty In Memphis was to take England's reigning female soul queen to the home of the music which had inspired her. Produced by Atlantic's Jerry Wexler and Arif Mardin and engineered by Tom Dowd, the record's highlights include Son Of A Preacher Man, So Much Love, Breakfast In Bed, Just One Smile, I Don't Want To Hear It Anymore and Just A Little Lovin'. Springfield is backed by a crack band that had previously worked with Aretha Franklin, Wilson Pickett, King Curtis and Elvis Presley among others. The musicians - collectively known as the Memphis Cats - include guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrismann, pianist Bobby Wood and Bobby Emmons on organ and electric piano. Songwriting contributions came from, among others, Randy Newman, Carole King, Gerry Goffin, Barry Mann and Cynthia Weil. Dusty Springfield is one of the finest white soul singers of her era, and this is the undisputed proof.

    1. Just a Little Lovin'
    2. So Much Love
    3. Son of a Preacher Man
    4. I Don't Want to Hear It Anymore
    5. Don't Forget About Me
    6. Breakfast In Bed
    7. Just One Smile
    8. The Windmills of Your Mind
    9. In the Land of Make Believe
    10. No Easy Way Down
    11. I Can't Make It Alone
    12. Willie and Laura Mae Jones
    13. Hi-De-Ho (That Old Sweet Roll)
    14. What Do You Do When Love Dies
    Dusty Springfield
    $54.99
    200 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Pet Sounds (Mono) Pet Sounds (Mono) Quick View

    $34.99
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    Pet Sounds (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    It was Pet Sounds that blew me out of the water I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album. - Paul McCartney


    All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one. - Eric Clapton


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.

    1. Wouldn't It Be Nice
    2. You Still Believe Me
    3. That's Not Me
    4. Don't Talk (Put Your Head On My Shoulder)
    5. I'm Waiting For The Day
    6. Let's Go Away For Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There's An Answer
    10. Here Today
    11. I Just Wasn't Made For These Times
    12. Pet Sounds
    13. Caroline No
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Out of the Afternoon Out of the Afternoon Quick View

    $49.99
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    Out of the Afternoon

    A 1962 set from the Roy Haynes Quartet which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano and Roland Kirk on saxes, manzello, stritch and flutes. The album is a delightful mix of technique in arrangement and performance, with all of the musicians delivering terrific work Haynes' drumming is absolutely wonderful here, lightly dancing around the other instruments. Flanagan's piano playing is equally light and delicate, and Grimes' bass work is outstanding. There's not much that can be said about Kirk's sax and flute work that hasn't already been said a hundred times.


    Roy Haynes, drums
    Tommy Flanagan, piano
    Henry Grimes, bass
    Rahsaan Roland Kirk, flute, percussion, tenor saxophone

    1. Moon Ray
    2. Fly Me To The Moon (In Other Words)
    3. Raoul
    4. Snap Crackle
    5. If I Should Lose You
    6. Long Wharf
    7. Some Other Spring
    Roy Haynes
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Let Yourself Go (Pure Pleasure) Let Yourself Go (Pure Pleasure) Quick View

    $49.99
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    Let Yourself Go (Pure Pleasure)

    Let Yourself Go is an exceptional collection of 13 tunes written by the cream of popular song writers -- Berlin, Gershwin Brothers, and others -- honoring Fred Astaire's contributions to the vocal art. With his low key, narrow ranged voice, Astaire probably introduced and/or made popular more songs that were destined to become standard entries in the Great American Songbook than any other artist. Kent delivers this selective play list with one of three musical combinations, just piano, with piano plus rhythm, and with a larger aggregation which includes sax and guitar. Irrespective of the instrumental context, all of the tunes are delivered with Stacey's pleasant nasal twang to help her create the impression that the lyrics she's singing are part of an intimate one on one conversation with each listener. There's nothing over dramatic on this album. No gimmicks, just a voice as engaging as any on the scene conveying the meaning of a melody in the tradition of the person she is honoring, the inestimable Astaire.


    Kent's pianist, David Newton, is one of the premiere accompanists in the U.K., having worked with such top flight singers as Tina May. He and Kent display their musical attraction to each other on a relaxed, suave rendition of Isn't This a Lovely Day and They Can't Take That Away From Me, where Kent and Newton gently joust as they deliver an elegant rendition of this tune. 'Relaxed' is as good a word as any to describe the atmosphere for this session. There's nothing frenetic here. S'Wonderful, usually performed at a fast pace, gets a languid, medium tempo treatment with Newton's piano, an effortlessly lilting Colin Oxley guitar and Jim Tomlinson's tenor sharing the mike with Kent. A Fine Romance is about as upbeat as it gets, with Oxley's cleaned line guitar setting the pace. Newton engages in a bit of Erroll Garner-like humming during his solo on this tune. Tomlinson's romantic tenor is featured on Let Yourself Go and They All Laughed. On One for My Baby, he brings out his clarinet, using the middle register to help create the proper melancholy mood for this definitive 'drowning my sorrows in booze' tune.


    This is another excellent album by American born, U.K.-based singer Stacey Kent, and is happily recommended.

    Musicians:



    • Stacey Kent (vocal)

    • Jim Tomlinson (tenor saxophone, alto saxophone, clarinet)

    • Colin Oxley (guitar)

    • David Newton (piano, keyboards)

    • Simon Thorpe (bass)

    • Steve Brown (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    LP 1
    1. Let Yourself Go
    2. They Can't Take That Away From Me
    3. I Won't Dance
    4. Isn't This A Lovely Day?
    5. They All Laughed
    6. He Loves And She Loves


    LP 2
    1. Shall We Dance?
    2. One For My Baby (And One More For The Road)
    3. S' Wonderful
    4. A Fine Romance
    5. I Guess I'll Have To Change My Plan
    6. I'm Putting All My Eggs In One Basket
    7. By Myself

    Stacey Kent
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Buddy Holly (200 Gram Vinyl) Buddy Holly (200 Gram Vinyl) Quick View

    $34.99
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    Buddy Holly (200 Gram Vinyl)

    Pioneer Of Rock 'n' Roll In His Solo Album Debut!


    200-Gram Vinyl Pressed At Quality Record Pressings


    All-Analog Mastering By Kevin Gray At Cohearant Audio


    Deluxe Tip-On Gatefold Jacket From Stoughton Printing


    Rock 'n' roll legend Buddy Holly produced some of
    the most distinctive and influential music of his era.
    Three months after the release of The Chirping Crickets
    came this self-titled 1958 classic, Buddy's last album
    released prior to the plane crash in Iowa that struck
    him down in 1959 at age 22.


    What has Analogue Productions done to kick this classic
    album up a notch? For starters, our version features
    stellar remastering by Kevin Gray at Cohearent
    Audio. Followed by state-of-the-art plating and pressing
    on 200-gram heavyweight vinyl at Quality Record
    Pressings, maker of the world's finest-sounding LPs.
    Stoughton Printing provides a sturdy old-style tip-on
    gatefold jacket with added photos to round out the
    package.


    Born on Sept. 7, 1936 in Lubbock, Texas, Buddy Holly
    was well-versed in several music styles and was a
    seasoned performer by age 16.


    When Buddy Holly & The Crickets broke through
    nationally in 1957, they were marketed by Decca Records
    as two different acts whose records were released
    on two different Decca subsidiaries - Brunswick
    for Crickets records, Coral for Holly records. But
    there was no real musical distinction between the two,
    except perhaps that the "Crickets" sides had more
    prominent backup vocals.


    This reissue marks the debut album credited to Buddy
    Holly. It features Holly's Top Ten single "Peggy Sue"
    plus several songs that have turned out to be standards:
    "I'm Gonna Love You Too," "Listen to Me," "Everyday,"
    "Words of Love," and "Rave On."

    1. I'm Gonna Love You Too
    2. Peggy Sue
    3. Look at Me
    4. Listen to Me
    5. Valley of Tears
    6. Ready Teddy
    7. Everyday
    8. Mailman, Bring Me No More Blues
    9. Words of Love
    10. (You're So Square) Baby I Don't Care
    11. Rave On
    12. Little Baby
    Buddy Holly
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Thelonious Alone In San Francisco Thelonious Alone In San Francisco Quick View

    $49.99
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    Thelonious Alone In San Francisco

    The varied catalog of memorable Riverside albums by Thelonious Monk includes two solo-piano efforts. Producer Orrin Keepnews remembers them as equally successful but strikingly different projects. The 1957 Thelonious Himself was recorded in New York on three separate nights and involved much creative ferment and many re-takes. This album was accomplished with remarkable ease in Northern California two years later, in two brief sessions on consecutive afternoons (one preceded by lunch at a family-style Italian restaurant), with only one of the ten selections (a totally unfamiliar old pop tune arbitrarily chosen at the last moment) requiring more than one take.
    1. Blue Monk
    2. Ruby, My Dear
    3. Round Lights
    4. Everything Happens To Me
    5. You Took The Words Right Out Of My Heart
    6. BlueHawk
    7. Pannonica
    8. Remember
    9. There's Danger In Your Eyes, Cherie (Take 2)
    10. Reflections
    Thelonious Monk
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - Sealed Buy Now
  • Rollins Plays For Bird (Mono) Rollins Plays For Bird (Mono) Quick View

    $34.99
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    Rollins Plays For Bird (Mono)

    1956's Rollins Plays For Bird was recorded within a year of Charlie Parker's death and features a 7-song, 27-minute medley of material associated with the jazz legend along with the independent numbers I've Grown Accustomed to Her Face and Kids Know. Accompanying Rollins on the session are Wade Legge (piano), George Morrow (bass), Max Roach (drums) and Kenny Dorham (trumpet).
    1. Medley: I Remember You/My Melancholy Baby/Old Folks/They Can't Take That Away From Me/Just Friends/My Little Suede Shoes/Star Eyes
    2. I've Grown Accustomed to Her Face
    3. Kids Know
    Sonny Rollins
    $34.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Winds Of War & Peace (200 Gram Vinyl) Winds Of War & Peace (200 Gram Vinyl) Quick View

    $34.99
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    Winds Of War & Peace (200 Gram Vinyl)

    200-Gram Vinyl Plated And Pressed At Quality Record Pressings


    Mastered By Kevin Gray At Cohearent Audio


    On Winds of War and Peace, conductor Lowell Graham takes the National Symphonic Winds ensemble through a program of stirring orchestrations and marches. Liberty Fanfare was composed for the centennial celebration of the Statue of Liberty in 1986. The fanfare set the stage for one of the most spectacular celebrations in America's history. Samuel Barber's Commando March composed in 1943, represents Barber's first band work. Written in a quadruple meter, this work utilizes the constant contrast of dotted and triplet rhythms. Roger Nixon's Festival Fanfare March, was recognized for superb composition by the American Bandmasters Association in 1973. It is a work that's technical, bright in color and effervescent in spirit. The album also includes Victory at Sea, El Camino Real, A Santa Cecilla and Symphonic Dance No. 3.


    Graham, a native of Greeley, Colorado, has earned recognition as one of America's most talented young conductors. He graduated from the University of Northern Colorado with both his Bachelor of Arts and Master of Arts degrees. He was also the first person to be awarded the Doctor of Musical Arts Degree in Orchestral Conducting from the Catholic University of America.


    Graham has led orchestras and bands on record and in performance throughout the world. He is the current conductor and commander of the United States Air Force Tactical Air Command Band.

    1. Liberty Fanfare
    2. Commando March
    3. Festival Fanfare March
    4. Victory as Sea (arr. R.R. Bennett for wind ensemble)
    5. El Camino Real
    6. A Santa Cecilia
    7. Symphonic Dances - No.3 Fiesta
    Lowell Graham
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Venice Venice Quick View

    $39.99
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    Venice

    200-Gram Vinyl Pressed At Quality Record Pressings


    Mastered From The Original Analog Master Tapes By Willem Makee


    Deluxe Die-Cut Tip-On Gatefold Jacket From Stoughton Printing


    Includes Book Filled With Liner Notes, Images, And More


    Georg Solti, conducting the Orchestra of the Royal Opera House, Covent Garden. Originally released in 1959. Ravishing string tone and superior dynamics. Indisputably beautiful string tone in Act One of Traviata. About a minute or so into the last band on side one, one hears the famous Underground subway rumbling beneath Kingsway Hall. The Underground, the Aldrich-Holborn line, was a constant factor to be addressed by Decca engineers.


    Recorded in Kingsway Hall

    Producer: Michael Bremner

    Engineer: Kenneth Wilkinson

    1. La Traviata: PRELUDE TO ACT I
    2. L'Italiana in Algeri: OVERTURE
    3. La Traviata: PRELUDE TO ACT III
    4. The Tales of Hoffmann: BARCAROLLE
    5. Semiramide: OVERTURE
    6. La Gioconda: DANCE OF THE HOURS
    Sir Georg Solti
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beethoven: Violin Sonata Op. 96 & Op. 25 Beethoven: Violin Sonata Op. 96 & Op. 25 Quick View

    $34.99
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    Beethoven: Violin Sonata Op. 96 & Op. 25

    200-Gram Vinyl Plated And Pressed At Quality Record Pressings


    Mastered By Kevin Gray At Cohearent Audio


    Stereophile's Recording of the Month For February 1984


    Imagine, if you can, a private recital in your own home by two consummate artists who play these works for their own delight as much as for yours. Imagine sound so completely and disarmingly natural that after 30 seconds you're unaware it's reproduced. That's what this record is all about. - Stereophile, February 1984


    David Abel, violin, Julie Steinberg, piano. This composition occupies a special place among Beethoven's creations because it shows a unique quality: there is an Olympian elegance, a profound gentleness that pervades the entire work. Nowhere does Beethoven the earth shaker appear. Even the scherzo movement does not disturb this sustained thoughtfulness.


    Violin and piano begin trading short thematic statements in quick exchange from the first notes of the first movement. Parallel arpeggios create a growing intensity. The middle section of the movement is characterized by abrupt modulations and an increased pace of exchanges. A striking procedure is the use of a seemingly interminable trill, nearly heartstopping in its intensity.


    The second movement, Adagio expressivo, one of Beethoven's floating Adagios, is based on the compulsion of a slow intense bass movement. The serenity of this movement is not disturbed by elaborate decoration from both instruments. And this stillness is further emphasized by a fourteen measure repeating pedal point (nearly one fifth of the movement) which closes it. The Scherzo sustains the serious character of the entire work. The last movement begins not only with a quick alternation of themes between the violin and piano, but a soft and loud alternation, as well, which adds to the feeling of growing intensity. An interrupted rondo is the plan, but the interruptions are of a major kind: another sensuous adagio and a daring fugato lead to a presto outburst concluding the movement.


    David Wilson had already recorded piano by the time he began working with world-class musicians Steinberg and Abel in the Mills College Concert Hall in Oakland, California, though it was the first time he recorded a violin. Experimenting with different microphone positions in an attempt to capture what he calls the delicious geometry of sound emanating from Abel's Guarneri and Steinberg's Hamburg Steinway D, he ended up hanging his Schoeps CMC-36 microphones from a ladder high above the instruments. Of the results, he says, I'd put the recording up against any chamber music recording. It has to be my favorite.


    Reached at their home in Oakland, Steinberg and Abel, whose trio with percussionist William Winant has commissioned music from the likes of John Harbison, Lou Harrison, Paul Dresher, Somei Satoh, and Gordon Mumma (for starters), reminisced about their time with Wilson.


    The session was free of the time pressure and tension that can really get in the way of the final outcome, says Abel. If we wanted to stop for a bite, or go outside to rest for a while, that was not a problem... Dave kept open to what was happening in the moment, as in a concert. He understood about not making a 'perfect' recording, and instead left the small imperfections... that make the final result sound human and real. One could not ask for better.

    1. Violin Sonata No.10 in G Major, Op. 96 - I. Allegro moderato play
    2. Violin Sonata No.10 in G Major, Op. 96 - II. Adagio espressivo play
    3. Violin Sonata No.10 in G Major, Op. 96 - III. Scherzo Allegro play
    4. Violin Sonata No.10 in G Major, Op. 96 - IV. Poco allegretto play
    5. Violin Sonata No. 3 in A Minor, Op. 25, "Dans le caractere populaire roumain" - I. Moderato malinconico play
    6. Violin Sonata No. 3 in A Minor, Op. 25, "Dans le caractere populaire roumain" - II. Andante sostenuto e misterioso play
    7. Violin Sonata No. 3 in A Minor, Op. 25, "Dans le caractere populaire roumain" - III. Allegro con brio, ma non troppo mosso
    David Abel & Julie Steinberg
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Head Hunters Head Hunters Quick View

    $34.99
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    Head Hunters


    Mastered at Sterling Sound by Ryan Smith


    Stoughton Printing Old-Style Deluxe Film-Lamination Tip-On Jacket


    Plated and Pressed at Quality Record Pressings!


    There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock.


    In 1963, Miles Davis invited Hancock to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti and Sorcerer, and later on he made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew.


    Hancock's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles and Speak Like a Child. After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973, recorded Head Hunters. Head Hunters was a pivotal point in Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).


    Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital four decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul and hip-hop.

    1. Chameleon
    2. Watermelon Man
    3. Sly
    4. Vein Melter
    Herbie Hancock
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Masterpieces (45 RPM) Masterpieces (45 RPM) Quick View

    $54.99
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    Masterpieces (45 RPM)


    A Historic Record - Recorded Just Four Years Removed From The Dawn Of The Analog Tape Era!


    Remastered By Ryan Smith At Sterling Sound From The Original Analog Tapes


    Recorded On An Ampex 200, Using 3M-111 Magnetic Tape Running At 15 Inches Per Second


    Gatefold Old-School Tip-on On Jacket By Stoughton Printing Plated And Pressed At Quality Record Pressings!


    Named A 2015 Record To Die For By Stereophile Magazine.


    Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps. - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.


    I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. - Fred Kaplan, for Stereophile - Records To Die For - February 2015.


    This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, Mood Indigo amigos, after a long instrumental build-up...she'll take you there! ... The pressing itself was impeccable: flat, and free of noise, tics and pops...a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close! Kissing cousins close! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!). - David W. Robinson, editor-in-chief, Positive Feedback Online.


    Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. A true classic both musically and sonically and a historical work of art you can now own. - Music = 11/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com.

    LP 1
    1. Mood Indigo
    2. Sophisticated Lady


    LP 2
    1. The Tattooed Bride
    2. Solitude

    Duke Ellington
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Just a Little Lovin' Just a Little Lovin' Quick View

    $34.99
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    Just a Little Lovin'

    Originally released by Lost Highway Records in 2008, Just A Little Lovin' is Shelby Lynne's stirring, emphatic tribute to the late British singer Dusty Springfield. It is to date the highest charting album of Lynne's career, reaching #41 on the Billboard 200, thanks to such endearing renditions of Springfield classics like You Don't Have To Say You Love Me, I Only Want To Be With You and How Can I Be Sure among others. The set was even produced by the legendary Phil Ramone, the engineer for Springfield's original recording of The Look Of Love.


    Reissuing this masterpiece was quite the undertaking for Analogue Productions. Keep in mind that almost without exception, for every pop record recorded after 1992, even if it's recorded to analog tape like this one, the songs are stored individually. That means that there is never an actual complete album master compiled. So to cut an LP from tape, they had to have mastering engineer Doug Sax assemble an analog master in order so that he could then cut the record to LP, using his famed tube electronics.


    The resulting 200g heavyweight platter from Quality Record Pressings is dead quiet and smooth. Plating was also done in-house at QRP by Gary Salstrom. And on the heels of Analogue Productions' reissue of Dusty Springfield's Dusty In Memphis, which was named Stereophile's 'Recording of the Month' for February 2012, the timing couldn't be more perfect. An unparalleled mixture of great music, great performances and a great recording!

    1. Just A Little Lovin'
    2. Anyone Who Had A Heart
    3. You Don't Have To Say You Love Me
    4. I Only Want To Be With You
    5. The Look Of Love
    6. Breakfast In Bed
    7. Willie And Laura Mae Jones
    8. I Don't Want To Hear It Anymore
    9. Pretend
    10. How Can I Be Sure
    Shelby Lynne
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Greatest Hits (Patsy Cline) Greatest Hits (Patsy Cline) Quick View

    $54.99
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    Greatest Hits (Patsy Cline)

    200-gram, 45 RPM Vinyl Pressing by Quality Record Pressings!


    Now Presented in an Upgraded, Deluxe Tip-On Gatefold Jacket with Patsy's Timeless Classics Spread Across Four Sides!


    Cut at Sterling Sound directly from the original master tape. This was a straight transfer, bypassing the console altogether. There was no EQ of any kind. A true direct transfer, using a VMS 80, the most sophisticated lathe. You're hearing the master tape!


    In the late 1950s and the '60s, country music was essentially a singles medium. This album, first released in 1967, collects a dozen of Patsy Cline's biggest hits - all of them from the country singles market - including Walkin' After Midnight, Sweet Dreams (Of You), Crazy, and I Fall to Pieces. Producer Owen Bradley surrounds Cline's full-throated, emotionally charged vocals with lush, sophisticated arrangements that set the standard for Nashville's countrypolitan sound. Before Shania Twain found a new (though not necessarily improved) way to combine country and pop in the 1990s, this was the top-selling country album of all time by a female artist.

    LP 1
    1. Walking After Midnight
    2. Sweet Dreams
    3. Crazy
    4. I Fall To Pieces
    5. So Wrong
    6. Strange


    LP 2
    7. Back In Baby's Arms
    8. She's Got You
    9. Faded Love
    10. Why Can't He Be You
    11. You're Stronger Than Me
    12. Leavin' On Your Mind

    Patsy Cline
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM- 2 LPs Sealed Buy Now
  • In The Beginning (200 Gram Vinyl) In The Beginning (200 Gram Vinyl) Quick View

    $34.99
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    In The Beginning (200 Gram Vinyl)


    Mastered From The Original Tapes By Ryan Smith At Sterling Sound


    200-Gram Pressing By Quality Record Pressings


    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.


    Before the Montreaux Jazz Festival, before Bowie's Let's Dance album, before Texas Flood, before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful In Step and Family Style ..... before August 27, 1990..... before the all-star tributes, before The Legendary Stevie Ray Vaughan......


    There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie.


    It wouldn't be long.


    Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that. Young Stevie Vaughan (he had yet to become Stevie Ray) blasted the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing.


    Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's In the Open and the lengthy Tin Pan Alley are the real highlights here.


    As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings.


    There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.

    1. In The Open
    2. Slide Thing
    3. They Call Me Guitar Hurricane
    4. All Your Love (I Miss Loving)
    5. Tin Pan Alley (aka Roughest Place in Town)
    6. Love Struck Baby
    7. Tell Me
    8. Shake for Me
    9. Live Another Day
    Stevie Ray Vaughan
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Music For Bang, Baaroom, And Harp Music For Bang, Baaroom, And Harp Quick View

    $34.99
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    Music For Bang, Baaroom, And Harp

    Analogue Productions and Quality Record Pressings bring you this remastered and improved pressing so that a whole new generation of audiophiles and even casual music lovers can discover for themselves the wizardry, wit and wonder that is Music for Bang, Baaroom and Harp!


    Remastering and lacquer cutting by Ryan Smith at Sterling Sound from the original 3-track tapes


    200-gram pressing by Quality Record Pressings!


    Little did any of us who were involved in the planning and recording of Music for Bang, Baaroom and Harp know, back in 1958, what an impact this album would have on the record industry and how it would effect my career, writes Dick Schory, about the audiophile instrumental classic, the first stereophonic recording in the industry to be classified a Best Seller.


    Now, revel in the enhanced clarity and sonic richness of a 200-gram pressing by Quality Record Pressings, and remastering and lacquer cutting by Ryan Smith at Sterling Sound, giving this classic a fresh, vibrant appeal. The superb remastering from the original 3-track master tapes brings out subtleties of the instruments, arrangements, performance and ambiance of Chicago's Orchestra Hall lacking from the original pressing and subsequent versions.
    >[?
    The concept for this album is simple: Dozens of standard and exotic percussive instruments (re: manifold from a 1946 Chevrolet) were employed in original and standard tunes arranged by Schory, Bobby Christian, Mike Simpson, Willis Charkovsky and Skitch Henderson, who at the time was musical director for NBC's Tonight Show. Three tracks are of particular note: the quirky Tiddley Winks and the exotic Baia and Typee. The jacket, depicting Schory poking out from a pile of instruments, is a classic of LP art.


    The recording, utilizing RCA Victor Record's Red Seal Classical Division's equipment - the same used to record the Chicago, Philadelphia and Boston Symphony orchestras at the time - was recorded in Chicago's Orchestra Hall on June 2 and 3, 1958. Two custom Ampex 300-3 half-inch 3-track tape recorders, running at 15 and 30 inches a second, captured the performances by eight percussionists together with other performers from the Chicago Symphony on piano, string bass, guitar, banjo and harp.

    1. National Emblem March
    2. B aía
    3. Way Down Yonder In New Orleans
    4. Ding Dong Polka
    5. April In Paris
    6. Holiday In A Hurry
    7. Buck Dance
    8. Duel On The Skins
    9. September In The Rain
    10. Tiddley Winks
    11. The Sheik Of Araby
    12. Typee
    Dick Schory's New Percussion Ensemble
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • All Or Nothing At All All Or Nothing At All Quick View

    $49.99
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    All Or Nothing At All

    Mastered by George Marino at Sterling Sound


    ...the third (Billie Holiday album) to receive the two-disc 45 RPM treatment by Analogue Productions. ... Billie sounds like she's at the microphone in your living room. The instruments are spread out between the speakers and there is plenty of depth. A pristine original has a bit more pronounced vocal sibilance and air, and this reissue smooths that out a bit. That aside, this is a fabulous reissue of essential music. Highest recommendation. - Recording = 9.5/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 95


    ...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011


    After the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957 - but the present collection is a magnificent culmination of her years with the producer.


    Originally released in 1955.

    1. Do Nothing'Till You Hear From Me
    2. Cheek to Cheek
    3. Ill Wind
    4. Speak Low
    5. I Wished on the Moon
    6. But Not for Me
    7. All Or Nothing at All
    8. We'll Be Together Again
    9. Sophisticated Lady
    10. April In Paris
    11. Say It Isn't So
    12. Love Is Here to Stay
    Billie Holiday
    $49.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM Mono - 2 LPs Sealed Buy Now
  • Workout Workout Quick View

    $49.99
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    Workout

    During his stint with Miles Davis, Hank Mobley's four Blue Note  sessions with band mates Wynton Kelly and Paul Chambers are considered his finest and most lyrical work. One listen to Workout, and you'll understand why. This 1961 masterwork also features guitarist Grant Green and drummer Philly Joe Jones, who, along with the tenor saxophonist, weave what can truly be called hard-bop magic. Listeners will be hard-pressed to find a more illustrative example of musical finesse, creativity, and swing.



    Part of Analogue Productions' incredible Blue Note reissue series, this pressing claims mastering from the original master tapes and cuttingat 45RPM by the infallible team of Steve Hoffman and Kevin Gray, which did the deed at Acoustech. Add in amazingly clean 180g vinyl pressed at RTI, numbered and limited quantities, and gorgeous reproduction of the cover art--itself a classic--and you have a can't-miss jazz classic made even better. And yes, this is the same process and personnel Analogue Productions used on its critically acclaimed Fantasy Jazz reissue series, so you know the quality is top-notch.
    1.   Workout

    2.   Uh Huh

    3.   Smokin'

    4.   The Best Things in Life are Free

    5.   Greasin' Easy

    Hank Mobley
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Elvis Is Back! Elvis Is Back! Quick View

    $54.99
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    Elvis Is Back!

    The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. During his military service, Elvis fans waited anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover! Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles Are You Lonesome Tonight and It's Now Or Never created a tidal wave of excitement. And the LP tracks like Fever, The Thrill Of Your Love, Dirty, Dirty Feeling and Like A Baby confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to Fever at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.


    Mastered By George Marino at Sterling Sound.

    1. Make Me Know
    2. Fever
    3. The Girl of My Best Friend
    4. I Will Be Home Again
    5. Dirty, Dirty Feeling
    6. The Thrill of Your Love
    7. Soldier Boy
    8. Such a Night
    9. It Feels So Right
    10. The Girl Next Door
    11. Like a Baby
    12. Reconsider Baby
    Elvis Presley
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • 24 Karat Hits 24 Karat Hits Quick View

    $74.99
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    24 Karat Hits

    There's a good reason Elvis Presley earned the nickname The King. Arguably the most crucial and undisputably the most identifiable figure in pop history, he released dozens of course-altering singles over the course of his influential career, many of which are scattered on incomplete or inconsistent compilations that cover only a portion of a certain era. But one collection towers above the rest. And this is it. Gathering the singer's 24 greatest tracks in one place, 24 Karat Hits is the definitive Presley anthology in terms of music, sound, and performance. Spanning 1956 ("Heartbreak Hotel") through 1969 ("Suspicious Minds"), the 3LP set is mandatory for every music lover--let alone Presley diehards and record collectors. And now, the long-out-of-print audiophile favorite--it was originally assembled to serve Presley's music in the highest possible fidelity it's always deserved--sounds better than ever. It's as if the Fort Knox of music landed on your doorstep. Amazing.
    1. Heartbreak Hotel

    2. Love Me

    3. Don't Be Cruel

    4. Hound Dog

    5. Love Me tender

    6. All Shook Up

    7. (Let Me Be Your) Teddy Bear

    8. Jailhouse Rock

    9. Wear My Ring Around Your Neck

    10. A Big Hunk

    11. Stuck On You

    12. It's Now or Never

    13. Are You Lonesome Tonight

    14. Surrender

    15. (Marie's The Name) His Latest Flame

    16. Little Sister

    17. Can't Help Falling In Love

    18. Good Luck Charm

    19. She's Not You

    20. Return To Sender

    21. (You're The) Devil In Disguise

    22. Crying In The Chapel

    23. In The Ghetto

    24. Suspicious Minds  

    Elvis Presley
    $74.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 3 LPs Sealed Buy Now
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