Vinyl. Our way of life since 2004 (877) 929-8729

VPI Dealer Authorized & Certified
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
LP20 - 20% Off Vinyl
Home > Products for: '

Amorphis

'
  • 1
Results per page:
  • Elegy Elegy Quick View

    $24.99
    Buy Now
    x

    Elegy

    First Time Available On LP in North America!


    Elegy is the third LP by the Finnish band Amorphis. The album is their first to feature a majority of clean vocals, sung by new vocalist Pasi Koskinen. The music and lyrics are inspired by the traditional Finnish ballads and poems compiled in the Kanteletar by Elias Lönnrot in 1840. The primary genre of the album is progressive metal, with strong folk influence, as well as elements of melodic death metal and New Wave of British Heavy Metal.

    1. Better Unborn
    2. Against Widows
    3. The Orphan
    4. On Rich and Poor
    5. My Kantele
    6. Cares
    7. Song of the Troubled One
    8. Weeper on the Shore
    9. Elegy
    10. Relief
    11. My Kantele - Acoustic Reprise
    Amorphis
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Privilege Of Evil Privilege Of Evil Quick View

    $17.99
    Buy Now
    x

    Privilege Of Evil

    A collection of demo material from Amorphis' early career, Privilege of Evil is a surprisingly good collection of first-wave Euro death metal. All the patented genre stylings are present, most importantly the extra-low aggro grunting and the shifting double-kick arrangements. The tempos and guitar riffs mutate appropriately, as this 1993 Relapse offering plays out like a death metal tutorial.


    When a formula is followed so closely, it is often difficult to pinpoint exactly what (if anything) makes a record unique or even interesting. With music like this, the riffs are what matters, and guitarist/vocalist Tomi Koivusaari and fellow axeman Esa Holopainen came up with some excellent progressions that they both execute with abandon on Privilege of Evil.


    Highlights include the opening track, Pilgrimage From Darkness, and Misery Path, but death discs are usually taken as a whole. And while Privilege of Evil might be a little rough around the edges, it's also a testament to the pronounced abilities of Amorphis.


    - Jason Anderson (All Music Guide)

    1. Pilgrimage from Darkness
    2. Black Embrace
    3. Privilege of Evil
    4. Misery Path
    5. Vulgar Necrolatry (Abhorrence cover)
    6. Excursing from Existence
    Amorphis
    $17.99
    Vinyl LP - Sealed Buy Now
  • Winter's Gate Winter's Gate Quick View

    $22.99
    Buy Now
    x

    Winter's Gate

    Winter's Gate is the 7th studio album from the Finnish melodic death metal band from Joensuu, Finland. The core 3 members have been intact since their debut in 2002.


    It's a concept album made up of one epic 40 minute song. The album is built around a short story, Winter's Gate (Talven portti in Finnish), written by vocalist & bassist Niilo SevÄnen, recipient of numerous Finnish awards and nominations. The compelling short story is about a group of Vikings who set out to find a fabled island west of Ireland, despite the treacherous winter drawing near. The full story will be released together with the album as a book with translations in English, Finnish and German, and illustrated by the artist Teemu TÄhkÄnen.


    Early on, Insomnium were inspired by bands such as their legendary countrymen Amorphis and Sentenced, Paradise Lost, Dark Tranquillity, At The Gates and Opeth. Since their 2002 debut, tour by tour the passionate musicians edged their way to the very top of the scene and have by now become the spearhead of melodic death metal made in Finland.

    1. Winter's Gate*


    *This album is one long track which was split into sides A & B for vinyl.

    Insomnium
    $22.99
    Vinyl LP - Sealed Buy Now
  • Child of Darkness Child of Darkness Quick View

    $14.99
    Buy Now
    x

    Child of Darkness

    BEDEMON is the first American doom band! Archival recordings from the 1970s featuring original Pentagram members Randy Palmer, Geof O'Keefe and Bobby Liebling! A must for fans of Pentagram, BEDEMON is a crucial glimpse into the nihilistic minds that gave birth to an entire genre!
    1. Child of Darkness
    2. Enslaver of Humanity
    3. Frozen Fear
    4. One-Way Road
    5. Serpent Venom
    6. Last Call
    7. Drive Me To The Grave
    8. Into The Grave
    9. Skinned
    10. Through The Gates Of Hell
    11. Touch The Sky
    12. Child Of Darkness II
    13. Time Bomb
    14. Nighttime Killers
    15. Axe To Grind
    Amorphis
    $14.99
    Vinyl LP - Sealed Buy Now
  • Seventh Swamphony Seventh Swamphony Quick View

    $19.99
    Buy Now
    x

    Seventh Swamphony

    Seventh Swamphony is the seventh studio album by the Finnish melodic death metal band Kalmah and is their first album with new keyboardist Veli-Matti Kananen. The album was recorded at Tico-Tico Studios in Kemi, Finland, and was mixed and mastered by Jens Bogren.


    Few would deny that in the late 1990s and very early 2000s, Finnish death metal began shifting it's direction across the board. Although Amorphis themselves never lost any stride, the whole 'depression metal' thing just kinda faded away, to be replaced by something far more aggressive and energetic. Bands such as Children of Bodom, Norther, and Insomnium broke through with a sound that although was still firmly rooted in the brutality of death metal, were not too shy to throw in the occasional thrash and black metal influence to in turn create something new and exciting. With the exception of perhaps the aforementioned Insomnium, Kalmah had always been perhaps the most flat-out extreme and agro, and has steadily upped the ante with every succeeding release.


    Right from the get-go, this disc opens up with a synth-hit-infused blasting skank-beat that flows easily into the pit-worthy yet SUPER-catchy chorus. This kind of sets the tone for this whole disc, and you get eight incredibly intense-yet-focus fistpumping/headbanging perfect examples of memorably melodic death metal that oozes every ounce of brutality that it can out of the riffage contained herein. A theme that is echoed in practically every song they've ever done is their effortless use of solemn, slightly-folksy lead guitar melodies on top of the high-energy thrashy rhythms underneath. Songs such as Deadfall and Wolves On The Throne are amazing and true-to-form for this band; heavy on melody and light on respite. The former song also features a glimpse of the ivory-tickling prowess of new keyboardist Veli-Matti Kananen, who in both his melody lines and also in his soloing has an almost youthful whimsy as he jams up and down the board. Once you notice it for the first time, you tend to notice that this may be one of the most keyboard-heavy albums the band has ever done, but that is because this may be the first time since 2002 that the band's keyboardist has had anything meaningful to add to the table in terms of songwriting. Maybe that's a bit drastic, but that's sure what it sounds like here, and that isn't to say that the omnipresent keys drown out the massive wall of guitar and bass. Antti Kokko is still one of underground metal's unknown guitar heroes with how deftly he weaves his melody lines through these tracks, and never mind how ridiculous his solos are. Need a point of reference? He's a straight-faced, serious, no-B.S. version of Alexi Laiho. And his brother Pekka Kokko's voice has never sounded better either, easily crossing from the higher-pitched, black metal-version of Mille Petrozza he always used to do on the older records with the flat-out demonic growl he's wielded since the masterful The Black Waltz album. He even manages to weave in a bit of clean singing for the first time that I can remember hearing on a Kalmah record, and speaking of which...


    ...remember how in the first paragraph we kind of stated that the melancholic Finnish death metal of yesteryear has been kind of hard to find as of late? Well, Kalmah decided to dish out their own version in fourth track Hollo. After listening to it maybe 10 times now, I've realized that I just need to stop the internal dialogue on whether or not it's a good direction for the band and instead just focus on how amazing the song itself is. For most of the track it really is one of the best pieces of old school Amorphis-worship that I've ever heard, before doing a Viking metal shift about halfway through, complete with calling horns and battle-ready gang vocals. Apart from this tune, the most that Kalmah otherwise deviates from what they know works is the almost-punky opening of Windlake Tale.


    A lot of people unfairly write this band off as Bodom clones, and it's really unfortunate when they put out such amazingly dark and heavy records like this that really set them apart. If anything, I feel that this record will continue to appease Kalmah's core fanbase who've stuck it out since the beginning, but with it's perfect mixjob (except for some questionable leveling of the opening melody of Wolves on the Throne) where everything comes through crisp and clear (or as crisp and clear as a band as loud and agro as this likes to get), it can be an easy-to-get-into album for those still uninitiated.


    Raise a horn of mead to the swamplords...they did it again!


    - ArnoldHablewitz (The Metal Archives)

    1. Seventh Swamphony
    2. Deadfall
    3. Pikemaster
    4. Hollo
    5. Windlake Tale
    6. Wolves On a Throne
    7. Black Marten's Trace
    8. The Trapper
    Kalmah
    $19.99
    Vinyl LP - Sealed Buy Now
  • 1
Go to top