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  • DAMN. DAMN. Quick View

    $34.99
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    DAMN.

    Pressed On 180 Gram Heavy Vinyl

    DAMN. is the fourth studio album by American rapper Kendrick Lamar. The album features production from a variety of record producers, including executive producer from the Top Dawg Entertainment label-head Anthony Top Dawg Tiffith, Sounwave, DJ Dahi, Mike Will Made It and Ricci Riera; as well as production contributions from James Blake, Steve Lacy, BadBadNotGood, Greg Kurstin, The Alchemist and 9th Wonder, among others.

    Damn received widespread critical acclaim and debuted at number one on the Billboard 200, earning Lamar his third consecutive number one album in the United States.

    LP 1
    1. BLOOD.
    2. DNA.
    3. YAH.
    4. ELEMENT.
    5. FEEL.
    7. LOYALTY.
    8. PRIDE.
    9. HUMBLE.


    LP2
    1. LUST.
    2. LOVE.
    3. XXX.
    4. FEAR.
    5. GOD.
    6. DUCKWORTH.

    Kendrick Lamar
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • You Disgust Me You Disgust Me Quick View

    $23.99
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    You Disgust Me

    Gangrene are an American hip hop duo and record production duo, which consists of rapper/producers The Alchemist and Oh No. The Alchemist and Oh No, MCs and producers in their own right, weren't acquainted until they met at a show headlined by Dilated Peoples member and mutual friend, Evidence.
    The Filth (intro)
    Reversals
    Sheet Music ft. Havoc and Sean Price
    Flamethrowers Pt. 2
    The Man with the Horn
    Better Things
    Driving Gloves ft. Action Bronson
    Gluttony ft. Your Old Droog and Fashawn
    Scrapyards
    Noon Chuckas
    Just for Decorations ft Chuck Strangers and Evidence
    Hazardous Materials
    The Hidden Hand
    Hot Pillow (Bonus)
    Gangrene
    $23.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Lord Steppington: Instrumentals Lord Steppington: Instrumentals Quick View

    $26.99
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    Lord Steppington: Instrumentals


    Double Maroon Color Vinyl


    Limited To 1,000 copies Worldwide


    Evidence has traveled the world, released a string of acclaimed albums with Dilated Peoples
    and as a solo artist, has become a respected producer crafting beats for Kanye West, Beastie
    Boys and Linkin Park among others. For his part, Alchemist has become one of rap's triple
    threats, producing for Snoop Dogg, Eminem, Nas and many more. Alchemist is also an
    accomplished rapper and Eminem's touring DJ. While they were building their respective
    careers, Evidence and Alchemist had worked together regularly collaborating on Dilated Peoples
    albums, Evidence's solo material and Alchemist's releases. As the pair continued collaborating,
    they began labeling themselves as Step Brothers when they would record, as noted on
    Evidence's The Layover EP. The pair then decided it was time to record an album together.
    Combining their undeniable skills, this 2-piece limited vinyl package contains the musical
    blueprint for their debut album.

    1. More Wins
    2. Dr. Kimble
    3. Byron G
    4. Legendary Mesh

    5. No Hesitation
    6. Swimteam Rastas
    7. Mums In The Garage
    8. See The Rich Man Play
    9. Banging Sound
    10. Step Masters
    11. Tomorrow
    12. Draw Something
    13. Buzzing Away
    14. Just Step
    Step Brothers
    $26.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Lord Steppington Lord Steppington Quick View

    $28.99
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    Lord Steppington


    Limited Double Gold Color Vinyl


    Velvet Jacket with Gold Foil Stamped Lettering


    Full Color Booklet


    Evidence has traveled the world, released a string of acclaimed albums with Dilated Peoples and as a solo artist, has
    become a respected producer crafting beats for Kanye West, Beastie Boys and Linkin Park among others. For his
    part, Alchemist has become one of rap's triple threats, producing for Snoop Dogg, Eminem, Nas and many more.
    Alchemist is also an accomplished rapper and Eminem's touring DJ. While they were building their respective
    careers, Evidence and Alchemist had worked together regularly collaborating on Dilated Peoples albums, Evidence's
    solo material and Alchemist's releases. As the pair continued collaborating, they began labeling themselves as Step
    Brothers when they would record, as noted on Evidence's The Layover EP. The pair then decided it was time to record
    an album together.


    Now as the Step Brothers, Evidence and Alchemist deliver another stellar musical achievement, Lord
    Steppington,Which delivers lyric-driven, punchline-heavy and intricate rhymes. Lord Steppington boasts the best of
    the duo peppered with frequent collaborators and friends, including Action Bronson, Roc Marciano, Domo
    Genesis,The Whooliganz, Styles P, Fashawn, Rakaa, Blu and Oh No.

    1. More Wins
    2. Dr. Kimble
    3. Byron G feat. Domo Genesis & The Whooliganz
    4. Legendary Mesh
    5. No Hesitation feat. Styles P
    6. Swimteam Rastas
    7. Mums In The Garage feat. Action Bronson
    8. See The Rich Man Play feat. Roc Marciano
    9. Banging Sound feat. Fashawn
    10. Step Masters
    11. Tomorrow feat. Rakaa & Blu
    12. Draw Something feat. Oh No
    13. Buzzing Away
    14. Just Step
    Step Brothers
    $28.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Greneberg (Picture Disc) Greneberg (Picture Disc) Quick View

    $12.99
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    Greneberg (Picture Disc)

    Hip Hop's grimiest duo, The Alchemist + Oh No (Gangrene), have teamed up with Marcberg's Roc Marciano to release Greneberg. A pre-cursor to both act's upcoming album releases, the project is set to be a smorgasbord of raw rhymes and cinematic beats, each track featuring guest verses and/or production from the other two artists.


    The Alchemist + Oh No (Gangrene) gained notoriety and acclaim as a group with their November 2010 release, Gutter Water. Since then, the group has toured both Europe and the U.S. performing for sold out crowds both domestic and abroad. Roc Marciano has been hard at work readying his Decon debut, Reloaded, the much anticipated follow-up to 2010's Marcberg. Over the course of several years, both acts have become mutual admirers of the other's work.


    The 6-track vinyl picture disc will feature original artwork based on the fictional mafioso character Greneberg. The cold flow of Roc Marciano will lead off Side A with Gangrene's twisted raps following suit on Side B.

    1. Momma Told Me (Roc Marciano)

    2. Hoard 90 (Roc Marciano)
    3. Jet Luggage (Roc Marciano ft. Alchemist + Oh No)
    4. Papercuts (Gangrene)
    5. New Shit (Gangrene)
    6. Sewer Gravy (Alchemist + Oh No ft. Roc Marciano)
    Greneberg
    $12.99
    Picture Disc Vinyl LP - Sealed Buy Now
  • Green Language Green Language Quick View

    $24.99
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    Green Language

    Glasgow's Russell Whyte is behind some of the most joyous, hyperactive, and truly original club music of recent years. As electronic alchemist Rustie, he harnesses the energy and euphoria of hyphy hip-hop and trance, spikes it with speaker-mangling bass and flashes of techno, and channels this all into intense dancefloor detonators, a sound he honed playing at nights thrown by local label collectives Numbers and LuckyMe. Rustie returns this summer with Green Language, a development and testament to his true passions and influences, the album is a high energy 40 minutes that showcases Rustie's signature sound at new found heights. It's a mediation on everything from grime and hip-hop to sci-fi computer games and even prog rock.
    1. Workship
    2. A Glimpse
    3. Raptor
    4. Paradise Stone
    5. Up Down (feat. D Double E)
    6. Attak (feat. Danny Brown)
    7. Tempest
    8. He Hate Me (feat. Gorgeous Children)
    9. Velcro
    10. Lost (feat. Redinho)
    11. Dream On
    12. Lets Spiral
    13. Green Language
    Rustie
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • New Magic (Blue Vinyl) (Pre-Order) New Magic (Blue Vinyl) (Pre-Order) Quick View

    $21.99
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    New Magic (Blue Vinyl) (Pre-Order)

    Pressed On Blue Vinyl

    Son Little, the singer and songwriter born Aaron Livingston, is the easygoing musical alchemist of our time. He is a conjurer, and much like those of his heroes Stevie Wonder and Jimi Hendrix, his songs are deconstructions of the diaspora of American R&B. Deftly he weaves different eras of the sound-blues, soul, gospel, rock and roll-through his own unique vision, never forced, always smooth, each note a tributary on the flowing river of rhythm and blues. And now, with his second full-length album, New Magic, he has delivered a profound statement, a cohesive creation that captures the diverse spirit of American music in a fresh and modern way.

    The song that serves as the album's true centerpiece is Blue Magic, a Philly Soul inspired number deconstructed almost like a rap song or the best of production savants like J Dilla or Madlib, complete with chiming glockenspiel bells and old school female backing vocals. The song has the appeal of an instant classic. On the heels of his 2015 self-titled debut and the 5-song EP, Songs I Forgot, that came before it, Son Little found his reach steadily growing. His song Lay Down had been streamed over seven million times, he had toured the world with artists as diverse as Leon Bridges, Kelis, Mumford & Sons, Portual. The Man and Shakey Graves in addition to his own headlining runs, and also became a Grammy Award winning producer, earning a 2016 Best Roots Performance award for his work on Mavis Staples.

    1. Kimberly's Mine
    2. Blue Magic (Waikiki)
    3. O Me O My
    4. Charging Bull
    5. Mad About You
    6. Miss Ona
    7. The Middle
    8. Bread & Butter
    9. ASAP
    10. Letter Bound
    11. Demon To The Dark
    Son Little
    $21.99
    Colored Vinyl LP - Sealed PRE-ORDER Buy Now
  • New Magic (Pre-Order) New Magic (Pre-Order) Quick View

    $19.99
    Buy Now
    x

    New Magic (Pre-Order)

    Son Little, the singer and songwriter born Aaron Livingston, is the easygoing musical alchemist of our time. He is a conjurer, and much like those of his heroes Stevie Wonder and Jimi Hendrix, his songs are deconstructions of the diaspora of American R&B. Deftly he weaves different eras of the sound-blues, soul, gospel, rock and roll-through his own unique vision, never forced, always smooth, each note a tributary on the flowing river of rhythm and blues. And now, with his second full-length album, New Magic, he has delivered a profound statement, a cohesive creation that captures the diverse spirit of American music in a fresh and modern way.

    The song that serves as the album's true centerpiece is Blue Magic, a Philly Soul inspired number deconstructed almost like a rap song or the best of production savants like J Dilla or Madlib, complete with chiming glockenspiel bells and old school female backing vocals. The song has the appeal of an instant classic. On the heels of his 2015 self-titled debut and the 5-song EP, Songs I Forgot, that came before it, Son Little found his reach steadily growing. His song Lay Down had been streamed over seven million times, he had toured the world with artists as diverse as Leon Bridges, Kelis, Mumford & Sons, Portual. The Man and Shakey Graves in addition to his own headlining runs, and also became a Grammy Award winning producer, earning a 2016 Best Roots Performance award for his work on Mavis Staples.

    1. Kimberly's Mine
    2. Blue Magic (Waikiki)
    3. O Me O My
    4. Charging Bull
    5. Mad About You
    6. Miss Ona
    7. The Middle
    8. Bread & Butter
    9. ASAP
    10. Letter Bound
    11. Demon To The Dark
    Son Little
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Tidings Tidings Quick View

    $16.99
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    Tidings

    Tidings is the first dark and frenzied offering from London's Wolf People - an alchemistic compendium of English classic rock that has been doused in wine, its pages left red-stained, blurred and melded in the most interesting ways. The tunes themselves are full of hissing guitars, distorted blues harmonica, acid rock, mystical flutes and crackling tape, often based on updated versions of classic blues structures and half-remembered English folk songs.
    1. Season Pt. 1
    2. Black Water
    3. Interlude: Plains/Banjoe
    4. Cotton Strands
    5. Interlude: Circle/Viking/Colours
    6. Storm Cloud
    7. Interlude: Grandfather
    8. Interlude: Scraps
    9. October Fires
    10. Interlude: Mercy Fragment
    11. April
    12. Untitled
    13. Interlude: Cotton Fragment
    14. Empty Heart
    15. Season Pt. 2
    Wolf People
    $16.99
    Vinyl LP - Sealed Buy Now
  • SuperHeavy SuperHeavy Quick View

    $19.99
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    SuperHeavy

    New Supergroup featuring Mick Jagger, Dave Stewart, Joss Stone and A.R. Rahman


    Mick Jagger has teamed up with Eurythmics founder Dave Stewart, soul singer Joss Stone, Slumdog Millionaire soundtrack composer A.R. Rahman, and reggae star Damian Marley to form a band cooperative project called SuperHeavy. This diverse and eclectic line-up who share eleven Grammy Awards between them, have been recording together in various studios around the world, with the majority of the tracks on the project laid down over three weeks in Los Angeles in early 2011. Tracks include the first single Miracle Worker plus One Day One Night, Energy, Unbelievable, SuperHeavy, I Can't Take It No More, You're Never Gonna Change and I Don't Mind.


    It's little wonder that Stewart refers to SuperHeavy as, A mad alchemist type experiment. Fusing the talents of one of the greatest front-men of all time, a two time Academy award winning Indian composer, a soul vocal prodigy, a three-time Grammy winning reggae star, and one of the most sought after producers in the world, you would expect the explosive results to defy categorization.


    SuperHeavy came together after Jagger and Stewart considered what a band comprising of musicians from different genres would sound like. Jagger explains, Dave really wanted to make a record with a different group of musicians, in other words, with different backgrounds of music. Instead of everyone being a rock musician, or basically a blues musician, or some other genre, he wanted to get as many genres together that would fit. I said it sounds like a good idea. I never thought it would actually happen.

    1. Superheavy

    2. Unbelievable

    3. Miracle Worker [Damian Jr Gong Marley Main Mix - Radio Edit]
    4. Energy
    5. Satyameva Jayathe
    6. One DayOne Night
    7. Never Gonna Change

    8. Beautiful People

    9. Rock Me Gently

    10. I Can't Take It No More

    11. I Don't Mind

    12. World Keeps Turning
    SuperHeavy
    $19.99
    Vinyl LP - Sealed Buy Now
  • Atrocity Exhibition Atrocity Exhibition Quick View

    $21.99
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    Atrocity Exhibition

    He is unmatchable in flow, delivery, and voice. Danny Brown has all the tools to be the greatest working rapper. -PITCHFORK


    Atrocity Exhibition is one of the freshest and boldest-sounding rap albums in recent memory, a sonic swirl inspired by the work of Talking Heads and Joy Division that nonetheless sounds like nothing else from the past or present. Featuring contributions from producers like Evian Christ, Petite Noir (who also lends vocals to the world-weary clang of "Rolling Stone"), Black Milk, the Alchemist and frequent collaborator Paul White, the album is full of laser-beam guitars, gym-teacher whistles, creaking vocal samples, and air-raid drones. It is the most intriguing take on hallucinatory rap since the heady heights of Cold Vein or Madvillainy.


    Known for his wide range of collaborations, including everyone from Purity Ring, the Avalanches and Rustie to Schoolboy Q, E-40, and Ghostface Killah, Atrocity Exhibition sees a continuation of this carefully curated mix. Kelela lends her snaking vocals to the intriguingly murky "From the Ground," Cypress Hill's B-Real delivers "Get Hi"'s languid hook, and Earl Sweatshirt, Kendrick Lamar, and Ab-Soul all convene for the twinkling ominousness of album standout "Really Doe." "When XXX came out, all of us were peers, and those were the three rappers who were the best," Brown explains on having the star-packed trio appear on the track. "I felt like we were competitors, they made me want to step my game up. I wanted to put the hottest rappers in the game on there."


    This album is a highly personal take on Brown's ruminations on life and the changes that have occurred -and those that didn't - following the ups and downs of career success. Atrocity Exhibition makes for a thrilling third installment in the Danny Brown biopic, one not to be missed.

    1. Downward Spiral
    2. Tell Me What I Don't Know
    3. Rolling Stone (featuring Petite Noir)
    4. Really Doe (featuring Kendrick Lamar, Ab-Soul & Earl Sweatshirt)
    5. Lost
    6. Ain't It Funny
    7. Goldust
    8. White Lines
    9. Pneumonia
    10. Dance In The Water
    11. From The Ground (featuring Kelela)
    12. When It Rain
    13. Today
    14. Get Hi (featuring B-Real)
    15. Hell For It
    Danny Brown
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Platform The Platform Quick View

    $27.99
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    The Platform

    On the West Coast, gangsta rap held sway in hip-hop as the 21st century began. The alternative and conscious rap music of the early-to-mid-90s had all but faded into the underground. The scene was set for a comeback, perhaps as a backlash to the perceived violence and misogyny of gangsta rap's content. Leading the resurgence of alternative hip-hop were groups like Jurassic 5, and recent signees to Capitol Records; a West coast trio that had been building steam underground since the early 90s called Dilated Peoples.


    Anticipation was high for the release of the debut album from Evidence, Rakaa, and DJ Babu. (Of the influential turntablist collective Beat Junkies.) When The Platform arrived in May of 2000 it was met with critical and underground acclaim, as well as affording Dilated Peoples their first Billboard chartings. It featured a back-to-basics sound with a heavy debt to the old-school hip-hop ethos, the kind of sound that harkened back to the early days of legends like De La Soul & A Tribe Called Quest. Hits like No Retreat and The Platform were bolstered by Evidence & Rakaa's subtle, abstract wit, and swift, adroit wordplay, while DJ Babu provided production chops and dextrous scratches. On The Platform, the trio was joined by the likes of B-Real, Tha Alkoholiks, Everlast, Planet Asia, and many more providing guest vocals, while boasting guest production from The Alchemist & Kut Masta Kurt, among others.


    Since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen a vinyl reissue. With that, Get On Down-always on top of giving the greatest hip-hop albums their due is proud to present this re-release of The Platform. The rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.

    LP 1
    1. So May I Introduce You
    2. The Platform
    3. No Retreat
    4. Guaranteed
    5. Right On
    6. The Main Event

    7. Service
    8. Ear Drums Pop


    LP 2
    1. Years In The Making
    2. Annihilation
    3. Expanding Man
    4. The Last Line Of Defense
    5. Triple Optics
    6. The Shape Of Things To Come
    7. Work The Angles
    8. Ear Drums Pop (Remix)

    Dilated Peoples
    $27.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Flying Scroll Flight Control Flying Scroll Flight Control Quick View

    $16.99
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    Flying Scroll Flight Control

    Half-handed Cloud's Flying Scroll Flight Control presents Dada interior-architectural songs, in the mode of Kurt Schwitters' Merzbau, the sound of Robert Rauschenberg's cardboard combines, interrupted by Futurist noise intoner music of collision. They're integrated with the radiant flicker of Stan Brakhage's domestic/personal 1960s art films, the mechanized music of Conlon Nancarrow, Mister Rogers' avant-garde children's operas, and the methods of grunge-era home-taping alchemists Eric's Trip, with scriptures giving voice to the unknown.


    The album features a 5-person female choir, manipulated
    recording tape, fuzz bass, clarinet, some piano, a child's
    Magnus air organ, rhythmic zipper, trombone, a cushioned
    stylophone stick, and intermittent backpacker guitar.

    1. Pneumatic Mystery Envelopes
    2. Sensei Says
    3. What Spins, By Your Hand Was Spun
    4. Debtors To Greeks & Barbarians
    5. Titus Three
    6. We Toil and Struggle
    7. He's Already On Everyone's Side
    8. Psychic Failure, Utmost Patience
    9. Enlightenment in the Way
    10. Even if Angels Arrive With Plausible News
    11. Fetus, I Am Not Out of My Mind
    12. He Can't Deny Himself
    13. We Speak of What We Know
    14. Live As the Children of Light Inside of You
    15. Secret Wisdom Intervening
    16. Tablets Breathing Their Last Breath
    17. Now the Veiled Faces Can Breather
    18. Flying Scroll Flight Patrol
    Half Handed Cloud
    $16.99
    Vinyl LP - Sealed Buy Now
  • FRKWYS Vol. 11 - Contos De Lisboa FRKWYS Vol. 11 - Contos De Lisboa Quick View

    $23.99
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    FRKWYS Vol. 11 - Contos De Lisboa

    For the the eleventh volume of FRKWYS, an unrestricted series pairing contemporary
    artists with their influential predecessors, gifted guitar squire Steve Gunn meets roving,
    radiating legend Mike Cooper in Lisbon, Portugal.


    Sharing their vision over lengthy living room guitar sessions and evenings of cold wine
    in Fado taverns, Gunn and Cooper created Cantos de Lisboa, an album with variable
    vernacular shades and musical forms from Portugal's antiquity.


    Cantos means "corner" in Portuguese, as well as "chant" or "song" (this latter meaning
    evolved from the Latin antecedent referring to stanzas of verse in poetry). For two artists
    whose roots lie in the country blues and its subverted offshoots, the proverbial "corner"
    is actually home, the undisturbed spot where music can flourish.


    A tranquil interlude for these two travellers to create off-guard improvisations in their
    shared style of deconstructed guitar music, Cantos de Lisboa is a curious detail in the
    periphery of their snapshot of Portugal.


    In his fifty-year-plus career, Cooper's global ventures have transported his music to
    exotic locales parallel to Lisbon. 2004's Rayon Hula musically translated the patterned
    flora of aloha shirts (Cooper's signature garment) as looped samples of famed Hawaiian
    vibraphone player Arthur Lyman for an avant vivified form of exotica.


    Rayon Hula signaled Cooper's vital re-emergence as a dexterous alchemist of slide
    guitar. Cooper's discography is colored with similar instances of casually conceptual,
    improvisatory guitar music, including his 1970 masterpiece Trout Steel (an album Gunn
    recalls in Cantos de Lisboa's liner notes as shaping his own ambitions and music).
    For his part, Gunn's path to Portugal was compelled by his kinship to Cooper and
    his ilk's experimentation with guitar-picked country blues and 70s British folk. Gunn's
    extracurricular immersion in free jazz and psychedelia, no doubt influenced by his
    Philadelphia upbringing and surroundings, ensures his playing never grits or grids and
    always soars to ecstatic heights.


    These musical emblems were gracefully memorialized on Gunn's celebrated Time
    Off (Paradise of Bachelors, 2013) and across a substantial catalog of solo, duo and
    ensemble work that resembles that of a veteran player more than a young guitar
    slinger.


    On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional
    music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into
    the music, while steering a wide berth from any bummer notes or pastiche. Cooper's
    sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn's
    ashen voice and steady strum lend an intensely organic feel to the album's improvisatory
    portraits.


    The latter half of Cantos de Lisboa echoes the "saudade" theme as referenced in
    the blissful opening track, Cooper's howl spiriting the Portuguese word that translates
    roughly into "loss" or "longing." Saudade is said to be the core feature of Fado music. In
    Cantos de Lisboa, Saudade becomes a spirit inhabiting the album's corners, but never
    disrupting the musicians' collaborative evocations.


    In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract,
    almost field recorded take on lap-steel and American Primitive guitar styles. For the
    brief idyll, Gunn and Cooper's collaboration is remarkably rich, marking their passage
    through Portugal not just as a time to revel in an ancient city, but a time for focused
    collaboration and creative consonance.

    1. Saudade Do Santos-o-Velho
    2. Pena Panorama
    3. Song For Charlie
    4. Pony Blues
    5. The Enchanted Moura
    6. Lampedusa 2013
    7. Saramago
    Mike Cooper & Steve Gunn
    $23.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Library Catalog Music Series: Music For Mysteries Of Mind Space Library Catalog Music Series: Music For Mysteries Of Mind Space Quick View

    $14.99
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    Library Catalog Music Series: Music For Mysteries Of Mind Space

    Limited Edition

    Comic Wow are sonic illustrators, alchemists, designers, dilettantes', poets, teachers, Socialists, and outdoorsmen whose advocacy of affordable colored cod pieces helped influence the look of thirty-third century America. Incidentally, they've also released music as Feathers. All pieces composed, performed, mixed and recorded by Eddie Alonso, Eric Rasco, John McEntire, Chris O'Malley, Ken Champion, Roy Silverstein, Paul Mertens, Tim Iseler, Jeremy Lemos and Matt Crum.

    1. Salad Days
    2. Bad Ballet
    3. Jazz Computer
    4. Nice Chaps
    5. Miami Song Tennis
    6. Miami Song Tennis 2
    7. Encore Electronics Flute Fax
    8. Chimp on a Pew
    9. Minor Hexagons
    10. Water Music Treadmill
    11. Meet the Vampeatles (Or, What if the Beatles were Vampires?)
    Comic Wow
    $14.99
    Vinyl LP - Sealed Buy Now
  • Anutha Zone Anutha Zone Quick View

    $37.99
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    Anutha Zone

    For those of us who long for the days when Dr. John smeared himself with face paint, wore impossibly large headdresses, and sang about gris-gris, gumbo ya-ya, and croker courtbullion, Anutha Zone is indeed a heartening development.


    In the late 60s Dr. John was a visionary musical alchemist, working with psychedelic imagery and funky rhythms to nab the rock crowd, then plying them with spooky swampland mythology and raw Southern R&B.


    On Anutha Zone, Dr. John digs deep into that murky musical well once again, with stunning results. John Gris, Party Hellfire, and Soulful Warrior brilliantly fuse slow-burn grooves, sly musicianship, and Dr. John's elegantly gruff vocals, conjuring images of dark revelry down French Quarter back alleyways. This was the comeback of 1998, hands down.


    The Music On Vinyl re-issue also contains the insert with a beautiful picture of the mystic man and credits information.

    1. Zonata
    2. Ki Ya Gris Gris
    3. Voices In My Head
    4. Hello God
    5. John Gris
    6. Party Hellfire
    7. I Don't Wanna Know
    8. Anutha Zone
    9. I Like Ki Yoka
    10. The Olive Tree
    11. Soulful Warrior
    12. The Stroke
    13. Sweet Home New Orleans
    Dr. John
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nations To Flames Nations To Flames Quick View

    $20.99
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    Nations To Flames

    New York metal alchemists, A STORM OF LIGHT, unleash their long-anticipated new studio offering in 2013 Entitled Nations To Flames, the 11-track follow up to the band's critically-lauded 2011 opus, As The Valley Of Death Becomes Us, Our Silver Memories Fade, was recorded with Travis Kammeyer (OCOAI, Generation Of Vipers) at Fahrenheit Studios in Johnson City, Tennessee, mixed with Matt Bayles (Isis, Soundgarden, Pearl Jam, Botch, Mastodon) at Red Room Recording in Seattle, Washington and mastered by Brad Boatright (Sleep, From Ashes Rise, Nails) at Audiosiege in Portland, Oregon. Additionally, Nations to Flames features Soundgraden's Kim Thayil and Indian/Nachtmystium's Will Lindsay on select tracks.


    Centered around the apex of human failure, Nations To Flames bears witness to the fall of all governments, all nations, and all religions. The record is both musically and thematically captivating and marks the STORMcollective's darkest, most immediately punishing creation to date.


    Comments A STORM OF LIGHT founding guitarist/vocalist Josh Graham "These songs are much more focused. Even the more 'epic' songs are shorter but still accomplish the same journey as the longer songs used to. We've ditched the rock elements of the last record and let our early influences of Killing Joke, Bad Brains, Metallica and Crash Worship seep in. We are bringing back the intensity of Black Ocean but with the speed and precision ore akin to our metal influences. While there are still some slower/sludgy tunes, some songs are twice as fast as the older material."

    1. Fall
    2. Apostles Of Hatred
    3. The Fire Sermon
    4. Omen
    5. Dead Flags
    6. All the Shining Lies
    7. Disintegrate
    8. Lifeless
    9. Soothsayer
    10. You Are The Hunted
    11. The Year Is One
    A Storm Of Light
    $20.99
    Vinyl LP - Sealed Buy Now
  • The Electric Lady The Electric Lady Quick View

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    The Electric Lady

    As she began the audacious task of following up on her acclaimed debut LP The ArchAndroid - an album that topped critic's lists in 2010 all over the world - she took along some trusty, brave companions: the original music producers of The ArchAndroid, Nate Rocket Wonder and Chuck Lightning of Wondaland Productions. And together they crafted a new strain of jamming music they called ish. In the hip hop community, ish is a euphemism for the profane four-letter word for excrement, but as Monáe explains, they set out, like proverbial alchemists, to turn lesser substances into gold.


    This entire project was produced by Wonder & Lightning. We set out to make a soundtrack for the Obama era, something that spoke to the beautiful, majestic and revolutionary times that we're living in. The musical language we're speaking now is called ish. In the African-American community, we've been turning left-overs (like chitlins) and social depredation (like poverty) into delicacies and fine art for years. So we just set out to turn the rubbish all around us into something beautiful. Ish is the bowtie on the funk.


    From the sound of The Electric Lady, ish is an urgent and dangerous form of dance music, rebel music that forces one to fight, jam, and fall in love. Like on The ArchAndroid, the sonic textures of the album are varied, and the past and present come together to explode and create a mind-blowing future for pop and soul music. For example, wondrous strings reminiscent of Curtis Mayfield and Bernard Herrmann orchestrations abound, Hendrixian guitar solos soar, Outkast-like raps float over punk rock riffs; defiant socially-conscious lyrics extol the virtues of soul-searching and fighting for change, while the funk simply melts your speakers: 808s boom and Prince-like synthesizers squiggle in your earhole, making it veritably impossible to just sit still.

    LP 1
    1. Suite IV: Electric Overture
    2. Givin Em What They Love
    3. Q.U.E.E.N.
    4. Electric Lady
    5. Good Morning Midnight
    6. PrimeTime
    7. We Were Rock n' Roll
    8. The Chrome Shoppe
    9. Dance Apocalyptic
    10. Look Into My Eyes


    LP 2
    11. Suite V: Electric Overture
    12. It's Code
    13. Ghetto Woman
    14. Our Favorite Fugitive
    15. Victory
    16. Can't Live Without Your Love
    17. Sally Ride
    18. Dorothy Dandridge Eyes
    19. What an Experience

    Janelle Monae
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Tall Tall Shadow Tall Tall Shadow Quick View

    $16.99
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    Tall Tall Shadow

    Tall Tall Shadow, the third album by Toronto singer-songwriter Basia Bulat, is the bravest album she has made. Raw and spectral, heartbroken, yet jubilant, these ten songs tell the story of a very hard year in the artist's life and all the love that helped her through it.


    Whereas the singer's past two LPs, including 2008's Polaris-nominated Oh, My Darling, were made in Montreal's all-analogue Hotel 2 Stango studio, Tall Tall Shadow is a more modern thing. This is a record with echo and reverb, electronic flutters and electric autoharp, voices that charge and incandesce around buzzing guitars, lonely piano and rattling percussion.


    To get to this place, Bulat co-produced the album with, Tim Kingsbury and Mark Lawson. Kingsbury, a member of Arcade Fire, can play anything and everything, she says. Lawson, who has worked on records with Akron/Family and Colin Stetson, and who won a Grammy for his work on Arcade Fire's The Suburbs, is a studio alchemist, someone who hears things hidden in songs, who is always keen to transform them.


    They started recording in Toronto, at a reverberating 60-year-old dance hall. Once again, Bulat put together a band: her brother, the punk-inclined drummer Bobby Bulat; Holly Coish on keys and backing vocals; Kingsbury and Ben Whiteley on guitars and bass. One song features Whiteley's father, the folk legend Ken Whiteley, on gospel organ. But Tall Tall Shadow isn't acoustic folk music: like Beck's Sea Change or Buckingham Nicks, chord and strum are a launch-pad for wilder sounds.


    Bulat's goal was to keep challenging herself. Promise Not to Think About Love, with shimmying bass and dancing handclaps, is the poppiest track she has ever released. It Can't Be You, played on an Andean charango, is one of the simplest. Never Let Me Go is all crescendo, a woman in a storm, and the title track reaches soaring for the sky: has there ever been a better showcase for Bulat's powerhouse voice? For her steam-train heart?


    Two months before I was due to begin recording, I suffered a deep loss, Bulat says. I kind of started over. She started; and she didn't stop.


    - Sean Michaels

    1. Tall tall shadow
    2. Five, four
    3. Promise Not To Think About
    4. It Can't Be You
    5. Wires
    6. The City With No Rivers
    7. Someone
    8. Paris or Amsterdam
    9. Never Let Me Go
    10. From Now On
    Basia Bulat
    $16.99
    Vinyl LP - Sealed Buy Now
  • Sea When Absent Sea When Absent Quick View

    $16.99
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    Sea When Absent

    Appropriately for new beginnings, Sea When Absent marks a number of firsts for ASDIG-it's the first album recorded in a real studio by someone who isn't Ben or Josh, the first album not written mostly by Ben, the first album with next-to-no reverb, and the first time in ASDIG's history that it has existed as anactual band (not just Ben or Josh playing everything). There was also a conscious effort to get away from aspects of recording that have defined this band in the past-namely heavily reverbed and buried vocals [ed.- they never sound buried to Ben]. Vocalists Jen Goma and Anne Fredrickson have beautiful voices and it was time to explore the possibilities of their abilities/talents. Jen took on a central role in the making of this album, stepping up to write most of the lyrics and melodies. Anne also contributed melodies throughout the album and put her classical cello training to use adding string arrangements. Since 2009 Ben has called Sydney, Australia home and while he was down under, multi-instrumentalist/backup vocalist/engineer/jack-of-all-trades Josh Meakim was Our Man in Philly, overseeing the recording sessions and adding all of the musical and production ideas he usually does. The distance between Ben and the rest of the band also forced novel ways of building songs from across the world. Bassist Ryan Newmyer, in Brooklyn, was tasked with deconstructing and rebuilding several songs in his own way-Oh, I'm a Wrecker (What to Say to Crazy People) bears the fruit of this tact. Holding it all together is drummer Adam Herndon. Adam is Sea When Absent's alchemist-weaving between, and often reconciling, the colossal boom of electronic beats (see Golden Waves or Double Dutch) and the subtle elegance of a drum kit in a room (see The Body, It Bends or The Things They Do to Me).


    Between releasing Ashes Grammar in late 2009 and Autumn, Again in late 2010, ASDIG spent the better part of that year on tour. The six members in this band returned to six different Ithacas and the various dramas and adventures they've endured since then inform a lot of Sea When Absent. But 2014 is also just an insanetime to be alive. Dominant narratives have broken down and the stories we tell ourselves have never been more up-for-grabs.It's all happening and A Sunny Day in Glasgow want to be as simultaneously everywhere and nowhere as the rest of us. Sea When Absent is ASDIG's story for the milieu-a fever-dream about the now (or maybe a lucid dream about the fever-now) and a future possible set in pop-major.

    1. Bye Bye, Big Ocean (The End)
    2. In Love With Useless (The Timeless Geometry in the Tradition of Passing)
    3. Crushin'
    4. MTLOV (Minor Keys)
    5. The Things They Do to Me
    6. Boys Turn Into Girls (Initiation Rites)
    7. Never Nothing (It's Alright [It's Ok])
    8. Double Dutch
    9. The Body, It Bends
    10. Oh, I'm a Wrecker (What to Say to Crazy People)
    11. Golden Waves
    A Sunny Day In Glasgow
    $16.99
    Vinyl LP - Sealed Buy Now
  • The Journey Man The Journey Man Quick View

    $35.99
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    The Journey Man

    "In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."


    Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"


    It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.


    But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.


    Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.


    Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.


    "I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."


    What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.


    Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.


    By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."


    Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).


    Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.


    A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.


    The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.


    Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.


    "I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."


    Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.


    'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.


    Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".


    And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.


    - Tim Barr, 2017

    LP 1
    1. Horizons (feat. Terri Walker & Swindle)
    2. Prism
    3. Mountains
    4. Castaway
    5. The Mirrored River


    LP 2
    1. I Adore You (w/ Ulterior Motive)
    2. I Think of You
    3. Truth (feat. Jose James)
    4. Redemption


    LP 3
    1. Tu Viens Avec Moi?
    2. The Ballad Celeste
    3. This Is Not A Love Song
    4. The River Mirrored (feat. Terri Walker)
    5. Triangle
    6. Tomorrow's Not Today
    7. Run Run Run

    Goldie
    $35.99
    Vinyl LP - 3 LPs Sealed Buy Now
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