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  • Air Supply - Live In Hong Kong Air Supply - Live In Hong Kong Quick View

    $69.99
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    Air Supply - Live In Hong Kong

    'All Out Of Love', 'Goodbye', 'Making Love Out Of Nothing At All', 'Lost In Love'... All of these songs form part of the collective memories of millions of people around the world. This is the first high definition live concert film of Air Supply. This amazing 2013 concert, filmed in Hong Kong, captures the magic, the power, the energy and the romance of a classic Air Supply performance.
    1. Even The Nights Are Better
    2. Just As I Am
    3. Every Woman In The World
    4. Here I Am
    5. Chances
    6. Dance With Me
    7. Desert Sea Sky
    8. Power Of Love
    9. I Won't Stop Loving You
    10. Two Less Lonely People
    11. The One That You Love
    12. Lost In Love
    13. Sweet Dreams
    14. Making Love Out Of Nothing At All
    15. Goodbye
    16. All Out Of Love
    Air Supply
    $69.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • KAB Super Record Grip - Push On Record Clamp (On Sale) KAB Super Record Grip - Push On Record Clamp (On Sale) Quick View

    $38.00
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    KAB Super Record Grip - Push On Record Clamp (On Sale)

    The newly redesigned KAB super record grip was designed to replace and improve upon the PIG clamp originally supplied with the Revolver brand turntables. This new design features a 2 piece precision molded frame, spring rubber insert and UHMW polyethylene non marring contact surface. This is especially useful on Rega brand turntables and others where there is very little spindle to grab on to.


    The KAB Super Record Grip reduces resonance and acoustic vibration of the record itself, freeing the stylus to do its intended job of tracing the groove. The result is better focus and detail to the soundstage.


    The Super record grip attaches quickly; by turning with slight pressure, it walks down the spindle and meets the record surface.


    Note: For easier use, the center hole can be lubricated with a diluted solution of 5% Armor All® and alcohol, swabbed with Qtip®.


    The built-in bubble level shows turntable level at a glance to within 1 degree of accuracy.


    Spring reinforced rubber insert holds onto the turntable spindle firmly.


    The built in bubble level allows a quick check of turntable level. A level turntable balances the forces of the needle in the groove.


    When the needle is resting in the record groove, the entire record surface behaves as a microphone picking up vibrations from the air and the turntable below. Damping the record surface reduces the affect of these added vibrations to the needle's already difficult job of reading the groove.


    The really great features to take note of with the KAB super record grip is the ease of use and cost effectiveness.


    The super record grip represents great value. Yet it is quite good at what it does and even has the added benefit of showing level at a glance, each time you use it. Keeping with the KAB philosophy that more is better, but it needn't cost more!


    One issue to be sensitive to is turntables with light floating spring suspensions. You will have to push down some while applying the super record grip. It does not rely on weight. (It only weighs 2 Oz) Be sure your turntable can Bottom Out safely. If this is a concern, consult your turntable maker first.


    [In our opinion, if you can bottom out safely, the super grip is a better solution still over clamps that rely on weight, since they will change the operating height of your platter.]

    KAB Electro-Acoustics
    $38.00
    Record Clamp Buy Now
  • Elan 35 Speakers - Black Elan 35 Speakers - Black Quick View

    $2,399.99
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    Elan 35 Speakers - Black


    Have a question about this product? Please email our href=mailto:audioadvisor@soundstagedirect.com>audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Elan 35 is the largest floor-stand speaker in this new range. Its design holds true to the purist principles followed by Epos. The two woofers work together at low frequencies to provide even higher sensitivity and power handling than the bookshelf models - in addition to delivering deeper and more powerful bass. We believe this design philosophy delivers the very best sound quality and musical performance for the money.


    Design

    Only the finest real-wood veneers are selected, book-matched and hand-laid. Several coats of polyurethane are applied and polished for a high-quality finish. To minimise unwanted vibration and coloration, extensive horizontal and vertical internal bracing are positioned inside the sturdy 18mm thick MDF cabinets. For optimum performance and stability, they should be fitted with the plinths supplied, together with the adjustable spiked feet, designed to decouple unwanted energy from the cabinet into the floor.


    Elan 35 is supplied with two baffles. The standard audiophile baffle with no visible fixing screws is fitted. If required, this can easily be swapped for the alternative cloth covered version, which is designed with the same profile as the naked baffle. Both types of baffle fit snugly around the tweeter and are both gently contoured around the woofers. So, unlike a conventional grille frame, there are no obstructions or sharp edges to cause reflections and sound colorations. The sound from both types of baffle will therefore sound similar.


    Tweeter

    Epos has developed a new soft-dome tweeter for the Epic and Elan range. By using virtual-performance CAD simulation tools, this new tweeter has been designed to achieve the accuracy and speed of a metal dome but with smoothness associated with a soft dome. It has a low resonance frequency, high sensitivity and extended high frequency response. With its 25mm (one inch) doped-fabric dome, short horn, high-temperature Ferro-fluid cooled voice-coil and shielded neodymium magnet, it is capable of high output levels for extended periods. Its natural high sensitivity is necessary to match the much increased output from the new bass and mid-range drivers.


    Mid-Bass

    A new long-throw eight-Ohm 187mm bass/mid driver has been developed for the Elan 35. Built on to an open-frame cast-aluminium alloy chassis, with a generously ventilated spider and vented magnet pole, this driver minimises colorations and distortions while allowing greater sound pressure levels than earlier Epos drivers.


    The bass/mid units feature a high-quality polypropylene cone and 'bullet'-shaped dust cap. These form a stiff yet pliable, well-damped structure which retains its shape, even at high power. This helps the woofers to produce a dynamic sound, with a very even frequency response and naturally smooth roll-off. The lower woofer is rolled-off by the crossover (filtered) so that it only plays bass, allowing the top mid-woofer to play bass and mid-range smoothly. The mid-woofer is rolled-off (filtered) at higher frequencies by the crossover to integrate properly with the tweeter. This is essentially a true 2 ½ way configuration.


    Both woofers are loaded by a very large diameter port, flared at both ends, to reduce turbulence. Together they produce plenty of clean deep bass coupled with a clear, smooth and detailed mid-range. In some rooms, or in placing them close to a wall or corner of a room, this may be too much, so we have supplied a custom foam bung to fit inside the entrance to the port to restrict the airflow and roll-off the bass earlier.


    A special feature of this floor-standing speaker is its high sensitive, making it suitable for use with a wide range of amplifiers, from as small as 10 watts to as large as 200 watts into 4 Ohms. So, tube fans should find this amp a perfect match.


    Crossover

    In typical Epos fashion, the Elan 35 crossover is as simple as we can make it: both the woofer and tweeter networks are 2nd order filters at 800Hz and 3.2kHz. To ensure the highest sound quality, all the resistors are metal oxide, all the capacitors are high-quality polypropylene-foil dielectric types and internal wiring uses proprietary solid-core wire covered in a sponge sheath to prevent vibration. Inductors are designed for low distortion even at high powers: air-core for the tweeter and an over-sized laminated-iron core for the woofer. All connections to drive units and crossover are hand soldered. The input terminals are bi-wirable, using a proprietary metal terminal panel with solid metal binding post equipped for 4mm plus and large spade lugs.


    Detail

    We paid great attention to every single minute detail during the design of the Elan 35, to give customers the best sound at the best price. It comes as no surprise that this elegant speaker will have you in awe from the first note. In addition to the astonishing bass power, detail and depth, sound stage, depth and detail are truly exceptional, with a clarity that outshines the competition and many higher priced speakers.


    This is a truly eye and ear-opening loudspeaker that will keep you enthralled listening to your favorite tracks for many years to come.


    This product is not eligible for discount.


    Epos Speakers
    $2,399.99
    Elan 35 3-Way Floor-Standing Speakers - Black Buy Now
  • Music Is Painting In The Air 1974-1977 Music Is Painting In The Air 1974-1977 Quick View

    $34.99
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    Music Is Painting In The Air 1974-1977

    Music Is Painting In the Air is a collection of new mixes and unheard music from Sensations' Fix's prolific output between 1974 and 1977. Revered as one of the great articulations of progressive music, Music Is Painting In the Air offers guide posts to those familiar with Sensations' Fix's amorphous catalog and an approachable primer to those just journeying on the sensational trip.



    The story of Sensations' Fix begins - and never quite ends - with Franco Falsini. Born in Florence, Italy in 1948, Falsini became a teenage rock 'n' roll convert through a steady supply of 45s sent home by his London-based sister. Following his sister's footsteps to swinging 60s London, Falsini put his love of music into practice, fronting a space blues trio that riffed its way from the UK back to Italy in a Ford Transit.



    Falsini became smitten by Vinnie Sherman, an American woman working as a waitress at a nightclub in Florence where Falsini was holding down a residency. The newlywed lovers made their way to Alexandria, Virginia in the summer of 1969. Arriving on August 15th, the first day of Woodstock, a spirit of freedom filled Falsini and fueled his creative proclivity.



    Falsini blazed a trail for home recording that has impressed upon inward resourcing and reflecting musicians and DIY enthusiasts in the decades since. A technology stalwart, Falsini employed a floor model MiniMoog and a tricked-out Teac 4-track machine to transform the Virginia basement of the house shared with Sherman into a cosmic conduit and launch pad for Sensations' Fix.



    The reach for space from a personal place is nowhere more apparent than on Fragments of Light, early basement recordings solicited by Falsini as deal demos and surprisingly flipped into the first of six Sensations' Fix albums released over the next five years. The up-close fidelity of Fragments - coupled with Falsini's emotive guitar leads and sparse, sentimental vocals - creates a private quality that separates the album from other extravagant progressive rock productions contemporary to its 1974 release.



    Relocating back to Italy on the heels of Fragments' release, Falsini, alongside drummer Keith Edwards and bassist Richard Ursillo (both American expats), charged through another two Sensations' Fix albums, Portable Madness in 1974 and Finest Finger in 1976, and a stunning solo album Cold Nose (Naso Fredo) in 1975. Without marketing or tour support to expose Sensations' Fix to a wider European audience, Falsini and his band of psychedelic renegades left Italy for the golden shores of California and their possible salvation. In 1977, Sensations' Fix released Vision's Fugitive on an independent label and fulfilled their major label obligation shortly after with Boxes Paradise.



    Falsini spent the next couple decades between New York City and Paris, creatively contentedly creating above par electro-pop (The Antennas) before returning to Florence to launch the Interactive Test dance music label. Meanwhile, the legend of Sensations' Fix grew. On his 2002 album, The Private Press, DJ Shadow sampled from two Sensations' Fix songs. More recently, Sonic Youth curated a career retrospective titled Sensational Fix at Life Gallery in Saint-Nazaire France.



    For Music is Painting in the Air, Falsini and his son Jeyon set forth on a year-long voyage to restore and revisit the original Sensations' Fix analog tapes. Honoring Falsini's tradition of autonomy, this collection, as with the majority of the Sensations' Fix catalog, was mixed solely by Falsini. The sequence is chronologically defiant, encouraging the listener to free associate the recurring themes' origins and immerse in the body of music as its own universe.



    Once this celestial body suit is occupied, it becomes apparent why the forward-thinking yet emotionally-accessible quality of Sensations' Fix's music is still finding the universal audience for which its intended. Falsini's disregard for time and insistence on reinvention provides an infinite reach for his music. The end-goal was seemingly unmarketable by the industry then, but perfectly harmonious with a culture constantly evolving now.

    LP1
    1. Barnhause Effect
    2. Cold Nose Part 3, 4th Movement
    3. Leave My Chemistry
    4. Acudreaming
    5. Grow On You

    6. Scraping Delay
    7. Warped Notions Of A Practical Joke (Instrumental)
    8. Dark Side of Religion
    9. Cosmic Saudade
    10. Cold Nose Part 3, Movement 2
    11. Fragments of Light
    12. Into The Memory


    LP2

    1. Cold Nose Part 3, Movement 5
    2. C'e Nessuno
    3. Map
    4. Moving Particles
    5. Cold Nose Part 3, Movement 3
    6. Music Is Painting
    7. Left Side Of Green

    8. Chelsea Hotel (Room 625)
    9. Fix A Water Fountain (Instrumental)
    10. Leave My Chemistry
    11. Overflowing Ashtrays
    12. Strangelands
    13. Cold Nose Story
    14. Slow Motion Movie
    15. Fortune Teller
    16. Fortune Teller Coda

    Sensations' Fix
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Go Down Under (Awaiting Repress) Go Down Under (Awaiting Repress) Quick View

    $9.99
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    Go Down Under (Awaiting Repress)

    Instead of taking on a specific genre of music, as they typically do, this time Me First And The Gimme Gimmes take on the music of an entire continent! Australia is the lucky recipient of the Gimmes musical makeover on Go Down Under with tracks from famous Aussies INXS, Olivia Newton-John and Air Supply, to name a few.
    1. Never Tear Us Apart

    2. All Out of Love

    3. Friday on My Mind

    4. Have You Never Been Mellow

    5. Ive Done Everything For You

    Me First & The Gimme Gimmes
    $9.99
    7 Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Marantz MM7055 Amplifier Marantz MM7055 Amplifier Quick View

    $1,199.00
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    Marantz MM7055 Amplifier


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Power For Your System

    The MM7055 power amplifier produces 140 watts of high current output from each of its five channels. This is "real world" power, too, measured across the full audio bandwidth (20 Hz - 20 kHz) at 8 ohms with 0.08% Total Harmonic Distortion. Among other attributes, this means the MM7055 is capable of long-term power delivery into low impedance speakers.


    The Many Faces of Excellence

    In practical terms, the MM7055 is ideal for a "5.1" home theater system, whether based on a moderately powered receiver or a surround sound processor. You can use it to power speakers in different areas of your home; stereo reproduction in two rooms plus a mono channel for secondary areas such as a den or kitchen. For more complex home theater systems, the MM7055 pairs with one or several MM7025s to help create a totally immersive "7.1" or "9.1" audio experience.


    Inside The MM7055

    A massive power supply includes a multiple-secondary EI-core transformer and over 65,000 µF of custom-designed energy storage capacity. Critical circuit components from many world-class suppliers were chosen only after extensive listening tests. Among these, the LAPT Hyper Power output devices were first used in Reference Series components. Current feedback topology insures astounding accuracy and control under high-drive conditions.


    A Temperature-Controlled Environment

    Physically, the MM7055's output stages mount on an extruded aluminum "thermal tunnel" for efficient heat dissipation. With temperature-sensing forced air cooling, this configuration assures cool operating temperatures for long-term reliability, even when making full use of the amplifier's substantial output capabilities.


    Flexible Connections

    Balanced inputs and single-ended RCA inputs are both supported, and you can choose either type of input for each channel, individually, for easy and flexible connectivity. Audiophile grade, gold-plated four-way binding post speaker terminals insure tight connections to your choice of speaker wire.


    Custom Touches

    The MM7055 includes input and output jacks for DC "trigger" pulses as well as RC-5 jacks for total remote control convenience, even with legacy Marantz products.


    The chassis itself is heavy gauge steel for maximum isolation from external vibration as well as electromagnetic and radio frequency interference. And chassis depth is less than 14½" so the MM7055 will fit quite nicely on a shelf, in a cabinet, or in a conventional system rack with the optional rack mount kit RMK8003MM.


    Power. Functionality. Dependability. And classic looks. The MM7055 is, simply speaking, a Marantz.


    Marantz
    $1,199.00
    Power Amplifier Buy Now
  • Marantz MM7025 Amplifier Marantz MM7025 Amplifier Quick View

    $799.00
    Buy Now
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    Marantz MM7025 Amplifier


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    First Impressions

    If you're impressed by elegantly restrained industrial design, the MM7025 is guaranteed to make a lasting - and very positive - impression. The subtly curved aluminum/glass resin front panel adds a sophisticated touch that complements any dÉcor. The central porthole display reflects iconic Marantz designs of the past while it brings you an "at a glace" view of the amplifier's operating status.


    Getting Connected

    Both single-ended RCA and balanced XLR inputs assure system compatibility regardless of your preamplifier or processor. For maximum flexibility, you can choose inputs independently for each channel.


    The MM7025's heavy duty, gold-plated, four-way binding posts accept virtually any choice of loudspeaker cable


    Your System, Your Way

    The MM7025 encourages various system configurations. Use one for dedicated two-channel listening, or use two to as zone amplifiers to power speakers in different rooms. Adding a new pair of loudspeakers to an existing home theater? - Get the most from your investment by adding an MM7025 as well. The exact configuration is up to you. Sound quality isn't - it's Marantz regardless of how you use this power amplifier.


    Marantz Sound Quality

    The MM7025's advanced technology serves all your listening needs. Current feedback circuits, also used in Marantz's Reference Series amps, insure the purest sonic reproduction regardless of source. Another MM7025 virtue, and one directly traceable to its substantial current capability, is the control it establishes over difficult speakers to reproduce both dynamic musical peaks and whispered dialog without blemish.


    The Power Supply

    As befits a Marantz amplifier, the high-capacity power supply begins with an oversized EI-core transformer feeding carefully chosen capacitors capable of storing 30,000 µF of energy. This combination instantaneously delivers peak power to all amplifier stages for distortion-free reproduction of the most complex sources.


    Output Devices

    In the final amplification stage, specially selected LAPT Hyper-Power output transistors, originally selected for Reference Series use, deliver fortissimo and pianissimo passages with equal aplomb. To make sure they're always operating at ideal temperatures, these transistors are mounted on a forced-air "thermal tunnel."


    Where Do I Put It?

    The MM7025 is less than 14" deep from front panel to rear speaker terminals. This lets you place the amplifier almost anywhere - in a cabinet or on a shelf. A detachable AC cord makes placement easy, even when there's little room and you can even rack mount it with the optional rack mount kit RMK8754MSP.


    Remote Control, Too

    You'll find rear panel connections for a "flasher" input that conveys On/Off commands from an infrared (IR) remote controller. There's a DC trigger input (and output) that lets you "daisy chain" one or several MM7025s to turn on and off in synchronization with your preamplifer or surround processor. If you're going to use the MM7025 with legacy Marantz products, there are RC-5 connectors to give you a level of operating convenience you might not have thought possible.


    Conclusion

    Refined looks. Flexible connectivity. Superb sound quality. Convenient operation. Yes, these Marantz attributes come together in the MM7025 Stereo Power Amplifier.


    It is, as are all Marantz products, devoted to one goal - satisfying your desire for an exceptional listening experience.


    Marantz
    $799.00
    Power Amplifier Buy Now
  • E.S.P. (On Sale) E.S.P. (On Sale) On Sale Quick View

    $49.99 $44.99 Save $5.00 (10%)

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    E.S.P. (On Sale)

    Numbered, Limited Edition


    Pressed At RTI


    A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.


    Pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of E.S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the music's dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co.'s creations. Whether it's the distinctive snap of Tony Williams' drum sticks against the snare head, air moving through Davis' trumpet, acoustic thrum of Ron Carter's bass, or upper register of Herbie Hancock's piano, the sound is better than you'd even hear in the most intimate jazz clubs. Prepare to be swayed on every level.


    For many, E.S.P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963's Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here - notably, E.S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time - and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension.


    As he did with John Coltrane year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis' visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement.


    Interlocking lines drive Little One, alternating rhythms pulse through the funky Eighty-One, melodies soar on the balladic Iris, the aptly titled Mood broods over minor-key structures, and Agitation - goosed by a two-minute percussive introduction by Williams - delivers on its promise. No record - and no group of musicians - have ever balanced coherent themes and exploratory playing in better fashion than Davis' quintet on E.S.P. It's the avant-garde record even jazz traditionalists love, and essential on every level.


    This title is not eligible for further discount.

    1. E.S.P.
    2. Eighty-One
    3. Little One
    4. R.J.
    5. Agitation
    6. Iris
    7. Mood
    Miles Davis
    $49.99 $44.99 Save $5.00 (10%)
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Get Back (On Sale) Get Back (On Sale) On Sale Quick View

    $17.99 $13.49 Save $4.50 (25%)

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    Get Back (On Sale)

    It's doubtful that Stephen McBean set out to make The Great Rock 'N' Roll Primer when he started conjuring the
    songs that would come to be Pink Mountaintops' Get Back.


    The record's beginnings were reasonably straightforward: McBean had moved to Los Angeles, taken a long hiatus
    from Black Mountain and an even longer one from Pink Mountaintops when he met producer Joe Cardamone, lead
    singer of Icarus Line at Valley Recording Company in Burbank,CA.The two bonded quickly over Flying Nun bands,
    Television Personalities, Roxy Music, Johnny Thunders, and Born Against. Joe was excited to meet someone he
    actually liked. Stephen was excited to work with someone who said Sing it like you would've sung it when you were
    21. Simple enough,right?


    But ask him to set the scene and you'll hear about a motorcycle shop owned by Michael Barragan, former member
    of Los Angeles noise rock band Plexi. You'll hear about an endless supply of rock 'n' roll video documentation for
    last minute inspiration or de-evolution in the living room.Ask who's on the record and you'll get a constellation of
    greats:J Mascis(DinosaurJr &Witch),Rob Barbato (Darker My Love,The Fall & Cass McCombs), Steve Kille (Dead
    Meadow), Daniel Allaire (Brian Jonestown Massacre, Cass McCombs & Darker My Love), Annie Hardy (Giant
    Drag), Jon Wahl(Clawhammer), and Gregg Foreman (Cat Power & Delta 72).Randal Dunn (Sunn O))),Earth, Sun
    City Girls, Boris) mixed Get Back at Avast! Studios (Bikini Kill, Mudhoney, Christ On A Crutch, Soundgarden) in
    Seattle. Howie Weinburg (Nirvana, Beastie Boys, Danzig, Ramones, Slayer) mastered it in Laurel Canyon.


    Ask about the record itself and McBean will tell you about Alleys, curbs, walls, and cigarette stained gig flyers.An
    island on the Pacific coast. Fake British towns. Slayer posters.The beauty of youth.It's about listening to Driver's Seat
    and 'Guns of Brixton' and hotboxing The Duster. And suddenly it becomes clear: when the aliens do touch down
    and they don't know rock 'n'roll, you can play them Get Back start to finish, and that'll be all they need.


    Get Back comes out swinging with Ambulance City, a head-trip of a song with a chugging, insistent, oddly timeless
    guitar riff sitting front and center.The Second Summer of Love needs almost no explanation; it dives into 80s VHS
    saturation and never comes up for air. Sell Your Soul is a deep sigh and a motorcycle ride, a roll in the grass
    lamenting summertime blues with a little grit and a little harmony. And North Hollywood Microwaves is
    downright obscene. But what better way to start Side B than this? You can listen at hushed volumes so your parents
    don't hear, you can crank it in a dorm room, you can smirk to yourself from the safety of rock 'n'roll's old age.You
    start to wonder- why don't all Side Bs start with a song like this one


    The number of platitudes in music hit critical mass years ago, and among those tropes is that annoying, inescapable
    mantra:rock 'n'roll is undefinable.And yeah,sure, that's true. It's different things to different people. It starts with
    guitars, maybe, and ends with a stage-dive, or spit, or feedback. Rock 'n'roll is drugs, is rebellion, is youth, is sex, is
    cosmic. It's wanting more than you have.Rock 'n'roll is butts and cigarette butts.And Pink Mountaintops might not
    be the best-known band ever to make rock 'n' roll, but in Get Back they just might have written its scripture -- an
    exploration and celebration of what, exactly,rock 'n'roll can be.

    1. Ambulance City
    2. The Second Summer of Love
    3. Through All The Worry
    4. Wheels
    5. Sell Your Soul
    6. North Hollywood Microwaves
    7. Sixteen
    8. New Teenage Mutilation
    9. Shakedown
    10. The Last Dance
    Pink Mountaintops
    $17.99 $13.49 Save $4.50 (25%)
    Vinyl LP - Sealed Buy Now
  • An Evolutionary Music (Original Recordings: 1972 - 1979) An Evolutionary Music (Original Recordings: 1972 - 1979) Quick View

    $30.99
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    An Evolutionary Music (Original Recordings: 1972 - 1979)

    An Evolutionary Music (Original Recordings: 1972 - 1979) compiles
    unreleased recordings from the archives of multiversal artist Ariel Kalma.
    Concerned as much with musicality as spiritual facility, Kalma's work
    vibrates aside fellow travelers along the great rainbow in curved air of
    the 1970s avant-garde.


    Ariel Kalma's boundary-blurring electronic music is heard here in
    radiant detail across a selection of work spanning his early free-jazz
    and spoken word trips to his infinite modular synthesizer and primitive
    drum machine meditations. Kalma's story is one of world travel, musical
    discovery and ego-abandonment. Yet for an artist who often discarded
    public recognition in favor of the ascetic truths in music making, An
    Evolutionary Music offers the imprint of an outright auteur.


    Born in France, but rarely in one place for long, Ariel Kalma's 1970s
    migrations took flight through the decade's furthest spaces of musical
    and spiritual invention. As a hired horn for well-known French groups,
    the young musician toured as far as India, a place where Kalma would
    learn circular breathing techniques enabling him to sustain notes without
    pause against tape-looping harmonies configured through his homemade
    effects units.


    Those effects evolved from Kalma's loyalty to a beloved dual ReVox
    set-up- two tape machines "chained" together to form a primitive delay
    unit. Over looped saxophone melodies, Kalma would mix in all shades of
    polyphonic color, synthesizing fragments of poetry with ambient space or
    setting modal flute melodies to rippling drum machine patterns and starlit
    field recordings.


    In France during the mid-1970s, Kalma was staffed as a technician at
    Pierre Henry's legendary Institut National Audiovisuel, Groupe de Recherches
    Musicales (INA GRM) studios - the same music concrÉte laboratory that
    spawned masterpieces by members Luc Ferrari, Iannis Xenakis, and Bernard
    Parmegiani. Like his predecessors and colleagues at INA GRM, Kalma's
    relationship to sound was both formal and non-hierarchical. To Kalma, all
    music existed as related universal patterns, in perfect harmony with the
    people, places and environments it was created.


    Kalma's recorded output of the 1970s culminated in the now scarcely-available Les Temps des Moissons (trans. The Time of Harvest) in 1975,
    and a masterpiece of birdsong exploration with Osmose in 1978. Osmose
    is double album featuring sculptor Richard Tinti, who had supplied Kalma
    with hours of field recordings from the rainforests of Borneo.


    An Evolutionary Music harvests uncatalogued music made between
    Kalma's private press records and onward through the many small-batch
    cassette releases Kalma would tender. With this collection of musical
    hybridity and distinct genre-corrosion, Ariel Kalma's righteous bucking of
    both popular music trends and the academic tenets of the avant-garde
    falls squarely in the spirit of other renegades of sacred new-music such as
    Terry Riley, La Monte Young, and Charlemagne Palestine.

    1. Almora Sunrise
    2. Ecstasy Musical Mind Yoga
    3. Echorgan
    4. Sunset Inside
    5. Chase Me Now
    6. Enuej Elleiv
    7. Sister Echo
    8. Les Mots de Tous Les Jours (Rêves Etranges)
    9. Rainy Day
    10. What Would You Say
    11. Les Etoiles Sont AllumÉes
    12. Voltage Controlled Wave
    13. Montparnasse Morocco
    14. Head Noises
    15. Asalam Yamarek
    16. Love and Dream
    17. Yogini Breath
    Ariel Kalma
    $30.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Four Foot Shack Four Foot Shack Quick View

    $21.99
    Buy Now
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    Four Foot Shack

    How "deconstructed" can a group get? How about just one vocal, one bass, one guitar, and a basic beat supplied by stomping on a mini-tambourine-doohickey? That's exactly what everyone's favorite storyteller/narrator, Les Claypool, is incorporating in his new band, Duo de Twang. While Les is still pulling double duty with the Primus lads, he has also found the time to unite with his old buddy, Bryan Kehoe, who fans will recognize from several past Claypool projects, and also as one of the main actors from Les' hilarious jam band mockumentary, 'Electric Apricot: Quest for Festeroo.' But unlike Primus, DDT focuses more on the Americana/rootsy side of things - as heard throughout the band's debut recording Four Foot Shack, to be released via ATO Records.


    And as evidenced by DDT's live shows and debut, Les and Bryan mostly mix traditional tunes, popular covers, and readings of Primus classics (all of which are usually barely recognizable when compared to the original versions). Case in point, the inclusion of "Battle of New Orleans," "Stayin' Alive," "Man in the Box," "Wynona's Big Brown Beaver," and "Jerry Was A Race Car Driver" on DDT's debut disc. "A lot of it is just stumbling across it," explains Les about how a tune is selected to be twang-ified. "You're twanging away, and then all of a sudden, something just comes out. And then you laugh about it or you don't. And then you move on. There are tons of songs that we've stumbled across, and these ones just happened to be the ones that stuck."


    Upon hearing Four Foot Shack you'll quickly discover that Les and Bryan made it a point to keep things as live-sounding as humanly possible. "It was very live," admits Les. "In fact, it was a little difficult, with all the bleed of the stomping and the bass and the vocals. Every now and again you can hear the studio refrigerator come on or the dog barking at something outside in the background. Once it was there, you had to kind of leave it."


    Les added, "The Twang project is me exploring a lot of stuff that I personally listen to; Johnny Horton, Vernon Dalhart, Jerry Reed, Bob Wills, Eddy Cochran stuff like that - it's another door for me to open. I'm doing this sort of Luther Perkins, Johnny Cash guitar-ish type part on my bass, by doing the old ding-dinka-ding, dinka-ding-dinka-ding on a lot of the stuff. It took me a little bit to get that. Now that I've gotten it, I can pull songs out of the air and it's surprising how many songs easily succumb to the twang, and can be complimented by the twang. When all is said and done, it's just a hell of a fun project for me right now. I'll do it 'til it's not fun anymore."

    1. Four Foot Shack" (Les Claypool's Duo de Twang)
    2. Wynona's Big Brown Beaver" (Primus)
    3. Amos Moses" (Jerry Reed)
    4. Red State Girl" (Les Claypool)
    5. The Bridge Came Tumblin' Down" (Stompin' Tom Connors)
    6. Boonville Stomp" (Les Claypool)
    7. Stayin' Alive" (Bee Gees)
    8. Rumble of the Diesel" (Les Claypool)
    9. Pipe Line" (The Chantays)
    10. Buzzards of Green Hill" (Les Claypool's Fearless Flying Frog Brigade)
    11. Hendershot" (Les Claypool's Fearless Flying Frog Brigade)
    12. Man in the Box" (Alice in Chains)
    13. D's Diner" (Les Claypool's Fearless Flying Frog Brigade)
    14. Battle of New Orleans" (Johnny Horton)
    15. Jerry Was a Race Car Driver" (Primus)
    Les Claypool's Duo De Twang
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Manley Headphone Amplifier (Pre-Order) 3 COLORS AVAILABLE Manley Headphone Amplifier (Pre-Order) Quick View

    $2,950.00
    Buy Now
    x

    Manley Headphone Amplifier (Pre-Order)


    Manley Laboratories have been designing and manufacturing professional and hi-fidelity audio equipment for the last twenty five years. Headphone listening has become more and more popular in recent years. To meet this new demand Manley have combined its professional and domestic engineering skills to develop a new and exciting groundbreaking product, The Manley Headphone Amplifier.


    Headphone listening is not new to us, we have developed headphone mixers for the professional industry and our Neo-Classic 300B preamplifier was designed with the serious headphone listener in-mind, which now has quite a cult following. The new Manley Headphone Amplifier addresses absolutely every possible feature the headphone user could desire.


    Feature Rich


    This feature rich product has no less than twelve independent controls designed for maximum performance and maximum control. We design and manufacture our own output transformers and this is where this product excels. The Manley Headphone Amplifier utilizes hand-wound air gapped dual mode output transformers. The user can configure the unit for all triode Push-Pull mode or Single-Ended mode. The transformer can be configured to drive three types of headphone loads, covering a range from 12 to 600 ohms.


    The enthusiast can also vary the Feedback from 0dB to 10dB, maintaining a ruler-flat frequency response across the audio band, demonstrating how stable the design is. For increased transparency and accuracy we have incorporated a Precision Stepped Relay Volume control with perfect channel balance. A balance control is also available for extra sensitivity. The Manley Headphone Amplifier operates fully symmetrical, enabling it to drive balanced headphones through its XLR output. Also available is the standard non-balanced "Jack" plug or TRS connection. Another very useful feature is a preamplifier output, which routes your first input through the system when not in use, no need for unplugging sources! The Manley Headphone amplifier can also be used as a stand-alone transformer coupled preamplifier, so it can be partnered with any power amplifier if so desired.


    With the advent of expensive and high technology headphones it was important for the Manley design team to think about protection. So the Manley Headphone Amplifier features a user defined headphone overload protection system. The user dials this in so precious headphones are never overdriven. For maximum performance and the lowest noise floor, The Manley Headphone Amplifier incorporates a very high-tech switching audiophile power supply. The high-tension and low-tension rails are all fully regulated offering super low impedance for a fast and dynamic response.


    The Manley Headphone Amplifier also incorporates a tone control circuit what? for an audiophile product!! Yes! With the expertise gleaned from building professional studio equipment, we have incorporated the best possible solution for a tone control. It is completely switchable, so for the real purist it is completely out of the circuit, but if you need that slight adjustment for a hard digital recording the feature is there.


    The Design


    The Manley Headphone Amplifier is a very unusual design. Zia Faruqi, who is responsible for running the engineering team and industrial design at Manley Laboratories, developed its concept. "I wanted a design that would reflect the use of this piece of equipment. Its shape was inspired by a head, a piece that you could rest your headphones on, a piece that you want to indulge yourself in" Mitch Margolis who worked on the Steelhead and our 300B amplifiers worked with our head engineer Humberto Rodriguez to finalize its design. Available in three different colors for today's lifestyle choices. Champagne & White, Titanium & Bronze and Copper & Black.


    Manley Labs
    $2,950.00
    Headphone Amplifier PRE-ORDER
    Buy Now
  • Chord TTOBY Amplifier Chord TTOBY Amplifier Quick View

    $3,695.00
    Buy Now
    x

    Chord TTOBY Amplifier


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    THE MATCHING POWER AMP FOR HUGO TT


    The TToby range may be ideally suited to compact living environments, but don't let that fool you. With similar legendary amplification derived from our SPM range, TToby doesn't compromise on power or providing you with the purest audio experience possible.


    The TToby has been designed to complement our desktop DAC/headphone amplifier, the Hugo TT and shares the same compact form factor as its stablemate. The combination of Hugo TT and TToby provides a high-quality hi-fi system, with desktop dimensions and a space-saving footprint. Despite its size, the TToby sets new standards for small amplifiers and takes full advantage of Chord Electronics' proprietary amplification technology and design know-how.


    The addition of TToby, enables owners of the Hugo TT to fully exploit the device as a 'digital preamp', effortlessly driving a wide variety of loudspeakers, large or small, in addition to the Hugo TT's headphone prowess. The TToby is a Class AB design that delivers 60 watts into an 8 ohm load and 120 watts into 4. It includes both an unbalanced and balanced input, to take advantage of the Hugo TT's XLR output.


    TToby features two of our famous high-frequency power supplies and benefits from forced air-cooling through the aluminium casework by means of a sonically closed anechoic miniature multi-speed quadruple-fan plenum chamber, enabling the external design to be free of sharp heatsinks and, therefore, carry a stunning aesthetic. The Hugo TT/TToby combination offers both class-leading DAC and amplification technology via headphones and loudspeakers, giving complete flexibility within the demands of busy households.


    NOTE: TToby is shown in main photo below matching Hugo TT.



    Chord Electronics
    $3,695.00
    Power Amplifier Buy Now
  • Encore 50 Speakers Encore 50 Speakers Quick View

    $9,995.99
    Buy Now
    x

    Encore 50 Speakers


    Have a question about this product? Please email our href=mailto:audioadvisor@soundstagedirect.com>audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    There is no substitute for the pure musical involvement and enjoyment to be experienced when listening to the new Epos Encore 50. This unique Epos Flagship loudspeaker has been 3 years in the making but, there is no doubt the time taken to develop this exceptional loudspeaker has been well worth the wait.


    Each and every part of the Epos Encore 50 has been developed by Epos engineers to a standard not previously achieved by the company. From the original design concept through to the cabinet construction, speaker drive units, crossover and final voicing, the Encore 50 stands superior in every way.


    Cabinet

    It is tall and imposing yet exhibits elegance synonymous with Epos. Standing 1.2 metres high, it is deeper rather than wide and is supplied with a strong stylish painted MDF plinth to support its 50 kg weight and spread its footprint for improved stability and mechanical decoupling. Fully adjustable turned aluminium and steel spiked feet can raise or lower the speaker to adjust or tilt the level. The cabinet itself is made from a composite of birch-plywood and MDF which has been extensively strengthened internally using plywood bracing within the mid-range and bass enclosures.


    To ensure the lowest colouration, the cabinet and bracing have been optimised, following accelerometer measurements and listening tests. Hand selected and book-matched real wood veneer has been chosen give the most luxurious finish on an Epos speaker so far.


    Separate Bass, Mid-range and Crossover sections of the cabinet are hermetically sealed and allow the Crossover to be located in a convenient section at the bottom of the cabinet, accessed via the large, ventilated terminal panel on the bottom rear with a letter box opening in the plinth. All drive units are separately wired to the crossover section, using custom Epos solid core wire.


    The bass enclosure has a volume of 43 litres. Two 220mm woofers are bass-reflex loaded by one large diameter 90mm port, positioned mid-way between the woofers and flared at both ends to minimise port turbulence and harmonic distortion. The height and spacing of the woofers has been chosen to minimise the 'floor-bounce' cancellation, optimise bass output and ensure a smooth bass-mid range transition in room. The mid-range unit is in its own, braced, 8 litre sealed-box enclosure.


    Drive Units

    The 2 x 220 mm woofers and 158 mm mid-range cones are made from a Kevlar/carbon fibre/pulp mixture to combine high rigidity, with good inherent damping and feature concave dust caps coupled tightly to the cone. Frequency responses of both woofer and mid-range are inherently very smooth. They each incorporate a copper shorting ring in the magnetic circuit to reduce and linearise inductance and therefore, reduce harmonic and inter-modulation distortions at high sound pressure levels. The two woofer cones couple acoustically at low frequencies and are port loaded for extremely high power handling.


    The tweeter is a specially developed version of the Epos Mi tweeter, with anodised aluminium dome, Kapton voice coil former, braided lead-out wires and Ferro-Fluid damping. The centre pole is damped under the dome and vented into a contoured, felt-filled, rear chamber to damp the fundamental resonance frequency.


    Crossover

    The crossover design of the Epos Encore 50 is revolutionary. It allows the user unparalleled flexibility to compensate for individual room acoustics, without compromising sound quality in any way. The tonal balance of the speaker may be easily changed by the user to increase or decrease the tweeter and midrange output in 1.5dB steps, via an aperture in the bottom of the speaker and plinth. The crossovers use high-grade customised 'Epos' polypropylene capacitors and non-polarised electrolytic capacitors, which are bypassed with polypropylene capacitors on the mid-range and tweeter. It also uses air-core inductors, a tapped autotransformer for adjusting the mid-range output and laminated steel-core inductors. Metal-oxide resistors are paralleled where necessary to achieve high power rating and a custom heatsink is used to reduce the temperature.


    The high sensitivity mid-range is attenuated by a tapped auto transformer, which doubles as the high-pass crossover inductor. The tweeter network also has variable attenuation via metal-oxide resistors. The maximum sensitivity treble position by-passes all attenuation. Passive components are mounted on a high quality, glass fibre PCB, mechanically isolated from the cabinet.


    The crossover PCB's are designed to be completely, or partially, by-passed, to enable the user to configure the speaker in passive or active mode. Epos, will offer a custom DAC with programmable digital crossover to suit any make of amplification system. In short, it has unparalleled flexibility.


    The ongoing development for a future user upgrade to the Epos Encore 50 will represent yet another great leap forward in Epos speaker design and will have music lovers giving it a 'standing ovation' whilst applauding this exceptional speaker.


    Plinth

    A custom made MDF plinth helps to extend the footprint of the speaker and decouple mechanical vibrations from the cabinet. This makes the speaker more stable in a domestic environment and improves low frequency performance.


    It also allows access to the crossover adjustment patch-board. Adjustable metal feet allow the height and angle of the speaker to be adjusted. This enables a custom skateboard to fit underneath so the speaker can be transported on wheels to a different position and then carefully lowered into place. This is supplied with the speakers.


    This product is not eligible for discount.


    Epos Speakers
    $9,995.99
    Encore 50 3-Way Flagship Speaker Buy Now
  • Elan 15 Speakers - Cherry Elan 15 Speakers - Cherry Quick View

    $1,399.99
    Buy Now
    x

    Elan 15 Speakers - Cherry


    Have a question about this product? Please email our href=mailto:audioadvisor@soundstagedirect.com>audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Elan 15 is the larger of the two bookshelf speakers in this new range. It has been designed to hold true to Epos's purist principles of simple crossover, well-behaved drive units and clean understated aesthetics, yet deliver a 'big-speaker' performance. It has a larger cabinet and woofer cone than Elan 10 and, as a result, offers notable advantages in sensitivity, bass output and power handling. As you would expect, the Epos design philosophy delivers the very best sound quality and musical performance.


    Design

    Epos has applied the finest wood veneers, for a high-quality finish. To minimize unwanted vibration and coloration, extensive horizontal and vertical internal bracing has been added to the sturdy 18mm MDF cabinets. For optimum performance, Elan 15 should be stand mounted. Epos make a stand to suite this and other Elan models.


    Elan 15 is supplied with an audiophile baffle with no visible fixing screws, grille-fixing holes or cloth. The baffle fits snugly around the tweeter and is gently contoured around the woofer. So, unlike a conventional grille frame, there are no obstructions or sharp edges to cause reflections and sound colorations.


    For a more family-friendly appearance and improved protection, optional cloth-covered grilles are packed in the carton. It's simplicity itself to change them over.


    Tweeter

    Epos has developed a new soft-dome tweeter. By using virtual-performance CAD simulation tools, Epos has achieved very high performance with a sound which combines clarity and smoothness, in equal measure.


    The new tweeter has a low resonance frequency, high sensitivity and extended high frequency response. With its 25mm (one inch) doped-fabric dome, short horn, high-temperature Ferro-fluid cooled voice-coil, and shielded neodymium magnet, it is capable of high output levels for extended periods.


    Epos has also developed a brand new 187mm bass/mid driver for the Elan 15. This is built on to an open-frame cast aluminium alloy chassis with a generously ventilated spider and vented magnet pole, to minimize colorations and distortions.


    Mid-Bass

    This bass/mid unit features a high-quality polypropylene cone and 'bullet'-shaped dust cap. These form a stiff yet pliable, well-damped structure which retains its shape, even under high power, and help the woofer to produce a dynamic sound, with a very even frequency response and smooth roll off.


    The woofer is loaded by a good-sized port, flared at both ends to reduce turbulence, to produce more deep, clean, detailed bass than expected from such a modest cabinet, coupled with a clear and smooth mid-range.


    This medium-sized speaker is much more sensitive than you'd expect, making it suitable for use with a wide range of amplifiers, from as small as 20 watts to as large as 120 watts.


    Crossover

    In typical Epos fashion, the Elan 15 crossover is as simple as we can make it: both the woofer and tweeter networks are 2nd order filters at 3.2 kHz. To ensure the highest sound quality, all the resistors are metal oxide, all the capacitors are high-quality polypropylene-foil dielectric, and internal wiring is solid core. Inductors are designed for low distortion even at high powers: air-core for the tweeter and an over-sized laminated-iron cored coil for the woofer. The input terminals are bi-wirable.


    Detail

    We paid great attention to every single minute detail during the design of the Elan 15, to give customers the best sound at the best price. It comes as no surprise that this elegant speaker will have you in awe from the first note. In addition to the astonishing bass power for its size, sound stage, depth and detail are truly exceptional, with a clarity that outshines the competition and many higher priced speakers.


    This is a truly eye and ear-opening loudspeaker that will keep you enthralled listening to your favorite tracks for many years to come.


    This product is not eligible for discount.


    Epos Speakers
    $1,399.99
    Elan 10 2-Way Bookshelf Speakers - Cherry Buy Now
  • The End (Box Set) (Awaiting Repress) The End (Box Set) (Awaiting Repress) Quick View

    $189.99
    Buy Now
    x

    The End (Box Set) (Awaiting Repress)

    Six 180 Gram LP Box Set (Also Includes Six CD Versions)


    CD & DVD Of The Band's Final Performance On December 31st, 2015


    Includes A Hardcover Book, Autographed Lithograph Photo Prints Of The Band, Exclusive Mick Mars Guitar Picks And A Commemorative Final Tour VIP Laminate Pass


    Just in time for the holiday season, legendary rock band, MÖTLEY CRÜE have something special for their fans in the form of a box set, Mötley CrÜe: The End, available via Eleven Seven Music.


    The box set will chronicle the span of their 35-year career with the inclusion of six LPs and CDs, packaged within a hardcover photo book, of Too Fast for Love (1981), Shout At The Devil (1983), Theatre of Pain (1985), Girls, Girls, Girls (1987), Dr. Feelgood (1989), Saints of Los Angeles (2008), and conclude with a live audio CD and DVD of the band's final performance to a sold-out Los Angeles Staples Center arena on December 31, 2015. Also included are four exclusive, autographed lithograph photo prints of the band, four exclusive Mick Mars guitar picks and a commemorative 'Final Tour' VIP laminate pass.


    The last night of the 'Final Tour' DVD is a must-have keep-sake for any Mötley CrÜe fan. The spectacular final concert at Staples Center in their hometown of Los Angeles, CA, on New Year's Eve in 2015, just a few miles from the Sunset Strip where the band's infamous and decadent career first launched, can now be relived! The band thrilled the sold-out arena with performances of such mega-hits as "Kickstart My Heart," "Girls, Girls, Girls," "Home Sweet Home" and "Dr. Feelgood." While not everyone was able to see their final show live, CrÜe fans can now catch all the action via DVD in the comfort of their home. In addition to the epic concert footage, viewers will be treated to exclusive behind-the-scenes footage of the band's last show ever.


    In January, 2014, Mötley CrÜe held a press conference announcing their Final Tour, complete with a "cessation of touring" agreement signed by all members prohibiting any and all future live engagements under the Mötley CrÜe name. Mötley CrÜe's two-year concert trek, saw the band - Vince Neil (vocals), Mick Mars (guitars), Nikki Sixx (bass) and Tommy Lee (drums) - perform across five continents (North America, South America, Europe, Australia and Asia) for a total of more than 164 shows in 72 markets grossing over $100 million. Known for their over-the-top production, Mötley CrÜe did not disappoint for their last show ever on New Year's Eve: from massive, cutting-edge pyro, including Nikki Sixx's bass guitar spitting fire over 30 ft. into the air, and Tommy Lee's "CrÜecifly" drum roller coaster, amongst many other spectacular elements.


    Lead singer, Vince Neil, delivered an emotional, "thank you" speech to the audience, while the band supplied next-level, high-octane fueled energy, ringing in the New Year on stage with thousands of balloons raining down on the crowd. The grand finale of the show included a blow-out performance of their hit single, "Kickstart My Heart" with Nikki Sixx and Vince Neil floating above the audience in far-reaching "cherry-pickers." Leaving fans in tears, the show concluded with an emotional encore rendition of "Home Sweet Home" from the second stage riser in the center of the audience.

    Too Fast For Love
    1. Live Wire
    2. Come on and Dance
    3. Public Enemy #1
    4. Merry-Go-Round
    5. Take Me to the Top
    6. Piece of Your Action
    7. Starry Eyes
    8. Too Fast for Love
    9. On With the Show


    Shout At The Devil
    1. In The Beginning
    2. Shout At The Devil
    3. Looks That Kill
    4. Bastard
    5. God Bless The Children Of The Beast
    6. Helter Skelter
    7. Red Hot
    8. Too Young To Fall In Love
    9. Knock 'Em Dead, Kid
    10. Ten Seconds To Love
    11. Danger


    Theatre Of Pain
    1. City Boy Blues
    2. Smokin' In The Boys Room
    3. Louder Than Hell
    4. Keep Your Eye On The Money
    5. Home Sweet Home
    6. Tonight (We Need A Lover)
    7. Use It Or Lose It
    8. Save Our Souls
    9. Raise Your Hands To Rock
    10. Fight For Your Rights


    Girls, Girls, Girls
    1. Wild Side
    2. Girls, Girls, Girls
    3. Dancing On Glass
    4. Bad Boy Boogie
    5. Nona
    6. Five Years Dead
    7. All In The Name Of...
    8. Sumethin' For Nuthin'
    9. You're All I Need
    10. Jailhouse Rock (live)


    Dr. Feelgood
    1. T. N. T. (Terror 'N Tinseltown)
    2. Dr. Feelgood
    3. Slice Of Your Pie
    4. Rattlesnake Shake
    5. Kickstart My Heart
    6. Without You
    7. Same Ol' Situation (S.O.S.)
    8. Sticky Sweet
    9. She Goes Down
    10. Don't Go Away Mad (Just Go Away)
    11. Time For Change


    Saints Of Los Angeles
    1. L.A.M.F.
    2. Face Down In The Dirt
    3. What's It Gonna Take
    4. Down At The Whisky
    5. Saints of Los Angeles (Gang Vocal)
    6. Mutherfucker of the Year
    7. The Animal In Me
    8. Welcome To The Machine
    9. Just Another Psycho
    10. Chicks = Trouble
    11. This Ain't A Love Song
    12. White Trash Circus
    13. Goin' Out Swingin'


    The End (CD)
    1. Intro
    2. Girls, Girls, Girls
    3. Wild Side
    4. Primal Scream
    5. Same Ol' Situation (S.O.S.)
    6. Don't Go Away Mad (Just Go Away)
    7. Smokin' In The Boys' Room
    8. Looks That Kill
    9. Mutherfucker Of The Year
    10. Shout At The Devil
    11. Louder Than Hell
    12. Saints Of Los Angeles
    13. Live Wire
    14. Dr. Feelgood
    15. Kickstart My Heart
    16. Home Sweet Home


    The End (DVD)
    1. Intro
    2. Girls, Girls, Girls
    3. Wild Side
    4. Primal Scream
    5. Same Ol' Situation (S.O.S.)
    6. Don't Go Away Mad (Just Go Away)
    7. Rock N Roll Part II / Smokin' In The Boys' Room
    8. Looks That Kill
    9. Mutherfucker Of The Year
    10. In The Beginning / Shout At The Devil
    11. Louder Than Hell
    12. Drum Solo
    13. Guitar Solo
    14. Saints Of Los Angeles
    15. Live Wire
    16. T.N.T (Terror 'N Tinseltown) / Dr. Feelgood
    17. Kickstart My Heart
    18. Home Sweet Home
    19. My Way (Credits)

    Motley Crue
    $189.99
    180 Gram Audiophile Virgin Vinyl Box Set + 7 CDs + DVD - 6 LPs Sealed AWAITING REPRESS Buy Now
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