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A Day To Remember

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  • For Those Who Have Heart For Those Who Have Heart Quick View

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    For Those Who Have Heart

    Ocala, Florida's A Day To Remember have managed to combine upbeat, melodic punk, and sensitive emo stylings with crushing metallic hardcore, creating a record that has a broad appeal, and could easily play shows alongside varying bands like Comeback Kid, Bury Your Dead and Silverstein.
    1. Fast Forward To 2012
    2. Speak Of The Devil
    3. The Danger In Starting A Fire
    4. The Plot To Bomb The Panhandle
    5. Monument
    6. The Price We Pay
    7. Colder Than My Heart, If You Can Imagine
    8. Show 'Em The Ropes
    9. A Shot In The Dark
    10. Here's To The Past
    11. I Heard It's The Softest Thing Ever
    12. Start The Shooting
    13. Since U Been Gone (bonus track)
    A Day To Remember
    $15.99
    Vinyl LP - Sealed Buy Now
  • Homesick (Awaiting Repress) Homesick (Awaiting Repress) Quick View

    $15.99
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    Homesick (Awaiting Repress)

    Two years after their debut release, A Day To Remember exploded from a small band with a dedicated fan-base in Florida into a worldwide phenomenon thanks to the insane live shows and Pop-Hardcore they have lovingly made their own.


    Gaining the respect of their peers as much as their fans, they landed slots on the New Found Glory and Silverstein tours, the Victory Records Tour and the Vans Warped Tour. Now, ADTR are taking their insanely catchy melodies and brutal breakdowns with the positive message of friendship and unfaltering self-belief to the masses.


    A Day To Remember truly are ready to take over the world one mosh pit at a time.

    1. The Downfall Of Us All
    2. My Life For Hire
    3. I'm Made Of Wax, Larry, What Are You Made Of?
    4. NJ Legion Iced Tea
    5. Mr. Highway's Thinking About The End
    6. Have Faith In Me
    7. Welcome To The Family
    8. Homesick
    9. Holdin' It Down For The Underground
    10. You Already Know What You Are
    11. Another Song About The Weekend
    12. If It Means A Lot To You
    A Day To Remember
    $15.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • What Separates Me From You (Awaiting Repress) What Separates Me From You (Awaiting Repress) Quick View

    $15.99
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    What Separates Me From You (Awaiting Repress)

    Hailing from Ocala, Florida, A DAY TO REMEMBER are one of the hardest working bands in the business.


    Since their VICTORY RECORDS signing in 2006
    they have released three phenomenal albums, sold out entire continental tours and topped the Billboard charts. After their notable performance at the Soundwave Festival in Australia earlier this year, vocalist Jeremy McKinnon, guitarists Neil Westfall and Kevin Skaff, bassist Joshua Woodard, and drummer Alex Shelnutt not only sold out every UK show on their 2010 tour, but crossed the pond to do the same in the US. Now, returning from a festival bout all through Europe, they've circled back home to the US to continue spreading their music to the masses.


    From the very beginning, A DAY TO REMEMBER have proved their musical abilities to win over fans and they are at it again. Their characteristic mix of
    monstrous sing-a-long choruses and mosh-pit-inducing breakdowns has showcased the true talent of this band. They have excelled brilliantly with their unmatched musicianship, writing some of the heaviest yet catchiest songs. What Separates Me From You expands the band's widening spectrum, hitting harder and bouncing bigger than ever before.

    1. Sticks & Bricks
    2. All I Want

    3. It's Complicated
    4. This Is The House That Doubt Built
    5. 2nd Sucks
    6. Better Off This Way

    7. All Signs Point To Lauderdale
    8. You Be Tails, I'll Be Sonic

    9. Out Of Time
    10. If I Leave
    A Day To Remember
    $15.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Unbreakable / Back To Me (7 Single) (Pre-Order) Unbreakable / Back To Me (7 Single) (Pre-Order) Quick View

    $7.99
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    Unbreakable / Back To Me (7 Single) (Pre-Order)

    Limited To 1000

    Half White / Half Grey With Black Splatter

    Of Mice & Men are one of the largest bands on the Rise Records roster. They've spent the past couple of years growing into a well-respected rock act, earning praise from critics, their peers, and even their icons. They've sold over 830,000 albums in the US alone, they've had atop 5 debut on the Billboard Top 200, and they have been busy touring arenas and amphitheaters with the likes of Linkin Park, Slipknot,Marilyn Manson, Rise Against, A Day To Remember and Bring Me The Horizon. They've graced the covers of multiple publications(Revolver, Alternative Press, Kerrang!, Rock Sound, Metal Hammer, Blunt), and have constantly been able to nurture and develop a rabid following that feels more like a family than a fan base.

    The band took a recent break from touring and recorded two brand new singles, Unbreakable and Back To Me. Both songs were produced by Howard Benson (My Chemical Romance, Daughtry, All American Rejects), and the result is 2 very powerful tracks that have quickly become fan favorites. Both songs have had great success on all of the streaming services (Unbreakable has over 5,042,374 streams& Back To Me has over 2,075,738 streams).

    1. Unbreakable
    2. Back To Me
    Of Mice & Men
    $7.99
    Colored 7 Vinyl Single - Sealed PRE-ORDER Buy Now
  • Deadweight Deadweight Quick View

    $18.99
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    Deadweight

    Pressed On Colored Vinyl

    WAGE WAR If you think that you've already heard it all when it comes to heavy music, you just haven't heard Wage War. The group - which is composed of vocalist Briton Bond, guitarist/vocalist Cody Quistad, guitarist Seth Blake, bassist Chris Gaylord and drummer Stephen Kluesener - formed in Ocala, Florida, in 2013 and instantly started playing all over the area, quickly getting signed to Fearless Records the old fashioned way: By sending a song to the label. From there the group linked up with the production team of Andrew Wade (Neck Deep, Motionless In White) and A Day To Remember vocalist Jeremy McKinnon who produced their 2015 debut Blueprints together and returned to produce the sophomore full-length Deadweight, which the band started writing immediately after they finished their debut.

    "I'm very proud of Blueprints but a lot of those songs were written seven years ago so who we are as people and musicians these days is drastically different," Quistad explains - and a listen to Deadweight confirms that statement. "I think a big strength of this new record is the continuity of sitting in a room together and playing instead of trying to send files back and forth," he continues. "We were truly grinding out songs and I think this album still sounds like Wage War but, at the same time, it has some of our most melodic moments as well as some of the heaviest." The latter is evidenced on songs like "Stitch" which is certain to incite frenzied mosh pits for years to come and displays an aggression that the band has only hinted at in the past.

    "We really tried to not overthink things on this record and just do whatever worked for the song, even if it was something that people might not necessarily expect," Quistad says. For this reason, the band decided it made sense to enlist the aforementioned producers who truly understood Wage War on a deep level. "There were so many early mornings and late nights making this record and it was such a pleasure to work with Andrew and Jeremy again because you could tell that they really cared about it and would go to any ends to make it the best that it could be." From the explosive production to the alternately screamed and sung vocals of "Don't Let Me Fade Away," all seven of the people involved in the making of TBA worked as one unit in working toward the same collective goal.

    Lyrically, Deadweight sees the band exploring both personal to political issues in a way that's as raw and honest as the music that supports them. "This record is very much a snapshot of the past year; we are all very positive people but in 2016 we went through so much from seeing the world for the first time to scraping the bottom at some point emotionally or with relationships," Quistad admits. From 3 a.m. run-ins with refugees in Europe to flying home only to be confronted with the aftermath of the Pulse nightclub shooting in Orlando, there was no shortage of content to draw from this time around. "We didn't hold anything back when it came to this record, so hopefully it's as therapeutic for listeners as it was for us."

    In a heavy music scene that's increasingly formulaic, Wage War pride themselves on the fact that they listen to a diverse range of music. "I'm a big fan of country music which surprises a lot of people and other guitarist Seth is really into pop music," Quistad explains. "We have an appreciation for all kinds of stuff and I think that all of it bleeds into the album in some way even if it's not always blatant." Take the song "Johnny Cash" which recalls the country tradition of paying homage to a pioneer of a genre while still retaining the heaviness of the act. "We get called metalcore a lot but we've never pledged allegiance to any genre because we always want to do something beyond that in the sense that we just listen to what we love and try to incorporate that into Wage War."

    More than anything though, the band can't wait to get back on the road and start playing the songs from Deadweight live. "We played three hometown shows at the end of last year where we would include a new song and it was so cool to see the crowd react to the new material," Quistad says - and it's obvious that palpable excitement goes both ways. "This album is the truest representation of Wage War in the sense that we wanted to put every part of us under the microscope and come up with something that we're not only proud of but also encompasses what we want to be as a band and the kind of musical statement we want to lay down," he summarizes. "I would say this is a defining album for our band."

    This title is not eligible for further discount.

    1. Two Years
    2. Southbound
    3. Don't Let Me Fade Away
    4. Stitch
    5. Witness
    6. Deadweight
    7. Gravity
    8. Never Enough
    9. Indestructible
    10. Disdain
    11. My Grave Is Mine To Dig
    12. Johnny Cash
    Wage War
    $18.99
    Colored Vinyl LP - Sealed Buy Now
  • Old Record Old Record Quick View

    $15.99
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    Old Record

    What's a relatively young band with their star on the rise to do when their new fans are having trouble tracking down their older releases? If you're Florida's A Day to Remember, you re-release one of them, remastered and complete with new artwork and title. Fans from the beginning probably don't need the aptly titled OLD RECORD, despite the crisp new sound. But newcomers will flip their lids over A Day to Remember's special blend of muscular hardcore and approachable pop-punk. Audio Mixer: Andrew Wade. Recording information: The Wade Studio, Ocala, FL.
    1. Intro '05
    2. Heart Less
    3. A 2nd Glance
    4. Nineteen Fifty Eight
    5. If Looks Could Kill...
    6. You Had Me @ Hello
    7. Casablance Sucked Anyways.
    8. U Should Have Killed Me When U Had the Chance
    9. Your Way With Words Is Through Silence!
    10. Sound the Alarm v. 2.0
    A Day To Remember
    $15.99
    Vinyl LP - Sealed Buy Now
  • Bad Vibrations Bad Vibrations Quick View

    $19.99
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    Bad Vibrations

    On their new album, Bad Vibrations, A Day to Remember claim to have approached the writing process with no expectations and organically came up with their finest work to date. ADTR have certainly come a long way since their beginnings in Ocala, Florida back in 2003. Through constant touring, hard work and persistence the band has grown to be the biggest in their scene. Their unique sound which mixes pop punk, hardcore and metal has been dubbed affectionately as "pop mosh" by their fans. Over the course of their career, ADTR have sold out entire continental tours, landed two Top 25 Billboard debuts, sold over 2.1 million records and have 2 Gold certified Albums.


    According to Jeremy McKinnon, ADTR's frontman, this album " came together organically. We took some time to get together and write with no real expectations," says the singer. The band took a trek up to Fort Collins, CO where they'd collaborate with Descendants' Bill Stevenson who produced the album.


    The lead single "Paranoia" raced up the Active Rock Charts upon release , and McKinnon recalls , "That song just kind of came out of nowhere one day-and we were all really pumped on it." Radio is just one key to this band's success, as touring is front and center to the ADTR master plan. The band has curated their own music Festival, dubbed Self Help Fest - since 2014 - with the attendance growing each year. In March 2016 over 17,000 fans attended the fest in San Bernardino, CA. , which was headlined by ADTR and featured some of the best bands in the scene.

    1. Bad Vibrations
    2. Paranoia
    3. Naivety
    4. Exposed
    5. Bullfight
    6. Reassemble
    7. Justified
    8. We Got This
    9. Same About You
    10. Turn Off The Radio
    11. Forgive and Forget
    A Day To Remember
    $19.99
    Vinyl LP - Sealed Buy Now
  • Sempiternal Sempiternal Quick View

    $19.99
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    Sempiternal

    Heralded as one of the most anticipated albums of the year, Bring Me The Horizon's upcoming fourth studio album, Sempiternal, is the defining sound of heavy music in 2013. Proving to be perpetual favorites among fans, the album's first single "Shadow Moses" came charging out of the gates after premiering on Zane Lowe's BBC's Radio 1, forcing Epitaph to post the song on YouTube a week in advance due to popular demand.


    There's a very euphoric sound coursing through the album, a very uplifting but yet sad sound, says front-man Oliver Sykes. Electronically, it's far more advanced than anything we've done before.


    The five piece, consisting of Oliver Sykes, Lee Malia, Matt Kean, Matt Nicholls and Jordan Fish, recorded Sempiternal over a three month period with super producer Terry Date (Linkin Park, Deftones, Soundgarden). The band also brought in David Bendeth (A Day To Remember, Paramore) to add to the all-star production line-up and mix the album.


    Writing Sempiternal was a completely different process, comments Sykes. We worked from a computer, laying down ideas and riffs and working on them tirelessly until we had what we wanted. For the first time, Sempiternal sees a new member appearing on the record, Jordan Fish, who takes on keyboard duties on the record as well as during live performances. Bringing Jordan into the mix changed things completely; he opened up so many more possibilities.


    Sykes goes on to say, The lyrical theme is everything. My head was a lot clearer when writing this time and it allowed me to write from a different perspective. It's the best stuff I've ever written in my opinion. It's very dramatic, quite blunt, and at times sarcastic, but the biggest part of it - is how it is combined with the music to bring the listener vivid imagery and emotion. I think we really managed to pull that off.


    Sempiternal is an embracing ride through soaring vocals, supercharged melodies and what can only be described as spine tingling metal anthems. After the critical and commercial success of their previous albums, There Is A Hell, Believe Me I've Seen It. There Is A Heaven, Let's Keep It A Secret (2010) and their breakout success Suicide Season (2008), Bring Me The Horizon plan to take heavy music to the next level, incorporating the most dynamic elements of hard music to create the most exhilarating album of the year.

    1. Can You Feel My Heart
    2. The House Of Wolves
    3. Empire (Let Them Sing)
    4. Sleepwalking
    5. Go To Hell, For Heaven's Sake
    6. Shadow Moses
    7. And The Snakes Start To Sing
    8. Seen It All Before
    9. Anti-vist
    10. Crooked Young
    11. Hospitals For Souls
    Bring Me The Horizon
    $19.99
    Vinyl LP - Sealed Buy Now
  • Restoring Force Restoring Force Quick View

    $14.99
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    Restoring Force

    After massive amounts of hype and anticipation, Of Mice & Men blew all expectations out of the water with their
    early 2010 self-titled debut, selling over 75,000 copies to date. They didn't skip a beat with their follow up album
    - The Flood, selling over 15,000 units in its rst week and another 9k in the rst week of the deluxe reissue
    version. The Flood has currently scanned over 130,000 units. They've spent the majority of the last few years
    supporting large artists such as A Day To Remember, August Burns Red, Bring Me The Horizon, As I Lay
    Dying and more. They've also headlined Warped Tour as well as sold out tours in the US, UK & Australia.

    Of
    Mice & Men went in the studio with producer David Bendeth (Paramore, Breaking Benjamin, Bring Me The
    Horizon) to record their 3rd full length, RESTORING FORCE. The album does exactly that, it restores the band
    as a massive force in the scene that they've thrived in for the past years, but beyond that it showcases the band's
    growth as both songwriters and performers. Frontman Austin Carlile returns and gives his most brutal and
    honest performance to date while clean singer, Aaron Pauley, who is making his Of Mice & Men debut, truly
    shines and will become a star in his own right. The band will hit the road immediately after the release, spending
    the entire spring on the road with Bring Me The Horizon and Issues as well as performing as a headliner on
    Warped Tour, etc. In making "Restoring Force" the band has created an album that will please the large
    hard-rock, mosh-happy fan base that they've accrued over the years, while also allowing them to continue
    growing and appealing to a wider and wider audience.

    1. Public Service Announcement
    2. Feels Like Forever
    3. Bones Exposed
    4. Would You Still Be There
    5. Glass Hearts
    6. Another You
    7. Break Free
    8. You Make Me Sick
    9. Identity Disorder
    10. You're Not Alone
    11. Space Enough To Grow
    Of Mice & Men
    $14.99
    Colored Vinyl LP - Sealed Buy Now
  • Heavy Love Heavy Love Quick View

    $18.99
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    Heavy Love

    Ultra Clear W/ Sea Blue/Red Splatter


    Every now and then, a band is able to find that rare connection that allows them to truly speak to the hearts of kids everywhere, becoming the voice of their generation. Man Overboard is that band of the pop-punk community. These days, the number of bands becoming overnight Internet sensations is soaring. In an age where bands are having immediate major label success through corporate radio and MTV, Man Overboard has managed to create a name for themselves the old-fashioned way, winning kids over through word of mouth
    and non-stop touring. They are a true testament to working hard in order to achieve your goals.


    Man Overboard are constantly pushing themselves to do more, and this work ethic is apparent in all that they have accomplished as a band. They have spent the past 7 years touring
    the world, sharing the stage with the likes of Taking Back Sunday, Bayside, New Found Glory, The Wonder Years and more. For their latest full-length, "Heavy Love," Man Overboard
    enlisted the help of legendary punk producer, Bill Stevenson (Rise Against, Descendents, A Day To Remember). Together, they have crafted 12 songs that are undoubtedly the
    band's strongest and most exciting material to date. "Heavy Love" is destined to become the most recognizable album in the band's catalog. To promote this release, the band will be
    performing on the Vans Warped Tour's main stage all summer long. This is an exciting time for Man Overboard. When it seems as though they're on top of the world, they continue to play every show like their last and treat every fan like their first.

    1. Now That You're Home
    2. Borderline
    3. Reality Check
    4. Splinter
    5. The Note
    6. Cliffhanger
    7. She's In Pictures
    8. Invisible
    9. Deal
    10. Anything
    11. For Jennie
    12. A Love That I Can't Have
    Man Overboard
    $18.99
    Colored Vinyl LP + CD - Sealed Buy Now
  • I Remember Elvis I Remember Elvis Quick View

    $14.99
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    I Remember Elvis

    Wanda Jackson was a mere 16 years old when she cut her first single, but while she was a better than average country crooner from the start, it wasn't until the summer of 1956 that Jackson began to sing like the force of nature now recognized as the first great female rocker. A few things happened to Jackson during that two-year stretch between her recorded debut and her shift into high gear, and one of them was meeting Elvis Presley, who was still recording for Sun when she first played a show with him on July 20, 1955. Jackson generously acknowledges that Elvis taught her how to bring out her inner rock & roller, and they were close friends for years (and for a little while boyfriend and girlfriend). On this album, Jackson pays homage to the Hillbilly Cat by covering 13 songs associated with Elvis, most dating from his days at Sun or from the early years of his tenure with RCA, along with one new song, I Wore Elvis' Ring, and two spoken word cuts in which she shares her memories of Presley. For the most part, the production and arrangements are in the classic rockabilly mode, with guitarist and producer Danny B. Harvey, drummer Clem Burke, and veteran pianist Don Randi playing with skill and high style without getting in the way of the star of the show, and while Jackson's voice has started to show some slight signs of wear, she dives into these tunes with audible enthusiasm and a great feel for the material. Jackson brings her own style and personality to these songs, no small accomplishment, and while her phrasing leans toward the honky tonk material that dominated the greatest part of her career, her performances reveal what she learned from Elvis as well as what she found in her own musical personality when she embraced the joys of rock & roll. I Remember Elvis is something short of revelatory, but it is a sincere and loving tribute to an influential artist from someone who learned from him first-hand, and it proves that Jackson is still the Queen of Rock & Roll just as much as Elvis remains the King. Fine stuff.

    -All Music Guide
    1. Wanda Introduction
    2. Good Rockin' Tonight
    3. Blue Moon Of Kentucky
    4. Heartbreak Hotel
    5. I Don't Care If The Sun Don't Shine
    6. Trying To Get To You
    7. Baby, Let's Play House
    8. You're Right, I'm Left, He's Gone
    9. Mystery Train
    10. Ain't That Loving You Baby
    11. I Forgot To Remember To Forget Him
    12. I Wore Elvis Ring
    13. Too Much
    14. Love Me Tender
    15. Wanda Talks About Elvis
    Wanda Jackson
    $14.99
    Vinyl LP - Sealed Buy Now
  • Kissing To Be Clever Kissing To Be Clever Quick View

    $31.99
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    Kissing To Be Clever

    180 Gram Audiophile Vinyl


    First Pressing Of 1000 Numbered Copies On Yellow Vinyl, Black Vinyl Thereafter


    Includes Insert With Song Lyrics


    Kissing To Be Clever is the debut album by Culture Club. Originally released in 1982, it immediately put the band on the musical map. Turning the flamboyant Boy George into a star, the Soulful Pop outing incorporated elements of Pop, Rock, New Wave, Dance and Caribbean rhythms and sprouted several international hit songs.


    Do You Really Want To Hurt Me hit the #1 spot in several countries and turned out to be a song that resonates to this day with its universal feel of heart ache. All in all, this set is a highlight of 80s Pop music, that set the stage for one of the decade's most loved and oft-remembered bands.

    1. White Boy (Dance Mix)

    2. You Know I'm Not Crazy
    3. I'll Tumble 4 Ya

    4. Take Control
    5. Love Twist

    6. Boy, Boy (I'm The Boy)

    7. I'm Afraid Of Me (Remix)
    8. White Boys Can't Control It

    9. Do You Really Want To Hurt Me
    Culture Club
    $31.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Remember (Pure Pleasure) I Remember (Pure Pleasure) Quick View

    $34.99
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    I Remember (Pure Pleasure)

    Jazz singer Dianne Reeves was born into a family rich in musical background. Her uncle, Charles Burrell, a bass player with the Denver Symphony Orchestra, introduced her to the music of jazz singers such as Ella Fitzgerald, Billie Holiday, and, especially impressive to Reeves, Sarah Vaughan.



    Her musical career includes a tour with Eduardo del Barrio's group Caldera; singing with Billy Childs' jazz band Night Flight; touring with Sergio Mendes; from 1983-86 touring with Harry Belafonte as a lead singer. She also sang at the closing ceremony of the 2002 Winter Olympic Games in Salt Lake City.



    Reeves has been awarded four Grammys for Best Jazz Vocal Performances for the albums In the Moment - Live In Concert (2001), The Calling: Celebrating Sarah Vaughan (2002), A Little Moonlight (2003), and Good Night and Good Luck (soundtrack) (2006).


    Recorded at Madhatter Studios, Los Angeles, California on September 10-11, 1990 and The Van Gelder Studio, Englewood Cliffs, New Jersey on April 27-28 and May 9, 1988.


    Features:



    • 180g Vinyl

    • Re-mastered by Ron McMaster at Capitol Studios


    Musicians:



    • Dianne Reeves, vocals

    • Kevin Eubanks, acoustic guitar

    • Bobby Hutcherson, vibraphone

    • Greg Osby, alto saxophone

    • Justo Almario, saxophone

    • Charles Mims, piano

    • Billy Childs, piano

    • Donald Brown, piano

    • Mulgrew Miller, piano

    • Chris Severin, bass

    • Charnett Moffett, bass

    • Billy Kilson, drums

    • Marvin Smitty Smith, drums

    • Terri Lyne Carrington, drums

    • Ron Powell, percussion, wind chimes

    • Bill Summers, percussion

    • Luis Conte, percussion


    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Afro Blue
    2. The Nearness Of You / Misty
    3. I Remember Sky
    4. Love For Sale
    5. Softly As In The Morning Sunrise
    6. Like A Lover
    7. How High The Moon
    8. You Taught My Heart To Sing
    9. For All We Know
    Dianne Reeves
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Lady Day (Pure Pleasure) Lady Day (Pure Pleasure) Quick View

    $34.99
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    Lady Day (Pure Pleasure)

    Excerpt from George Avakian's notes on the album sleeve:



    When planning this album, I had a hellish time trying to choose what I thought were the absolute cream of Billie Holiday. In the course of this wrestling, it struck me that not only were Billie's vocals incredibly perfect, but that I could not remember a single instance of anyone playing a bad solo or even a bad phrase among the hundred or more performances I had to choose from in the golden period of her work. Checking over records (which was almost unnecessary, because I could still remember them almost note for note) was a rather beautiful and somewhat shattering experience. Jazz, a product of so many things - musical evolution, the social scene of a particular time, the economic atmosphere of the moment, what somebody had for breakfast that day - and none of those tings will ever come together again as they did when these records were made.



    Musicians:



    • Billie Holiday (vocal)

    • Ben Webster, Lester Young (tenor saxophone)

    • Johnny Hodges (alto saxophone)

    • Roy Eldridge, Buck Clayton (trumpet)

    • Benny Goodman, Art Shaw (clarinet)

    • John Truehart (guitar)

    • Teddy Wilson (piano)

    • John Kirby (bass)

    • Cozy Cole, Joe Jones (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Miss Brown To You
    2. I Wished On the Moon
    3. What A Little Moonlight Can Do
    4. If You Were Mine
    5. Summertime
    6. Billie's Blues
    7. I Must Have That Man
    8. Foolin' Myself
    9. Easy Living
    10. Me, Myself and I
    11. A Sailboat In the Moonlight
    12. I Cried For You
    Billie Holiday
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Saves The Day Saves The Day Quick View

    $16.99
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    Saves The Day

    Saves the Day is dead. Long live Saves the Day.


    Of course, with the departure of long-time lead guitarist Dave Soloway prior to the release of Daybreak in 2009, that may have been the moment that marked the final days of an early 2000s emo powerhouse. But even that album felt more like a body of work you could have expected from Chris Conley and company in the past.


    The band's newest self-titled release marks a well-documented departure from the days of Stay What You Are, In Reverie, and, hell, even Sound the Alarm. Whereas previous entries in the band's catalogue have dealt with the anxious, even nerve-wracking realities of the young and socially awkward, Saves the Day instead starts off on a power-pop riff and hardly strays from it (not that anyone's complaining.)


    The first two tracks, "Remember" and "In the In Between," set the tone for the rest of the LP. The fast-paced, poppy tunes are care-free ventures, something missing from Conley's writing since In Reverie.


    Oddly enough, Saves the Day sounds more like the bands that have fondly proclaimed that Can't Slow Down, Through Being Cool and Stay What You Are inspired their own sounds. That sentiment becomes even more pronounced as the album plays on.


    "Beyond All of Time" slows things down a bit before "Ain't No Kind of Love" kicks the tempo back up a bit. Both tracks flow into each other nicely. And although neither stands out on its own, the songs reinforce the mood of the album.


    "Lucky Number" plays much the same, fitting into the album nicely as a piece of the puzzle, but without offering much on its own merit.


    The song "Xenophobic Left Hook" by title alone demonstrates that Conley hasn't yet lost his lyrical style. But the sound that accompanies his vocals is drastically different than ever before and it can be directly attributed to the band's ever-changing lineup.


    "The Tide of Our Times" is one of the album's truly outstanding tracks. It's catchy. It's fast. It's less than two-and-a-half minutes long and it's emblematic of everything Saves the Day does right in this album.


    "Supernova" is, lyrically, the closest we might come to a traditional Conley track. The imagery and metaphors are wonderfully woven throughout the ballad.


    "Verona" picks the pace back up, leading nicely into another of the album's best tracks: "Ring Pop." The pace is fast and the lyrics recall carefree days when a ring pop may have sufficed as a symbol of courtship. It's the essence of what makes some of Conley's best music, harkening to a past with the sentimentality ramped up to 11.


    "Stand in the Stands" is, by far, the most up-beat and optimistic album closer Saves the Day has ever composed. Standing in stark contrast to even the band's sunnier albums and closers like "Firefly" and "Tomorrow Too Late," the track starts with a bouncy melody and doesn't let up for the nearly four minutes it plays out.


    Although Daybreak was the first album where Conley was the last of the band's founding members left, it carried hints of Sound the Alarm and Under the Boards, primarily because of those three albums' conceptual ties (They were designed as a trilogy that started with 2006's Sound the Alarm).


    If Conley's way with words is what drew you to the band, this will be right up your alley. Saves the Day may not be the band you remember, but Conley's presence maintains the only lyrical and moody consistency that we really need.


    - Eder Campuzano (Daily Emerald)

    1. Remember
    2. In The In Between
    3. Beyond All Of Time
    4. Ain't No Kind Of Love
    5. Lucky Number
    6. Xenophobic Blind Left Hook
    7. The Tide Of Our Times
    8. Supernova
    9. Verona
    10. Ring Pop
    11. Stand In The Stars
    Saves The Day
    $16.99
    Vinyl LP - Sealed Buy Now
  • Last Days and Time Last Days and Time Quick View

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    Last Days and Time

    Last Days and Time is the third studio album by American R&B group Earth, Wind & Fire, released in 1972, their debut album on Columbia Records. It was recorded at the legendary Sunset Sound Studios in Hollywood, California, with founder and multi-instrumentalist Maurice White, Verdine White and Philip Bailey.


    Due to their live performances it cemented their status as the main funk band and set the stage for the band's blockbuster breakthrough. Songs on the album like Make It With You (originally from Bread) the pre-Brazilian Rhyme powerful funk sax style Power, (which sounds like an early version of Serpentine Fire) and Remember The Children are excellent examples of the great songs and albums they have made during their career.

    1. Time Is On Your Side
    2. They Don't See
    3. Make It With You
    4. Power
    5. Remember The Children
    6. Where Have All The Flowers Gone
    7. I'd Rather Have You
    8. Mom
    Earth, Wind & Fire
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • What A Way To Die What A Way To Die Quick View

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    What A Way To Die

    The archetype for the '60s-era girl group was etched indelibly into stone, like a commandment: three pretty girls with matching outfits and bouffant hairdos would sing, with musical backing supplied by a bunch of guys standing in the shadows. The Quatro sisters shattered that archetype forever with the Pleasure Seekers, an all-girl teenage rock & roll group who played all the instruments themselves and were fully capable of wiping the stage with any male band that crossed their path.


    The Quatro girls had been brought up in a musically-minded family, nurtured with classical piano and vocal lessons. As Patti recalls, "By 1964, I had been taking guitar lessons, hanging with musicians in the local music scene. We had seen a Beatles concert, and I was quite dazed and focused at the event, watching the audience cry and scream out of control. It was my epiphany moment, and I was determined to start an all-girl band."
    Shortly thereafter, the first lineup of the Pleasure Seekers fell into place with Patti Quatro (lead guitar), Marylou Ball (rhythm guitar), Suzi Quatro (bass), Diane Baker (keyboards), Nan Ball (drums) and vocal duties shared by all. Around the fall of 1965 the girls dared local teen club manager Dave Leone to give them a slot at his popular Hideout Club, claiming they were better than most of the other live bands there. "You're on," responded Leone, "in two weeks. Three songs!"


    The Pleasure Seekers were soon a popular feature at the club, honing their skills alongside the likes of the Rationals, the Amboy Dukes and Bob Seger & the Last Heard. "In the beginning, there was a lot of skepticism," remembers Patti, "especially the first night. The boys crowded the stage, the girlfriends pulled them away with laughter, as if 'Girls playing?! Yeah, right!' It was always satisfying to see them be silenced quickly when we began playing. We grew used to seeing slack jaws open in surprise." Next they were asked by Leone to record and release a single on his Hideout label.


    That March 1966 release is now regarded as the greatest "girl garage" single of the era: "Never Thought You'd Leave Me" b/w "What a Way to Die." "Dave brought lyrics, and we put the songs together quickly," remembers Patti. "We felt very legit in making this record at a small local studio. Nan was the sexy voice on 'Never Thought You'd Leave Me,' and there was lots of laughter as Marylou added the screams on 'What a Way to Die.'" Suzi Quatro remembers the recording as "very important and memorable."


    The Pleasure Seekers were soon in demand in the region, playing teen clubs, parties, colleges and local TV shows. After a series of lineup changes, the band brought in older Quatro sister Arlene (keyboards) and Darline Arnone (drums), the first female drummer sponsored by Slingerland Drums. A short time later, Pami Benford joined-up on guitar and bass (that lineup lasting through most of 1968). "It was a very versatile group," remembers Patti, "with Pami and Suzi sharing bass, and Pami and I sharing lead and rhythm guitars."


    "The gender bias was my hot button," recalls Arlene, "along with confidence in our musical abilities. With women musicians dismissed as a novelty, I delighted in watching the audience go from skepticism/ridicule, to shock/cheers." For Suzi, though, this period was where she learned her craft: "I considered myself a musician, and didn't really think about gender too much." Two tracks recorded in 1967, but unissued at the time, "Elevator Express" and "Gotta Get Away," highlight the band's growing musical maturity since their Hideout debut. "Detroit was the best learning ground in the world for musicians," recalls Suzi, "with an amazing energy and creativity that is in every successful artist that has come out of the city." "We were actually one of the earliest Detroit bands traveling the country," adds Patti. "Everyone wanted this unusual all girl band who rocked an entire Motown revue (changing instruments and singers throughout) and an entire Sgt. Pepper/Magical Mystery Tour revue, as well as covering English bands, acid rock and everything in between."


    Signing up with Associated Booking Corporation, the group began making the transition from local to national act. Producer Dick Corby caught the Pleasure Seekers at Trude Heller's in New York's Greenwich Village and signed them to a Mercury Records deal in early 1968. To keep rein on their finances in NYC, Patti recalls, "We booked Arthur's nightclub for a month, staying at the infamous rock Gorham Hotel, recording by day-playing by night." Also in residence were the Who, the Blues Magoos and an assortment of other bands. "Hitting NYC as young teens, it was exciting, scary, fun-all emotions churning," she continues. "We felt we had hit the big time, going from the tiny local Hideout session to the huge Mercury professional studio facility, complete with session people adding strings and other elements."


    A single pairing "Good Kind of Hurt" and "Light of Love" was released in April 1968, while a third song, "Locked in Your Love," remained in the can. The group then headed out to the Northwest for a lengthy tour. "The Northwest tour was awesome," remembers Patti. "We were billed with Canned Heat, Boyce & Hart and Merilee Rush, and were held over six weeks to tour with Eric Burdon and the Animals. The Mercury single was out, momentum was surging." Both sides of the single were getting airplay, but ultimately it failed to gain any traction. "Really neither song reflected our own sound," admits Patti. "We rearranged 'Light of Love' for live performance, feeling disconnected to the record, yet realizing we had to play ball with the executives to keep us rolling."


    Ultimately Mercury's vision for the Pleasure Seekers clashed rather sharply with the band's vision. "The suits wanted tits and ass," recalls Darline, "wowing Vegas crowds, playing tinkly tunes in lavish costumes." "In that male-dominated music era, we were strictly a novelty, and a high-risk endeavor," adds Patti. "The record executives felt women musicians would fall in love or get pregnant so were not worth investing the time and money. We had to kick down many doors. We were serious musicians, and in it for the right reasons. In the end, we were not happy with a forced direction that Mercury Records had in mind, and ended up leaving the label to rock our music in our own fashion."


    After a memorable 1968 Far East tour, playing for wounded returning American soldiers from Vietnam, the Pleasure Seekers (with new drummer Nancy Rogers) returned to a Detroit that was now, in Patti's words, "exploding with heavier sounds. That sparked us to change direction with new ideas we had been exploring. Arlene left the band and we brought in our youngest sister Nancy (vocals). With Suzi's Joplinesque vocals combined with Nancy's wailing 'female Robert Plant' style, we enjoyed a harder edged, 'double-punch' effect."


    The last four songs on the album, "White Pig Blues," "Brain Confusion," "Where Have You Gone?" and the atmospheric psychedelic mover "Mr. Power," all date from this 1968-69 period when the Pleasure Seekers were playing the Grande Ballroom alongside the MC5, Alice Cooper, the Stooges, the Amboy Dukes and SRC. With this change in musical direction and the departure of Arlene and Pami, the band forged on as Cradle. Suzi Quatro departed for England in 1971, launching a successful solo career. Patti and Nancy continued with Cradle until 1973 when Patti joined another pioneering female rock group, Fanny.


    The Pleasure Seekers reunited recently in April 2012 (minus Suzi) for a well-received show in their hometown, where they were inducted into Detroit's Hall of Fame. "I think all of us Quatro girls are extremely proud of our pioneering days" reflects Patti. "In a renaissance-era of music, we kicked down doors for women to rock heavy. There were key times in our lives of making decisions that may have turned us towards larger fame, but less happiness-depending on your philosophy of such things. The Pleasure Seekers could have been a Las Vegas show act bringing in buckets of money or on Motown, turned very formulaic girlie-soul. But we stayed true to our goals, and I don't think any of us have any regrets of staying our course and playing the music that moved us. It's all been a thrilling ride with great memories."


    - Mike & Anja Stax (Ugly Things magazine)

    1. Intro By DJ The Lord
    2. Gotta Get Away
    3. Never Thought You'd Leave Me
    4. Light Of Love
    5. Good Kind Of Hurt
    6. What A Way To Die
    7. Elevator Express
    8. Locked In Your Love
    9. White Pig Blues
    10. Brain Confusion
    11. Where Have You Gone
    12. Mr. Power
    The Pleasure Seekers
    $24.99
    Vinyl LP - Sealed Buy Now
  • All In! A Tribute To JFA (On Sale) All In! A Tribute To JFA (On Sale) On Sale Quick View

    $15.99 $12.63 Save $3.36 (21%)

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    All In! A Tribute To JFA (On Sale)

    DC-Jam could not have put together a more impressive line up to represent old school skate punk act JFA on their upcoming tribute album. It's a superb trip down memory lane for those old enough to remember the band and a fantastic introduction for the uninitiated. Featuring a stellar punk rock lineup including Jonny 2 Bags (Social Distortion), Mike Watt (Minutemen, Firehose, Stooges), East Bay Ray (Dead Kennedys), The Bots, Agression, Dirty Filthy Mugs, Downtown Brown, and more...
    1. East Bay Ray -Pipetruck
    2. Faction -Out Of School
    3. Frontside Five -Johnny D
    4. Mike Watt & The Secondmissingmen -Beach Blanket
    5. Rudy Schwartz Project -We Know You Suck
    6. Father Figures -Skateboard/you Suck
    7. Lonesome Ones -Bow To No One
    8. Jonny 2 Bags -Preppy
    9. Reno Divorce -Guess What
    10. Plain Dealers -Kick You
    11. Just Because -I Don't Like You
    12. Scarcity Of Tanks -I Want
    13. Dirty Filthy Mugs -Do The Hannigan
    14. Minus-one -Fortune Favors The Brave
    15. Ringwald -Space Brothers
    16. Downtown Brown -Party Like The Amish
    17. Mcrad -Skateboard
    18. Agression -Great Equalizer
    19. Bots -Cokes And Snickers
    20. Dave Bedore -Skateboard Anarchy
    21. Johnny D -I Hate Jfa
    Various Artists
    $15.99 $12.63 Save $3.36 (21%)
    Vinyl LP - Sealed Buy Now
  • All The Ways You Let Me Down All The Ways You Let Me Down Quick View

    $19.99
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    All The Ways You Let Me Down

    Candy Heart's highly anticipated follow up to their critically acclaimed Violently Happy Records debut, The Best Ways To Disappear. All The Ways You
    Let Me Down was produced by Chad Gilbert (New Found Glory, A Day To Remember) and features the bands mix of catchy 90's influenced punk rock.
    1. I Miss You
    2. The Dreams Not Dead
    3. The One To Get Me Out
    4. All The Ways You Let Me Down
    5. Michigan
    6. Coffee With My Friends
    7. Fool's Gold
    8. Somethings Missing
    9. Brooklyn Bridge
    10. Playing With Fire
    11. Top Of Out Lungs
    Candy Hearts
    $19.99
    Vinyl LP - Sealed Buy Now
  • Violence Violence Quick View

    $15.99
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    Violence


    Produced By Caleb Shomo (ATTACK ATTACK, MY TICKET HOME)


    Artwork Created By Dan Mumford (A DAY TO REMEMBER, PARKWAY DRIVE, GALLOWS)


    St. Louis, MO melodic metalcore up-and-comers TEAR OUT THE HEART have been building a loyal following in America's Heartland over the past several years and are now setting out to conquer the globe with the release of their debut full length album, Violence. After teaming up with Victory Records in August of 2012, TEAR OUT THE HEART recorded Violence with ATTACK ATTACK vocalist/producer Caleb Shomo in the fall of last year.


    Combining sinister vocals with elements of hardcore and metal, TEAR OUT THE HEART pair malicious guitar riffs and monstrous, bouncing breakdowns alongside gigantic, sing-a-long choruses guaranteed to hook listeners instantly. Violence is loaded with white-knuckled aggression and will captivate fans of A DAY TO REMEMBER, BRING ME THE HORIZON, and AS I LAY DYING. TEAR OUT THE HEART plan to spread the anthems from their highly-promising debut to fans everywhere with extensive touring throughout 2013.

    1. Dead By Dawn
    2. Infamous Last Words
    3. Crucified
    4. Undead Anthem (Featuring Caleb Shomo)
    5. Violence

    6. Coffin Eyes (Featuring Dan Marsala)

    7. Feed Me A Stray Cat

    8. Eternal Shadows

    9. Closure

    10. Only Posers Die

    11. Darker Tides
    Tear Out The Heart
    $15.99
    Vinyl LP - Sealed Buy Now
  • Heavy Love (Limited Edition) Heavy Love (Limited Edition) Quick View

    $18.99
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    Heavy Love (Limited Edition)

    Limited Run Of First Pressing - 500 Copies


    Every now and then, a band is able to find that rare connection that allows them to truly speak to the hearts of kids everywhere, becoming the voice of their generation. Man Overboard is that band of the pop-punk community. These days, the number of bands becoming overnight Internet sensations is soaring. In an age where bands are having immediate major label success through corporate radio and MTV, Man Overboard has managed to create a name for themselves the old-fashioned way, winning kids over through word of mouth
    and non-stop touring. They are a true testament to working hard in order to achieve your goals.


    Man Overboard are constantly pushing themselves to do more, and this work ethic is apparent in all that they have accomplished as a band. They have spent the past 7 years touring
    the world, sharing the stage with the likes of Taking Back Sunday, Bayside, New Found Glory, The Wonder Years and more. For their latest full-length, "Heavy Love," Man Overboard
    enlisted the help of legendary punk producer, Bill Stevenson (Rise Against, Descendents, A Day To Remember). Together, they have crafted 12 songs that are undoubtedly the
    band's strongest and most exciting material to date. "Heavy Love" is destined to become the most recognizable album in the band's catalog. To promote this release, the band will be
    performing on the Vans Warped Tour's main stage all summer long. This is an exciting time for Man Overboard. When it seems as though they're on top of the world, they continue to play every show like their last and treat every fan like their first.

    1. Now That You're Home
    2. Borderline
    3. Reality Check
    4. Splinter
    5. The Note
    6. Cliffhanger
    7. She's In Pictures
    8. Invisible
    9. Deal
    10. Anything
    11. For Jennie
    12. A Love That I Can't Have
    Man Overboard
    $18.99
    Colored Vinyl LP - Sealed Buy Now
  • 08:18 08:18 Quick View

    $19.99
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    08:18

    THE DEVIL WEARS PRADA release 8:18 via Roadrunner Records. The album was recorded with producer/engineer Matt Goldman. KILLSWITCH ENGAGE guitarist Adam Dutkiewicz, who handled production duties on THE DEVIL WEARS PRADA's Dead Throne LP, served as executive producer on the upcoming effort. Songtitles set to appear on the disc include Gloom and Martyrs, both of which the band has been performing live at recent shows.


    Asked how the new effort compares to 2011's Dead Throne, Hranica told Music Feeds: I think it's kind of a totally new animal. It definitely is a very cohesive record. A lot of the times, I feel like we'll write songs and a lot of them are really cool songs and they'll all have kind of a theme, but sometimes they stray from that path of the theme that we originally intended. And I think that this album as a whole, it all sounds like the album, it all is a cohesive idea. Which, don't get me wrong - I don't mean to say that all the songs sound the same, because they definitely, each has their own unique personality. But as far as 'Dead Throne', our progression from 'Dead Throne', I definitely do think that this album is just a more mature record and has a lot more thought put into it. As always - we're always gonna put a little bit more effort and thought into the new record than our previous effort.


    Hranica told Loudwire about the songwriting process for the new album: For me, I definitely feel a little bit of a carry-over from 'Dead Throne', particularly because it was a very cool record for me learning, for me learning to write better and that was working with a new [producer] working with Adam for the first time and having [A DAY TO REMEMBER's] Jeremy McKinnon working on some of the songs with us, and I feel I took a lot from that. On 'Dead Throne', there were better vocal parts and everything was more cohesive and understandable and made for better song structure and everything and that had had a big impact on me creatively and so it's definitely carried over into this.


    He added: Conceptually, the concepts of 'Dead Throne' didn't carry over. I feel like that would be repetitive and monotonous to keep going at the same subject matter, but obviously, it all comes from the same place and I can say that nothing got more happy or uplifting, really. So I think it's very much THE DEVIL WEARS PRADA, but also it's got a bit of freshness and originality to it and I think that even musically we started approaching the songs differently. Like, this song could be more like this and working off of a base we never really worked off of before.


    - Blabbermouth

    1. Gloom
    2. Rumors
    3. First Sight
    4. War
    5. 8:18
    6. Sailor's Prayer
    7. Care More
    8. Martyrs
    9. Black & Blue
    10. Transgress
    11. Number Eleven
    12. Home for Grave
    13. In Heart
    The Devil Wears Prada
    $19.99
    Vinyl LP - Sealed Buy Now
  • Blood, Sweat & Tears Greatest Hits Blood, Sweat & Tears Greatest Hits Quick View

    $31.99
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    Blood, Sweat & Tears Greatest Hits

    Mastered by Joe Reagoso with Kevin Gray from the original Columbia tapes!


    Friday Music is pleased to announce for the very first time on audiophile vinyl: Blood, Sweat & Tears Greatest Hits. Pressed at R.T.I., long time unearthed vinyl mixes of their classic hit singles & solid album tracks like Spinning Wheel, And When I Die, & I Can't Quit Her truly resonate as you remember them now in the audiophile domain. To enhance your limited edition album experience, this first time audiophile release is now presented in a stunning gatefold cover!

    1. You've Made Me So Very Happy
    2. I Can't Quit Her
    3. Go Down Gamblin'
    4. Hi-De-Ho
    5. Sometimes In Winter
    6. And When I Die
    7. Spinning Wheel
    8. Lisa, Listen To Me
    9. I Love You More Than You'll Ever Know
    10. Lucretia Mac Evil
    11. God Bless The Child
    Blood, Sweat & Tears
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Moanin' Moanin' Quick View

    $19.99
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    Moanin'

    A Blue Note Essential, Moanin' Is Part Of The Blue Note 75 Anniversary Vinyl Reissue Campaign


    One of the most beloved recordings of all time, Moanin' is one of the few albums where listeners actually remember where they were the first time they heard it. Art Blakey's Jazz Messengers had been formed in 1955 when Blakey joined forces with Horace Silver. After Silver left to form his own successful quintet, Blakey's band struggled a bit. However this is the version of the group that made the Jazz Messengers immortal. In fact, the release of 1958's Moanin' is when the Jazz Messengers became a permanent jazz institution, a laboratory in swinging jazz.

    1. Moanin'
    2. Are You Real
    3. Along Came Betty
    4. The Drum Thunder Suite
    5. Blues March
    6. Come Rain or Come Shine
    Art Blakey & The Jazz Messengers
    $19.99
    Vinyl LP - Sealed Buy Now
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