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Savage ModeBy popular demand, 21 Savage & Metro Boomin' SAVAGE MODE is now available on vinyl!
Features the smash single X Bitch featuring Future.1. No Advance
2. No Heart
3. X feat. Future
4. Savage Mode
5. Bad Guy
6. Real Nigga
7. Mad High
8. Feel It
9. Ocean Drive$17.99Vinyl LP - Sealed Buy Now
Issa Album (Pre-Order)Issa Album is the debut studio album by American rapper 21 Savage. It features production from frequent collaborator Metro Boomin, alongside Southside, Pi'erre Bourne, Zaytoven, Wheezy, DJ Mustard and 21 Savage himself. It succeeds 21 Savage's collaborative EP with Metro Boomin, Savage Mode (2016).1. Famous
2. Bank Account
3. Close My Eyes
4. Bad Business
5. Baby Girl
6. Thug Life
8. Nothin New
10. Dead People
11. Money Convo
13. Whole Lot
14. 7 Min Freestyle$28.99Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
The Fate Of The Furious: The AlbumArtist Partner Group, Atlantic Records, and Universal Pictures have announced the release of "THE FATE OF THE FURIOUS: THE ALBUM," the musical companion to the much-anticipated Universal Pictures film of the same name. The album arrives in stores and at all online retailers on Friday, April 14, as the ultimate companion to Universal's THE FATE OF THE FURIOUS, which opens in theaters everywhere the same day.
The highly-anticipated album includes an impressive total of 14 exclusive new tracks curated specifically for THE FATE OF THE FURIOUS, featuring unparalleled collaborations by Young Thug, 2 Chainz, Wiz Khalifa & PnB Rock; Jeremih, Ty Dolla $ign & Sage The Gemini; and PnB Rock, Kodak Black & A Boogie Wit Da Hoodie. Furthermore, Migos, Post Malone, 21 Savage, Lil Yachty, Kevin Gates and more round out the star-studded tracklist, contributing their own exclusive new songs for the dynamic album.LP 1
1. Gang Up (By Young Thug, 2 Chainz, Wiz Khalifa & PnB Rock)
2. Go Off (Lil Uzi Vert, Quavo & Travis Scott)
3. Good Life (G-Eazy & Kehlani)
4. Horses (PnB Rock, Kodak Black & A Boogie Wit Da Hoodie)
5. Seize The Block (Migos)
6. Murder (feat. 21 Savage) [Remix] (YoungBoy Never Broke Again)
7. Speakerbox (feat. Ohana Bam & Lafa Taylor) [F8 Remix] (Bassnectar)
8. Candy Paint (Post Malone)
9. 911 (Kevin Gates)
1. Mamacita (feat. Rico Nasty) [Lil Yachty]
2. Don't Get Much Better (Jeremih, Ty Dolla $ign & Sage The Gemini)
3. Hey Ma (feat. Camila Cabello) [Spanish Version] (Pitbull & J Balvin)
4. La Habana (feat. El Taiger) [Pinto Wahin & DJ Ricky Luna]
5. Hey Ma (feat. Camila Cabello) [J Balvin & Pitbull]$29.99Vinyl LP - 2 LPs Sealed Buy Now
SavagesMax Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Live In The Studios Of Columbia University's WKCRTransparent Yellow Colored Vinyl
An absolutely electric performance from Sonny and Linda Sharrock with their group The Savages, recorded for NYC radio station WKCR on March 21, 1974. Sonny's guitar playing on this set is a revelation and Linda's wordless vocals complement it perfectly. Groove based experimental jazz at its absolute finest. Limited edition of 500 copies on transparent yellow vinyl.1. Intro
2. Sweet Butterfingers
3. 1953 Blue Boogie Children
6. End Of The Rainbow
7. Gary's Step
8. Apollo$32.99Colored Vinyl LP - Sealed Buy Now
Tales From The TreetopsPressed at RTI
Mastered by Bernie Grundman
Pianist and vocalist Anne Bisson is joined by drummer Paul Brochu, bassist Frederic Alarie, and cellist Vincent Belanger for Tales From the Treetops, her follow-up to Blue Mind. All but one of the songs are performed in English. Anne also performs a duet with special guest international soprano Suzie LeBlanc.
I feel Tales 'From The Treetops' is the true follow-up to 'Blue Mind' ...a collection of people and their tales we've already met in that first album. The themes behind 'Little Black Lake' are still very much present and the characters move around a natural, savage landscape. We will discover still more about the magnificent 'Lady of the Black Lake', as we follow her journey from childhood (I Live in a Treehouse) to her final days (Winter's Coming). These are songs of emotion, passion, love and mourning... - Anne Bisson
This title is not eligible for discount.1. I Live In A Treehouse
2. I Miss My Love
3. Lilac Blooms
4. Your Smile
5. Everybody's Kissing In Paris
6. Dry My Tears
7. Da Unten Im tale
8. Love's Philosophy op. 370 (feat. Suzie LeBlanc)
9. I Do$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
What Is This Heart?Arriving two years after the haunting, glacial neo-soul of 2012's much-loved Total Loss, Tom Krell - under
the moniker How To Dress Well - will release his third album "What Is This Heart?". Since the
release of his debut Love Remains in 2010, Krell has crafted a reputation as one of America's most original,
focused and beguiling young songwriters and "What Is This Heart?" nds How To Dress Well at the top of
Merging ever surprising production choices and aesthetic detail with a sensual but sincere R&B inuence
and a deep, grounded emotionality, "What Is This Heart?" is the next step in Tom Krell's unique and
searching artistic trajectory and asserts him as an artist of great courage, taste and craft. Its twelve songs
were conceived and written during months of grueling international touring and realized with producer
Rodaidh McDonald (Vampire Weekend, The xx, Savages, Adele) in Berlin, and the result is an ambitious
21st century pop album that takes inuence from artists as varied as Prince, Lou Reed, Burial and Tracy
More condent, daring and open than any How to Dress Well release thus far, "What Is This Heart?" is at
once Krell's most deeply personal work and also his most universal in resonance. It is a record that delves
into the core of the psyche and touches on themes of isolation, loss and existential anguish, but in the end
nds redemption in the innite possibilities of love. The songs tackle ideas of anxiety, fear, lack of control,
nightmare, death, pain, pleasure, pride and shame, trust and commitment with an honesty and intimacy
that is rare in the modern age.1. 2 Years On (Shame Dream)
2. What You Wanted
3. Face Again
4. See You Fall
5. Repeat Pleasure
6. Words I Don't Remember
7. Pour Cyril
8. Precious Love
9. Childhood Faith In Love (Everything Must
Change, Everything Must Stay The Same)
10. A Power
11. Very Best Friend
12. House Inside (Future Is Older Than The Past)$21.99Vinyl LP - 2 LPs Sealed Buy Now