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Somethin' Else (Bonus Tracks)Import
Original Album + Bonus Tracks
Julian Edwin "Cannonball" Adderley (September 15, 1928 - August 8, 1975) was a jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is remembered for his work with trumpeter Miles Davis, including the album "Somethin' Else" (1958). This was recorded during Adderley's membership in the Miles Davis Sextet and is one of the few post 1955 appearances of Miles Davis as a sideman. Indeed, Davis plays several of the first solos, composed the bluesy title track and, according to the liner notes, chose most of the material. "Autumn Leaves" would remain in the Davis book, and "Love for Sale" would be recorded by the Davis Sextet a little over two months later.1. Autumn Leaves
2. Love For Sale
3. Straight Life*
4. Somethin' Else
5. One For Daddy
6. Dancing In The Dark
7. A Little Taste*
*Bonus Track$32.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kind Of BlueRanked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
High quality 180 gram Audiophile Vinyl
Replication of Original Artwork
Released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis's ensemble sextet, which consisted of pianist Bill Evans (Wynton Kelly on one track), drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley.
After the entry of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis's masterpiece. The album's influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Jazz At The PlazaJazz At The Plaza is another fine live recording from 1958 by the Miles Davis Sextet (this time with the classic first Miles Davis Quintet drummer Philly Joe Jones, instead of Jimmy Cobb). Recorded at the Edwardian Room of the Plaza Hotel for a bunch of record biz execs celebrating the success of Columbia Records jazz division, the crowd may have been stiff but the group was anything but, storming through "If I Were A Bell" (yes, the Guys & Dolls tune) and "Straight, No Chaser" before settling into a beautiful rendition of "My Funny Valentine", and closing out the set with Sonny Rollins' hard-bop classic, "Oleo". Reissued on LP by Doxy.1. If I Were a Bell
2. Straight, No Chaser
3. My Funny Valentine
4. Oleo$32.99Vinyl LP - Sealed Buy Now
Jazz TrackA reissue of two underrated Miles Davis sessions on one mono LP; Side One is the Miles Davis Quintet's soundtrack for the French film L'Ascenseuer Pour l'Echafaud while highlights from the Miles Davis Sextet's session on May 26, 1958 (Davis' 32nd birthday).
This title is not eligible for further discount.1. GÉnÉrique
2. L'Assassinat De Carala
3. Sur L'Autoroute
4. Julien Dans L'Ascenseur
5. Florence Sur Les Champs-ÉlysÉes
6. Dîner Au Motel
7. Évasion De Julien
8. Visite Du Vigile
9. Au Bar Du Petit Bac
10. Chez Le Photographe Du Motel
11. On Green Dolphin Street
13. Stella By Starlight$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Porgy and Bess / Sketches of SpainImport
This 2LP-set from Vinyl Passion gathers the two landmark Miles Davis/Gil Evans collaborative albums Porgy And Bess (1958) and Sketches of Spain (1960) together in one unprecedented vinyl collection.LP1 - Sketches Of Spain
1. Concierto De Aranjuez
2. Will O' The Wisp
3. The Pan Piper
LP2 - Porgy And Bess
1. The Buzzard Song
2. Bess, You Is My Woman Now
4. Gone, Gone, Gone
6. Oh Bess, Oh Where's My Bess
7. Prayer (Oh Doctor Jesus)
8. Fisherman, Strawberry and Devil Crab
9. My Man's Gone Now
10. It Ain't Necessarily So
11. Here Come De Honey Man
12. I Loves You Porgy
13. There's A Boat That's Leaving Soon For New York$27.99Vinyl LP - 2 LPs Sealed Buy Now
LION-WAX-8233xMichel Legrand & Miles Davis
Legrand JazzFrench composer and pianist Michel Legrand's album Legrand Jazz in its entirety, featuring his first recorded collaboration with Miles Davis.
Legrand Jazz compiled three June 1958 New York sessions featuring many of the finest jazz musicians in the history of the genre. Featuring John Coltrane, Bill Evans, Herbie Mann, Ben Webster, Hank Jones, Paul Chambers & Max Roach, among others.
One Pressing Limited Edition1. Wild Man Blues(Louis Armstrong-Jelly Roll Morton)
2. Round Midnight(Thelonious Monk-Cootie Williams-Bernie Hanighen)
3. The Jitterbug Waltz (Fats Waller)
4. Django (John Lewis)
5. Nuages (Django Reinhardt)
6. Round Midnight (Thelonious Monk-Cootie Williams-Bernie Hanighen)
7. Rosetta (Earl Hines-William Henri Woode)
8. Dont Get Around Much Anymore (Duke Ellington-Sidney Keith Russell)
9. Blue And Sentimental (Count Basie-Mack David-Jerry Livingston)
10. Stompin At The Savoy (Benny Goodman-Chick Webb-Edgar M. Sampson)
11. A Night In Tunisia (Dizzy Gillespie-Frank Paparelli)
12. In A Mist (Bix Beiderbecke)$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kind Of Blue: 50th Anniversary Collector's EditionRanked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The Best Selling Jazz Album of All-Time Gets the Super Deluxe Treatment for its 50th Anniversary!
Includes the Original Remastered CD, a CD of Bonus Material, a DVD of the Making of Kind of Blue, an Incredible Full-Color Book, Photos from the Sessions, Miles' Notes and the LP of the Original Album Pressed on Blue Vinyl!
In 1958, after a string of critically acclaimed and successful albums, Miles Davis was searching for a new direction to take the music, and signs were pointing him off the chordal highway into a new jazz style: modal. His innovations would open up the world for improvisers. He recruited key players with the potential to solidify his new approach, forming his famed sextet with rising jazz giants John Coltrane, Cannonball Adderley, Bill Evans & Wynton Kelly, Paul Chambers and Jimmy Cobb. Miles hired the little-known Evans because he needed a pianist who was into the modal thing. Davis and Evans both had developed personal voices characterized by a melodic flow that suggested, rather than defined, musical structure. It was his relationship with Evans that created the spark that resulted in the album Kind of Blue.
In only two impromptu sessions in March and April of 1959, Miles Daviss sextet created a tour de force 5 original tunes built on simple scales. Davis is committed to getting something spontaneous out of his musicians. The entire album was composed as a series of modal sketches and was conceived only hours before the recording dates. The outcome? Pure inspiration, and the stuff of legend an album made up of the first full take of each tune, captured at the historic Columbia 30th Street Studio. The album was originally released on Columbia Records in 1959, stunning the jazz world by practically creating a new language of music. Its influence goes far beyond jazz. Kind of Blue is universally considered to be one of the best albums of all time, of any genre. Fifty years later, Kind of Blue the epitome of spontaneous inventionis still the best selling jazz album ever.
This Collectors Edition marks the 50th Anniversary with an unprecedented presentation of music, images, insight and history to celebrate the album that is essential to any music collection, the ideal gift item for any jazz lover, especially fans of Miles Davis a true collectors set.
Do Not Miss this Limited-Edition Collector's Edition!Blue Colored Vinyl LP:
1. So What
2. Freddie The Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches
Disc 1 - CD:
1. So What (9:22)
2. Freddie Freeloader (9:46)
3. Blue In Green (5:36)
4. All Blues (11:32)
5. Flamenco Sketches (9:25)
6. Flamenco Sketches (alternate take) (9:31)
7. Freddie Freeloader - studio sequence 1 (0:51)
8. Freddie Freeloader - false start (1:26)
9. Freddie Freeloader - studio sequence 2 (1:34) (*)
10. So What - studio sequence 1 (1:55) (*)
11. So What - studio sequence 2 (0:12) (*)
12. Blue In Green - studio sequence (1:57) (*)
13. Flamenco Sketches - studio sequence 1 (0:43)
14. Flamenco Sketches - studio sequence 2 (1:10) (*)
15. All Blues - studio sequence (0:19) (*)
(*) previously unreleased
Disc 2 - CD:
1. On Green Dolphin Street (9:48)
2. Fran-Dance (5:48)
3. Stella By Starlight (4:43)
4. Love For Sale (11:46)
5. Fran-Dance (alternate take) (5:51)
6. So What (17:28) (**)
(**) previously released in unauthorized form
• Rare musical material including the first session by the Miles Davis sextet, May 26, 1958
• Over 30 minutes of studio material
• First authorized release of two extended live performances from April 9, 1960 Den Haag Concert and The Zurich Concert.
• Documentary - Story Behind Kind of Blue
• April 2, 1959 TV program, Robert Herridge Theater: The Sound of Miles Davis$109.99Colored Vinyl LP + 2 CDs + DVD - Sealed Buy Now
SmithvilleLouis Smith was one of the most vital jazz trumpeters of the late 1950s. His beautiful tone, fluent style and exciting solos competed with Lee Morgan and even Miles Davis. Smithville, from 1958, features him at the peak of his powers. Recorded the same year as Smith's heated appearance at the Newport Jazz Festival with Horace Silver, Smithville features the trumpeter interacting with tenor-saxophonist Charlie Rouse and pianist Sonny Clark on some stunning performances. The title cut, a lengthy themeless blues, is full of creative solos, "Wetu" is explosive (with Rouse challenging Smith), and "Embraceable You" contains emotional solos that make the George Gershwin ballad sound brand new. Louis Smith proves to be a masterful player whose solos are full of surprises and honest emotions. Smithville is a gem that all hard bop collectors will cherish.1. Smithville
3. There Will Never Be Another You
4. Embraceable You
6. Au Privave
7. Baking$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Milestones (Stereo)Milestones is Miles Davis' only original sextet recording featuring John Coltrane, Paul Chambers, Cannonball Adderley, Philly Joe Jones and Red Garland. This 1958 masterpiece captured Davis' rst modal jazz experiments in pieces like "Straight, No Chaser" and the title track. Both the song and the album proved to be actual milestones in Jazz, as the modalism Davis introduced on this record continued to inuence Jazz on a global scale.1. Dr. Jekyll
2. Sid's Ahead
3. Two Bass Hit
5. Billy Boy
6. Straight, No Chaser$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Ascenseur Pour L'Echafaud (2LP)Ascenseur Pour L'Échafaud is a 1958 French film directed by Louis Malle. It was released as Lift to the Scaffold in the UK. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman. Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's Soundtrack. He showed Davis a screening of the movie, and afterwards Miles knew exactly how to portray the smoky hazed or frantic scenes through sonic imagery. On December 4 1957, he brought four French Jazzmen (Barney Wilen / tenor saxophone, RenÉ Urtreger / piano, Pierre Michelot bass and Kenny Clarke drums) to the recording studio Le Poste Parisien Studio without having them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. Eventually Ascenseur Pour L'Échafaud has become a great achievement of artistic excellence.
For the first time since its original release in 1958, Music On Vinyl combined the original soundtrack and the additional recordings and created an essential 2LP set with the original artwork.Side 1 (ORIGINAL 1958 A-SIDE)
2. L'Assassinat De Carala
3. Sur L'Autoroute
4. Julien Dans L'Ascenseur
5. Florence Sur Les Champs-Élysees
Side 2 (ORIGINAL 1958 B-SIDE)
1. Dîner Au Motel
2. Évasion De Julien
3. Visite Du Vigile
4. Au Bar Du Petit Bac
5. Chez Le Photographe Du Mot
1. Nuit Sur Les Champs-ÉlysÉes (TAKE 1)
2. Nuit Sur Les Champs-ÉlysÉes (TAKE 2)
3. Nuit Sur Les Champs-ÉlysÉes (TAKE 3)
4. Nuit Sur Les Champs Elysees (TAKE 4)
5. Assassinat Visite Du Vigil
6. Assassinat Julien Dans L'ascenseur
7. Assassinat L'Assassinat De Carala
1. Final (TAKE 1)
2. Final (TAKE 2)
3. Final (TAKE 3)
5. Le Petit Bal (TAKE 1)
6. Le Petit Bal (TAKE 2)
7. SÉquence Voiture (TAKE 1)
8. Sequence Voiture Sur L'Aut (TAKE 2)$42.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
MilestonesMiles Davis created just one studio album with his original sextet and he made every moment count. Joined by Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but created a genuine modern-jazz masterwork laden with performances that are among the most explosive of his distinguished career in the process.
Due to its position between the more famous 'Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic. Every song here is a highlight, whether it's the influential title track, the bravado of "No Jackle," the blues themed "Sid's Ahead," or the definitive rendition of Thelonious Monk's signature piece "Straight, No Chaser," this 1958 release is a milestone indeed!1. Dr. Jackle
2. Sid's Ahead
3. Two Bass Hit
5. Billy Boy
6. Straight, No Chaser$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Legrand JazzNumbered Limited Edition 100% Analog 180-Gram Vinyl LP!
Limited To Only 3000 Numbered Copies!
Features Performances By John Coltrane, Miles Davis, Herbie Mann, Bill Evans & More!
In 1958, a young, successful French composer-arranger with a major infatuation on American jazz, worked his way to New York and convinced the very best players of the time to record an album of largely jazz standards. Michel Legrand would go on to win numerous prizes and accolades (3 Oscars, 5 Grammies, 2 Palmes D'or, etc.), but little of what followed matched the sheer brilliance of Legrand Jazz.
Miles Davis, John Coltrane, Bill Evans, Ben Webster, Phil Woods and practically every other session man in town signed up for sessions with Legrand to record his idiosyncratic arrangements of standards (Django, Don't Get Around Much Anymore, Night in Tunisia, etc.). Instead of regurgitating then current bop styles, he reinvented the very nature of orchestral jazz band repertoire to make a unique and forward-looking statement on the genre.
The sound of Impex's all-analog LP preserves the wide soundstage of late 50's Columbia recordings while creating intimate spaces between players on the stage for maximum definition. This rare, highly-praised recording has never sounded as good as it does now. Go big with Legrand Jazz.
Legrand Jazz was greeted by an enthusiastic review in the magazine Down Beat. Dom Cerulli awarded it five stars out of a possible five.
Michel Legrand, Conductor, Arranger (All Songs)
For The Jitterbug Waltz, Django, Wild Man Blues & 'Round Midnight - Recorded June 25, 1958:
Paul Chambers (bass)
John Coltrane (tenor sax)
Eddie Costa (vibes)
Miles Davis (trumpet)
Kenny Dennis (drums)
Bill Evans (piano)
Barry Galbraith (guitar)
Betty Glamann (harp)
Herbie Mann (flute)
Jerome Richardson (baritone sax, bass clarinet)
Phil Woods (alto sax)
For Nuages, Blue And Sentimental, Rosetta & Don't Get Around Much Anymore - Recorded June 27, 1958:
Eddie Bert (trombone)
Billy Byers (trombone)
Jimmy Cleveland (trombone)
George Duvivier (bass)
Major Holly (bass, tuba)
Hank Jones (piano)
Don Lamond (drums)
Herbie Mann (flute)
Frank Rehak (trombone)
Ben Webster (tenor sax)
For Night In Tunisia, Stompin' At The Savoy & In A Mist - Recorded June 30, 1958:
James Buffington (french horns)
Donald Byrd (trumpet)
Jimmy Cleveland (trombone)
Don Elliot (vibes)
Art Farmer (trumpet)
Milt Hinton (bass)
Osie Johnson (drums)
Teo Macero (baritone sax)
Nat Pierce (piano)
Seldon Powell (tenor sax)
Gene Quill (alto sax)
Frank Rehak (trombone)
Ernie Royal (trumpet)
Joe Wilder (trumpet)
Phil Woods (alto sax)1. The Jitterbug Waltz (Fats Waller)
2. Nuages (Django Reinhardt)
3. Night In Tunisia (Dizzy Gillespie)
4. Blue and Sentimental (Count Basie)
5. Stompin' At the Savoy (Benny Goodman)
6. Django (John Lewis)
7. Wild Man Blues (Jelly Roll Morton)
8. Rosetta (Earl Hines)
9. 'Round Midnight (Thelonious Monk)
10. Don't Get Around Much Anymore (Duke Ellington)
11. In A Mist (Bix Beiderbecke)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
$49.99 $44.99 Save $5.00 (10%)
Bitches Brew (Awaiting Repress) (On Sale)Monumental 1970 Double Album is Signpost for Jazz Fusion: Psychedelic Record Still Sounds Ahead of Its Time More Than 40 Years Later
Otherworldly Sonics: Mobile Fidelity Delivers the Consummate Pressing of the Uncompromising Work Ranked by Rolling Stone as Among the Greatest 100 Albums of All Time
Grammy Award-Winning Set Ignores Convention, Pursues Funk and Rock Directions Via Innovative Rhythms and Groundbreaking Ensemble Configurations
A Dozen Five-Star Miles Davis Albums Spanning 1958-1971 Available from Mobile Fidelity on Definitive-Sounding LP
"Listen to This." As the original working title for Bitches Brew, the invitation resonates as the best way to approach a record that shattered conventions, altered music history, and still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made in any genre.
Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's definitive 180g 2LP. Mastered from the original master tapes, these audiophile editions join the ranks of eleven other essential Davis sets given supreme sonic treatment by Mobile Fidelity.
Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism.
Mobile Fidelity's reissues envelop you in expansive warm tonal blankets.
Gathering a Hall of Fame-worthy lineup of musicians, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops speak to the leader's ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of this watershed effort lies in how it encourages free thought-the very principle with which Davis
conceived the everlasting beauty that is Bitches Brew.
This title is not eligible for further discount.1. Pharaoh's Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
5. Miles Runs the Voodoo Down
6. Sanctuary$49.99 $44.99 Save $5.00 (10%)180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
$34.99 $31.49 Save $3.50 (10%)
Milestones (Mono) (On Sale)Masterwork is Oft-Overlooked Link Between Round About Midnight and Kind of Blue
Vanguard Sonics: Mobile Fidelity Reissue Presents The 1958 Standard with Unparalleled Sound Quality
In MONO You Will Not Hear a Better Analog Edition
Only Record to Feature Davis Original Sextet, Including Rhythm Section of Paul Chambers and Philly Joe Jones
Title Track Stands as First-Ever Modal Composition Even as Blues and Hard-Bop Flavors Make LP One of Davis Most Explosive Affairs
Sketches of Spain, Kind of Blue, Round About Midnight, Four & More, and In a Silent Way Also Available from Mobile Fidelity
Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.
Part of Mobile Fidelitys Miles Davis catalog restoration series, Milestones has been restored to mono for the first time as to expose the records standing as one of the all-time great jazz efforts.Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g mono LP edition grants each musician their own space in a well-defined, broadened soundstage. Colors, shapes, and dimensions appear in the manner they do when beheld from behind a studio-control rooms window.
Davis burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltranes trademark saxophone? Witness it in life-size proportion, his solos working in tandem with and against the driving rhythms. Garlands swaggering piano lines? Visualize the 88 keys as he hits full stride, the chords and fills slithering around skeletal frameworks.
If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis (and later, his contemporaries) improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliners argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether its the bravado No Jackle, featuring a hot-foot pace and bebop strains, or Sids Ahead, which continues the albums blues theme while tossing around edgy harmonics and inside-out structures.
Then theres Straight, No Chaser, the absolutely definitive rendition of Thelonious Monks signature piece. Coltranes marbled playing pulls at the tunes lobed borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting When the Saints Go Marching In while demonstrating his knowledge of tradition and eye towards the future. A milestone if there ever was. And now, in resplendent mono.
This title is not eligible for discount.1. Dr. Jackle
2. Sids Ahead
3. Two Bass Hit
5. Billy Boy
6. Straight, No Chaser$34.99 $31.49 Save $3.50 (10%)180 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
Cool Struttin' (Awaiting Repress)Cut at 33 1/3 RPM by Kevin Gray at Cohearent Audio from the Original Rudy Van Gelder Blue Note Master Tapes
Pressed 180 Gram Virgin Vinyl LPs by RTI
Top Quality Gatefold Packaging with Laminated Covers & High Quality Session Photos!
Considered one of the great young pianists of the mid-to-late 1950s, Sonny Clark was practically the house pianist at Blue Note during 1957-62 before his tragically early death in 1963 when he was just 31. He began his career playing and recording with Teddy Charles and Wardell Gray in the early 1950s. Inspired by Bud Powell, he made a particularly strong impression during his period with clarinetist Buddy DeFranco's group. He also worked with Dinah Washington, Serge Chaloff and Sonny Criss in addition to leading his own trio. But he is most famous for his work for Blue Note In addition to leading seven albums for the label, Clark was on many sessions as a sidemen, uplifting every date with his adventurous and swinging playing. His playing was full of joyful discoveries, constant swing, and an optimistic creativity that was indescribable and quite infectious. Cool Struttin,' the pianist's most famous and rewarding album, features Sonny Clark in a quintet with altoist Jackie McLean, trumpeter Art Farmer, bassist Paul Chambers and drummer Philly Joe Jones. On this 1958 gem, Clark is featured on four lengthy performances, including Miles Davis "Sippin' At Bells" and the exotic "Deep Night." The music is filled with magical moments where the five musicians seem to think and create like one. The greatest jazz performances include moments like those heard on "Cool Struttin'" where the music has a life of its own beyond the individual players. The more one plays this superb album, the more it is obvious that this is one of the truly essential Blue Note recordings.
Limited Edition of Only 3500 Copies!
Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
Remastered by Kevin Gray at Cohearent Audio
Pressed 180 gram Virgin Vinyl LPs by RTI
Ultra-Durable, Extra Thick Album Jackets
Gatefold Album with Session Photos in stunning High Resolution
Sonny Clark, piano
Art Farmer, trumpet
Jackie McLean, alto sax
Paul Chambers, bass
Philly Joe Jones, drums
This title is not eligible for discount.1. Cool Struttin'
2. Blue Minor
3. Sippin' At Bells
4. Deep Night$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign
Recorded in March of 1958, Cannonball Adderley's Somethin' Else was recording during the era when Adderley was part of the Miles Davis Sextet.
Featured on the album are Adderley on alto sax along with Miles Davis on trumpet, Hank Jones on piano, Sam Jones on bass and Art Blakey on drums.
Of note, this is one of the few post-1955 appearances of Miles Davis as a sideman. Somethin' Else will be reissued on vinyl as part of an overall Blue
Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.1. Autumn Leaves
2. Love For Sale
3. Somethin' Else
4. One For Daddy-O
5. Dancing In The Dark$19.99Vinyl LP - Sealed Buy Now
Cool Struttin' (Awaiting Repress)Recorded in 1958, this legendary date with the still-undersung Sonny Clark in the leader's chair also featured a young Jackie McLean on alto (playing with a smoother tone than he had before or ever did again), trumpeter Art Farmer, and the legendary rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, both from the Miles Davis band.1. Cool Struttin
2. Blue Minor
3. Sippin At Bells
4. Deep Night$15.99Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
ChetIncludes Bonus Track!
Every musician has his area of expertise and for Chet Baker that area was the ballad. Therefore, this album dedicated entirely to ballads, gives listeners a chance to hear Baker doing what he does bestand when Chet Baker does what he does best, he does it better than any other trumpet player in the history of jazz. For this session, recorded on 30 December 1958 at NYCs Reeves Sound Studios, the poster child of West Coast cool jazz (who had just turned 29) assembled a superlative East Coast sextet that featured the unusual front-line combination of flute (Herbie Mann), trumpet (Baker) and baritone (Pepper Adams), departing occasionally from this format, however, to showcase the guitar playing of Kenny Burrell. Pianist Bill Evans, Philly Joe Jones (drums), Paul Chambers (bass), all well-known for their association with Miles Davis, and all some of the top names in jazz are also featured here, along with drummer Connie Kay of the Modern Jazz Quartet. This album represents some of the last studio work Baker did before emigrating permanently to Europe. It also includes one of Bakers own compositions, Early Morning Mood, recorded at the same studio and with the same line-up on 19 January 1959, as a bonus track.Side A:
1. Alone Together
2. How High The Moon
3. It Never Entered My Mind
5. If You Could See Me Now
1. September Song
2. Youd Be So Nice To Come Home To
3. Time On My Hands
4. You And The Night And The Music
5. Early Morning Good$21.99Vinyl LP - Sealed Buy Now
New Bottle Old Wine (Pure Pleasure)If you have admired Gil Evans' arrangements on the Miles Davis recordings, you owe it to yourself to check this out. These recordings help make the case that Gil Evans was one of the great jazz arrangers of all time. Gil Evans always manages to communicate with sophistication and nuance, and on these sessions he manages to have fun as well.
This is a LP of Gil Evans re-arranging classic jazz standards like St. Louis Blues, King Porter Stomp, and Lester Leaps. It's so interesting to be listening to these records nearly 50 years after they were made. This was a 'modern' take on jazz tunes that even then were considered classics. Hearing them now, it's like listening to one set of Old Masters interpreting an even more distant set of Old Old Masters. It's a LP that you can enjoy as a peek into modern jazz of the late 50's, or as a set of very interesting big band orchestrations. An absolute jazz classic.
- Gil Evans (arranger, conductor, piano)
- Cannonball Adderley (alto saxophone)
- Ernie Royal (trumpet)
- Phil Bodner (reeds)
- Harvey Philips (tuba),
- Bill Barber (tuba)
- Chuck Wayne (guitar)
- Paul Chambers (bass)
- Art Blakey (drums)
- Philly Joe Jones (drums)
Recording: April and May 1958 in New York City
Production: Gil Evans and George Avakian
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. St Louis Blues
2. King Porter Stomp
3. Willow Tree
4. Struttin With Some Barbecue
5. Lester Leaps In
6. Round Midnight
8. Bird Feathers$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Jazz Track (Out Of Stock)Originally released in 1958, Jazz Track is comprised of two distinct sessions (one on each side). Side 1 features Miles' brilliantly improvised soundtrack to the Louis Malle noir classic Ascenseur pour l'Échafaud while side 2 is a 1958 NYC session featuring that includes the unreal band of John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb - the very first recordings from the band that would go on to make Kind Of Blue the following year. Another important piece of jazz history reissued by Doxy. The bonus CD includes two bonus tracks taken from the same session as side 2 of the LP.Side 1: Elevator to the Scaffold (L'Ascenseur pour l'Échafaud)
Original music of the film, composed by Miles Davis
2. L'assassinat de Carala
3. Sur l'autoroute
4. Julien dans l'ascenseur
5. Florence sur les Champs-ÉlysÉes
6. Diner au motel
7. Evasion de Julien
8. Visite du vigile
9. Au Bar du Petit Bac
10. Chez le Photographe du motel
11. On Green Dolphin Street
12. Put Your Little Foot Right Out
13. Stella by Starlight
CD BONUS TRACKS:
14. Love For Sale
15. Little Melonae$32.99180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Temporarily out of stock
Settin' The Pace (Out Of Stock)Coltrane does not do the old Dexter Gordon/Leo Parker duet number, Settin the Pace, in this set. The overall title merely refers to his preeminence in the jazz world at the time the recording was released in the early Sixties. Recorded in 1958, this session comes from a time when Trane had already played in the Miles Davis quintet and the Thelonious Monk quartet and was frequenting Rudy Van Gelders New Jersey studio in recording situations backed by the Red Garland Trio. This threesome Garland, Paul Chambers and Arthur Taylor was a Prestige entity on its own, but had already released such albums with Coltrane as Traneing In and Soultrane. Settin The Pace, with its heady combination of seldom-done pop material and Jackie McLeans intriguing Little Melonae, continued the excellent quartet series at a time when Trane was making jazz history at the head of yet another powerful foursome.
This title is not eligible for discount.1. I See Your Face Before Me (9:56)
2. If There is Someone Lovelier Than You (9:19)
3. Little Melonae (14:03)
4. Rise 'N' Shine (7:14)$49.9945 RPM 180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock