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UNIM-FAN-0215xMerl Saunders & Jerry Garcia
Live At KeystoneRecorded live on July 10 and 11, 1973, at the Keystone club in Berkeley, California, this recording beautifully captures the magical musical friendship of keyboardist Merl Saunders and guitarist Jerry Garcia. The sterling band featured Saunders on keyboards; Garcia, guitar and vocals; John Kahn, bass; and Bill Vitt, drums. Virtuoso David Grisman added mandolin to Bob Dylan's Positively 4th Street. The mix of songs ranged from Saunders originals to covers of songs by Jimmy Cliff, Junior Parker, Holland-Dozier-Holland, Rodgers & Hart, Blind Lemon Jefferson, Arthur Big Boy Crudup, Lightnin' Hopkins, Don Nix and Dan Penn and Dylan.LP 1
1. Finders Keepers, Losers Weepers
2. Positively 4th Street
3. The Harder They Come
4. It Takes A Lot To Laugh, It Takes A Train To Cry
6. It's No Use
1. That's All Right, Mama
2. My Funny Valentine
3. Someday Baby
4. Like A Road$24.99Vinyl LP - 2 LPs Sealed Buy Now
Thecontrollersphere EPA mini-album of sorts, Thecontrollersphere is a folk album in the way only Of Montreal could envision one. Clocking in at 23 minutes, Thecontrollersphere features the long-awaited studio version of the band's live favorite Black Lion Massacre, a pulsing sonic freakout that is the darkest and noisiest song Kevin Barnes has ever written.1. Black Lion Massacre
2. Flunkt Sass vs the Root Plume
3. Holiday Call
4. L'age D'or
5. Slave Translator$15.99Vinyl LP - Sealed Buy Now
The BridgeThis is one of those special records that you carry with you for years. The kind of album that reminds you of a time period in your life. A special record. For those of you that yet to look into this band, they're made up of members from Pelican, The Rise, Shift, Undertow, 16, etc. They play a style of music that harkens back to the best things the 90's had to offer, and god DAMN can they write a song.1. Wrong
2. My Medicine
3. Southern Comfort
4. Doesn't Feel The Same
5. Sent From Heaven (Rest In Dirt)
6. The Bridge
8. The Words We Say
9. I Believe in Ghosts
10. Fade Out$16.99Vinyl LP - Sealed Buy Now
Livin' In ExileThe band is called Blood for Blood, the album is called Livin' In Exile, they represent the East Coast and the release is on Victory. Without even listening to a note on this record, you already know what it's going to sound like. But for all those with their head in the clouds: hardcore in that metallic chugga-chugga sort of way with some hits of OI! and a blatant Slapshot influence -they're both from Boston after all. But what makes this stand out is a lack of cheesiness, testosterone -well, maybe a little bit- and bone headed lyrics. Even a Motorhead cover of Ace of Spades, but like they needed it to impress all the Victory Record followers.
1. No Tomorrow (Holdin' Court of the Eve of the Apocalypse)Abstract Truth
2. Cheap Wine
3. Eulogy for a Dream
4. Anywhere But Here (Maybe Someday)
5. Nothing for You
6. Livin' in Exile
7. Still Fucked Up
8. [Untitled]$12.99Vinyl LP - Sealed Buy Now
People, Hell & Angels200 Gram Pressing
Never Before Released Recordings
People, Hell & Angels is a new album of twelve never before released Jimi Hendrix studio recordings. This special album showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock's largest grossing concert act and simultaneously placed two of his albums together in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.LP1
1. Earth Blues
3. Hear My Train A Comin'
4. Bleeding Heart
5. Let Me Move You
1. Easy Blues
2. Crash Landing
3. Inside Out
4. Hey Gypsy Boy
5. Mojo Man
6. Villanova Junction Blues$39.99200 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Flourish//PerishAfter having released their critically acclaimed debut Native Speaker in 2011, and hot off the heels of their 12 single In Kind // Amends, BRAIDS have returned with their new LP Flourish // Perish out on Arbutus Records.
After 18 months of touring in support of Native Speaker, along with the departure of a band member, the group secluded themselves in their Montreal studio for a year of writing and recording. While Native Speaker was written in an organic and live environment, the group sought to explore a more introspective and electronic approach to songwriting.1. Victoria
10. In Kind$19.99Vinyl LP - 2 LPs Sealed Buy Now
Keep It Going (Awaiting Repress)The Mad Caddies stand alone in their latest musical achievement. Combining elements of rock and roots reggae atop a punk rock ethos, Keep It Going takes the listener on a musical journey from lively Jamaican dancehalls to the punk clubs of America. Keep It Going, the band's 5th full length, will certainly prove to be the definitive album of their successful career. Grammy award winning producer, Wayne Jobson (No Doubt, Gregory Isaacs, Toots & The Maytals), was brought on to help produce the album, with reggae legend Duckie Simpson (Black Uhuru) joining in to sing on a cover of Delroy Wilson's reggae classic Riding For a Fall. With the album heavily rooted in reggae, The Mad Caddies don't turn a blind eye to their wide array of other influences, showing further development of their south-of-the-boarder sound on Coyote, followed by a tip of the hat to Dixeland on Tired Bones.1. The Dirge
3. State of Mind
5. Without You
7. Lay Your Head Down
8. Tired Bones
10. Don't Go
11. Pyramid Scheme
12. Souls for Sale
13. Riding for a Fall
14. Whatcha Gonna Do$14.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
In The City Of AngelsIn The City of Angels is the fifth solo album by Yes front man Jon Anderson, released in 1988. Anderson invited outside songwriters to write for him, rather than creating an album wholly of his own material. Consequently this is a straight-ahead commercial pop album and features fine musicianship from Jeff Pocaro, Steve Luthaker and Mike Pocaro, and produced by Stewart Levine. Two songs from the album (Hold on to Love and In a Lifetime) were co-written by Lamont Dozier, of Motown records fame.1. Hold on to Love
2. If It Wasn't for Love (Oneness Family)
3. Sundancing (For the Hopi/Navajo Energy)
4. Is It Me
5. In a Lifetime
6. For You
7. New Civilization
8. It's on Fire
10. Top of the World (The Glass Bead Game)
11. Hurry Home$19.99Vinyl LP - Sealed Buy Now
Tour A TourApollonia, the French trio of Dan Ghenacia, Dyed Soundorom and Shonky, are set to release their debut artist album 'Tour à Tour' in October. "'Tour à Tour' (meaning to take turns, or 'alternate') represents the idea of a continuous motion of music between us; a neverending circle that flows and becomes hypnotic Our album represents the way we approach our DJ performance - there is a unity between us and we work like one artist; the music we play holds no boundaries of time, respecting music old and new." - Apollonia Vibe brothers in the studio, DJ booth and life, Apollonia have cultivated a creative synergy that sees them connect and work as one artist. The three originally met in the Parisian after-party scene of the late 90s, where Ghenacia was a resident at the infamous underground after-hour, Batofar. After over ten years of music and friendship, in 2012 the three decided the natural progression was to collaborate and form the DJ outfit and label, Apollonia. What they describe as a meeting of "black music and white soul", they have showcased their electric back2back2back sessions in the best clubs and festivals the world over. Created in a six-month studio lock down in Berlin in early 2014, and mixed down by Philippe Zdar (Cassius) and Alexkid, 'Tour à Tour' opens with the sounds of Apollonia's roots in house music.1. Intro
3. Mouche tsÉ tsÉ
6. Chez Michel
9. Un Vrai Portugais
11. The Benshee
12. El senor vador
13. Haight Street$28.99Vinyl LP - 3 LPs Sealed Buy Now
Sunday DinnerKeath Mead would like to invite you to Sunday Dinner. The
25-year-old South Carolina native's debut album is as pleasurable
as a drive along the coast, as comforting as a day out with
friends, and as sweet as pie after lunch. Steeped in the classic
sounds of '60s and '70s pop singer-songwriters, Mead is just as
influenced by contemporary artists such as The Shins' James
Mercer and Jack White. "Waiting" opens the record with a warm
bed of synths and Mead sings, "One day you're gonna land/ in a
place that you never planned/ in your life to see." An optimistic
song about potential? Maybe. But it's definitely a song about
regret. Mead has that timeless ability to make songs that seem
to say one thing, but move us to feel many things. With Sunday
Dinner, Mead aspired to achieve a songwriting ideal: If a song
doesn't hold up with one person singing and playing a single
instrument, then it's probably not that good of a song, he says.
The album was recorded in only eight days-over the span of
nine months-with the help of Chaz Bundick (Toro Y Moi, Les
Sins). Bundick hosted Mead in his Berkeley, Calif., home studio
for the recording. Mead's guitar and vocal tracks came first,
then Bundick on bass, before the pair took turns on drums and
synthesizers. The collaborative process lent an improvisational
aspect to the album, with the pair playing music until they found
a passage they both liked. The live playing and "happy
accidents" of the recording process add to the easy-going vibe
of the LP.
Though recording the album was relatively short, the songs
were written over three years. The primary theme of the record is
the anxiety induced by the rapid changes brought on by coming
of age. Mead also contemplates isolation, loss of innocence,
and angst associated with maturation.1. Waiting
2. Grow Up
3. She Had
5. Setttle For Less
7. Where I Wanna Be
8. Quiet Room
10. Polite Refusal
11. So Close$14.99Vinyl LP - Sealed Buy Now
IreIt's fitting that the video for the first single from Parkway Drive's highly anticipated fifth album, Ire, features band members risking their lives. To fully realise the concept for the "Vice Grip" video, Parkway members committed themselves to jumping out of aeroplanes, and the results are totally mindblowing. In a way these demonstrations of risk-taking, of showing no fear, and of acquiring new skills could be a metaphor for the entire creation of Ire. Parkway Drive has taken a stunning creative leap, and produced what they consider to be a career-defining statement. The Australian powerhouse has tapped deep into its reserves of talent and creativity, and pushed themselves as musicians and songwriters to take their established sound to another level. Ire retains all the hallmarks of classic Parkway, but it's clearly something brave and new. It's bigger, heavier, more melodic and has more depth to it than anything they've done in the past.1. Destroyer
2. Dying To Believe
3. Vice Grip
6. Writings on the Wall
7. Bottom Feeder
8. The Sound of Violence
11. A Deathless Song$21.99Vinyl LP - 2 LPs Sealed Buy Now
$18.99 $13.29 Save $5.70 (30%)
Broken People (On Sale)American music is a mile-wide river that beckons black and white, urban and rural, dreamer and doer alike to launch their vessels. All the streams of style and genre flow into it; its tributaries are blues and jazz, mountain and folk, rock, soul and R&B.
The release of the debut album by Muddy Magnolias, Broken People, marks the launch of a great new vessel onto that waterway. The album showcases a confluence of style and sound as colorful as it is unlikely, steeped in that river of influence, yet bracingly fresh.
With Broken People, Jessy Wilson and Kallie North take us on an 11-song journey with its origins in two widely divergent backgrounds that came together in a friendship and creative partnership with world-changing resonance.
North was raised in southeast Texas and began singing with her family and studying piano at an early age. She grew to love rich vocal harmonies singing in church choirs and listening to artists like the Carpenters, Alison Krauss, James Taylor and the Eagles. By her early teens, she was singing lead parts in church and in musical theater productions at her high school. Her palette grew when a friend turned her on to the Grateful Dead, and after high school she spent every spare moment in the clubs of Austin, absorbing everything from alt-country and jam bands to New Orleans funk. She met her husband at a concert and moved with him to his native Mississippi. There, on their isolated farm, she had her awakening, starting a career as a photographer, capturing the spirited, deep history of the Mississippi Delta.
"To me, the Delta is the most overlooked and mysterious place," she says. "It was the birthplace of America's music, and all the legends were influenced by everything that came out of it. I went on this personal exploration to learn about the Delta blues and the region's history. I picked up a camera and started taking pictures, blogging about what I was experiencing, and I tapped into all the creative energy lying dormant inside me." When her husband gave her a guitar, she began spending her days on the porch of their farm learning how to connect her first chords. From there, the songs began pouring out and she knew she had to find a way to get to Nashville and write songs professionally.
Wilson, raised in Brooklyn, was in love with music from her earliest days. She was singing before she could talk, and was 5 when her mother recognized her passion for music. "I would cry because I couldn't hit the high notes in Whitney Houston and Mariah Carey songs," she says. Influenced by greats from Aretha and Smokey Robinson to Lauryn Hill, Mary J. Blige and The Notorious B.I.G., she began auditioning in the highly competitive New York entertainment scene and was working professionally in musical theater by the age of 10. Her mother took her to nightclubs where she experienced a variety of live performances. She attended New York's top performing arts schools, including La Guardia High School, the "Fame" school, where she discovered her love for gospel music and took part in the gospel chorus for four years. She worked at Cafe Wha? in Greenwich Village, making $500 a weekend while still in high school.
She sang backup for Alicia Keys in her teens, then worked four years with John Legend, and through him with legends like will.i.am, Kanye West, Raphael Saadiq and Babyface. Legend mentored her in songwriting and recording before she began writing songs on her own for American Idol winner Fantasia Barrino and others. Inspired by her evolving love of songwriting, she too moved to Nashville, looking for a wider creative palette. There, while meeting with then-BMI executive Clay Bradley, her eye settled on a photograph of "a rundown juke joint piano" in his office.
"I want to meet whoever took that photo," she said. The photographer was North-it had been taken during her creative awakening in Mississippi-and the subsequent meeting led quickly to collaboration and an epic friendship.
"The first day we wrote together," says North, "there wasn't much thought that we were blending genres and worlds. That never came up. It was just natural. She had never written a country song and I was writing them every day. We sat down to write one but when we listened back it was a country R&B song. And we decided to become songwriting partners." Before long, they had their first cut as collaborators, and they were off and running.
"The spirit of the Muddy Magnolias existed from the moment we met," says Wilson, "but we didn't know we were the Muddy Magnolias yet." North was toying with the idea of a solo career; Wilson had aspirations of making history as an African-American female songwriter in Nashville. Their new friendship was a game-changer.
"We spent a whole year writing, trying to understand what our message was when we combined our stories," says Wilson. Then one day over afternoon wine at Burger Up, their favorite hangout in the 12 South section of Nashville, both admitted to be being at a crossroads. "The next thing you know," says North, "Jessy said, 'What if we made a record together?' It was like all of our dreams in one."
"We went back to that same office on Music Row where I saw the photograph," says Wilson, "and sat down side by side in Clay's office and said, 'We've got something to tell you. We're going to make an album together.'" Bradley believed enough to sign on as their manager. They held three days of band auditions and found four best friends who had been playing together since college, primarily doing jazz. The fit was perfect, providing just the right sonic backdrop for their soulful approach and high-energy delivery.
As they continued to write and perform, opening for the likes of The Zac Brown Band and Gary Clark, Jr., they put together a project that crosses genres effortlessly, showcasing two voices that soar together in a blending of cultures as electrifying as if Janis Joplin and Tina Turner, or Whitney Houston and Lee Ann Womack had joined forces.
Broken People combines poetic imagery and vocal passion, with the musicianship and production of Motown or Muscle Shoals by way of the raw honesty of Sun Records. Of course it deals with love, longed for and unleashed, in songs like "I Need A Man," "Why Don't You Stay" and "Devil's Teeth," but the album soars as it reaches for bigger themes, dealing with the need for hope in "Take Me Home," for love on a societal scale in "Shine On" and "Brother What Happened," and hope for the future in "Got It Goin' On." With "Leave It To The Sky," the two, joined by John Legend on vocals and piano, make a powerful case for spiritual solutions, and few songs in the modern lexicon are as steeped in present-day reality as the gospel- and R&B-tinged title track.
"Ultimately," says North, "this album is a result of an unlikely friendship and is a testament to what can happen when you diversify your relationships."
"It's about getting out of your comfort zone and being rewarded with a great friendship," adds Wilson. "We've both felt the power of that."
"Our path is so much better and our lives are so much richer because of it," says North, "and we want to bring people along on this journey."
"We want to see what society would be like if we all reached out in ways we normally wouldn't," adds Wilson.
And that is the magic and the message. The music of Muddy Magnolias, live and on record, comes from a place where the Mississippi meets the A-Train by way of Nashville. Whether yours is the back porch or the front stoop, Spanish moss or window box garden, dusty country lane or crowded subway car, rural honky-tonk or uptown club, this is music that beckons. Muddy Magnolias are collaboration without boundaries, musical healing in a landscape of the heart, and all of us who treasure creative energy, honest art and the possibilities of love and unity, are better for their arrival.1. Broken People
2. Brother, What Happened?
3. Got It Goin' On
4. Why Don't You Stay
5. Take Me Home
6. Shine On!
7. It Ain't Easy
8. I Need A Man
9. Devil's Teeth
11. Leave It To The Sky (feat. John Legend)$18.99 $13.29 Save $5.70 (30%)Vinyl LP - Sealed Buy Now
PalisadesPalisades succeeds 2013's Outcasts and 2015's Mind Games. The New Jersey based band signed with Rise in late 2011.1. Aggression
2. Cold Heart (Warm Blood)
3. Better Chemicals
5. Let Down
7. Through Hell
9. Hard Feelings
10. Dancing With Demons
11. Personal$18.99Colored Vinyl LP - Sealed Buy Now
El Is A Sound Of Joy/Black Sky and Blue Moon (Awaiting Repress)Shining sounds from the dawn of the Sun Ra Arkestra. El is A Sound of Joy was recorded in 1956 and appeared the following year on the very first Saturn LP, Super-Sonic Jazz. Incredible is the fact that saxophonist Charles Davis, here providing the soulful baritone anchor line (counterpoint to Ra's formidable left hand), remains in the front-line of today's Sun Ra Arkestra directed by Marshall Allen. Shuffle swing breakdown jets leisurely, casually, masterfully, painting lush, post-modern impressions of ancient future worlds, of space, of time of Chicago's elevated trains Reaching for the sky, for Joy . The "Joy" coda dovetails magically into the intro theme of Black Sky And Blue Moon, before downshifting into another dimension of romantic outrospection.
We follow The Nu Sounds, aka Cosmic Rays, on a faraway journey to the land of late-50s Chicago singing groups, the Arkestra supporting with quiet grace, pulsing in Nubians of Plutonia mode. An uncanny blend of antique blackness and bright satellites, ethereal voices perfectly in tune; thanks to Ra's disciplined coaching (plus Modern Harmonic's expert re-mastering), their sweet dynamics and exact harmonics are crystal clear. Flute solo from Marshall Allen. Hearts swelling like the full moon, ripening in the darkness to the point of bursting.1. El Is A Sound Of Joy
2. Black Sky And Blue Moon$9.997 Vinyl Single - Sealed AWAITING REPRESS Buy Now
Bites (Pre-Order)Available On Vinyl For The First Time In Over 25 Years
Skinny Puppy exploded onto the electronic industrial music scene with 1984's Remission, fusing elements of new wave, techno dance, film noir, and innovative sampling. Lead by cEvin Key and Nivek Ogre, the band quickly garnered an international fanbase and followed up their new success with 1985's Bites, which produced their first underground hit, Assimilate. Restored to their original track listing and design, Remission and Bites are now available on vinyl for the first time in over 25 years.1. Assimilate
2. Dead Lines
3. Blood On The Wall
6. The Choke
7. Social Deception
9. Last Call$26.99Vinyl LP - Sealed PRE-ORDER Buy Now
The Boy Who Died WolfPressed On Opaque Blue Colored Vinyl
The Boy Who Died Wolf is the sophomore LP from Highly Suspect, a Bed-Stuy, Brooklyn-based rock trio comprised of Johnny Stevens (guitars/vocals), Rich Meyer (bass/vocals) and Ryan Meyer (drums/vocals).1. My Name Is Human
2. Look Alive, Stay Alive
3. Little One
4. For Billy
7. Send Me An Angel (Real Life cover)
8. Viper Strike
11. Wolf$22.99Colored Vinyl LP - Sealed Buy Now
Funkadelic (Colored Vinyl)
Limited Edition Of 500 Red & Blue Vinyl In A Deluxe Classic Style Jacket
The 1970 debut from Detroit's nastiest, most shredding progenitors of funk-rock. Funkadelic formed in the late '60s and, in addition to Clinton, included the blazing guitar of Eddie Hazel, organist Mickey Atkins, rhythm guitarist Tawl Ross, and drummer Tiki Fulwood. Though firmly rooted in funk and soul, Funkadelic incorporates a dark psychedelic element, influenced by Hendrix and Sly Stone, to create a sound that was unparalleled at the time. Sampled by everyone from DJ Shadow to Ice Cube, Funkadelic still sounds fresh today and is the first solid example of George Clinton's eccentric genius.1. Mommy, What's A Funkadelic?
2. I Bet You
3. Music For My Mother
4. I Got a Thing, You Got a Thing, Everybody's Got a Thing
5. Good Old Music
6. Qualify and Satisfy
7. What Is Soul$23.99Colored Vinyl LP - Sealed Buy Now
The new clearaudio record clamp is distinguished by its ergonomic form, it is precision machined from aluminium, black anodized and finished with a silver rim. On the under side is a Teflon insert that locates over the spindle for frictionless positioning. The record clamp was designed for use with the new clearaudio turntable series (Concept, Innovation Compact, Innovation), however it can also be used with almost any turntable.
With a weight of 215 gram, a height of 20 mm and a diameter of 75 mm it provides the best possible contact between record and platter as well as easy and ergonomic use.
This product is not eligible for discount.$125.00Concept Clamp Buy Now
ColtraneConsidered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he's simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet. The result is a most focused effort, a relatively popular session to both his fans or latecomers, with five selections that are brilliantly conceived and rendered. "Out of This World," at over 14 minutes in modal trim, is a powerful statement, stretched over Tyner's marvelous and deft chords, the churning rhythms conjured by Jones, and the vocal style Coltrane utilizes as he circles the wagons on this classic melody, including a nifty key change. "Tunji" is a mysterious, easily rendered piece in 4/4 which speaks to the spiritual path Coltrane tred, a bit riled up at times while Tyner remains serene. Hard bop is still in the back of their collective minds during "Miles' Mode," a sliver of a melody that jumps into jam mode in a free-for-all blowing session, while the converse is to be found in Mal Waldron's "Soul Eyes," the quintessential ballad and impressive here for the way Coltrane's holds notes, emotion, and expressive intellectuality. On soprano you can tell Coltrane is close to taking complete control of his newly found voicings, as a playful, jaunty "The Inch Worm" in 3/4 time is only slightly strained, but in which he finds complete communion with the others. Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums OlÉ Coltrane and Impressions -- completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime.--Michael G. Nastos
This Impulse Reissue Series vinyl features Audiophile Remastering, 180 gram Virgin Vinyl, Original Liner notes and deluxe gatefold packaging.
John Coltrane, trumpet
Elvin Jones, drums
Jimmy Garrison, bass
McCoy Tyner, piano1. Out Of This World
2. Soul Eyes
3. The Inch Worm
5. Miles' Mode
6. Big Nick
7. Up' Gainst The Wall$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Shout!When the Saints Go Marching In
St. Louis Blues
How Deep is the Ocean
Ring a Ling Ling
Rock Around the Clock
He's Got the Whole World in His Hands
That Lucky Old Sun
Without a Song
Shout (Parts 1 and 2)$13.99Vinyl LP Reissue - Sealed Buy Now
Neil Young Greatest HitsAfter all these years we finally get a Greatest Hits which could be thought of more as a sampler of his many Hits even though it comes as a 2 LP
set with a bonus 7 single (Sugar Mountain (mono version) / The Loner). This was cut from complied 30 ips analog master tapes prepared by John Nowland at Neil Young's Redwood Ranch Studios and mastered and cut by Chris Bellman at Bernie Grundman Mastering. After listening tests at the Ranch Neil Young decided that Classic's 180g Super Vinyl Profile was to be used exclusively for this long anticipated release which includes favorites such as Cinnamon Girl, Helpless, Comes A Time, Harvest Moon among others. This LP belongs in every collection - enough said.
Pressed at Pallas1. Down By The River - from Everybody Knows This Is Nowhere, 1969
2. Cowgirl In The Sand - from Everybody Knows This Is Nowhere, 1969
3. Cinnamon Girl - from Everybody Knows This Is Nowhere, 1969
4. Helpless - with Crosby, Stills and Nash, from DÉjà Vu, 1970
5. After The Gold Rush - from After The Goldrush, 1970
6. Only Love Can Break Your Heart - from After The Goldrush, 1970)
7. Southern Man - from After The Goldrush, 1970)
8. Ohio - with Crosby, Stills and Nash, from Four Way Street, 1971
9. The Needle and the Damage Done - from Harvest, 1972
10. Old Man - from Harvest, 1972
11. Heart Of Gold - from Harvest, 1972
12. Like A Hurricane - from American Stars 'n' Bars, 1977
13. Comes A Time - from Comes A Time, 1978
14. Hey Hey, My My (Into The Black) - from Rust Never Sleeps, 1979
15. Rockin' In The Free World - from Freedom, 1989
16. Harvest Moon - from Harvest Moon, 1992$49.99180 Gram Audiophile Virgin Vinyl + Bonus 7 - 2 LPs Sealed Buy Now
UNIM-DGC-2152xTV On The Radio
Nine Types Of LightGet your emotions strong - this album packs some heartstring heat! If the band's last album, Dear Science, took us to a celebration on the edge of the abyss, where on earth will they take us now?
Described as boldly catchy 21st-century noise-rock doo-wop soul, both fans and critics adore TV On the Radio. Seemingly impossible, the group somehow always top themselves - will they do it again with Nine Types of Light?1. Second Song
2. Keep Your Heart
4. No Future Shock
5. Killer Crane
6. Will Do
7. New Cannonball Blues
10. Caffeinated Consciousness$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
MementoThis progressive classic from Australia's Bakery finally gets its long awaited vinyl release. Momento is the band's fascinating second album from 1972 mixing longer atmospheric material with powerful numbers like The Gift, highlighted by the otherworldly guitar playing of Peter Walker. Three non-album rare singles are also featured here as bonus tracks including No Dying in the Dark and an impressive cover of Deep Purple's Bloodsucker. Limited to 500 copies on three-sided double LP.1. Holocaust
2. Pete for Jennie
3. Living With a Memory
4. S.S. Bounce
5. The Gift
6. When I'm Feeling
7. Faith to Sing a Song
8. No Dying In The Dark (single)
9. Leave Scruffy Alone (single)
10. Bloodsucker (single)$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
You've Got Nothing To LoseProduced By Jack White
Kiwanuka, a 25 year-old UK native of Ugandan heritage, was raised in north London where he split his time between session work and local gigs. Along the way, having found footing as a solo artist, he was signed to Communion Records, then Polydor, and has since performed throughout Europe and North America too-touring in direct support of Adele. He made his way through Nashville this past summer with just enough pause and aplomb to commit these morsels to tape. The A-side ''You've Got Nothing to Lose'' is an original composition, featuring The Buzzards' Dominic Davis on upright bass and Cory Younts on piano, joined also by fellow balladeer Lillie Mae Rische on fiddle. Their contributions transform his work into a stone-cold groove with almost orchestral underpinnings, making it a fitting extension of their previous Blue Series.
The single also features a chilling rendition of Townes Van Zandt's infamous ''Waitin' 'Round to Die'' on the B-side, the perfect compliment to the timbre and mood of the A-side.A. You've Got Nothing to Lose
B. Waitin' 'Round to Die (Townes Van Zandt)$6.997 Vinyl Single - Sealed Buy Now